Iran has one of the oldest histories in the world, extending more than 5000 years, and throughout history, Iran has been of geostrategic importance because of its central location in Eurasia and Western Asia. Iran is a founding member of the UN, NAM, OIC, OPEC, and ECO. Iran as a major regional power occupies an important position in the world economy due to its substantial reserves of petroleum and natural gas, and has considerable regional influence in Western Asia. The name Iran is a cognate of Aryan and literally means "Land of the Aryans." (Full article...)
She was the regent of most of Jibal during the minority of her son, Majd al-Dawla (r. 997–1029), and served as de facto ruler also after her formal regency had ended during the reign of her son. She is notable for securing the governorship of Isfahan to her first cousin Ala al-Dawla Muhammad, thus marking the start of the Kakuyid dynasty. (Full article...)
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Detail of Barbad playing the barbat for Khosrow II. Imaginary painting by Muhammad-Mukim, 1664
Barbad (Persian: باربد; fl. late 6th – early 7th century CE) was a Persian musician-poet, music theorist and composer of Sasanian music. He served as chief minstrel-poet under the Shahanshah Khosrow II (r. 590–628). A barbat player, he was the most distinguished Persian musician of his time and is regarded among the major figures in the history of Persian music.
Despite scarce biographical information, Barbad's historicity is generally secure. He was highly regarded in the court of Khosrow, and interacted with other musicians, such as Sarkash. Although he is traditionally credited with numerous innovations in Persian music theory and practice, the attributions remain tentative since they are ascribed centuries after his death. Practically all Barbad's music or poetry is lost, except a single poem fragment and the titles of a few compositions. (Full article...)
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The sack of Shamakhi took place on 18 August 1721, when rebellious SunniLezgins, within the declining Safavid Empire, attacked the capital of Shirvan province, Shamakhi (in present-day Azerbaijan Republic). The initially successful counter-campaign was abandoned by the central government at a critical moment and with the threat then left unchecked, Shamakhi was taken by 15,000 Lezgin tribesmen, its Shia population massacred, and the city ransacked.
The 2002 Bou'in-Zahra earthquake (also known as the 2002 Avaj earthquake or the 2002 Changureh earthquake) occurred on 22 June 2002. The epicenter was near the city of Bou'in-Zahra in Qazvin province, a region of northwestern Iran which is crossed by several major faults that is known for destructive earthquakes. The shock measured 6.5 on the Mwc scale, had a maximum Mercalli intensity of VIII (Severe), and was followed by more than 20 aftershocks. At least 230 people were killed and 1,500 more were injured.
According to the International Institute of Earthquake Engineering and Seismology (IIEES), the earthquake was felt as far away as the capital city of Tehran, approximately 290 kilometres (180 mi) east of the epicenter, although no damage was reported there. Most houses in the region were single-story masonry buildings, and virtually all of these collapsed. The public became angry due to the slow official response to victims who needed supplies. Residents of the town of Avaj resorted to throwing stones at the car of a government minister. (Full article...)
The Harpy Tomb is a marble chamber from a pillar tomb that stands in the abandoned city of Xanthos, capital of ancient Lycia, a region of southwestern Anatolia in what is now Turkey. Built in the Persian Achaemenid Empire, and dating to approximately 480–470 BC, the chamber topped a tall pillar and was decorated with marble panels carved in bas-relief. The tomb was built for an Iranian prince or governor of Xanthus, perhaps Kybernis.
The marble chamber is carved in the Greek Archaic style. Along with much other material in Xanthos it is heavily influenced by Greek art, but there are also indications of non-Greek influence in the carvings. The reliefs are reminiscent of reliefs at Persepolis. The monument takes its name from the four carved female winged figures, resembling Harpies. The identities of the carved figures and the meaning of the scenes depicted are uncertain, but it is generally now agreed that the winged creatures are not Harpies. The Lycians absorbed much of Greek mythology into their own culture and the scenes may represent Greek deities, but it is also possible they are unknown Lycian deities. An alternative interpretation is that they represent scenes of judgement in the afterlife and scenes of supplication to Lycian rulers. (Full article...)
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Abu Ahmad Ṭalḥa ibn Jaʿfar ibn Muḥammad ibn Hārūn al-Muwaffaq bi'Llah (Arabic: أبو أحمد طلحة بن جعفر; 29 November 843 – 2 June 891), better known by his laqab as Al-Muwaffaq Billah (Arabic: الموفق بالله, lit. 'Blessed of God'), was an Abbasid prince and military leader, who acted as the de facto regent of the Abbasid Caliphate for most of the reign of his brother, Caliphal-Mu'tamid. His stabilization of the internal political scene after the decade-long "Anarchy at Samarra", his successful defence of Iraq against the Saffarids and the suppression of the Zanj Rebellion restored a measure of the Caliphate's former power and began a period of recovery, which culminated in the reign of al-Muwaffaq's own son, the Caliph al-Mu'tadid. (Full article...)
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The Queen's College, Oxford, where a scholarship in the name of Neda Agha-Soltan was established in 2009 The Neda Agha-Soltan Graduate Scholarship is a scholarship for post-graduate philosophy students at The Queen's College, Oxford, with preference given to students of Iranian citizenship or heritage. It was established in 2009 following the death of Neda Agha-Soltan, an Iranian philosophy student, in the street protests that followed the disputed Iranian presidential election in 2009. The college received offers from two anonymous donors to establish a scholarship, followed by many individual donations from former students of Queen's and others to reach its £70,000 target to establish the scholarship on a permanent basis. The first recipient of the scholarship was Arianne Shahvisi, a philosophy student of Iranian descent, who described the award as "a great honour".
The establishment of the scholarship led to criticism from the Iranian government: the Iranian embassy in London told the college that the university was involved in a "politically motivated campaign ... in sharp contrast with its academic objectives". In response, The Times praised the scholarship in an editorial, saying that the establishment of the scholarship was indeed politically motivated, "and admirably so", given the government's reaction to her death and continuing problems in Iran. One British–Iranian student, Leyla Ferani, has said that the scholarship could be Agha-Soltan's "most important legacy". The college has denied that it took a political decision in establishing the scholarship, stating that it aims to attract and support the best students, and arguing that refusal of the donations would itself have been a political act. Anonymous British diplomatic sources were reported as saying that the creation of the scholarship had put "another nail into the coffin" of relations between Britain and Iran. (Full article...)
Hezbollah was founded in 1982 by Lebanese clerics in response to the Israeli invasion of Lebanon. Inspired by the Iranian Revolution of 1979 and Ayatollah Ruhollah Khomeini's model of Islamic governance, Hezbollah established strong ties with Iran. The group was initially supported by 1,500 Islamic Revolutionary Guard Corps (IRGC) instructors, who helped unify various Lebanese Shia factions under Hezbollah's leadership. Hezbollah's 1985 manifesto outlined its key objectives, which include expelling Western influence from the region, destroying Israel, pledging allegiance to Iran's supreme leader, and establishing an Islamic government influenced by Iran's political ideology. However, the manifesto also emphasized Lebanese self-determination. Throughout the 1980s and 1990s, Hezbollah fought against Israeli forces and the South Lebanon Army (SLA), eventually leading to Israel's withdrawal from southern Lebanon in 2000. Hezbollah also played a prominent role in the 2006 Lebanon War and later became involved in the Syrian civil war, where it fought alongside the Syrian government against rebel forces. (Full article...)
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Approximate extent of Sogdia, between the Oxus and the Jaxartes.
...that the nearly completed Sivand Dam project in Fars Province, Iran will flood 130 archaeological sites and hasten the destruction of the ancient Persian city of Pasargadae?
...that the Iran-Pakistan barrier is currently being constructed by Iran along its border with Pakistan to stop illegal migration and thwart terror attacks?
...that a shrine in Shiraz over the tomb(pictured) of the famed Persian poetHafez was pulled down in 1899 by protesters, because it was being built by a Zoroastrian?
From the Achaemenid Empire of 550 BC–330 BC for most of the time a large Iranian-speaking state has ruled over areas similar to the modern boundaries of Iran, and often much wider areas, sometimes called Greater Iran, where a process of cultural Persianization left enduring results even when rulership separated. The courts of successive dynasties have generally led the style of Persian art, and court-sponsored art has left many of the most impressive survivals. (Full article...)
The fortified site, which is located on a hill created by the outflow of a calcium-rich spring pond, was recognized as a World Heritage Site in July 2003. The citadel includes the remains of Adur Gushnasp, a Zoroastrianfire temple built during the Sasanian era and partially rebuilt (as a mosque) under the Ilkhanate. This temple housed one of the three "Great Fires" or "Royal Fires" that Sassanid rulers humbled themselves before in order to ascend the throne. The fire at Takht-i Soleiman was called Adur Gushnasp and was dedicated to the arteshtar or the warrior class of the Sassanid. A 4th century Armenian manuscript relating to Jesus and Zoroaster, and various historians of the Islamic period, mention this pond. The foundations of the fire temple around the pond is attributed to that legend. Takht-e Soleyman appears on the 4th century Peutinger Map. (Full article...)
Oobi: Dasdasi (Persian: دس دسی صداش می آد; English translation: Dasdasi: Clapping Hands) is an Iranian children's television series created for channel IRIB TV2. It is an adaptation of the American series Oobi. It was produced by Negar Estakhr [fa] and directed by Amir Soltan Ahmadi, two puppeteers who also starred on the program. The show featured performers Bahador Maleki [fa], Banafsheh Samadi, and Isa Yousefipour.
In an interview with the newspaper Jaam-e Jam, Estakhr said that the idea for the show came about after watching Oobi in English. She wanted to make a tailored version for an Iranian audience, so some of its characters and locations highlight elements of Iranian culture. The series follows a family of characters represented by bare-hand puppets. The stories have a heavy emphasis on comedy and typically follow the children of the family as they discover something new. (Full article...)
It is defined by having long been ruled by the dynasties of various Iranian empires, under whom the local populaces gradually incorporated some degree of Iranian influence into their cultural and/or linguistic traditions; or alternatively as where a considerable number of Iranians settled to still maintain communities who patronize their respective cultures, geographically corresponding to the areas surrounding the Iranian plateau. It is referred to as the "Iranian Cultural Continent" by Encyclopædia Iranica. (Full article...)
In the classical antiquity, part of the territory of present-day Tehran was occupied by Rhages (now Ray), a prominent Median city almost entirely destroyed in the medieval Arab, Turkic, and Mongol invasions. Modern Ray was absorbed into the metropolitan area of Greater Tehran. (Full article...)
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Parthian artwork found in Dura-Europos. According to the principle of "Parthian frontality", all figures, human or divine, face directly forward, with eyes fixed on the spectator. Parthian art was Iranian art made during the Parthian Empire from 247 BC to 224 AD, based in the Near East. It has a mixture of Persian and Hellenistic influences. For some time after the period of the Parthian Empire, art in its styles continued for some time. A typical feature of Parthian art is the frontality of the people shown. Even in narrative representations, the actors do not look at the object of their action, but at the viewer. These are features that anticipate the art of medieval Europe and Byzantium.
Parthian sites are often overlooked in excavations, thus the state of research knowledge in Parthian art is not complete. The excavations at Dura-Europos in the 20th century provided many new discoveries. The classical archaeologist and director of the excavations, Michael Rostovtzeff, realized that the art of the first centuries AD from Palmyra, Dura Europos, and also in Iran as far as the Greco-Buddhist art of north India followed the same principles. He called this art style Parthian art. (Full article...)
Foreign investors have concentrated their activity in a few sectors of the economy: the oil and gas industries, vehicle manufacture, coppermining, petrochemicals, foods, and pharmaceuticals. Iran absorbed US$24.3 billion of foreign investment from 1993 to 2007 and US$34.6 billion for 485 projects from 1992 to 2009. (Full article...)
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Saffron crocus, Crocus sativus, with its vivid crimson stigmas and styles Saffron (/ˈsæfrən,-rɒn/) is a spice derived from the flower of Crocus sativus, commonly known as the "saffron crocus". The vivid crimson stigma and styles, called threads, are collected and dried for use mainly as a seasoning and colouring agent in food. The saffron crocus was slowly propagated throughout much of Eurasia and was later brought to parts of North Africa, North America, and Oceania.
Saffron's taste and iodoform-like or hay-like fragrance result from the phytochemicalspicrocrocin and safranal. It also contains a carotenoid pigment, crocin, which imparts a rich golden-yellow hue to dishes and textiles. Its recorded history is attested in a 7th-century BC Assyrian botanical treatise, and it has been traded and used for thousands of years. As of 2024, Iran produced some 90% of the world total for saffron. At US$5,000 per kg or higher, saffron has long been the world's costliest spice by weight. (Full article...)
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Artistic representation of a Median man
The Medes were an ancientIranian people who spoke the Median language and who inhabited an area known as Media between western and northern Iran. Around the 11th century BC, they occupied the mountainous region of northwestern Iran and the northeastern and eastern region of Mesopotamia in the vicinity of Ecbatana (present-day Hamadan). Their consolidation in Iran is believed to have occurred during the 8th century BC. In the 7th century BC, all of western Iran and some other territories were under Median rule, but their precise geographic extent remains unknown.
Although widely recognized as playing an important role in the history of the ancient Near East, the Medes left no written records to reconstruct their history. Knowledge of the Medes comes only from foreign sources such as the Assyrians, Babylonians, Armenians and Greeks, as well as a few Iranian archaeological sites, which are believed to have been occupied by Medes. The accounts related to the Medes reported by Herodotus convey the image of a powerful people, who would have formed an empire at the beginning of the 7th century BC that lasted until the 550s BC, played a pivotal role in the fall of the Assyrian Empire, and competed with the powerful kingdoms of Lydia and Babylonia. However, a recent reassessment of contemporary sources from the Median period has altered scholars' perceptions of the Median state. The state remains difficult to perceive in the documentation, which leaves many doubts about its extent; some specialists have even suggested that there never was a powerful Median kingdom. In any case, it appears that after the fall of the last Median king against the Persian king Cyrus the Great, Media became an important province and was prized by the empires which successively dominated it (Achaemenids, Seleucids, Parthians and Sasanids). (Full article...)
... that Russia launched an Iranian satellite into orbit just three weeks after Putin and Iran's Supreme Leader Ayatollah Khamenei vowed to cooperate against the West?
February 7, 1979 - Supporters of Khomeini take over the Iranian law enforcement, courts and government administration; the final session of the Iranian National Consultative Assembly is held.
February 10, 1979 - The Iranian army mutinies and joins the Islamic Revolution.
Whereas now Iranian cinema shows the Iranian people to the world. The US has tried very hard to make an entire people out to be terrorists. The Iranian cinema tries to say that the Iranian people are very warm and poetic people.
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