Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter.
In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects.
Initially serving imperial, private, civic, and religious patronage, Western painting later found audiences in the aristocracy and the middle class. From the Middle Ages through the Renaissance painters worked for the church and a wealthy aristocracy. Beginning with the Baroque era artists received private commissions from a more educated and prosperous middle class. The idea of "art for art's sake" began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W. Turner. During the 19th century commercial galleries became established and continued to provide patronage in the 20th century. (Full article...)
The tradition was founded in Scotland in the late eighteenth century by David Allan, who moved from classical and mythological themes to scenes of everyday life, including his most famous work Illustrations of the Gentle Shepherd. As a result he earned the title of "the Scottish Hogarth". By the end of the eighteenth century genre art had become a Scottish speciality. The tradition was successfully taken up by David Wilkie, who was one of the most internationally influential artists of this day. (Full article...)
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Carved and inlaid Late Baroque supraporte in Toruń, Poland
An "overdoor" (or "Supraporte" as in German, or "sopraporte" as in Italian) is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, or was originally intended for this purpose. (Full article...)
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The Old Town Hall of Amsterdam by Pieter Jansz. Saenredam, 1657, Rijksmuseum, Amsterdam Architectural painting (also Architecture painting) is a form of genre painting where the predominant focus lies on architecture, including both outdoor and interior views. While architecture was present in many of the earliest paintings and illuminations, it was mainly used as background or to provide rhythm to a painting. In the Renaissance, architecture was used to emphasize the perspective and create a sense of depth, like in Masaccio's Holy Trinity from the 1420s. In Western art, architectural painting as an independent genre developed in the 16th century in Flanders and the Netherlands, and reached its peak in 16th and 17th century Dutch painting. Later, it developed in a tool for Romantic paintings, with e.g. views of ruins becoming very popular. Closely related genres are architectural fantasies and trompe-l'oeils, especially illusionistic ceiling painting, and cityscapes. (Full article...)
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Hue relationships between the primary and secondary colors in the ISCC-NBS system of color designation The ISCC–NBS System of Color Designation is a system for naming colors based on a set of 13 basic color terms and a small set of adjective modifiers. It was first established in the 1930s by a joint effort of the Inter-Society Color Council (ISCC), made up of delegates from various American trade organizations, and the National Bureau of Standards (NBS), a US government agency. As suggested in 1932 by the first chairman of the ISCC, the system's goal is to be "a means of designating colors in the United States Pharmacopoeia, in the National Formulary, and in general literature ... such designation to be sufficiently standardized as to be acceptable and usable by science, sufficiently broad to be appreciated and used by science, art, and industry, and sufficiently commonplace to be understood, at least in a general way, by the whole public." The system aims to provide a basis on which color definitions in fields from fashion and printing to botany and geology can be systematized and regularized, so that each industry need not invent its own incompatible color system.
In 1939, the system's approach was published in the Journal of Research of the National Bureau of Standards, and the ISCC formally approved the system, which consisted of a set of blocks within the color space defined by the Munsell color system as embodied by the Munsell Book of Color. Over the following decades, the ISCC–NBS system's boundaries were tweaked and its relation to various other color standards were defined, including for instance those for plastics, building materials, botany, paint, and soil. (Full article...)
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Attributed to Cristofano dell'Altissimo or Leonardo da Vinci - Portrait of a man, signed Pinxit Mea Pinxit (from Latin: 'one painted') is a stylized amendment added to the signature depiction of the name of the person responsible for a work of art, found conventionally in the Late Middle Ages and the Renaissance. It is sometimes abbreviated P, PIN, or PINX, as in some paintings by Raphael. The locution me pinxit is found on a 12th-century crucifix, not in a sense connected to individual authorship but rather as a more impersonal devotional statement, a "pious [formula] appropriate for liturgical gifts".
Its use by Duccio c. 1255–1260 – c. 1318–1319) on the Maestà in Siena Cathedral is seen as an "audacious" claim by the author, who asserts an individual status on a par with that of the city. By the Late Middle Ages in Venice and elsewhere pinxit (or other forms of pingere, in Gothic lettering) had become customary, and was often found on a cartellino, "any form of fictive paper carrying an inscription", established in Venice by the 1440s. Other verbs used to establish authorship include conjugations of facere ("to make"; fecit ("made by") was frequently used by Titian) or fingere ("to conceive"). (Full article...)
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A range-finder painting, sometimes called range-finding painting, is a large landscape painting produced as a training device to help gunners improve their accuracy. Historically, the best-documented use of such paintings was in the United States during World War I. (Full article...)
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Incised painting is a technique used to decorate stone surfaces. First, a channel is scratched in the stone. Then, a thick paint or stucco plaster is laid across the surface. Last, the paint is scraped off the surface of the stone, leaving paint in the incision. This technique was used in decorating the Taj Mahal. (Full article...)
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Live painting by Beo Beyond at Shôko Club in Barcelona, working with fluorescent colors which glow under blacklight. Live painting is a form of visual performance art in which artists complete a visual art piece in a public performance, often at a bar, music concert, wedding reception, or public event, accompanied by a DJ or live music. The artwork which is created live may be planned or improvisational. This live art form is often contrasted with more studied fine art compositions from the same artists, which are generally executed in an artist studio or other private space.
Strongly influenced by German Expressionism and by the immigrant, and often Jewish, experience, the movement originated in Boston, Massachusetts, in the 1930s, continues in a third-wave form today, and flourished most markedly from the 1950s until the 1970s. (Full article...)
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Rear view of the Louvre's prime version of Antonio Canova's Psyche Revived by Cupid's Kiss, 1793 In the art world, if an artwork exists in several versions, the one known or believed to be the earliest is called the prime version. Many artworks produced in media such as painting or carved sculpture which create unique objects are in fact repeated by their artists, often several times. It is regarded as a matter of some importance both by art historians and the art market to establish which version has "priority", that is to say was the original work. The presumption usually is that the prime version is the finest, and perhaps the most carefully done, though some later versions can be argued to improve on the originals.
In many periods the later "repetitions" were often produced by the workshop of the master, with varying degrees of supervision and direct attention from him. This was especially the case with official portraits of monarchs and politicians, which in the Early Modern period were often ordered in large numbers of versions from the court artist as diplomatic gifts. "Prime version" is normally only used when there is another version by the same artist, or his workshop. Other versions by other artists are called copies. Sometimes "reduced versions" that are considerably smaller than the prime one are made. Especially in the case of 19th-century repetitions, the term autograph replica is used of repetitions by the original artist. (Full article...)
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Paint Dancing is an American art and dance craze which involves both painting and dancing. Paint Dancers, using paint, brushes and paper, attend organized events dressed in ready-to-paint and dance clothing. The concept of combining movement and painting originated during the later part of the American and European Modern art period; however, Evangeline Welch of Shreveport, Louisiana has been credited with being the "brainchild" of Paint Dancing in the United States of America. This departure from traditional painting styles was often referred to as Action painting. Over the years, several variations of the art form have evolved, including an adaptation introduced by the Hippies during the Summer of Love, that integrated the art of body painting with dancing. One of the more recent introductions of Paint Dancing to American culture is being popularized by a grassroots movement created in 2006 by Seattle artist and activist Matt Jones. The phrases "paint dancing" and "paint dancer" and other variations were originally coined in 1996 by Gloria M. Buono, author, illustrator and publisher of The Painting Ballerina. (Full article...)
In art criticism of the 1960s and 1970s, flatness described the smoothness and absence of curvature or surface detail of a two-dimensional work of art. (Full article...)
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In painting, local color is the color of an object when seen under flat white light with no adjustment for form shadow or colors of light or secondary light sources. An example would be the assumption that an apple is "red" when it is actually dependent on the color of the light hitting it, color of objects around it, glossiness, and variations within the colors on the surface of the apple itself. Local color is learned in childhood to help simplify and make sense of the world. "The sky is blue", "grass is green", etc. when there are actually myriad variations in hue, chroma, within these areas. In order to represent objects realistically, painters must look beyond the simplifications of local color. Demonstrations of color constancy show how flawed local color assumptions can be when the light source has a color shift.
In contemporary sculpture local color is the original color of the raw material that remains unpainted in the completed work. (Full article...)
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A picture frame is a protective and decorative edging for a picture, such as a painting or photograph. It makes displaying the work safer and easier and both sets the picture apart from its surroundings and aesthetically integrates it with them. (Full article...)
The Golden Apple of Discord at the wedding of Peleus and Thetis, Jacob Jordaens, 1633, 181 cm × 288 cm (71 in × 113 in), oil on canvas
A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude. Figure painting may also refer to the activity of creating such a work. The human figure has been one of the constant subjects of art since the first Stone Age cave paintings, and has been reinterpreted in various styles throughout history.
Unlike figure drawings which are usually nudes, figure paintings are often clothed depictions which may be either historically accurate or symbolic. Figure painting is not synonymous with figurative art, which may depict real objects of any kind (including humans and animals). (Full article...)
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The Idle Servant; housemaid troubles were the subject of several of Nicolaes Maes' works.
Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, genre scenes, or genre views) may be realistic, imagined, or romanticized by the artist. Some variations of the term genre art specify the medium or type of visual work, as in genre painting, genre prints, genre photographs, and so on.
The following concentrates on painting, but genre motifs were also extremely popular in many forms of the decorative arts, especially from the Rococo of the early 18th century onwards. Single figures or small groups decorated a huge variety of objects such as porcelain, furniture, wallpaper, and textiles. (Full article...)
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A photo of the orange peel effect on a car door.
Orange peel is a certain kind of finish that may develop on painted and cast surfaces. The texture resembles the surface of the skin of an orange, hence the name "orange peel".
Gloss paint sprayed on a smooth surface (such as the body of a car) should also dry into a smooth surface. However, various factors can cause it to dry into a bumpy surface. This is typically the result of improper painting technique, and is caused by the quick evaporation of thinner, incorrect spray gun setup (e.g., low air pressure or incorrect nozzle), spraying the paint at an angle other than perpendicular, or applying excessive paint. (Full article...)
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The Jerwood Painting Prize was a prize for originality and excellence in painting in the United Kingdom, awarded and funded by the Jerwood Foundation. It was open to all artists born or resident in the UK, regardless of age or reputation. Winners of the prize include Craigie Aitchison, Patrick Caulfield, Prunella Clough and Maggi Hambling. The prize was instituted in 1994, and at £30,000 was the largest of its kind in Britain. The prize is no longer awarded. (Full article...)
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A combine painting or Combine is an artwork that incorporates elements of both painting and sculpture. Items attached to paintings might include three-dimensional everyday objects such as clothing or furniture, as well as printed matter including photographs or newspaper clippings.
The term is most closely associated with the artwork of American artist Robert Rauschenberg (1925–2008) who coined the phrase Combine to describe his own artworks that explore the boundary between art and the everyday world. By placing them in the context of art, he endowed a new significance to ordinary objects. These cross-medium creations challenged the doctrine of medium specificity mentioned by modernist art critic Clement Greenberg. (Full article...)
Early paint robots were hydraulic versions, which are still in use today but are of inferior quality and safety to the latest electronic offerings. The newest robots are accurate and deliver results with uniform film builds and exact thicknesses. (Full article...)
Selected painting techniques
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Giornata is an art term, originating from an Italian word which means "a day's work." The term is used in Buon frescomural painting and describes how much painting can be done in a single day of work. This amount is based on the artist's past experience of how much they can paint in the many hours available while the plaster remains wet and the pigment is able to adhere to the wall. (Full article...)
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Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist. (Full article...)
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A black velvet painting
A velvet painting is a type of painting distinguished by the use of velvet (usually black velvet) as the support, in place of canvas, paper, or similar materials. The velvet provides an especially dark background against which colors stand out.
Velvet painting is an ancient technique, and took on a new popularity in the United States in the late 20th century. (Full article...)
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Speed painting is an artistic technique where the artist has a limited time to finish the work. The time can vary, usually a duration is set from several minutes to a few hours. Unlike sketches, speed paintings may be considered "finished" after the time limit is up.
Speed painting is particularly common among digital media artists, because digital painting mediums allow for a work to circumvent drying times of traditional media. Digital media artists primarily use speed painting to practice working quickly and efficiently. Speed painting techniques are also frequently used in concept art, particularly in the early stages of a production when the polish of an individual image matters less than a clear basic presentation of many candidate concepts for consideration. (Full article...)
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Example of spray fireproofing, using a gypsum based plaster in a low-rise industrial building in Vancouver, British Columbia. Intonaco is an Italian term for the final, very thin layer of plaster on which a fresco is painted. The plaster is painted while still wet, in order to allow the pigment to penetrate into the intonaco itself. An earlier layer, called arriccio, is laid slightly coarsely to provide a key for the intonaco, and must be allowed to dry, usually for some days, before the final very thin layer is applied and painted on. In Italian the term intonaco is also used much more generally for normal plaster or mortar wall-coatings in buildings.
Intonaco is traditionally a mixture of sand (with granular dimensions less than two millimeters) and a binding substance. (Full article...)
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Rose painting with floral paintings in a traditional design Rose-painting, rosemaling, rosemåling or rosmålning is a Scandinavian decorative folk painting that flourished from the 1700s to the mid-1800s, particularly in Norway. In Sweden, rose-painting began to be called dalmålning, c. 1901, for the region Dalecarlia where it had been most popular, and kurbits, in the 1920s, for a characteristic trait, but in Norway the old name still predominates beside terms for local variants. Rose-painting was used to decorate church walls and ceilings. It then spread to wooden items commonly used in daily life, such as ale bowls, stools, chairs, cupboards, boxes, and trunks. Using stylized ornamentation made up of fantasy flowers, scrollwork, fine line work, flowing patterns and sometimes geometric elements give rose-painting its unique feel. Some paintings may include landscapes and architectural elements. Rose-painting also utilizes other decorative painting techniques such as glazing, spattering, marbleizing, manipulating the paint with the fingers or other objects. Regional styles of rose-painting developed, and some varied only slightly from others, while others may be noticeably distinct. (Full article...)
A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that is not present at the filming location. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage (compositing). At its best, depending on the skill levels of the artists and technicians, the effect is seamless and creates environments that would otherwise be impossible or expensive to film. In the scenes, the painting part is static while movements are integrated on it. (Full article...)
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A drawing of an airplane with motion lines to indicate that it is moving fast In comics and art more broadly, motion lines (also known as movement lines, action lines, speed lines, or zip ribbons) are the abstract lines that appear behind a moving object or person, parallel to its direction of movement, to make it appear as if it is moving quickly. They are common in Japanese manga and anime, of which Speed Racer is a classic example.
Lines depicting wind and the trajectory of missiles appear in art as early as the 16th century. By the 19th century artists were drawing naturally occurring speed lines when showing the passage of an object through water or snow, but it was not until the 1870s that artists like Wilhelm Busch and Adolphe Willette began drawing motion lines to depict the movement of objects through air. (Full article...)
The name is from the Chinese gong jin meaning 'tidy' (meticulous brush craftsmanship). The gongbi technique uses highly detailed brushstrokes that delimits details very precisely and without independent or expressive variation. It is often highly colored and usually depicts figural or narrative subjects. (Full article...)
The name "stereochromy" was first used in about 1825 by Johann Nepomuk von Fuchs and Schlotthaurer. In the original technique, pigments were applied to plaster or stone and sealed with water glass to preserve and enhance the colors. The method was then improved in the 1880s by Adolf Wilhelm Keim and renamed mineral painting or Keim's process. (Full article...)
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Madonna painting on caterpillar silk, Chester Cathedral Cobweb painting, sometimes known as gossamer painting, is the delicate process of painting on canvases made from caterpillar and spider webs that have been collected, layered, cleaned, and framed. Fewer than 100 cobweb paintings are known to exist, many of which are housed in private collections. (Full article...)
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Splashed-ink Landscape (破墨山水, Haboku sansui) by Sesshū Tōyō, 1495Haboku (破墨) and Hatsuboku (溌墨) are both painting techniques employed in suiboku (ink-wash painting) in China and Japan, as seen in landscape paintings, involving an abstract simplification of forms and freedom of brushwork. The two terms are often confused with each other in ordinary use. Generally, haboku relies on a layered contrast black, gray and white, whereas hatsuboku utilizes "splashes" of ink, without leaving clear contours or outlines. The style apparently started in the Tang dynasty China with the painter Wang Qia (王洽, fl. 785–805, also known as Wang Mo), but none of his paintings remains. According to Zhu Jingxuan:
Whenever he wanted to paint a picture, Wang Mo would first drink wine, and when he was sufficiently drunk, would splash the ink onto the painting surface. Then, laughing and singing all the while, he would stamp on it with his feet and smear it with his hands, besides swashing and sweeping it with the brush. The ink would be thin in some places, rich in others; he would follow the shapes which brush and ink had produced, making these into mountains, rocks, clouds and mists, wash in wind and rain, with the suddenness of Creation. It was exactly like the cunning of a deity; when one examined the painting after it was finished he could see no traces of the puddles of ink.
During the Song dynasty, some landscapes of Mu Qi's paintings on the Xiao and Xiang rivers exhibit many of its characteristics, and were highly praised in Japan. It was with Yu Jian (玉澗) in China when we have the first paintings in the style, for example Evening Market. In Japan, these styles of painting were spread by the Japanese painter Sesshū Tōyō. Later, the Kano school of painting also made many paintings in this style. (Full article...)
Self portrait by mouth and foot artist Thomas Schweicker (1540–1602) Mouth and foot painting is a technique to create drawings, paintings and other works of art by maneuvering brushes and other tools with the mouth or foot. The technique is mostly used by artists who through illness, accident, or congenital disability have no use of their hands. The Association of Mouth and Foot Painting Artists (AMFPA) is a worldwide organization representing these artists.
The brushes and tools that are used are ordinary artist's implements, but they may be modified in length or width. Mouth painters hold the brush in their mouth or between their teeth and maneuver it with their tongue and cheek muscles. The paper or canvas is usually mounted vertically on an easel. Mouth painting is strenuous for neck and jaw muscles since the head has to perform the same back and forth movement as a hand does when painting. Foot painting can be done sitting on the floor, at a table or at an easel, as most foot painters use their toes with the same dexterity as people with hands use their fingers, this also helps the brush manoeuvre its self making it be more free with its art. (Full article...)
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Nōtan (濃淡) is a design aesthetic referring to the use of light and shade while also implying a balance or harmony in their respective contrast. Its origins are said to lie in Asian art, best represented by the Taoist symbol of the yin and yang, although the concept itself is unique to art education in the United States and is generally described as an American idea. Nōtan, as it is used this way, refers to the relationship between positive and negative space, and in composition, the connection between shape and background. This use of dark and light translates shape and form into flat shapes on a two-dimensional surface. Art historian Ernest Fenollosa (1853–1908) is credited with introducing nōtan to the United States in the waning years of the fin de siècle. It was subsequently popularized by Arthur Wesley Dow in his book Composition (1899). (Full article...)
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In art, an underpainting is an initial layer of paint applied to a ground, which serves as a base for subsequent layers of paint. Underpaintings are often monochromatic and help to define color values for later painting. Underpainting gets its name because it is painting that is intended to be painted over (see overpainting) in a system of working in layers.
There are several different types of underpainting, such as veneda, verdaccio, morellone, imprimatura and grisaille. The different types have different colourings. Grisaille is plain grey. Verdaccio is a grey tending towards yellow or green that brings out more luminous tones, while imprimatura uses earth tones. (Full article...)
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Pin striping on a motorcycle fuel tank.
Pin striping (or pinstriping) is the application of a very thin line of paint or other material called a pin stripe, and is generally used for decoration. Freehand pin stripers use a specialty brush known as a pinstriping brush.
Automotive, bike shops, and do-it-yourself car and motorcycle mechanics use paint pin striping to create their own custom look on the automotive bodies and parts. (Full article...)
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Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". It was formed in a long period of artistic activities and promoted by the literati. Through the inheritance and development in the past dynasties, freehand brush work has gradually become the most influential and popular genre.
The freehand brush work emphasizes the semblance in the spiritual aspect. This kind of artwork does not chase for the physical similarity and the cooperation of reality. And it might be the essence of freehand brush work that it mostly grasps the most obvious or essential spiritual characteristics. The first rule of freehand brush work is the use of connotation which is a kind of spiritual meaning. It focuses on the personality and the cooperation of every element in the painting. (Full article...)
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The illusionistic perspective of Andrea Pozzo's trompe-l'œil dome at Sant'Ignazio (1685) creates an illusion of an actual architectural space on what is, in actuality, a slightly concave painted surface.
Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà) is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contemporary Chinese ink wash paintings are the pluralistic continuation of multiple historical traditions.
In China, Japan and, to a lesser extent, Korea, ink wash painting formed a distinct stylistic tradition with a different set of artists working in it than from those in other types of painting. In China especially it was a gentlemanly occupation associated with poetry and calligraphy. It was often produced by the scholar-official or literati class, ideally illustrating their own poetry and producing the paintings as gifts for friends or patrons, rather than painting for payment. (Full article...)
Wall painted with Al-Qatt Al-Asiri Al-Qatt Al-Asiri (also called nagash painting or majlis painting), is a style of South Arabian art, typically painted by women in the entrance to a home. It originated in the 'Asir Region of Saudi Arabia where the front parlour of traditional Arab homes typically contained wall paintings in the form of a mural or fresco with geometric designs in bright colors. Called nagash in Arabic, the wall paintings are often considered a mark of pride. In 2017 Al-Qatt Al-Asiri was inscribed on UNESCO's list of Intangible Cultural Heritage of Humanity. (Full article...)
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Image 7In 2021, researchers discovered ancient cave art in Leang Tedongnge, Sulawesi, Indonesia, estimated to be at least 45,500 years old. Depicting a warty pig, this artwork is recognized as the world’s oldest known example of figurative or representational art. (from History of painting)
Image 8White Angel (fresco, c. 1235), Mileševa monastery, Serbia (from Painting)
Image 16The Eternal Father Painting the Virgin of Guadalupe. Attributed to Joaquín Villegas (1713 – active in 1753) (Mexican) (painter, Museo Nacional de Arte. (from History of painting)
Image 17Rudolf Reschreiter, Blick von der Höllentalangerhütte zum Höllentalgletscher und den Riffelwandspitzen, Gouache (1921) (from Painting)
Image 18Krishna and Radha, might be the work of Nihâl Chand, master of Kishangarh school of Rajput Painting (from Painting)
Image 37Mother Goddess A miniature painting of the Pahari style, dating to the eighteenth century. Pahari and Rajput miniatures share many common features. (from History of painting)
Image 45Loquats and Mountain Bird, anonymous artist of the Southern Song dynasty; paintings in leaf album style such as this were popular in the Southern Song (1127–1279). (from History of painting)
Image 49Yun Bing, Album Leaf (17th century), ink and color on paper (from Painting)
Image 50Two Scribes Seated with Books and a Writing Table Fragment of a decorative margin Northern India (Mughal school), ca. 1640–1650 (from History of painting)
Image 51In 2021, researchers discovered ancient cave art in Leang Tedongnge, Sulawesi, Indonesia, estimated to be at least 45,500 years old. Depicting a warty pig, this artwork is recognized as the world’s oldest known example of figurative or representational art. (from Painting)
Image 62Francis Picabia, (Left) Le saint des saints c'est de moi qu'il s'agit dans ce portrait, 1 July 1915; (center) Portrait d'une jeune fille americaine dans l'état de nudité, 5 July 1915: (right) J'ai vu et c'est de toi qu'il s'agit, De Zayas! De Zayas! Je suis venu sur les rivages du Pont-Euxin, New York, 1915 (from History of painting)
Image 69The depiction of a bull found in the Lubang Jeriji Saleh, Indonesia, in 2018, is the world’s oldest known figurative painting. The painting is estimated to have been created around 40,000 to 52,000 years ago, or even earlier. (from Painting)
Image 73Female painter sitting on a campstool and painting a statue of Dionysus or Priapus onto a panel which is held by a boy. Fresco from Pompeii, 1st century (from Painting)
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Silk painting depicting a man riding a dragon, painting on silk, dated to 5th–3rd century BC, Warring States period, from Zidanku Tomb no. 1 in Changsha, Hunan Province (from History of painting)
In 2021, researchers discovered ancient cave art in Leang Tedongnge, Sulawesi, Indonesia, estimated to be at least 45,500 years old. Depicting a warty pig, this artwork is recognized as the world’s oldest known example of figurative or representational art. (from History of painting)
White Angel (fresco, c. 1235), Mileševa monastery, Serbia (from Painting)
Wayang beber, 17th century (from History of painting)
Nino Pisano, Apelles or the Art of painting in detail (1334–1336); relief of the Giotto's Bell Tower in Florence, Italy
Muromachi period, Shingei (1431–1485), Viewing a Waterfall, Nezu Museum, Tokyo. (from History of painting)
The Eternal Father Painting the Virgin of Guadalupe. Attributed to Joaquín Villegas (1713 – active in 1753) (Mexican) (painter, Museo Nacional de Arte. (from History of painting)
Rudolf Reschreiter, Blick von der Höllentalangerhütte zum Höllentalgletscher und den Riffelwandspitzen, Gouache (1921) (from Painting)
Krishna and Radha, might be the work of Nihâl Chand, master of Kishangarh school of Rajput Painting (from Painting)
Ray Burggraf, Jungle Arc (1998), acrylic paint on wood (from Painting)
Bharat Mata by Abanindranath Tagore (1871–1951), a nephew of the poet Rabindranath Tagore, and a pioneer of the movement (from History of painting)
A Chinese painted jar from the Western Han Era (202 BCE – 9 CE) (from History of painting)
Gwion Gwion rock paintings found in the north-west Kimberley region of Western Australia c. 15,000 BC (from History of painting)
Maurice Quentin de La Tour, Portrait of Louis XV of France (1748), pastel (from Painting)
Pictographs from the Great Gallery, Canyonlands National Park, Horseshoe Canyon, Utah, c. 1500 BCE (from History of painting)
Jean Metzinger, La danse (Bacchante) (c. 1906), oil on canvas, 73 x 54 cm, Kröller-Müller Museum (from Painting)
Young Mother Sewing, Mary Cassatt (from History of painting)
Khan Bahadur Khan with Men of his Clan, c. 1815, from the Fraser Album, Company Style (from Painting)
Mona Lisa (1503–1517) by Leonardo da Vinci is one of the world's most recognizable paintings. (from Painting)
Lascaux, Horse (from History of painting)
Mother Goddess A miniature painting of the Pahari style, dating to the eighteenth century. Pahari and Rajput miniatures share many common features. (from History of painting)
An Ethiopian illuminated Evangelist portrait of Mark the Evangelist, from the Ethiopian Garima Gospels, 6th century AD, Kingdom of Aksum (from History of painting)
Honoré Daumier, The Painter (1808–1879), oil on panel with visible brushstrokes (from Painting)
Piet Mondrian, Composition en rouge, jaune, bleu et noir (1921), Gemeentemuseum Den Haag (from Painting)
Loquats and Mountain Bird, anonymous artist of the Southern Song dynasty; paintings in leaf album style such as this were popular in the Southern Song (1127–1279). (from History of painting)
A fresco showing Hades and Persephone riding in a chariot, from the tomb of Queen Eurydice I of Macedon at Vergina, Greece, 4th century BC (from History of painting)
Cueva de las Manos (Spanish for Cave of the Hands) in the Santa Cruz province in Argentina, c. 7300 BC (from History of painting)
Two Scribes Seated with Books and a Writing Table Fragment of a decorative margin Northern India (Mughal school), ca. 1640–1650 (from History of painting)
Jean de Court (attributed), painted Limoges enamel dish in detail (mid-16th century), Waddesdon Bequest, British Museum (from Painting)
Spanish cave painting of Bulls (from History of painting)
Otto Marseus van Schrieck, A Forest Floor Still-Life (1666) (from Painting)
Lascaux, Bulls and Horses (from History of painting)
Sesshū Tōyō, Landscapes of the Four Seasons (1486), ink and light color on paper (from Painting)
Francis Picabia, (Left) Le saint des saints c'est de moi qu'il s'agit dans ce portrait, 1 July 1915; (center) Portrait d'une jeune fille americaine dans l'état de nudité, 5 July 1915: (right) J'ai vu et c'est de toi qu'il s'agit, De Zayas! De Zayas! Je suis venu sur les rivages du Pont-Euxin, New York, 1915 (from History of painting)
Book of Hours (from History of painting)
Hand stencils in the "Tree of Life" cave painting in Gua Tewet, Kalimantan, Indonesia (from History of painting)
Rembrandt van Rijn, The Jewish Bride, ca. 1665–1669 (from History of painting)
Joan Miró, Horse, Pipe and Red Flower, 1920, abstract Surrealism, Philadelphia Museum of Art (from History of painting)
The depiction of a bull found in the Lubang Jeriji Saleh, Indonesia, in 2018, is the world’s oldest known figurative painting. The painting is estimated to have been created around 40,000 to 52,000 years ago, or even earlier. (from Painting)
Francisco de Zurbarán, Still Life with Pottery Jars (Spanish: Bodegón de recipientes) (1636), oil on canvas, 46 x 84 cm, Museo del Prado, Madrid (from Painting)
Diego Rivera, Recreation of Man at the Crossroads (renamed Man, Controller of the Universe), originally created in 1934, Mexican muralism movement (from History of painting)
Max Beckmann, The Night (Die Nacht), 1918–1919, Kunstsammlung Nordrhein-Westfalen, Düsseldorf (from History of painting)
Spring Morning in the Han Palace, by Ming-era artist Qiu Ying (1494–1552 AD) (from History of painting)
A fresco from Cave 1 of Ajanta. (from History of painting)
The Sakyamuni Buddha, by Zhang Shengwen, 1173–1176 AD, Song dynasty period. (from History of painting)
Reza Abbasi, Two Lovers (1630) (from Painting)
19th Century Mysore Painting of Goddess Saraswathi (from Painting)
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