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Introduction

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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Roshan in 2016 Hrithik Roshan (Hindi: [ˈɾɪt̪ɪk ɾoːʃən]; born 10 January 1974) is an Indian actor who works in Hindi cinema. He has portrayed a variety of characters and is known for his dancing skills. One of the highest-paid actors in India, he has won many awards, including six Filmfare Awards, of which four were for Best Actor. Starting from 2012, he has appeared in Forbes India's Celebrity 100 several times based on his income and popularity. Roshan has frequently collaborated with his father, Rakesh Roshan. He made brief appearances as a child actor in several films in the 1980s and later worked as an assistant director on four of his father's films. His first leading role was in the box-office success Kaho Naa... Pyaar Hai (2000), for which he received several awards. Performances in the 2000 terrorism drama Fiza and the 2001 ensemble family drama Kabhi Khushi Kabhie Gham... consolidated his reputation but were followed by several poorly received films. (Full article...)

    Roshan in 2016

    Hrithik Roshan (Hindi: [ˈɾɪt̪ɪk ɾoːʃən]; born 10 January 1974) is an Indian actor who works in Hindi cinema. He has portrayed a variety of characters and is known for his dancing skills. One of the highest-paid actors in India, he has won many awards, including six Filmfare Awards, of which four were for Best Actor. Starting from 2012, he has appeared in Forbes India's Celebrity 100 several times based on his income and popularity.

    Roshan has frequently collaborated with his father, Rakesh Roshan. He made brief appearances as a child actor in several films in the 1980s and later worked as an assistant director on four of his father's films. His first leading role was in the box-office success Kaho Naa... Pyaar Hai (2000), for which he received several awards. Performances in the 2000 terrorism drama Fiza and the 2001 ensemble family drama Kabhi Khushi Kabhie Gham... consolidated his reputation but were followed by several poorly received films. (Full article...)
  • Image 2 Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power. Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
    Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

    A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

    Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
  • Image 3 Portrait by Rudolf Swoboda, 1888 Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time. Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)

    Portrait by Rudolf Swoboda, 1888

    Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time.

    Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)
  • Image 4 Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 5 Ismay in 1945 General Hastings Lionel "Pug" Ismay, 1st Baron Ismay (21 June 1887 – 17 December 1965) was a British politician, diplomat and general in the British Indian Army who was the first secretary general of NATO. He also was Winston Churchill's chief military assistant during the Second World War. Ismay was born in Nainital, India, in 1887, and educated in the United Kingdom at Charterhouse School and the Royal Military College, Sandhurst. After Sandhurst, he joined the Indian Army as an officer of the 21st Prince Albert Victor's Own Cavalry. During the First World War, he served with the Camel Corps in British Somaliland, where he joined in the British fight against the "Mad Mullah", Mohammed Abdullah Hassan. In 1925, Ismay became an Assistant Secretary of the Committee of Imperial Defence (CID). After being promoted to the rank of colonel, he served as the military secretary for Lord Willingdon, the Viceroy of India, then returned to the CID as Deputy Secretary in 1936. (Full article...)

    Ismay in 1945

    General Hastings Lionel "Pug" Ismay, 1st Baron Ismay (21 June 1887 – 17 December 1965) was a British politician, diplomat and general in the British Indian Army who was the first secretary general of NATO. He also was Winston Churchill's chief military assistant during the Second World War.

    Ismay was born in Nainital, India, in 1887, and educated in the United Kingdom at Charterhouse School and the Royal Military College, Sandhurst. After Sandhurst, he joined the Indian Army as an officer of the 21st Prince Albert Victor's Own Cavalry. During the First World War, he served with the Camel Corps in British Somaliland, where he joined in the British fight against the "Mad Mullah", Mohammed Abdullah Hassan. In 1925, Ismay became an Assistant Secretary of the Committee of Imperial Defence (CID). After being promoted to the rank of colonel, he served as the military secretary for Lord Willingdon, the Viceroy of India, then returned to the CID as Deputy Secretary in 1936. (Full article...)
  • Image 6 The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of two main tournaments—an Open event, enabling participation of players from all genders, and a Women's event, enabling participation of female players only—as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India. The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
    The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of two main tournaments—an Open event, enabling participation of players from all genders, and a Women's event, enabling participation of female players only—as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India.

    The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
  • Image 7 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated non-migratory population lives in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 8 The central image at Vithoba Temple in Pandharpur Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)

    The central image at Vithoba Temple in Pandharpur

    Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.

    Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)
  • Image 9 Rashtrakuta control around 790 AD, during the Tripartite Struggle The Rashtrakuta Empire was a royal Indian polity ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language. The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)

    Rashtrakuta control around 790 AD, during the Tripartite Struggle

    The Rashtrakuta Empire was a royal Indian polity ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language.

    The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)
  • Image 10 Indian roller, Gujarat The Indian roller (Coracias benghalensis) is a bird of the family Coraciidae. It is 30–34 cm (12–13 in) long with a wingspan of 65–74 cm (26–29 in) and weighs 166–176 g (5.9–6.2 oz). The face and throat are pinkish, the head and back are brown, with blue on the rump and contrasting light and dark blue on the wings and tail. The bright blue markings on the wing are prominent in flight. The sexes are similar in appearance. Two subspecies are recognised. The Indian roller occurs widely from West Asia to the Indian subcontinent. Often found perched on roadside trees and wires, it is common in open grassland and scrub forest habitats, and has adapted well to human-modified landscapes. It mainly feeds on insects, especially beetles. The species is best known for the aerobatic displays of males during the breeding season. Adult males and females form pair bonds and raise the young together. The female lays 3–5 eggs in a cavity or crevice, which is lined with a thin mat of straw or feathers. The roller is the state bird of three Indian states. It is listed as a species of least concern on the IUCN Red List. (Full article...)

    Indian roller, Gujarat

    The Indian roller (Coracias benghalensis) is a bird of the family Coraciidae. It is 30–34 cm (12–13 in) long with a wingspan of 65–74 cm (26–29 in) and weighs 166–176 g (5.9–6.2 oz). The face and throat are pinkish, the head and back are brown, with blue on the rump and contrasting light and dark blue on the wings and tail. The bright blue markings on the wing are prominent in flight. The sexes are similar in appearance. Two subspecies are recognised.

    The Indian roller occurs widely from West Asia to the Indian subcontinent. Often found perched on roadside trees and wires, it is common in open grassland and scrub forest habitats, and has adapted well to human-modified landscapes. It mainly feeds on insects, especially beetles. The species is best known for the aerobatic displays of males during the breeding season. Adult males and females form pair bonds and raise the young together. The female lays 3–5 eggs in a cavity or crevice, which is lined with a thin mat of straw or feathers. The roller is the state bird of three Indian states. It is listed as a species of least concern on the IUCN Red List. (Full article...)
  • Image 11 A stallion The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait. The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)

    A stallion

    The Marwari or Malani is a rare breed of horse from the Marwar (or Jodhpur) region of Rajasthan, in north-west India. It is closely related to the Kathiawari breed of the Kathiawar peninsula of Gujarat, with which it shares an unusual inward-curving shape of the ears. It is found in all equine colours, including piebald and skewbald. It is a hardy riding horse; it may exhibit a natural ambling gait.

    The Rathores, traditional rulers of the Marwar region of western India, were the first to breed the Marwari. Beginning in the 12th century, they espoused strict breeding that promoted purity and hardiness. Used throughout history as a cavalry horse by the people of the Marwar region, the Marwari was noted for its loyalty and bravery in battle. The breed deteriorated in the 1930s, when poor management practices resulted in a reduction of the breeding stock, but today has regained some of its popularity. The Marwari is used for light draught and agricultural work, as well as riding and packing. In 1995, a breed society was formed for the Marwari horse in India. The exportation of Marwari horses was banned for decades, but between 2000 and 2006, a small number of exports were allowed. Since 2008, visas allowing temporary travel of Marwari horses outside India have been available in small numbers. Though they are rare they are becoming more popular outside of India due to their unique looks. (Full article...)
  • Image 12 Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film. The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
    Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film.

    The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
  • Image 13 Khan in 1991 Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art. Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)

    Khan in 1991

    Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art.

    Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)
  • Image 14 Vidya in 2024 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by several commercial successes including Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles were met with negative reviews. (Full article...)

    Vidya in 2024

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by several commercial successes including Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles were met with negative reviews. (Full article...)
  • Image 15 Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka. Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
    Virupaksha temple at Hampi, the sacred centre at Vijayanagara, the royal capital

    Vijayanagara literature in Kannada is the body of literature composed in the Kannada language of South India during the ascendancy of the Vijayanagara Empire which lasted from the 14th through the 16th century. The Vijayanagara empire was established in 1336 by Harihara I and his brother Bukka Raya I. Although it lasted until 1664, its power declined after a major military defeat by the Shahi Sultanates in the battle of Talikota in 1565. The empire is named after its capital city Vijayanagara, whose ruins surround modern Hampi, now a World Heritage Site in Karnataka.

    Kannada literature during this period consisted of writings relating to the socio-religious developments of the Veerashaiva and Vaishnava faiths, and to a lesser extent to that of Jainism. Writing on secular topics was popular throughout this period. Authorship of these writings was not limited to poets and scholars alone. Significant literary contributions were made by members of the royal family, their ministers, army commanders of rank, nobility and the various subordinate rulers. In addition, a vast body of devotional folk literature was written by musical bards, mystics and saint-poets, influencing society in the empire. Writers of this period popularised use of the native metres: shatpadi (six-line verse), sangatya (compositions meant to be sung to the accompaniment of a musical instrument), and tripadi (three-line verse). (Full article...)
  • Image 16 Basohli miniature, c. 1730. National Museum, New Delhi Ganesha (/gəɳeɕᵊ/, Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Pillaiyar, and Lambodara, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)

    Basohli miniature, c. 1730. National Museum, New Delhi

    Ganesha (/gəɳeɕᵊ/, Sanskrit: गणेश, IAST: Gaṇeśa), also spelled Ganesh, and also known as Ganapati, Vinayaka, Pillaiyar, and Lambodara, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India.

    Although Ganesha has many attributes, he is readily identified by his elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning. Several texts relate anecdotes associated with his birth and exploits. (Full article...)
  • Image 17 Mayabazar (transl. Market of illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version. The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)
    Mayabazar (transl. Market of illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version.

    The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)
  • Image 18 Mukerji promoting Hichki in 2018 Rani Mukerji (pronounced [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s. Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)

    Mukerji promoting Hichki in 2018

    Rani Mukerji (pronounced [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s.

    Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)
  • Image 19 Kapoor in 2017 Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is a former Indian actress who worked in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016. Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)

    Kapoor in 2017

    Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is a former Indian actress who worked in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016.

    Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)
  • Image 20 Portrait by Charles Dana Gibson, c. 1903 Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics. Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)

    Portrait by Charles Dana Gibson, c. 1903

    Margaret Ives Abbott (June 15, 1878 – June 10, 1955) was an American amateur golfer. She was the first American woman to win an Olympic event: the women's golf tournament at the 1900 Summer Olympics.

    Born in Calcutta (now Kolkata), British Raj, in 1878, Abbott moved with her family to Chicago in 1884. She joined the Chicago Golf Club in Wheaton, Illinois, where she received coaching from Charles B. Macdonald and H. J. Whigham. In 1899, she traveled with her mother to Paris to study art. The following year, along with her mother, she signed up for a women's golf tournament without realizing that it was the second modern Olympics. Abbott won the tournament with a score of 47 strokes; her mother tied for seventh place. Abbott received a porcelain bowl as a prize. (Full article...)
  • Image 21 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 22 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 23 Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction action film co-written and directed by S. Shankar. It is the first installment in the Enthiran film series. The film stars Rajinikanth in the main dual lead role as a scientist and the robot he created. Aishwarya Rai Bachchan, Danny Denzongpa, Santhanam and Karunas play supporting roles. The soundtrack album and background score were composed by A. R. Rahman while the dialogues, cinematography, editing and art direction were handled by Madhan Karky, R. Rathnavelu, Anthony and Sabu Cyril respectively. The story revolves around the struggle of a scientist named Vaseegaran to control his sophisticated android robot named Chitti, after Chitti's software is upgraded to give it the ability to comprehend and exhibit human emotions and to commission it to the Indian Army. The project backfires when Chitti falls in love with Vaseegaran's girlfriend Sana, and is manipulated by Vaseegaran's mentor Bohra into becoming homicidal. After being stalled in the development phase for nearly a decade, the film's principal photography began in 2008 and lasted two years. The film marked the debut of Legacy Effects studio (which was responsible for the film's prosthetic make-up and animatronics) in Indian cinema. Enthiran was released worldwide on 1 October 2010. Produced by Kalanithi Maran, it was the most expensive Indian film at the time of its release. (Full article...)
    Enthiran (transl. Robot) is a 2010 Indian Tamil-language science fiction action film co-written and directed by S. Shankar. It is the first installment in the Enthiran film series. The film stars Rajinikanth in the main dual lead role as a scientist and the robot he created. Aishwarya Rai Bachchan, Danny Denzongpa, Santhanam and Karunas play supporting roles. The soundtrack album and background score were composed by A. R. Rahman while the dialogues, cinematography, editing and art direction were handled by Madhan Karky, R. Rathnavelu, Anthony and Sabu Cyril respectively. The story revolves around the struggle of a scientist named Vaseegaran to control his sophisticated android robot named Chitti, after Chitti's software is upgraded to give it the ability to comprehend and exhibit human emotions and to commission it to the Indian Army. The project backfires when Chitti falls in love with Vaseegaran's girlfriend Sana, and is manipulated by Vaseegaran's mentor Bohra into becoming homicidal.

    After being stalled in the development phase for nearly a decade, the film's principal photography began in 2008 and lasted two years. The film marked the debut of Legacy Effects studio (which was responsible for the film's prosthetic make-up and animatronics) in Indian cinema. Enthiran was released worldwide on 1 October 2010. Produced by Kalanithi Maran, it was the most expensive Indian film at the time of its release. (Full article...)
  • Image 24 Greatest extent of the Chalukya Empire The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century. The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)

    Greatest extent of the Chalukya Empire

    The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century.

    The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)
  • Image 25 Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film. The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
    Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.

    The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
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  • Image 1 Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F) Enhydriodon is an extinct genus of mustelids known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae. Enhydriodon means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives. The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)

    Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F)

    Enhydriodon is an extinct genus of mustelids known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae. Enhydriodon means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives.

    The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)
  • Image 2 India competed at the 2011 Commonwealth Youth Games (officially known as the IV Commonwealth Youth Games) held in the Isle of Man from 7 to 13 September 2011. India has participated in all the editions of the Commonwealth Youth Games. The nation was represented by the Indian Olympic Association, which is responsible for the Commonwealth Games and Commonwealth Youth Games in India. The delegation of India consisted of 20 competitors, participating in four—athletics, badminton, boxing and cycling—out of the seven sports of the programme, and 11 officials. Durgesh Kumar, Navjetdeep Singh and Pusarla Sindhu won gold medals for India in 400 m hurdles, shot put, and women's singles event of badminton, respectively. Badminton player Srikanth Kidambi became the only Indian athlete to win multiple medals, including a silver in mixed doubles (paired with Maneesha Kukkapalli) and a bronze in men's doubles (paired with Hema Thandarang). India devolved from the top position in the previous Games to the ninth position with total of nine medals (equally distributed in all medal categories). (Full article...)
    India competed at the 2011 Commonwealth Youth Games (officially known as the IV Commonwealth Youth Games) held in the Isle of Man from 7 to 13 September 2011. India has participated in all the editions of the Commonwealth Youth Games. The nation was represented by the Indian Olympic Association, which is responsible for the Commonwealth Games and Commonwealth Youth Games in India.

    The delegation of India consisted of 20 competitors, participating in four—athletics, badminton, boxing and cycling—out of the seven sports of the programme, and 11 officials. Durgesh Kumar, Navjetdeep Singh and Pusarla Sindhu won gold medals for India in 400 m hurdles, shot put, and women's singles event of badminton, respectively. Badminton player Srikanth Kidambi became the only Indian athlete to win multiple medals, including a silver in mixed doubles (paired with Maneesha Kukkapalli) and a bronze in men's doubles (paired with Hema Thandarang). India devolved from the top position in the previous Games to the ninth position with total of nine medals (equally distributed in all medal categories). (Full article...)
  • Image 3 Bondla Wildlife Sanctuary, India The four-horned antelope (Tetracerus quadricornis), also called chousingha, is a small bovid antelope native to central, South and Western India, along with a smaller population in Nepal. The sole member of the genus Tetracerus, the chousingha was first scientifically described in 1816 by French zoologist Henri Marie Ducrotay de Blainville. Three regional subspecies are currently recognised. The four-horned antelope has a yellowish-tan, sometimes reddish or goldenrod coat. It is slender with thin legs and a short tail. It stands nearly 55–64 cm (22–25 in) at the shoulder and weighs about 17–22 kg (37–49 lb). Its four horns are unique among antelopes and distinguish it from most other bovids. The longer pair of straight, spike-like horns is atop its head between the ears, while the other, shorter pair is on the forehead; its posterior horns are always longer than the anterior horns, which may even present as merely fur-covered "studs". While the posterior horns measure 8–12 cm (3.1–4.7 in), the anterior ones are usually 2–5 cm (0.79–1.97 in) long. The four-horned antelope is diurnal (active mainly during the day) and typically solitary by nature, though some antelope may form loose groups of three to five animals, usually one or more adults, possibly accompanied by calves. This elusive antelope feeds on grasses, herbs, shrubs, foliage, flowers and fruits. It needs to drink water frequently; as such it stays in places near water sources. The breeding behaviour of the four-horned antelope has not been well studied. The age at which they reach sexual maturity and the season when mating occurs have not been understood well. Gestation lasts about eight months, following which one or two calves are born. They are kept concealed for the first few weeks of their birth. The young remain with the mother for about a year. (Full article...)

    Bondla Wildlife Sanctuary, India

    The four-horned antelope (Tetracerus quadricornis), also called chousingha, is a small bovid antelope native to central, South and Western India, along with a smaller population in Nepal. The sole member of the genus Tetracerus, the chousingha was first scientifically described in 1816 by French zoologist Henri Marie Ducrotay de Blainville. Three regional subspecies are currently recognised. The four-horned antelope has a yellowish-tan, sometimes reddish or goldenrod coat. It is slender with thin legs and a short tail. It stands nearly 55–64 cm (22–25 in) at the shoulder and weighs about 17–22 kg (37–49 lb). Its four horns are unique among antelopes and distinguish it from most other bovids. The longer pair of straight, spike-like horns is atop its head between the ears, while the other, shorter pair is on the forehead; its posterior horns are always longer than the anterior horns, which may even present as merely fur-covered "studs". While the posterior horns measure 8–12 cm (3.1–4.7 in), the anterior ones are usually 2–5 cm (0.79–1.97 in) long.

    The four-horned antelope is diurnal (active mainly during the day) and typically solitary by nature, though some antelope may form loose groups of three to five animals, usually one or more adults, possibly accompanied by calves. This elusive antelope feeds on grasses, herbs, shrubs, foliage, flowers and fruits. It needs to drink water frequently; as such it stays in places near water sources. The breeding behaviour of the four-horned antelope has not been well studied. The age at which they reach sexual maturity and the season when mating occurs have not been understood well. Gestation lasts about eight months, following which one or two calves are born. They are kept concealed for the first few weeks of their birth. The young remain with the mother for about a year. (Full article...)
  • Image 4 Vikram in 2024 Kennedy John Victor (born 17 April 1966), known professionally as Vikram, is an Indian actor and playback singer who predominantly works in Tamil cinema. He is among the most decorated actors in Tamil cinema, with laurels including eight Filmfare Awards South, a National Film Award, four Tamil Nadu State Film Awards and the Kalaimamani Award from the Government of Tamil Nadu. Based on the earnings of Indian celebrities, Vikram was included in the Forbes India Celebrity 100 list for 2016 and 2018. Vikram debuted with the romance En Kadhal Kanmani (1990) followed by his major breakthrough with his portrayal of a rogue-turned-lover in Bala's tragedy film Sethu (1999) and next appeared in hit films like Dhill (2001), Gemini (2002), Dhool (2003), Saamy (2003), Anniyan (2005), Raavanan (2010), Deiva Thirumagal (2011) and Iru Mugan (2016). He also earned widespread critical acclaim for diverse roles of disadvantaged people in Kasi (2001), Samurai (2002) and Pithamagan (2003); the lattermost won him the National Film Award for Best Actor. Vikram's highest-grossing releases came with the romantic thriller I (2015) and the epic historical dramas Ponniyin Selvan: I (2022) and Ponniyin Selvan: II (2023). (Full article...)

    Vikram in 2024

    Kennedy John Victor (born 17 April 1966), known professionally as Vikram, is an Indian actor and playback singer who predominantly works in Tamil cinema. He is among the most decorated actors in Tamil cinema, with laurels including eight Filmfare Awards South, a National Film Award, four Tamil Nadu State Film Awards and the Kalaimamani Award from the Government of Tamil Nadu. Based on the earnings of Indian celebrities, Vikram was included in the Forbes India Celebrity 100 list for 2016 and 2018.

    Vikram debuted with the romance En Kadhal Kanmani (1990) followed by his major breakthrough with his portrayal of a rogue-turned-lover in Bala's tragedy film Sethu (1999) and next appeared in hit films like Dhill (2001), Gemini (2002), Dhool (2003), Saamy (2003), Anniyan (2005), Raavanan (2010), Deiva Thirumagal (2011) and Iru Mugan (2016). He also earned widespread critical acclaim for diverse roles of disadvantaged people in Kasi (2001), Samurai (2002) and Pithamagan (2003); the lattermost won him the National Film Award for Best Actor. Vikram's highest-grossing releases came with the romantic thriller I (2015) and the epic historical dramas Ponniyin Selvan: I (2022) and Ponniyin Selvan: II (2023). (Full article...)
  • Image 5 Irfan Pathan (pronunciation; born 27 October 1984) is an Indian cricket commentator, analyst and former player. He was a bowling all-rounder and member of the Indian cricket team that won the inaugural 2007 ICC Twenty20 World Cup and 2013 ICC Champions Trophy. Beginning his career as a fast-medium swing and seam bowler, Pathan broke into the national team soon after turning 19, and evoked comparisons with Pakistan's Wasim Akram with his promising performances and prodigious swing. In early 2006, Pathan became the only bowler to take a Test hat-trick in the first over of the match (vs Pakistan at Karachi). However, the productive run did not last and after the start of 2006, Pathan began to steadily lose pace and swing, and his wicket-taking dwindled. Although Pathan's batting continued to be productive, he was not regarded as a specialist and was dropped from the team in both Tests and ODIs by the end of 2006, and by 2007 was no longer in the squad until his return in the 2007 World Twenty20. (Full article...)

    Irfan Pathan (pronunciation; born 27 October 1984) is an Indian cricket commentator, analyst and former player. He was a bowling all-rounder and member of the Indian cricket team that won the inaugural 2007 ICC Twenty20 World Cup and 2013 ICC Champions Trophy.

    Beginning his career as a fast-medium swing and seam bowler, Pathan broke into the national team soon after turning 19, and evoked comparisons with Pakistan's Wasim Akram with his promising performances and prodigious swing. In early 2006, Pathan became the only bowler to take a Test hat-trick in the first over of the match (vs Pakistan at Karachi). However, the productive run did not last and after the start of 2006, Pathan began to steadily lose pace and swing, and his wicket-taking dwindled. Although Pathan's batting continued to be productive, he was not regarded as a specialist and was dropped from the team in both Tests and ODIs by the end of 2006, and by 2007 was no longer in the squad until his return in the 2007 World Twenty20. (Full article...)
  • Image 6 Vyāsatīrtha (c. 1460 – c. 1539), also called Vyasaraja or Chandrikacharya, was a Hindu philosopher, scholar, polemicist, commentator and poet belonging to the Madhwacharya's Dvaita order of Vedanta. As the rajaguru of Vijayanagara Empire, Vyasatirtha was at the forefront of a golden age in Dvaita which saw new developments in dialectical thought, growth of the Haridasa literature under bards like Purandara Dasa and Kanaka Dasa and an increased spread of Dvaita across the subcontinent. He himself composed many kīrtanas in Kannada and Sanskrit. Three of his polemically themed doxographical works Nyayamruta, Tatparya Chandrika and Tarka Tandava (collectively called Vyasa Traya) documented and critiqued an encyclopaedic range of sub-philosophies in Advaita, Visistadvaita, Mahayana Buddhism, Mimamsa and Nyaya, revealing internal contradictions and fallacies. His Nyayamruta caused a stir in the Advaita community across the country requiring a rebuttal by Madhusudhana Saraswati through his text, Advaitasiddhi. He is considered as an amsha of Prahlada in the Madhva Parampara. (Full article...)
    Vyāsatīrtha (c. 1460 – c. 1539), also called Vyasaraja or Chandrikacharya, was a Hindu philosopher, scholar, polemicist, commentator and poet belonging to the Madhwacharya's Dvaita order of Vedanta. As the rajaguru of Vijayanagara Empire, Vyasatirtha was at the forefront of a golden age in Dvaita which saw new developments in dialectical thought, growth of the Haridasa literature under bards like Purandara Dasa and Kanaka Dasa and an increased spread of Dvaita across the subcontinent. He himself composed many kīrtanas in Kannada and Sanskrit.

    Three of his polemically themed doxographical works Nyayamruta, Tatparya Chandrika and Tarka Tandava (collectively called Vyasa Traya) documented and critiqued an encyclopaedic range of sub-philosophies in Advaita, Visistadvaita, Mahayana Buddhism, Mimamsa and Nyaya, revealing internal contradictions and fallacies. His Nyayamruta caused a stir in the Advaita community across the country requiring a rebuttal by Madhusudhana Saraswati through his text, Advaitasiddhi. He is considered as an amsha of Prahlada in the Madhva Parampara. (Full article...)
  • Image 7 Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest. Made on a budget of ₹18 lakh, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
    Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest.

    Made on a budget of ₹18 lakh, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
  • Image 8 Kumbakonam, Tamil Nadu Kumbakonam (formerly spelt as Coombaconum or Combaconum), or Kudanthai, is a city municipal corporation in the Thanjavur district in the Indian state of Tamil Nadu. It is located 40 km (25 mi) from Thanjavur and 282 km (175 mi) from Chennai and is the headquarters of the Kumbakonam taluk of Thanjavur district. It is the second largest city in the district after Thanjavur. The city is bounded by two rivers, the Kaveri River to the north and Arasalar River to the south. Kumbakonam is known as a "Temple City" due to the prevalence of a number of temples here and is noted for its Mahamaham festival, which happens once in 12 years, attracting people from all over the country. Kumbakonam dates back to the Sangam period and was ruled by the Early Cholas, Pallavas, Mutharaiyar dynasty, Medieval Cholas, Later Cholas, Pandyas, the Vijayanagara Empire, Madurai Nayaks, Thanjavur Nayaks and the Thanjavur Marathas. It rose to be a prominent town between the seventh and ninth centuries AD, when it served as a capital of the Medieval Cholas. The city reached the zenith of its prosperity during the British Raj when it was a prominent centre of European education and Hindu culture; and it acquired the cultural name, the "Cambridge of South India". In 1866, Kumbakonam was officially constituted as a municipality, which today comprises 48 wards, making it the second largest local civil body in Thanjavur district. It became a municipal corporation on 24 August 2021. (Full article...)

    Kumbakonam, Tamil Nadu

    Kumbakonam (formerly spelt as Coombaconum or Combaconum), or Kudanthai, is a city municipal corporation in the Thanjavur district in the Indian state of Tamil Nadu. It is located 40 km (25 mi) from Thanjavur and 282 km (175 mi) from Chennai and is the headquarters of the Kumbakonam taluk of Thanjavur district. It is the second largest city in the district after Thanjavur. The city is bounded by two rivers, the Kaveri River to the north and Arasalar River to the south. Kumbakonam is known as a "Temple City" due to the prevalence of a number of temples here and is noted for its Mahamaham festival, which happens once in 12 years, attracting people from all over the country.

    Kumbakonam dates back to the Sangam period and was ruled by the Early Cholas, Pallavas, Mutharaiyar dynasty, Medieval Cholas, Later Cholas, Pandyas, the Vijayanagara Empire, Madurai Nayaks, Thanjavur Nayaks and the Thanjavur Marathas. It rose to be a prominent town between the seventh and ninth centuries AD, when it served as a capital of the Medieval Cholas. The city reached the zenith of its prosperity during the British Raj when it was a prominent centre of European education and Hindu culture; and it acquired the cultural name, the "Cambridge of South India". In 1866, Kumbakonam was officially constituted as a municipality, which today comprises 48 wards, making it the second largest local civil body in Thanjavur district. It became a municipal corporation on 24 August 2021. (Full article...)
  • Image 9 Stephen Fuchs (April 30, 1908 – January 17, 2000) was an Austrian Catholic priest, missionary, and anthropologist who researched the ethnology and prehistory of India. After obtaining a Ph.D. in ethnology and Indology from the University of Vienna in 1950, Fuchs moved to India where he assisted in founding the Department of Anthropology at St. Xavier's College in Bombay. After a brief imprisonment for being misidentified as a German missionary by the British government during World War II, Fuchs founded the Indian Branch of the Anthropos Institute [de], later renamed the Institute of Indian Culture. Fuchs, because of health concerns, moved to Austria in 1996 and died at the age of 91 in Mödling, Austria. In his research, Fuchs conducted field studies in Central India. He focused particularly on the customs and beliefs of modern Indian tribes. Originally when he moved to India, he researched solely the social and cultural customs of modern-day central Indian tribes. After founding the Institute of Indian Culture, Fuchs researched the cultures of ancient India, back to India's original inhabitants. (Full article...)
    Stephen Fuchs (April 30, 1908 – January 17, 2000) was an Austrian Catholic priest, missionary, and anthropologist who researched the ethnology and prehistory of India. After obtaining a Ph.D. in ethnology and Indology from the University of Vienna in 1950, Fuchs moved to India where he assisted in founding the Department of Anthropology at St. Xavier's College in Bombay. After a brief imprisonment for being misidentified as a German missionary by the British government during World War II, Fuchs founded the Indian Branch of the Anthropos Institute [de], later renamed the Institute of Indian Culture. Fuchs, because of health concerns, moved to Austria in 1996 and died at the age of 91 in Mödling, Austria.

    In his research, Fuchs conducted field studies in Central India. He focused particularly on the customs and beliefs of modern Indian tribes. Originally when he moved to India, he researched solely the social and cultural customs of modern-day central Indian tribes. After founding the Institute of Indian Culture, Fuchs researched the cultures of ancient India, back to India's original inhabitants. (Full article...)
  • Image 10 The Battle of Tellicherry was a naval action fought off the Indian port of Tellicherry between British and French warships on 18 November 1791 during the Third Anglo-Mysore War. Britain and France were not at war at the time of the engagement, but French support for the Kingdom of Mysore in the conflict with the British East India Company had led to Royal Navy patrols stopping and searching French ships sailing for the Mysorean port of Mangalore. When a French convoy from Mahé passed the British port of Tellicherry in November 1791, Commodore William Cornwallis sent a small squadron to intercept the French ships. As the British force under Captain Sir Richard Strachan approached the convoy, the escorting frigate Résolue opened fire. A general action followed, with Strachan succeeding in forcing the French ship to surrender within twenty minutes and both sides suffering damage and casualties. All of the French vessels were searched and subsequently returned to Mahé, the local French authorities reacting furiously at what they perceived as a violation of their neutral position. Messages were sent from Commodore Saint-Félix back to France reporting the action but they evoked little response. Although under normal circumstances the battle might have provoked a diplomatic incident, the upheavals of the ongoing French Revolution meant that the despatches had little effect. (Full article...)
    The Battle of Tellicherry was a naval action fought off the Indian port of Tellicherry between British and French warships on 18 November 1791 during the Third Anglo-Mysore War. Britain and France were not at war at the time of the engagement, but French support for the Kingdom of Mysore in the conflict with the British East India Company had led to Royal Navy patrols stopping and searching French ships sailing for the Mysorean port of Mangalore. When a French convoy from Mahé passed the British port of Tellicherry in November 1791, Commodore William Cornwallis sent a small squadron to intercept the French ships.

    As the British force under Captain Sir Richard Strachan approached the convoy, the escorting frigate Résolue opened fire. A general action followed, with Strachan succeeding in forcing the French ship to surrender within twenty minutes and both sides suffering damage and casualties. All of the French vessels were searched and subsequently returned to Mahé, the local French authorities reacting furiously at what they perceived as a violation of their neutral position. Messages were sent from Commodore Saint-Félix back to France reporting the action but they evoked little response. Although under normal circumstances the battle might have provoked a diplomatic incident, the upheavals of the ongoing French Revolution meant that the despatches had little effect. (Full article...)
  • Image 11 Satellite image of the storm prior to landfall in India on 6 November The 1996 Andhra Pradesh cyclone (also known as Cyclone 07B) was a small but powerful storm that left heavy damage in the Indian state of Andhra Pradesh. It formed on 4 November in the eastern Bay of Bengal. Moving westward, it quickly organized and developed a well-defined eye. On 6 November, the cyclone struck about 50 km (31 mi) south of Kakinada, Andhra Pradesh at peak intensity. The India Meteorological Department estimated peak winds of 145 km/h (90 mph), while the American-based Joint Typhoon Warning Center (JTWC) assessed peak winds of 215 km/h (135 mph). Soon after landfall, the cyclone weakened and dissipated by 7 November. Ahead of the storm, about 225,000 families evacuated, although many towns lacked proper storm shelters. When the cyclone made landfall, it produced strong winds up to 100 km (62 mi) inland, dropped 210 mm (8.3 in) of rainfall across a 40 km (25 mi) region, and flooded over 250 villages along a 60 km (37 mi) portion of the coast. About 70% of the overall damage was in East Godavari district, where two villages were entirely destroyed. The storm destroyed 241,802 ha (597,510 acres) of crops and killed millions of cattle and chicken. Across Andhra Pradesh, the storm damaged 647,554 houses, including over 10,000 that were destroyed. Overall damage totaled ₹21.5 billion (equivalent to ₹120 billion or US$1.4 billion in 2023), comparable to a cyclone in 1977 that also hit Andhra Pradesh. There were 1,077 confirmed deaths with many others missing, although many of the dead were washed into the sea and were unlikely to be found. After the storm, the government and local Red Cross chapters helped residents recover from the damage, while the World Bank provided money to better prepare Andhra Pradesh for future storms. (Full article...)

    Satellite image of the storm prior to landfall in India on 6 November

    The 1996 Andhra Pradesh cyclone (also known as Cyclone 07B) was a small but powerful storm that left heavy damage in the Indian state of Andhra Pradesh. It formed on 4 November in the eastern Bay of Bengal. Moving westward, it quickly organized and developed a well-defined eye. On 6 November, the cyclone struck about 50 km (31 mi) south of Kakinada, Andhra Pradesh at peak intensity. The India Meteorological Department estimated peak winds of 145 km/h (90 mph), while the American-based Joint Typhoon Warning Center (JTWC) assessed peak winds of 215 km/h (135 mph). Soon after landfall, the cyclone weakened and dissipated by 7 November.

    Ahead of the storm, about 225,000 families evacuated, although many towns lacked proper storm shelters. When the cyclone made landfall, it produced strong winds up to 100 km (62 mi) inland, dropped 210 mm (8.3 in) of rainfall across a 40 km (25 mi) region, and flooded over 250 villages along a 60 km (37 mi) portion of the coast. About 70% of the overall damage was in East Godavari district, where two villages were entirely destroyed. The storm destroyed 241,802 ha (597,510 acres) of crops and killed millions of cattle and chicken. Across Andhra Pradesh, the storm damaged 647,554 houses, including over 10,000 that were destroyed. Overall damage totaled ₹21.5 billion (equivalent to ₹120 billion or US$1.4 billion in 2023), comparable to a cyclone in 1977 that also hit Andhra Pradesh. There were 1,077 confirmed deaths with many others missing, although many of the dead were washed into the sea and were unlikely to be found. After the storm, the government and local Red Cross chapters helped residents recover from the damage, while the World Bank provided money to better prepare Andhra Pradesh for future storms. (Full article...)
  • Image 12 Swayamvaram (English: One's Own Choice) is a 1972 Indian Malayalam-language drama film co-written and directed by Adoor Gopalakrishnan, starring Madhu and Sharada in the lead roles. Notable smaller roles were played by Thikkurisi Sukumaran Nair, Adoor Bhavani, K. P. A. C. Lalitha, and Bharath Gopi. The film depicts the life of a couple—Vishwam (Madhu) and Sita (Sharada)—who have married against their parents' wishes and want to start a new life at a new place. The title is an allusion to the ancient Indian practice of a girl of marriageable age choosing a husband from among a list of suitors. Swayamvaram marked several debuts—directorial of Gopalakrishnan, acting of the Malayalam star Bharath Gopi, and film producing of the Chitralekha Film Cooperative, an organisation cofounded by Gopalakrishnan himself. The film features an original score by M. B. Sreenivasan, camerawork by Mankada Ravi Varma, and film editing by Ramesan. Writer-director K. P. Kumaran co-scripted the film with Gopalakrishnan. It took seven years for Gopalakrishnan to get the project rolling when his initial proposal for a loan to make a film was turned down by the Film Finance Corporation (FFC). The FFC later partially financed the film when Chitralekha provided the rest. (Full article...)
    Swayamvaram (English: One's Own Choice) is a 1972 Indian Malayalam-language drama film co-written and directed by Adoor Gopalakrishnan, starring Madhu and Sharada in the lead roles. Notable smaller roles were played by Thikkurisi Sukumaran Nair, Adoor Bhavani, K. P. A. C. Lalitha, and Bharath Gopi. The film depicts the life of a couple—Vishwam (Madhu) and Sita (Sharada)—who have married against their parents' wishes and want to start a new life at a new place. The title is an allusion to the ancient Indian practice of a girl of marriageable age choosing a husband from among a list of suitors.

    Swayamvaram marked several debuts—directorial of Gopalakrishnan, acting of the Malayalam star Bharath Gopi, and film producing of the Chitralekha Film Cooperative, an organisation cofounded by Gopalakrishnan himself. The film features an original score by M. B. Sreenivasan, camerawork by Mankada Ravi Varma, and film editing by Ramesan. Writer-director K. P. Kumaran co-scripted the film with Gopalakrishnan. It took seven years for Gopalakrishnan to get the project rolling when his initial proposal for a loan to make a film was turned down by the Film Finance Corporation (FFC). The FFC later partially financed the film when Chitralekha provided the rest. (Full article...)
  • Image 13 L. p. punctulata (India) The scaly-breasted munia or spotted munia (Lonchura punctulata), known in the pet trade as nutmeg mannikin or spice finch, is a sparrow-sized estrildid finch native to tropical Asia. A species of the genus Lonchura, it was formally described and named by Carl Linnaeus in 1758. Its name is based on the distinct scale-like feather markings on the breast and belly. The adult is brown above and has a dark conical bill. The species has 11 subspecies across its range, which differ slightly in size and color. This munia eats mainly grass seeds apart from berries and small insects. They forage in flocks and communicate with soft calls and whistles. The species is highly social and may sometimes roost with other species of munias. This species is found in tropical plains and grasslands. Breeding pairs construct dome-shaped nests using grass or bamboo leaves. (Full article...)

    L. p. punctulata (India)

    The scaly-breasted munia or spotted munia (Lonchura punctulata), known in the pet trade as nutmeg mannikin or spice finch, is a sparrow-sized estrildid finch native to tropical Asia. A species of the genus Lonchura, it was formally described and named by Carl Linnaeus in 1758. Its name is based on the distinct scale-like feather markings on the breast and belly. The adult is brown above and has a dark conical bill. The species has 11 subspecies across its range, which differ slightly in size and color.

    This munia eats mainly grass seeds apart from berries and small insects. They forage in flocks and communicate with soft calls and whistles. The species is highly social and may sometimes roost with other species of munias. This species is found in tropical plains and grasslands. Breeding pairs construct dome-shaped nests using grass or bamboo leaves. (Full article...)
  • Image 14 The Concert for Bangladesh (or Bangla Desh, as the country's name was originally spelt) was a pair of benefit concerts organised by former Beatles guitarist George Harrison and the Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide and the 1970 Bhola cyclone. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films' concert documentary, which opened in cinemas in the spring of 1972. The event was the first-ever benefit of such a magnitude, and featured a supergroup of performers that included Harrison, fellow ex-Beatle Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Leon Russell and the band Badfinger. In addition, Shankar and Ali Akbar Khan – both of whom had ancestral roots in Bangladesh – performed an opening set of Indian classical music. The concerts were attended by a total of 40,000 people, and the initial gate receipts raised close to $250,000 for Bangladesh relief, which was administered by UNICEF. (Full article...)
    The Concert for Bangladesh (or Bangla Desh, as the country's name was originally spelt) was a pair of benefit concerts organised by former Beatles guitarist George Harrison and the Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide and the 1970 Bhola cyclone. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films' concert documentary, which opened in cinemas in the spring of 1972.

    The event was the first-ever benefit of such a magnitude, and featured a supergroup of performers that included Harrison, fellow ex-Beatle Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Leon Russell and the band Badfinger. In addition, Shankar and Ali Akbar Khan – both of whom had ancestral roots in Bangladesh – performed an opening set of Indian classical music. The concerts were attended by a total of 40,000 people, and the initial gate receipts raised close to $250,000 for Bangladesh relief, which was administered by UNICEF. (Full article...)
  • Image 15 Life of Pi is a 2012 adventure-drama film directed and produced by Ang Lee and written by David Magee. Based on Yann Martel's 2001 novel, it stars Suraj Sharma in his film debut, Irrfan Khan, Tabu, Rafe Spall, Gérard Depardieu and Adil Hussain in lead roles. The storyline revolves around two survivors of a shipwreck who are on a lifeboat lost in the Pacific Ocean for 227 days. One is a 16-year-old Indian boy named Pi Patel (Suraj Sharma) and the other is a ferocious Bengal tiger named Richard Parker. The film began development shortly after the release of the book and would see directors M. Night Shyamalan, Alfonso Cuarón and Jean-Pierre Jeunet involved at various stages before the hiring of Lee. Filming was split between India, Taiwan and Montreal in 2011, with Rhythm & Hues Studios (R&H) handling the visual effects work. (Full article...)
    Life of Pi is a 2012 adventure-drama film directed and produced by Ang Lee and written by David Magee. Based on Yann Martel's 2001 novel, it stars Suraj Sharma in his film debut, Irrfan Khan, Tabu, Rafe Spall, Gérard Depardieu and Adil Hussain in lead roles. The storyline revolves around two survivors of a shipwreck who are on a lifeboat lost in the Pacific Ocean for 227 days. One is a 16-year-old Indian boy named Pi Patel (Suraj Sharma) and the other is a ferocious Bengal tiger named Richard Parker.

    The film began development shortly after the release of the book and would see directors M. Night Shyamalan, Alfonso Cuarón and Jean-Pierre Jeunet involved at various stages before the hiring of Lee. Filming was split between India, Taiwan and Montreal in 2011, with Rhythm & Hues Studios (R&H) handling the visual effects work. (Full article...)
  • Image 16 Rajinikanth in 2019 Shivaji Rao Gaikwad (born 12 December 1950), known professionally as Rajinikanth, is an Indian actor who predominantly works in Tamil cinema. In a career spanning over five decades, he has done 170 films that includes films in Tamil, Hindi, Telugu, Kannada, Bengali, and Malayalam. He is widely regarded to be one of the most successful and popular actors in the history of Indian cinema. Known for his uniquely styled mannerism and one liners in films, he has a huge fan base and a cult following. The Government of India honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016, India's third and second highest civilian honours respectively, and the Dadasaheb Phalke Award in 2019, the highest Indian award in the field of cinema, for his contributions to Indian cinema. He has won numerous film awards including seven Tamil Nadu State Film Awards, a Nandi Award, one Filmfare Award and two Maharashtra State Film Awards. Following his debut in K. Balachander's 1975 Tamil drama Apoorva Raagangal, Rajinikanth's acting career commenced with a brief phase of portraying antagonistic characters in Tamil films. His major positive role as a scorned lover in S. P. Muthuraman's Bhuvana Oru Kelvi Kuri (1977), 1978's Mullum Malarum and Aval Appadithan received him critical acclaim; the former earned him a Tamil Nadu State Film Award Special Prize for Best Actor. By the end of the decade, he had worked in all South Indian film industries and established a career in Tamil cinema. He then played dual roles in the action thriller Billa (1980), a remake of the Hindi film Don (1978). It was his biggest commercial success to that point, earned him stardom and gave him the action hero image. He starred in triple role in Moondru Mugam (1982), which earned him a special prize at the Tamil Nadu State Film Awards ceremony. The following year, he made his Hindi film debut with T. Rama Rao's top grossing Andhaa Kaanoon (1983). Nallavanukku Nallavan (1984) won him that year's Filmfare Award for Best Tamil Actor. In the latter half of the 1980s, he starred in several successful films in Tamil and Hindi, including Geraftaar (1985), Padikkadavan (1985), Mr. Bharath (1986), Dosti Dushmani (1986), Velaikaran (1987), Manithan (1987), Dharmathin Thalaivan (1988) and ChaalBaaz (1989). (Full article...)

    Rajinikanth in 2019

    Shivaji Rao Gaikwad (born 12 December 1950), known professionally as Rajinikanth, is an Indian actor who predominantly works in Tamil cinema. In a career spanning over five decades, he has done 170 films that includes films in Tamil, Hindi, Telugu, Kannada, Bengali, and Malayalam. He is widely regarded to be one of the most successful and popular actors in the history of Indian cinema. Known for his uniquely styled mannerism and one liners in films, he has a huge fan base and a cult following. The Government of India honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016, India's third and second highest civilian honours respectively, and the Dadasaheb Phalke Award in 2019, the highest Indian award in the field of cinema, for his contributions to Indian cinema. He has won numerous film awards including seven Tamil Nadu State Film Awards, a Nandi Award, one Filmfare Award and two Maharashtra State Film Awards.

    Following his debut in K. Balachander's 1975 Tamil drama Apoorva Raagangal, Rajinikanth's acting career commenced with a brief phase of portraying antagonistic characters in Tamil films. His major positive role as a scorned lover in S. P. Muthuraman's Bhuvana Oru Kelvi Kuri (1977), 1978's Mullum Malarum and Aval Appadithan received him critical acclaim; the former earned him a Tamil Nadu State Film Award Special Prize for Best Actor. By the end of the decade, he had worked in all South Indian film industries and established a career in Tamil cinema. He then played dual roles in the action thriller Billa (1980), a remake of the Hindi film Don (1978). It was his biggest commercial success to that point, earned him stardom and gave him the action hero image. He starred in triple role in Moondru Mugam (1982), which earned him a special prize at the Tamil Nadu State Film Awards ceremony. The following year, he made his Hindi film debut with T. Rama Rao's top grossing Andhaa Kaanoon (1983). Nallavanukku Nallavan (1984) won him that year's Filmfare Award for Best Tamil Actor. In the latter half of the 1980s, he starred in several successful films in Tamil and Hindi, including Geraftaar (1985), Padikkadavan (1985), Mr. Bharath (1986), Dosti Dushmani (1986), Velaikaran (1987), Manithan (1987), Dharmathin Thalaivan (1988) and ChaalBaaz (1989). (Full article...)
  • Image 17 Painting of Sher Shah Suri from a manuscript of Tarikh-i-Khandan-i-Timuriya (dated between c. 1570–1590), prepared by the court painters of Mughal emperor Akbar Sher Shah Suri (Farid al-Din Khan; 1472 or 1486 – 22 May 1545), also known by his title Sultan Adil (lit. 'the Just King'), was the ruler of Bihar from 1530 to 1540, and Sultan of Hindustan from 1540 until his death in 1545. He defeated the Mughal Empire, founding the Sur Empire and establishing his rule in Delhi. The influence of his innovations and reforms extended far beyond his brief reign, being recognized as one of the greatest administrative rulers in India. During his time in power, he remained undefeated in battle and is renowned as one of the most skillful Afghan generals in history. By the end of his reign, his empire covered nearly all of Northern India. Born between 1472 and 1486 and given the name Farid Khan, his early childhood saw him flee from home due to internal family strife. He pursued an education in Jaunpur, where his rise to power began after his father offered him a managerial position over his jagirs. Sher Shah effectively governed these territories, gaining a reputation for his reforms that brought prosperity to the region. However, due to family intrigues, he eventually relinquished his position over the jagirs. Sher Shah then moved to Agra, where he stayed until his father's death. This event allowed him to return to his family's jagirs and take control, thereby solidifying his leadership and furthering his rise to power. (Full article...)

    Painting of Sher Shah Suri from a manuscript of Tarikh-i-Khandan-i-Timuriya (dated between c. 1570–1590), prepared by the court painters of Mughal emperor Akbar

    Sher Shah Suri (Farid al-Din Khan; 1472 or 1486 – 22 May 1545), also known by his title Sultan Adil (lit. 'the Just King'), was the ruler of Bihar from 1530 to 1540, and Sultan of Hindustan from 1540 until his death in 1545. He defeated the Mughal Empire, founding the Sur Empire and establishing his rule in Delhi. The influence of his innovations and reforms extended far beyond his brief reign, being recognized as one of the greatest administrative rulers in India. During his time in power, he remained undefeated in battle and is renowned as one of the most skillful Afghan generals in history. By the end of his reign, his empire covered nearly all of Northern India.

    Born between 1472 and 1486 and given the name Farid Khan, his early childhood saw him flee from home due to internal family strife. He pursued an education in Jaunpur, where his rise to power began after his father offered him a managerial position over his jagirs. Sher Shah effectively governed these territories, gaining a reputation for his reforms that brought prosperity to the region. However, due to family intrigues, he eventually relinquished his position over the jagirs. Sher Shah then moved to Agra, where he stayed until his father's death. This event allowed him to return to his family's jagirs and take control, thereby solidifying his leadership and furthering his rise to power. (Full article...)
  • Image 18 Aval Appadithan (transl. That is how she is) is a 1978 Indian Tamil-language drama film directed by C. Rudraiah in his directorial debut, and co-written by him with Somasundareshwar. The film was produced by Rudhraiya in association with the M.G.R. Government Film and Television Training Institute. It stars Sripriya, Kamal Haasan and Rajinikanth, while Ilaiyaraaja composed the film's music. The plot revolves around Manju (Sripriya) and the difficulties she faces in her life, due to her romantic relationships, resulting in her developing an aggressive and cynical nature towards men. Aval Appadithan was released on 30 October 1978, on Diwali day. Although the film received positive critical reception, it was not a box office success at the time of its release. However, the film began to develop an audience after directors Bharathiraja and Mrinal Sen commented positively about it. The film was noted for its stylish filmmaking, screenplay, and dialogue, a large portion of which was in English. (Full article...)
    Aval Appadithan (transl. That is how she is) is a 1978 Indian Tamil-language drama film directed by C. Rudraiah in his directorial debut, and co-written by him with Somasundareshwar. The film was produced by Rudhraiya in association with the M.G.R. Government Film and Television Training Institute. It stars Sripriya, Kamal Haasan and Rajinikanth, while Ilaiyaraaja composed the film's music. The plot revolves around Manju (Sripriya) and the difficulties she faces in her life, due to her romantic relationships, resulting in her developing an aggressive and cynical nature towards men.

    Aval Appadithan was released on 30 October 1978, on Diwali day. Although the film received positive critical reception, it was not a box office success at the time of its release. However, the film began to develop an audience after directors Bharathiraja and Mrinal Sen commented positively about it. The film was noted for its stylish filmmaking, screenplay, and dialogue, a large portion of which was in English. (Full article...)
  • Image 19 Two adults, on the right with breeding plumage, at a garbage dump in Assam The greater adjutant (Leptoptilos dubius) is a member of the stork family, Ciconiidae. Its genus includes the lesser adjutant of Asia and the marabou stork of Africa. Once found widely across southern Asia and mainland southeast Asia, the greater adjutant is now restricted to a much smaller range with only three breeding populations; two in India, one in the north-eastern state of Assam and a smaller one around Bhagalpur; and another breeding population in Cambodia. They disperse widely after the breeding season. This large stork has a massive wedge-shaped bill, a bare head and a distinctive neck pouch. During the day, it soars in thermals along with vultures with whom it shares the habit of scavenging. They feed mainly on carrion and offal; however, they are opportunistic and will sometimes prey on vertebrates. The English name is derived from their stiff "military" gait when walking on the ground (see adjutant). Large numbers once lived in Asia, but they have declined (possibly due to improved sanitation) to the point of endangerment. The total population in 2008 was estimated at around a thousand individuals. In the 19th century, they were especially common in the city of Calcutta, where they were referred to as the "Calcutta adjutant" and included in the coat of arms for the city. Known locally as hargila (derived from the Assamese words har, 'bone', and gila, 'swallower', thus 'bone-swallower') and considered to be unclean birds, they were largely left undisturbed but sometimes hunted for the use of their meat in folk medicine. Valued as scavengers, they were once depicted in the logo of the Calcutta Municipal Corporation. (Full article...)

    Two adults, on the right with breeding plumage, at a garbage dump in Assam

    The greater adjutant (Leptoptilos dubius) is a member of the stork family, Ciconiidae. Its genus includes the lesser adjutant of Asia and the marabou stork of Africa. Once found widely across southern Asia and mainland southeast Asia, the greater adjutant is now restricted to a much smaller range with only three breeding populations; two in India, one in the north-eastern state of Assam and a smaller one around Bhagalpur; and another breeding population in Cambodia. They disperse widely after the breeding season. This large stork has a massive wedge-shaped bill, a bare head and a distinctive neck pouch. During the day, it soars in thermals along with vultures with whom it shares the habit of scavenging. They feed mainly on carrion and offal; however, they are opportunistic and will sometimes prey on vertebrates. The English name is derived from their stiff "military" gait when walking on the ground (see adjutant). Large numbers once lived in Asia, but they have declined (possibly due to improved sanitation) to the point of endangerment. The total population in 2008 was estimated at around a thousand individuals. In the 19th century, they were especially common in the city of Calcutta, where they were referred to as the "Calcutta adjutant" and included in the coat of arms for the city. Known locally as hargila (derived from the Assamese words har, 'bone', and gila, 'swallower', thus 'bone-swallower') and considered to be unclean birds, they were largely left undisturbed but sometimes hunted for the use of their meat in folk medicine. Valued as scavengers, they were once depicted in the logo of the Calcutta Municipal Corporation. (Full article...)
  • Image 20 Three athletes from India participated in the 2010 Winter Olympics in Vancouver, Canada, held between 12 and 28 February 2010. The country's participation in Vancouver marked its eighth appearance at the Winter Olympics since its debut in 1964. The India team consisted of skiers Jamyang Namgial and Tashi Lundup apart from luger Shiva Keshavan. Keshavan was the country's flag-bearer during the opening ceremony. None of them won a medal, and as of these Games, India had not earned a Winter Olympic medal. Lundup served as the flag-bearer during the closing ceremony. (Full article...)
    Three athletes from India participated in the 2010 Winter Olympics in Vancouver, Canada, held between 12 and 28 February 2010. The country's participation in Vancouver marked its eighth appearance at the Winter Olympics since its debut in 1964.

    The India team consisted of skiers Jamyang Namgial and Tashi Lundup apart from luger Shiva Keshavan. Keshavan was the country's flag-bearer during the opening ceremony. None of them won a medal, and as of these Games, India had not earned a Winter Olympic medal. Lundup served as the flag-bearer during the closing ceremony. (Full article...)
  • Image 21 Stephen photographed in 1872 Julia Prinsep Stephen (née Jackson; formerly Duckworth; 7 February 1846 – 5 May 1895) was an English Pre-Raphaelite model and philanthropist. She was the wife of the biographer Leslie Stephen and mother of Virginia Woolf and Vanessa Bell, members of the Bloomsbury Group. Julia Prinsep Jackson was born in Calcutta to an Anglo-Indian family, and when she was two her mother and her two sisters moved back to England. She became the favourite model of her aunt, the celebrated photographer Julia Margaret Cameron, who made more than 50 portraits of her. Through another maternal aunt, she became a frequent visitor at Little Holland House, then home to an important literary and artistic circle, and came to the attention of a number of Pre-Raphaelite painters who portrayed her in their work. (Full article...)

    Stephen photographed in 1872

    Julia Prinsep Stephen (née Jackson; formerly Duckworth; 7 February 1846 – 5 May 1895) was an English Pre-Raphaelite model and philanthropist. She was the wife of the biographer Leslie Stephen and mother of Virginia Woolf and Vanessa Bell, members of the Bloomsbury Group.

    Julia Prinsep Jackson was born in Calcutta to an Anglo-Indian family, and when she was two her mother and her two sisters moved back to England. She became the favourite model of her aunt, the celebrated photographer Julia Margaret Cameron, who made more than 50 portraits of her. Through another maternal aunt, she became a frequent visitor at Little Holland House, then home to an important literary and artistic circle, and came to the attention of a number of Pre-Raphaelite painters who portrayed her in their work. (Full article...)
  • Image 22 The Andaman and Nicobar Islands is a union territory of India comprising 572 islands, of which only 38 are inhabited. The islands are grouped into two main clusters: the northern Andaman Islands and the southern Nicobar Islands, separated by a 150 km (93 mi) wide channel. The capital and largest city of the territory, Port Blair (officially Sri Vijaya Puram), is located approximately 1,190 km (740 mi) from Chennai and 1,255 km (780 mi) from Kolkata in mainland India. The islands are situated between the Bay of Bengal to the west and the Andaman Sea to the east. The northernmost point is 901 km (560 mi) from the mouth of the Hooghly River. Indira Point, located at 6°45'10″N and 93°49'36″E on the southern tip of Great Nicobar, is the southernmost point of India. The territory shares maritime borders with Indonesia located about 165 km (103 mi) to the south, Myanmar located 280 km (170 mi) to the north-east and Thailand located 650 km (400 mi) to the south-east. The islands occupy a total land area of approximately 8,249 km2 (3,185 sq mi) with a population of 380,581 as per the 2011 census. The territory is divided into three districts: Nicobar, South Andaman, and North and Middle Andaman with the capitals at Car Nicobar, Port Blair and Mayabunder respectively. (Full article...)

    The Andaman and Nicobar Islands is a union territory of India comprising 572 islands, of which only 38 are inhabited. The islands are grouped into two main clusters: the northern Andaman Islands and the southern Nicobar Islands, separated by a 150 km (93 mi) wide channel. The capital and largest city of the territory, Port Blair (officially Sri Vijaya Puram), is located approximately 1,190 km (740 mi) from Chennai and 1,255 km (780 mi) from Kolkata in mainland India. The islands are situated between the Bay of Bengal to the west and the Andaman Sea to the east. The northernmost point is 901 km (560 mi) from the mouth of the Hooghly River. Indira Point, located at 6°45'10″N and 93°49'36″E on the southern tip of Great Nicobar, is the southernmost point of India.

    The territory shares maritime borders with Indonesia located about 165 km (103 mi) to the south, Myanmar located 280 km (170 mi) to the north-east and Thailand located 650 km (400 mi) to the south-east. The islands occupy a total land area of approximately 8,249 km2 (3,185 sq mi) with a population of 380,581 as per the 2011 census. The territory is divided into three districts: Nicobar, South Andaman, and North and Middle Andaman with the capitals at Car Nicobar, Port Blair and Mayabunder respectively. (Full article...)
  • Image 23 16 Vayathinile (transl. At age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes. The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
    16 Vayathinile (transl. At age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes.

    The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
  • Image 24 Kuch Kuch Hota Hai (transl. Something happens) is a 1998 Indian Hindi-language romantic comedy drama film written and directed by Karan Johar and produced by his father Yash Johar under Dharma Productions. It stars Shah Rukh Khan, Kajol, Rani Mukherji, Salman Khan and Sana Saeed. The plot combines two love triangles set years apart. The first half covers friends on a college campus, while the second tells the story of a widower's young daughter who tries to reunite her dad with his old best friend. Filmed in India, Mauritius, and Scotland, Kuch Kuch Hota Hai was Karan Johar's directorial debut. One of his goals for the film was to set a new level for style in Hindi cinema. The music was composed by Jatin–Lalit, which was the biggest seller of the year. (Full article...)
    Kuch Kuch Hota Hai (transl. Something happens) is a 1998 Indian Hindi-language romantic comedy drama film written and directed by Karan Johar and produced by his father Yash Johar under Dharma Productions. It stars Shah Rukh Khan, Kajol, Rani Mukherji, Salman Khan and Sana Saeed. The plot combines two love triangles set years apart. The first half covers friends on a college campus, while the second tells the story of a widower's young daughter who tries to reunite her dad with his old best friend.

    Filmed in India, Mauritius, and Scotland, Kuch Kuch Hota Hai was Karan Johar's directorial debut. One of his goals for the film was to set a new level for style in Hindi cinema. The music was composed by Jatin–Lalit, which was the biggest seller of the year. (Full article...)
  • Image 25 In 2013 The Stephen Court fire was a major fire in a historical building, Stephen Court, that occurred in March 2010 in Kolkata, West Bengal, India. The fire started by a short circuit in the lifts at 2:15 p.m. IST, rapidly engulfing the fifth and sixth floors. A delay in the start of rescue operations was experienced due to the inadequate planning and preparedness of the fire-service department. Many occupants of the building were forced onto narrow ledges on the sides of the building. 43 people died in the fire. More than 300 firemen and 40 fire tenders were involved in bringing the blaze under control. Later a charge-sheet was prepared by the police which held the directors and caretakers responsible for the mishap. A probe by the government into this incident revealed that illegal construction of two floors and the lack of adequate fire-fighting equipment were major factors that contributed to the blaze getting out of control. In 2016, the Stephen Court Welfare Association, an unregistered company, reconstructed the building. (Full article...)

    In 2013

    The Stephen Court fire was a major fire in a historical building, Stephen Court, that occurred in March 2010 in Kolkata, West Bengal, India. The fire started by a short circuit in the lifts at 2:15 p.m. IST, rapidly engulfing the fifth and sixth floors. A delay in the start of rescue operations was experienced due to the inadequate planning and preparedness of the fire-service department. Many occupants of the building were forced onto narrow ledges on the sides of the building. 43 people died in the fire. More than 300 firemen and 40 fire tenders were involved in bringing the blaze under control. Later a charge-sheet was prepared by the police which held the directors and caretakers responsible for the mishap. A probe by the government into this incident revealed that illegal construction of two floors and the lack of adequate fire-fighting equipment were major factors that contributed to the blaze getting out of control. In 2016, the Stephen Court Welfare Association, an unregistered company, reconstructed the building. (Full article...)
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28 February 2025 –
At least 25 construction workers are trapped and 32 others are rescued after a group of 57 people are swept away by an avalanche near the Mana Pass, Uttarakhand, India. (CTV News)
25 February 2025 – 2025 Thiruvananthapuram mass murder
A man brutally beat ( five people, including his brother, girlfriend, to death with a hammer in Thiruvananthapuram, Kerala, South India. gulfnews Economic Times
23 February 2025 –
American Airlines Flight 292, flying from New York, United States, to New Delhi, India, is forced to divert to Rome Fiumicino Airport in Rome, Italy, due to an unspecified security concern later deemed to be non-credible. The flight was over the Caspian Sea near Turkmenistan when it diverted back towards Europe. (AP)
In cricket under the ODI format, Indian cricketer Virat Kohli becomes the first player to reach the 51 centuries and the fastest player to reach 14,000 runs. (Times of India) (AP)

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