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View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. During the Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated.

Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)

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  • Image 1 The south façade of Sanssouci Sanssouci (German pronunciation: [ˈsãːsusi]) is a historical building in Potsdam, near Berlin. Built by Prussian King Frederick the Great as his summer palace, it is often counted among the German rivals of Versailles. While Sanssouci is in the more intimate Rococo style and is far smaller than its French Baroque counterpart, it, too, is notable for the numerous temples and follies in the surrounding park. The palace was designed and built by Georg Wenzeslaus von Knobelsdorff between 1745 and 1747 to meet Frederick's need for a private residence where he could escape the pomp and ceremony of the royal court. The palace's name is a French phrase (sans souci) meaning "without worries" or "carefree", emphasising that the palace was meant as a place of relaxation rather than a seat of power. Sanssouci is little more than a large, single-storey villa—more like the Château de Marly than Versailles. Containing just ten principal rooms, it was built on the brow of a terraced hill at the centre of the park. The influence of King Frederick's personal taste in the design and decoration of the palace was so great that its style is characterised as "Frederician Rococo", and his feelings for the palace were so strong that he conceived it as "a place that would die with him". Because of a disagreement about the site of the palace in the park, Knobelsdorff was fired in 1746. Jan Bouman, a Dutch architect, finished the project. (Full article...)

    The south façade of Sanssouci

    Sanssouci (German pronunciation: [ˈsãːsusi]) is a historical building in Potsdam, near Berlin. Built by Prussian King Frederick the Great as his summer palace, it is often counted among the German rivals of Versailles. While Sanssouci is in the more intimate Rococo style and is far smaller than its French Baroque counterpart, it, too, is notable for the numerous temples and follies in the surrounding park. The palace was designed and built by Georg Wenzeslaus von Knobelsdorff between 1745 and 1747 to meet Frederick's need for a private residence where he could escape the pomp and ceremony of the royal court. The palace's name is a French phrase (sans souci) meaning "without worries" or "carefree", emphasising that the palace was meant as a place of relaxation rather than a seat of power.

    Sanssouci is little more than a large, single-storey villa—more like the Château de Marly than Versailles. Containing just ten principal rooms, it was built on the brow of a terraced hill at the centre of the park. The influence of King Frederick's personal taste in the design and decoration of the palace was so great that its style is characterised as "Frederician Rococo", and his feelings for the palace were so strong that he conceived it as "a place that would die with him". Because of a disagreement about the site of the palace in the park, Knobelsdorff was fired in 1746. Jan Bouman, a Dutch architect, finished the project. (Full article...)
  • Image 2 A villa with a superimposed portico, from Book IV of Palladio's I quattro libri dell'architettura, in an English translation published in London, 1736 Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Palladio's own I quattro libri dell'architettura (The Four Books of Architecture) and Colen Campbell's Vitruvius Britannicus. Campbell's book included illustrations of Wanstead House, a building he designed on the outskirts of London and one of the largest and most influential of the early neo-Palladian houses. The movement's resurgence was championed by Richard Boyle, 3rd Earl of Burlington, whose buildings for himself, such as Chiswick House and Burlington House, became celebrated. Burlington sponsored the career of the artist, architect and landscaper William Kent, and their joint creation, Holkham Hall in Norfolk, has been described as "the most splendid Palladian house in England". By the middle of the century Palladianism had become almost the national architectural style, epitomised by Kent's Horse Guards at the centre of the nation's capital. (Full article...)
    See caption
    A villa with a superimposed portico, from Book IV of Palladio's I quattro libri dell'architettura, in an English translation published in London, 1736

    Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism.

    Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Palladio's own I quattro libri dell'architettura (The Four Books of Architecture) and Colen Campbell's Vitruvius Britannicus. Campbell's book included illustrations of Wanstead House, a building he designed on the outskirts of London and one of the largest and most influential of the early neo-Palladian houses. The movement's resurgence was championed by Richard Boyle, 3rd Earl of Burlington, whose buildings for himself, such as Chiswick House and Burlington House, became celebrated. Burlington sponsored the career of the artist, architect and landscaper William Kent, and their joint creation, Holkham Hall in Norfolk, has been described as "the most splendid Palladian house in England". By the middle of the century Palladianism had become almost the national architectural style, epitomised by Kent's Horse Guards at the centre of the nation's capital. (Full article...)
  • Image 3 St. Mary Redcliffe from the northwest Bristol, the largest city in South West England, has an eclectic combination of architectural styles, ranging from the medieval to 20th century brutalism and beyond. During the mid-19th century, Bristol Byzantine, an architectural style unique to the city, was developed, and several examples have survived. Buildings from most of the architectural periods of the United Kingdom can be seen throughout Bristol. Parts of the fortified city and castle date back to the medieval era, as do some churches dating from the 12th century onwards. Outside the historical city centre there are several large Tudor mansions built for wealthy merchants. Almshouses and public houses of the same period survive, intermingled with areas of more recent development. Several Georgian-era squares were laid out for the enjoyment of the middle class. As the city grew, it merged with its surrounding villages, each with its own character and centre, often clustered around a parish church. (Full article...)
    St. Mary Redcliffe from the northwest

    Bristol, the largest city in South West England, has an eclectic combination of architectural styles, ranging from the medieval to 20th century brutalism and beyond. During the mid-19th century, Bristol Byzantine, an architectural style unique to the city, was developed, and several examples have survived.

    Buildings from most of the architectural periods of the United Kingdom can be seen throughout Bristol. Parts of the fortified city and castle date back to the medieval era, as do some churches dating from the 12th century onwards. Outside the historical city centre there are several large Tudor mansions built for wealthy merchants. Almshouses and public houses of the same period survive, intermingled with areas of more recent development. Several Georgian-era squares were laid out for the enjoyment of the middle class. As the city grew, it merged with its surrounding villages, each with its own character and centre, often clustered around a parish church. (Full article...)
  • Image 4 John Douglas, photograph published in 1890 John Douglas (11 April 1830 – 23 May 1911) was an English architect who designed over 500 buildings in Cheshire, North Wales, and northwest England, in particular in the estate of Eaton Hall. He was trained in Lancaster and practised throughout his career from an office in Chester. Initially he ran the practice on his own, but from 1884 until two years before his death he worked in partnerships with two of his former assistants. Douglas's output included new churches, restoring and renovating existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic. Douglas worked during the period of the Gothic Revival, and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Dutch architecture. However he is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, influenced by the black-and-white revival in Chester. Other vernacular elements he incorporated include tile-hanging, pargeting and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas's use of joinery and highly detailed wood carving. (Full article...)

    John Douglas, photograph published in 1890

    John Douglas (11 April 1830 – 23 May 1911) was an English architect who designed over 500 buildings in Cheshire, North Wales, and northwest England, in particular in the estate of Eaton Hall. He was trained in Lancaster and practised throughout his career from an office in Chester. Initially he ran the practice on his own, but from 1884 until two years before his death he worked in partnerships with two of his former assistants.

    Douglas's output included new churches, restoring and renovating existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic. Douglas worked during the period of the Gothic Revival, and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Dutch architecture. However he is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, influenced by the black-and-white revival in Chester. Other vernacular elements he incorporated include tile-hanging, pargeting and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas's use of joinery and highly detailed wood carving. (Full article...)
  • Image 5 Catherine de' Medici, by François Clouet The French queen Catherine de' Medici was patron for building projects including the Valois chapel at the Basilica of Saint-Denis, the Tuileries Palace, and the Hôtel de la Reine in Paris, and extensions to the Château de Chenonceau, near Blois. Born in 1519 in Florence, Catherine de' Medici was a daughter of both the Italian and the French Renaissance. She grew up in Florence and Rome under the wing of the Medici popes, Leo X and Clement VII. In 1533, at the age of fourteen, she left Italy and married Henry, the second son of King Francis I of France. On doing so, she entered the greatest Renaissance court in northern Europe. King Francis set his daughter-in-law an example of kingship and artistic patronage that she never forgot. She witnessed his huge architectural schemes at Chambord and Fontainebleau. She saw Italian and French craftsmen at work together, forging the style that became known as the first School of Fontainebleau. Francis died in 1547, and Catherine became queen consort of France. But it wasn't until her husband King Henry's death in 1559, when she found herself at forty the effective ruler of France, that Catherine came into her own as a patron of architecture. Over the next three decades, she launched a series of costly building projects aimed at enhancing the grandeur of the monarchy. During the same period, however, religious civil war gripped the country and brought the prestige of the monarchy to a dangerously low ebb. (Full article...)
    Catherine de' Medici, by François Clouet


    The French queen Catherine de' Medici was patron for building projects including the Valois chapel at the Basilica of Saint-Denis, the Tuileries Palace, and the Hôtel de la Reine in Paris, and extensions to the Château de Chenonceau, near Blois. Born in 1519 in Florence, Catherine de' Medici was a daughter of both the Italian and the French Renaissance. She grew up in Florence and Rome under the wing of the Medici popes, Leo X and Clement VII. In 1533, at the age of fourteen, she left Italy and married Henry, the second son of King Francis I of France. On doing so, she entered the greatest Renaissance court in northern Europe.

    King Francis set his daughter-in-law an example of kingship and artistic patronage that she never forgot. She witnessed his huge architectural schemes at Chambord and Fontainebleau. She saw Italian and French craftsmen at work together, forging the style that became known as the first School of Fontainebleau. Francis died in 1547, and Catherine became queen consort of France. But it wasn't until her husband King Henry's death in 1559, when she found herself at forty the effective ruler of France, that Catherine came into her own as a patron of architecture. Over the next three decades, she launched a series of costly building projects aimed at enhancing the grandeur of the monarchy. During the same period, however, religious civil war gripped the country and brought the prestige of the monarchy to a dangerously low ebb. (Full article...)
  • Image 6 Bramall Hall from the west, the side of the main entrance, showing the courtyard and the north and south wings. The Great Hall is in the centre. Bramall Hall is a largely Tudor manor house in Bramhall, Greater Manchester, England. Its oldest parts date from the 14th century, with additions from the 16th and 19th centuries. It is a notable example of the timber-framed buildings found throughout the historic county of Cheshire. The house functions as a museum and its 70 acres (28 ha) of landscaped parkland (Bramhall Park) are open to the public. The manor of Bramall was first described in the Domesday Book in 1086, when it was held by the Massey family. From the late 14th century, it was owned by the Davenports, who built the present house and remained lords of the manor for about 500 years. In 1877, they sold the estate of nearly 2,000 acres (810 ha) to the Manchester Freeholders' Company, a property company formed to exploit the estate's potential for residential building development. The hall and a residual park of over 50 acres (20 ha) was sold on by the Freeholders to the Nevill family of successful industrialists. (Full article...)

    Bramall Hall from the west, the side of the main entrance, showing the courtyard and the north and south wings. The Great Hall is in the centre.

    Bramall Hall is a largely Tudor manor house in Bramhall, Greater Manchester, England. Its oldest parts date from the 14th century, with additions from the 16th and 19th centuries. It is a notable example of the timber-framed buildings found throughout the historic county of Cheshire. The house functions as a museum and its 70 acres (28 ha) of landscaped parkland (Bramhall Park) are open to the public.

    The manor of Bramall was first described in the Domesday Book in 1086, when it was held by the Massey family. From the late 14th century, it was owned by the Davenports, who built the present house and remained lords of the manor for about 500 years. In 1877, they sold the estate of nearly 2,000 acres (810 ha) to the Manchester Freeholders' Company, a property company formed to exploit the estate's potential for residential building development. The hall and a residual park of over 50 acres (20 ha) was sold on by the Freeholders to the Nevill family of successful industrialists. (Full article...)
  • Image 7 The Prophet's Mosque (al-Masjid an-Nabawi) in Medina, one of the holiest mosques in Islam A mosque (/mɒsk/ MOSK), also called a masjid (/ˈmæsdʒɪd, ˈmʌs-/ MASS-jid, MUSS-), is a place of worship for Muslims. The term usually refers to a covered building, but can be any place where Islamic prayers are performed, such as an outdoor courtyard. Originally, mosques were simple places of prayer for the early Muslims, and may have been open spaces rather than elaborate buildings. In the first stage of Islamic architecture (650–750 CE), early mosques comprised open and closed covered spaces enclosed by walls, often with minarets, from which the Islamic call to prayer was issued on a daily basis. It is typical of mosque buildings to have a special ornamental niche (a mihrab) set into the wall in the direction of the city of Mecca (the qibla), which Muslims must face during prayer, as well as a facility for ritual cleansing (wudu). The pulpit (minbar), from which public sermons (khutbah) are delivered on the event of Friday prayer, was, in earlier times, characteristic of the central city mosque, but has since become common in smaller mosques. To varying degrees, mosque buildings are designed so that there are segregated spaces for men and women. This basic pattern of organization has assumed different forms depending on the region, period, and Islamic denomination. (Full article...)
    The Prophet's Mosque (al-Masjid an-Nabawi) in Medina, one of the holiest mosques in Islam

    A mosque (/mɒsk/ MOSK), also called a masjid (/ˈmæsdʒɪd, ˈmʌs-/ MASS-jid, MUSS-), is a place of worship for Muslims. The term usually refers to a covered building, but can be any place where Islamic prayers are performed, such as an outdoor courtyard.

    Originally, mosques were simple places of prayer for the early Muslims, and may have been open spaces rather than elaborate buildings. In the first stage of Islamic architecture (650–750 CE), early mosques comprised open and closed covered spaces enclosed by walls, often with minarets, from which the Islamic call to prayer was issued on a daily basis. It is typical of mosque buildings to have a special ornamental niche (a mihrab) set into the wall in the direction of the city of Mecca (the qibla), which Muslims must face during prayer, as well as a facility for ritual cleansing (wudu). The pulpit (minbar), from which public sermons (khutbah) are delivered on the event of Friday prayer, was, in earlier times, characteristic of the central city mosque, but has since become common in smaller mosques. To varying degrees, mosque buildings are designed so that there are segregated spaces for men and women. This basic pattern of organization has assumed different forms depending on the region, period, and Islamic denomination. (Full article...)
  • Image 8 55 Wall Street in 2012 55 Wall Street, formerly the National City Bank Building, is an eight-story building on Wall Street between William and Hanover streets in the Financial District of Lower Manhattan in New York City, New York, United States. The lowest three stories were completed in either 1841 or 1842 as the four-story Merchants' Exchange and designed by Isaiah Rogers in the Greek Revival style. Between 1907 and 1910, McKim, Mead & White removed the original fourth story and added five floors to create the present building. Since 2006, the banking room has functioned as an event venue called the Cipriani Wall Street, while the upper stories have been a condominium development known as the Cipriani Club Residences. 55 Wall Street's granite facade includes two stacked colonnades facing Wall Street, each with twelve columns. Inside is a cruciform banking hall with a 60-foot (18 m) vaulted ceiling, Corinthian columns, marble floors and walls, and an entablature around the interior. The banking hall was among the largest in the United States when it was completed. The offices of Citibank's predecessor National City Bank were in the corners of the banking hall, while the fourth through eighth floors were used as office space. The facade and part of the interior are New York City designated landmarks, and the building is listed on both the New York State Register of Historic Places and the National Register of Historic Places (NRHP) as a National Historic Landmark. It is also a contributing property to the Wall Street Historic District, listed on the NRHP. (Full article...)

    55 Wall Street in 2012

    55 Wall Street, formerly the National City Bank Building, is an eight-story building on Wall Street between William and Hanover streets in the Financial District of Lower Manhattan in New York City, New York, United States. The lowest three stories were completed in either 1841 or 1842 as the four-story Merchants' Exchange and designed by Isaiah Rogers in the Greek Revival style. Between 1907 and 1910, McKim, Mead & White removed the original fourth story and added five floors to create the present building. Since 2006, the banking room has functioned as an event venue called the Cipriani Wall Street, while the upper stories have been a condominium development known as the Cipriani Club Residences.

    55 Wall Street's granite facade includes two stacked colonnades facing Wall Street, each with twelve columns. Inside is a cruciform banking hall with a 60-foot (18 m) vaulted ceiling, Corinthian columns, marble floors and walls, and an entablature around the interior. The banking hall was among the largest in the United States when it was completed. The offices of Citibank's predecessor National City Bank were in the corners of the banking hall, while the fourth through eighth floors were used as office space. The facade and part of the interior are New York City designated landmarks, and the building is listed on both the New York State Register of Historic Places and the National Register of Historic Places (NRHP) as a National Historic Landmark. It is also a contributing property to the Wall Street Historic District, listed on the NRHP. (Full article...)
  • Image 9 William Burges ARA (/ˈbɜːdʒɛs/; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement. Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. (Full article...)

    William Burges ARA (/ˈbɜːdʒɛs/; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement.

    Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. (Full article...)
  • Image 10 The front façade of the House with Chimaeras House with Chimaeras (Ukrainian: Будинок з химерами, Budynok z khymeramy) or Horodetsky House (named for Władysław Horodecki) is an Art Nouveau building located in the historic Lypky neighborhood of Kyiv, the capital of Ukraine. Situated across the street from the President of Ukraine's office at No. 10, Bankova Street, the building has been used as a presidential residence for official and diplomatic ceremonies since 2005. The street in front of the building is closed off to all automobile traffic, and is now a patrolled pedestrian zone due to its proximity to the Presidential Administration building. The Polish architect Władysław Horodecki originally constructed the House with Chimaeras for use as his own upmarket apartment building during 1901–02. However, as the years went by, Horodecki eventually had to sell the building due to financial troubles, after which it changed ownership numerous times before finally being occupied by an official Communist Party polyclinic until the early 2000s. When the building was vacated, its interior and exterior decor were fully reconstructed and restored according to Horodecki's original plans. (Full article...)

    The front façade of the House with Chimaeras

    House with Chimaeras (Ukrainian: Будинок з химерами, Budynok z khymeramy) or Horodetsky House (named for Władysław Horodecki) is an Art Nouveau building located in the historic Lypky neighborhood of Kyiv, the capital of Ukraine. Situated across the street from the President of Ukraine's office at No. 10, Bankova Street, the building has been used as a presidential residence for official and diplomatic ceremonies since 2005. The street in front of the building is closed off to all automobile traffic, and is now a patrolled pedestrian zone due to its proximity to the Presidential Administration building.

    The Polish architect Władysław Horodecki originally constructed the House with Chimaeras for use as his own upmarket apartment building during 1901–02. However, as the years went by, Horodecki eventually had to sell the building due to financial troubles, after which it changed ownership numerous times before finally being occupied by an official Communist Party polyclinic until the early 2000s. When the building was vacated, its interior and exterior decor were fully reconstructed and restored according to Horodecki's original plans. (Full article...)
  • Image 11 Main front The I.G. Farben Building – also known as the Poelzig Building and the Abrams Building, formerly informally called The Pentagon of Europe – is a building complex in Frankfurt, Germany, which currently serves as the main structure of the Westend Campus of the University of Frankfurt. Construction began in 1928 and was complete in 1930 as the corporate headquarters of the I.G. Farben conglomerate, then the world's largest chemical company and the world's fourth-largest company overall. The building's original design in the modernist New Objectivity style was the subject of a competition which was eventually won by the architect Hans Poelzig. On its completion, the complex was the largest office building in Europe and remained so until the 1950s. The I.G. Farben Building's six square wings retain a modern, spare elegance, despite its mammoth size. It is also notable for its paternoster elevators. (Full article...)

    Main front

    The I.G. Farben Building – also known as the Poelzig Building and the Abrams Building, formerly informally called The Pentagon of Europe – is a building complex in Frankfurt, Germany, which currently serves as the main structure of the Westend Campus of the University of Frankfurt. Construction began in 1928 and was complete in 1930 as the corporate headquarters of the I.G. Farben conglomerate, then the world's largest chemical company and the world's fourth-largest company overall.

    The building's original design in the modernist New Objectivity style was the subject of a competition which was eventually won by the architect Hans Poelzig. On its completion, the complex was the largest office building in Europe and remained so until the 1950s. The I.G. Farben Building's six square wings retain a modern, spare elegance, despite its mammoth size. It is also notable for its paternoster elevators. (Full article...)
  • Image 12 Charles Holden, 1946 Charles Henry Holden FRIBA MRTPI RDI (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s, the Underground Electric Railways Company of London's headquarters at 55 Broadway, for the University of London's Senate House and for Bristol Central Library. He created many war cemeteries in Belgium and northern France for the Imperial War Graves Commission. After working and training in Bolton and Manchester, Holden moved to London. His early buildings were influenced by the Arts and Crafts Movement, but for most of his career he championed an unadorned style based on simplified forms and massing that was free of what he considered to be unnecessary decorative detailing. Holden believed strongly that architectural designs should be dictated by buildings' intended functions. After the First World War, he increasingly simplified his style and his designs became pared-down and modernist, influenced by European architecture. He was a member of the Design and Industries Association and the Art Workers' Guild. He produced complete designs for his buildings including the interior design and architectural fittings. (Full article...)

    Charles Holden, 1946

    Charles Henry Holden FRIBA MRTPI RDI (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s, the Underground Electric Railways Company of London's headquarters at 55 Broadway, for the University of London's Senate House and for Bristol Central Library. He created many war cemeteries in Belgium and northern France for the Imperial War Graves Commission.

    After working and training in Bolton and Manchester, Holden moved to London. His early buildings were influenced by the Arts and Crafts Movement, but for most of his career he championed an unadorned style based on simplified forms and massing that was free of what he considered to be unnecessary decorative detailing. Holden believed strongly that architectural designs should be dictated by buildings' intended functions. After the First World War, he increasingly simplified his style and his designs became pared-down and modernist, influenced by European architecture. He was a member of the Design and Industries Association and the Art Workers' Guild. He produced complete designs for his buildings including the interior design and architectural fittings. (Full article...)
  • Image 13 West front St. Michael's Cathedral (German: Kathedrale St. Michael; simplified Chinese: 圣弥爱尔大教堂; traditional Chinese: 聖彌愛爾大教堂; pinyin: Shèng Mí'ài'ěr Dàjiàotáng), also called the Zhejiang Road Catholic Church (Chinese: 浙江路天主教堂), is a Catholic church in Qingdao (Tsingtao), Shandong Province, China, and is the seat of the bishop of the Diocese of Qingdao (Tsingtao). It is located in the oldest part of Qingdao, at 15 Zhejiang Road, on the east side of Zhongshan Road in Shinan District. Built by German missionaries, the cathedral stands at the top of a hill in the center of the old German-built part of the city. It is the largest example of Romanesque Revival architecture in the province, resembling a German cathedral of the 12th century. St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)

    West front

    St. Michael's Cathedral (German: Kathedrale St. Michael; simplified Chinese: 圣弥爱尔大教堂; traditional Chinese: 聖彌愛爾大教堂; pinyin: Shèng Mí'ài'ěr Dàjiàotáng), also called the Zhejiang Road Catholic Church (Chinese: 浙江路天主教堂), is a Catholic church in Qingdao (Tsingtao), Shandong Province, China, and is the seat of the bishop of the Diocese of Qingdao (Tsingtao). It is located in the oldest part of Qingdao, at 15 Zhejiang Road, on the east side of Zhongshan Road in Shinan District. Built by German missionaries, the cathedral stands at the top of a hill in the center of the old German-built part of the city. It is the largest example of Romanesque Revival architecture in the province, resembling a German cathedral of the 12th century.

    St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)
  • Image 14 Nazi era ID photo Rudolf Wolters (3 August 1903 – 7 January 1983) was a German architect and government official, known for his longtime association with fellow architect and Third Reich official Albert Speer. A friend and subordinate of Speer, Wolters received the many papers which were smuggled out of Spandau Prison for Speer while he was imprisoned there, and kept them for him until Speer was released in 1966. After Speer's release, the friendship slowly collapsed, Wolters objecting strongly to Speer's blaming of Hitler and other Nazis for the Holocaust and World War II, and they saw nothing of each other in the decade before Speer's death in 1981. Wolters, who was born to a Catholic middle-class family in the northern German town of Coesfeld, obtained his degree and doctorate in architecture from the Technische Hochschule in Charlottenburg (now Technische Universität Berlin), forging a close friendship with Speer while a student. After receiving his doctorate, he had difficulty finding employment prior to the Nazi rise to power. From 1933 to 1937, he worked for the Reichsbahn. In 1937, Speer hired him as a department head, and Wolters soon took major responsibility for Hitler's plan for the large scale reconstruction of Berlin. When Speer became Minister of Armaments and War Production in 1942, Wolters moved to his department, remaining his close associate. (Full article...)

    Nazi era ID photo

    Rudolf Wolters (3 August 1903 – 7 January 1983) was a German architect and government official, known for his longtime association with fellow architect and Third Reich official Albert Speer. A friend and subordinate of Speer, Wolters received the many papers which were smuggled out of Spandau Prison for Speer while he was imprisoned there, and kept them for him until Speer was released in 1966. After Speer's release, the friendship slowly collapsed, Wolters objecting strongly to Speer's blaming of Hitler and other Nazis for the Holocaust and World War II, and they saw nothing of each other in the decade before Speer's death in 1981.

    Wolters, who was born to a Catholic middle-class family in the northern German town of Coesfeld, obtained his degree and doctorate in architecture from the Technische Hochschule in Charlottenburg (now Technische Universität Berlin), forging a close friendship with Speer while a student. After receiving his doctorate, he had difficulty finding employment prior to the Nazi rise to power. From 1933 to 1937, he worked for the Reichsbahn. In 1937, Speer hired him as a department head, and Wolters soon took major responsibility for Hitler's plan for the large scale reconstruction of Berlin. When Speer became Minister of Armaments and War Production in 1942, Wolters moved to his department, remaining his close associate. (Full article...)
  • Image 15 Belton House, south front Belton House is a Grade I listed country house in the parish of Belton near Grantham in Lincolnshire, England, built between 1685 and 1687 by Sir John Brownlow, 3rd Baronet. It is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, said to be the only truly vernacular style of architecture that England had produced since the Tudor period. It is considered to be a complete example of a typical English country house; the claim has even been made that Belton's principal façade was the inspiration for the modern British motorway signs which give directions to stately homes. For about three centuries until 1984, Belton House was the seat of the Brownlow family, which had first acquired land in the area in the late 16th century. Their heirs, the Cust family, were created Baron Brownlow in 1776. Despite his great wealth Sir John Brownlow, 3rd Baronet, chose to build a comparatively modest house rather than one of the grand Baroque palaces being built by others at the time. The contemporary, if provincial, Carolean style was the selected choice of design. Nevertheless, the new house was fitted with the latest innovations, such as sash windows for the principal rooms, and followed the latest thinking on house-planning, in seeking to separate those parts of the building that were for the use of the family from the areas where servants carried out their domestic duties. Successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. (Full article...)
    The southern facade of Belton House
    Belton House, south front


    Belton House is a Grade I listed country house in the parish of Belton near Grantham in Lincolnshire, England, built between 1685 and 1687 by Sir John Brownlow, 3rd Baronet. It is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, said to be the only truly vernacular style of architecture that England had produced since the Tudor period. It is considered to be a complete example of a typical English country house; the claim has even been made that Belton's principal façade was the inspiration for the modern British motorway signs which give directions to stately homes.

    For about three centuries until 1984, Belton House was the seat of the Brownlow family, which had first acquired land in the area in the late 16th century. Their heirs, the Cust family, were created Baron Brownlow in 1776. Despite his great wealth Sir John Brownlow, 3rd Baronet, chose to build a comparatively modest house rather than one of the grand Baroque palaces being built by others at the time. The contemporary, if provincial, Carolean style was the selected choice of design. Nevertheless, the new house was fitted with the latest innovations, such as sash windows for the principal rooms, and followed the latest thinking on house-planning, in seeking to separate those parts of the building that were for the use of the family from the areas where servants carried out their domestic duties. Successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. (Full article...)
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The exterior of the Dubai Mall (2023)

Dubai Mall (originally known as The Dubai Mall, until 2023) (Arabic: دبي مول "Dubai Mall") is the largest shopping mall in Dubai. The mall is part of the 20-billion-dollar downtown complex called Downtown Dubai that is adjacent to the Burj Khalifa, and includes over 1,200 shops. In 2011, it was the most visited building on the planet, and attracts over 54 million visitors each year.

Twice delayed, Dubai Mall opened on 4 November 2008, with about 1000 retailers. In January 2023, the shopping mall announced that it was officially changing its name from "The Dubai Mall" to "Dubai Mall". Dubai Mall has received a record 105 million visitors in 2023, a jump of over 19 per cent from the previous year which had 88 million visitors. (Full article...)

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  • Image 1 The skyline of Singapore in 2018 Singapore is a highly urbanised country with over 10,000 completed high-rises, the majority of which are located in the Downtown Core, its Central Business District (CBD). In the CBD, there are over 100 skyscrapers. The Guoco Tower currently holds the title of the tallest building in Singapore. It stands at 290 m (950 ft), exempted from the height restriction of 280 m (920 ft) in the CBD. A supertall tower will be built at the current AXA Tower site in the future, standing at 305 m (1,001 ft). Singapore's history of skyscrapers began with the 1939 completion of the 17-storey Cathay Building. The 70-metre (230 ft) structure was, at the time of its completion, the tallest building in Southeast Asia; it was superseded by the 87-metre (285 ft) Asia Insurance Building in 1954, which remained the tallest in Singapore for more than a decade. Singapore went through a major building boom in the 1970s and 1980s that resulted from the city's rapid industrialisation. During this time OUB Centre (present-day One Raffles Place) became the tallest building in the city-state; the 280 m (919 ft) structure was also the tallest building in the world outside of North America from its 1986 completion until 1989. The skyscraper-building boom continued during the 1990s and 2000s, with 30 skyscrapers at least 140 m (459 ft) tall, many of them residential towers, constructed from 1990 through 2008. (Full article...)
    Singapore skyline near a body of water, known as the Marina Bay.
    The skyline of Singapore in 2018

    Singapore is a highly urbanised country with over 10,000 completed high-rises, the majority of which are located in the Downtown Core, its Central Business District (CBD). In the CBD, there are over 100 skyscrapers. The Guoco Tower currently holds the title of the tallest building in Singapore. It stands at 290 m (950 ft), exempted from the height restriction of 280 m (920 ft) in the CBD. A supertall tower will be built at the current AXA Tower site in the future, standing at 305 m (1,001 ft).

    Singapore's history of skyscrapers began with the 1939 completion of the 17-storey Cathay Building. The 70-metre (230 ft) structure was, at the time of its completion, the tallest building in Southeast Asia; it was superseded by the 87-metre (285 ft) Asia Insurance Building in 1954, which remained the tallest in Singapore for more than a decade. Singapore went through a major building boom in the 1970s and 1980s that resulted from the city's rapid industrialisation. During this time OUB Centre (present-day One Raffles Place) became the tallest building in the city-state; the 280 m (919 ft) structure was also the tallest building in the world outside of North America from its 1986 completion until 1989. The skyscraper-building boom continued during the 1990s and 2000s, with 30 skyscrapers at least 140 m (459 ft) tall, many of them residential towers, constructed from 1990 through 2008. (Full article...)
  • Image 2 The skyline of Detroit in 2015 This list of tallest buildings in Detroit ranks skyscrapers and high rises in the U.S. city of Detroit, Michigan by height. The tallest skyscraper in Detroit is the 73-story Detroit Marriott at the Renaissance Center, which rises 727 feet (222 m) along Detroit's International Riverfront.[A] It is the tallest building in the state of Michigan, the 97th-tallest building in the United States, and the second tallest hotel building in the Western Hemisphere. Another famous skyscraper is Ally Detroit Center, which stands as the 3rd-tallest building in the city and the state. Detroit's history of skyscrapers began in 1889, with completion of the historic 10-story Hammond Building—considered the city's first steel-framed skyscraper. It was followed by the Savings Bank Building in 1895, the Majestic Building in 1896, and the Union Trust Building in 1896. Detroit witnessed a massive building boom during the Roaring Twenties, resulting in the construction of many of the city's ornate skyscrapers, including the Penobscot, Guardian, Fisher, Buhl, Stott, and Broderick. (Full article...)
    The skyline of Detroit in 2015

    This list of tallest buildings in Detroit ranks skyscrapers and high rises in the U.S. city of Detroit, Michigan by height. The tallest skyscraper in Detroit is the 73-story Detroit Marriott at the Renaissance Center, which rises 727 feet (222 m) along Detroit's International Riverfront.[A] It is the tallest building in the state of Michigan, the 97th-tallest building in the United States, and the second tallest hotel building in the Western Hemisphere. Another famous skyscraper is Ally Detroit Center, which stands as the 3rd-tallest building in the city and the state.

    Detroit's history of skyscrapers began in 1889, with completion of the historic 10-story Hammond Building—considered the city's first steel-framed skyscraper. It was followed by the Savings Bank Building in 1895, the Majestic Building in 1896, and the Union Trust Building in 1896. Detroit witnessed a massive building boom during the Roaring Twenties, resulting in the construction of many of the city's ornate skyscrapers, including the Penobscot, Guardian, Fisher, Buhl, Stott, and Broderick. (Full article...)
  • Image 3 The BT Tower, completed in 1964 at 177 metres tall At 111 metres (364 ft), St Paul's Cathedral was the tallest building in London from 1710 until it was eventually surpassed by the 118 metre (387 ft) Millbank Tower in 1963. This in turn was overtaken by the BT Tower at 177 metres (581 ft) tall in 1964. Throughout the 1960s and 1970s several high-rise buildings were built, mostly in the western side of Central London and the City of London. In 1980, the 183 metre (600 ft) NatWest Tower (now Tower 42) was completed in the City of London. In 1991, One Canada Square was topped-out at 235 metres (771 ft), becoming the centrepiece of the Canary Wharf development. The 2000s saw the beginnings of a boom in skyscraper building, mostly in the City of London and Canary Wharf. Since 2012, the tallest building in London has been The Shard at London Bridge, which was topped out at 309.6 metres (1,016 ft). There are several tall buildings planned for the City and Canary Wharf, with further clusters emerging in other districts of London including: Stratford, the South Bank, Elephant and Castle, Vauxhall, Nine Elms, Islington, Lewisham as well as in places in Outer London such as Croydon. (Full article...)

    The BT Tower, completed in 1964 at 177 metres tall

    At 111 metres (364 ft), St Paul's Cathedral was the tallest building in London from 1710 until it was eventually surpassed by the 118 metre (387 ft) Millbank Tower in 1963. This in turn was overtaken by the BT Tower at 177 metres (581 ft) tall in 1964. Throughout the 1960s and 1970s several high-rise buildings were built, mostly in the western side of Central London and the City of London. In 1980, the 183 metre (600 ft) NatWest Tower (now Tower 42) was completed in the City of London. In 1991, One Canada Square was topped-out at 235 metres (771 ft), becoming the centrepiece of the Canary Wharf development.

    The 2000s saw the beginnings of a boom in skyscraper building, mostly in the City of London and Canary Wharf. Since 2012, the tallest building in London has been The Shard at London Bridge, which was topped out at 309.6 metres (1,016 ft). There are several tall buildings planned for the City and Canary Wharf, with further clusters emerging in other districts of London including: Stratford, the South Bank, Elephant and Castle, Vauxhall, Nine Elms, Islington, Lewisham as well as in places in Outer London such as Croydon. (Full article...)
  • Image 4 The skyline of Lujiazui CBD in Pudong District with Oriental Pearl Tower, Shanghai International Finance Center, Jin Mao Tower, Shanghai World Financial Center and Shanghai Tower The city of Shanghai, China is one of the fastest-growing cities in the world in terms of skyscraper construction, with the City of Shanghai reporting at the end of 2004 that there had been 6,704 buildings of 11 stories or more completed since 1990. In 2011 there are over 20,000 buildings 11 stories or higher and more than 1,000 buildings exceeding 30 stories in Shanghai. As of January 2019, there are 165 high-rise buildings either under construction, approved for construction, or proposed for construction, of which five are over 300 m (980 ft) high. Shanghai's first building boom occurred in the 1920s and 1930s, during the city's heyday as a multinational center of business and finance. The city's international concessions permitted foreign investment, and with it came architectural styles from the West, as seen today in areas such as the French Concession and the Bund. After the Communist takeover in 1949 the city's development was stifled, punished for its earlier capitalist excesses. After economic reforms beginning in the 1980s, the city is undergoing its second construction boom to fulfill its desire to regain its status as an important global financial center. (Full article...)
    The skyline of Lujiazui CBD in Pudong District with Oriental Pearl Tower, Shanghai International Finance Center, Jin Mao Tower, Shanghai World Financial Center and Shanghai Tower

    The city of Shanghai, China is one of the fastest-growing cities in the world in terms of skyscraper construction, with the City of Shanghai reporting at the end of 2004 that there had been 6,704 buildings of 11 stories or more completed since 1990. In 2011 there are over 20,000 buildings 11 stories or higher and more than 1,000 buildings exceeding 30 stories in Shanghai. As of January 2019, there are 165 high-rise buildings either under construction, approved for construction, or proposed for construction, of which five are over 300 m (980 ft) high.

    Shanghai's first building boom occurred in the 1920s and 1930s, during the city's heyday as a multinational center of business and finance. The city's international concessions permitted foreign investment, and with it came architectural styles from the West, as seen today in areas such as the French Concession and the Bund. After the Communist takeover in 1949 the city's development was stifled, punished for its earlier capitalist excesses. After economic reforms beginning in the 1980s, the city is undergoing its second construction boom to fulfill its desire to regain its status as an important global financial center. (Full article...)
  • Image 5 Chicago skyline during sunrise Chicago, the third-largest city in the United States, is home to 1,397 completed high-rises, 56 of which stand taller than 600 feet (183 m). The tallest building in the city is the 110-story Willis Tower (also known as the Sears Tower), which rises 1,451 feet (442 m) in the Chicago Loop and was completed in 1974. Sears Tower was the tallest building in the world upon its completion, and remained the tallest building in the United States until May 10, 2013. The second, third, and fourth-tallest buildings in Chicago are the Trump International Hotel & Tower, St Regis Chicago, and the Aon Center, respectively. Of the ten tallest buildings in the United States, two are located in Chicago, and of the fifteen tallest buildings in the United States, five are in Chicago. Chicago has the second-tallest skyline in the United States after New York City, and leads the nation in the twenty tallest women-designed towers in the world, thanks to contributions by Jeanne Gang and Natalie de Blois. As of December 2019[update], Chicago had 125 buildings at least 500 feet (152 m) tall. Chicago is the birthplace of the skyscraper. The Home Insurance Building, completed in 1885, is regarded as the world's first skyscraper. This building used the steel-frame method, innovated in Chicago. It was originally built with 10 stories, an enormous height in the 1800s, to a height of 138 feet (42 m). It was later expanded to 12 stories with a height of 180 feet (55 m). The building was demolished in 1931. New York City then began building skyscrapers as Chicago had done, and the two cities were virtually the only cities in the world with huge skylines for many decades. Chicago has always played a prominent role in the development of skyscrapers and three past buildings have been the tallest building in the United States. Being the inventor of the skyscraper, Chicago went through a very early high-rise construction boom that lasted from the early 1920s to the late 1930s, during which nine of the city's 100 tallest buildings were constructed. The city then went through an even larger building boom that has lasted from the early 1960s. The tallest buildings are concentrated in various downtown districts such as the Loop, Streeterville, River North, the South Loop, and the West Loop. Other high-rises extend north along the waterfront into North Side districts such as the Gold Coast, Lincoln Park, Lakeview, Uptown and Edgewater. Some high-rises also extend south from downtown along the waterfront to South Side districts such as Kenwood, Hyde Park, and South Shore. (Full article...)
    Chicago skyline during sunrise

    Chicago, the third-largest city in the United States, is home to 1,397 completed high-rises, 56 of which stand taller than 600 feet (183 m). The tallest building in the city is the 110-story Willis Tower (also known as the Sears Tower), which rises 1,451 feet (442 m) in the Chicago Loop and was completed in 1974. Sears Tower was the tallest building in the world upon its completion, and remained the tallest building in the United States until May 10, 2013. The second, third, and fourth-tallest buildings in Chicago are the Trump International Hotel & Tower, St Regis Chicago, and the Aon Center, respectively. Of the ten tallest buildings in the United States, two are located in Chicago, and of the fifteen tallest buildings in the United States, five are in Chicago. Chicago has the second-tallest skyline in the United States after New York City, and leads the nation in the twenty tallest women-designed towers in the world, thanks to contributions by Jeanne Gang and Natalie de Blois. As of December 2019, Chicago had 125 buildings at least 500 feet (152 m) tall.

    Chicago is the birthplace of the skyscraper. The Home Insurance Building, completed in 1885, is regarded as the world's first skyscraper. This building used the steel-frame method, innovated in Chicago. It was originally built with 10 stories, an enormous height in the 1800s, to a height of 138 feet (42 m). It was later expanded to 12 stories with a height of 180 feet (55 m). The building was demolished in 1931. New York City then began building skyscrapers as Chicago had done, and the two cities were virtually the only cities in the world with huge skylines for many decades. Chicago has always played a prominent role in the development of skyscrapers and three past buildings have been the tallest building in the United States. Being the inventor of the skyscraper, Chicago went through a very early high-rise construction boom that lasted from the early 1920s to the late 1930s, during which nine of the city's 100 tallest buildings were constructed. The city then went through an even larger building boom that has lasted from the early 1960s. The tallest buildings are concentrated in various downtown districts such as the Loop, Streeterville, River North, the South Loop, and the West Loop. Other high-rises extend north along the waterfront into North Side districts such as the Gold Coast, Lincoln Park, Lakeview, Uptown and Edgewater. Some high-rises also extend south from downtown along the waterfront to South Side districts such as Kenwood, Hyde Park, and South Shore. (Full article...)
  • Image 6 Skyline of Minneapolis Minneapolis, the largest city in the U.S. state of Minnesota, is home to 190 completed high-rises, 41 of which stand taller than 300 feet (91 m). The tallest building in Minneapolis is the 57-story IDS Center, which rises 792 feet (241 m) and was designed by architect Philip Johnson. The tower has been the tallest building in the state of Minnesota since its completion in 1973, and is the 66th-tallest building in the United States. The second-tallest skyscraper in the city and the state is Capella Tower, which rises 775 feet (236 m) and was completed in 1992. Overall, seventeen of the twenty tallest buildings in Minnesota are located in Minneapolis. Additionally, most of the tallest buildings in Downtown Minneapolis are linked via the Minneapolis Skyway System, the largest pedestrian skywalk system in the world. The history of skyscrapers in the city began with the construction of the Lumber Exchange Building, now also known as the Edison Building, in 1886; this structure, rising 165 feet (50 m) and 12 floors, is often regarded as the first skyscraper in Minnesota and one of the first fire-proof buildings in the country. The Lumber Exchange Building also stands as the oldest structure outside of New York City with at least 12 floors. Minneapolis went through a small building boom in the early 1920s, and then experienced a much larger boom lasting from 1960 to the early 1990s. During this time, 24 of the city's 36 tallest buildings were constructed, including the IDS Center, Capella Tower and Wells Fargo Center. The city is the site of twelve skyscrapers at least 492 feet (150 m) in height, including three which rank among the tallest in the United States. As of 2021[update], the skyline of Minneapolis is ranked 2nd in the Midwest (after Chicago), 11th in the United States, and 82nd in the world with 32 buildings rising at least 328 feet (100 m). (Full article...)
    Skyline of Minneapolis


    Minneapolis, the largest city in the U.S. state of Minnesota, is home to 190 completed high-rises, 41 of which stand taller than 300 feet (91 m). The tallest building in Minneapolis is the 57-story IDS Center, which rises 792 feet (241 m) and was designed by architect Philip Johnson. The tower has been the tallest building in the state of Minnesota since its completion in 1973, and is the 66th-tallest building in the United States. The second-tallest skyscraper in the city and the state is Capella Tower, which rises 775 feet (236 m) and was completed in 1992. Overall, seventeen of the twenty tallest buildings in Minnesota are located in Minneapolis. Additionally, most of the tallest buildings in Downtown Minneapolis are linked via the Minneapolis Skyway System, the largest pedestrian skywalk system in the world.

    The history of skyscrapers in the city began with the construction of the Lumber Exchange Building, now also known as the Edison Building, in 1886; this structure, rising 165 feet (50 m) and 12 floors, is often regarded as the first skyscraper in Minnesota and one of the first fire-proof buildings in the country. The Lumber Exchange Building also stands as the oldest structure outside of New York City with at least 12 floors. Minneapolis went through a small building boom in the early 1920s, and then experienced a much larger boom lasting from 1960 to the early 1990s. During this time, 24 of the city's 36 tallest buildings were constructed, including the IDS Center, Capella Tower and Wells Fargo Center. The city is the site of twelve skyscrapers at least 492 feet (150 m) in height, including three which rank among the tallest in the United States. As of 2021, the skyline of Minneapolis is ranked 2nd in the Midwest (after Chicago), 11th in the United States, and 82nd in the world with 32 buildings rising at least 328 feet (100 m). (Full article...)
  • Image 7 Eastgate Clock designed by Douglas and erected on Chester's Eastgate in 1899 to commemorate Queen Victoria's Diamond Jubilee John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses. He also designed a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving. Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed a former assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work was carried out in Cheshire and North Wales, although some was further afield in regions including Merseyside, Greater Manchester, and Shropshire. (Full article...)
    A highly ornate structure in wrought iron, with a railing at the base. It carries a clock with Roman numerals; this has a red frame bearing the date "1897" in gold, and under it is a plate with an inscription in gold lettering. Above the clock are the initials "VR" in gold, and at the summit is a green cupola with a weather vane.
    Eastgate Clock designed by Douglas and erected on Chester's Eastgate in 1899 to commemorate Queen Victoria's Diamond Jubilee

    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His designs included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses. He also designed a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, especially half-timbering. Of particular importance is Douglas' use of joinery and highly detailed wood carving.

    Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed a former assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his work was carried out in Cheshire and North Wales, although some was further afield in regions including Merseyside, Greater Manchester, and Shropshire. (Full article...)
  • Image 8 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering. Of particular importance to Douglas' church furniture is his use of joinery and highly detailed wood carving. John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
    Head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age

    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival, much of his work incorporates elements of the English Gothic style. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering. Of particular importance to Douglas' church furniture is his use of joinery and highly detailed wood carving.

    John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
  • Image 9 Charles Holden by Benjamin Nelson, 1910 Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928. Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
    Charles Holden by Benjamin Nelson, 1910

    Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928.

    Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
  • Image 10 Skyline of Cleveland in 2024 from Lakewood Park Cleveland, the second most populous city in the U.S. state of Ohio, has 51 completed high-rises taller than 200 feet (61 m). The tallest building in Cleveland is the 57-story Key Tower, which rises 947 feet (289 m) on Public Square. The tower has been the tallest building in Ohio since its completion, in 1991; it also was the tallest building in the United States between Chicago and New York City before the completion, in 2007, of the Comcast Center in Philadelphia. The Terminal Tower, 771 feet (235 m), is the second tallest building in Cleveland and Ohio; at the time of its completion, in 1927, the building was the tallest in the world outside New York City. The history of skyscrapers in Cleveland began in 1889, with the construction of the Society for Savings Building, often called the first skyscraper in the city. Cleveland went through an early building boom in the late 1920s and the early 1930s, during which several high-rise buildings, including the Terminal Tower, were constructed. The city experienced a second, much larger building boom from the early 1970s to the early 1990s, during which it saw the construction of over 15 skyscrapers, including the Key Tower and 200 Public Square. Overall, the city is home to five out of the ten tallest buildings in Ohio. In 2020, the skyline of Cleveland was 27th in the United States and 96th in the world, ranked by buildings at least 330 feet (100 m) tall, with 18. (Full article...)
    Skyline of Cleveland in 2024 from Lakewood Park

    Cleveland, the second most populous city in the U.S. state of Ohio, has 51 completed high-rises taller than 200 feet (61 m). The tallest building in Cleveland is the 57-story Key Tower, which rises 947 feet (289 m) on Public Square. The tower has been the tallest building in Ohio since its completion, in 1991; it also was the tallest building in the United States between Chicago and New York City before the completion, in 2007, of the Comcast Center in Philadelphia. The Terminal Tower, 771 feet (235 m), is the second tallest building in Cleveland and Ohio; at the time of its completion, in 1927, the building was the tallest in the world outside New York City.

    The history of skyscrapers in Cleveland began in 1889, with the construction of the Society for Savings Building, often called the first skyscraper in the city. Cleveland went through an early building boom in the late 1920s and the early 1930s, during which several high-rise buildings, including the Terminal Tower, were constructed. The city experienced a second, much larger building boom from the early 1970s to the early 1990s, during which it saw the construction of over 15 skyscrapers, including the Key Tower and 200 Public Square. Overall, the city is home to five out of the ten tallest buildings in Ohio. In 2020, the skyline of Cleveland was 27th in the United States and 96th in the world, ranked by buildings at least 330 feet (100 m) tall, with 18. (Full article...)
  • Image 11 North Somerset is a unitary authority in the ceremonial county of Somerset, England. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. North Somerset constitutes part of the ceremonial county of Somerset. As a unitary authority, North Somerset is administered independently of the non-metropolitan county of Somerset. Its administrative headquarters are located in the town hall of Weston-super-Mare. North Somerset includes areas that were once part of Somerset before the creation of Avon in 1974. (Full article...)
    North Somerset is a unitary authority in the ceremonial county of Somerset, England. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations.

    North Somerset constitutes part of the ceremonial county of Somerset. As a unitary authority, North Somerset is administered independently of the non-metropolitan county of Somerset. Its administrative headquarters are located in the town hall of Weston-super-Mare. North Somerset includes areas that were once part of Somerset before the creation of Avon in 1974. (Full article...)
  • Image 12 Vancouver skyline, 2015 Vancouver is the most populous city in the Canadian province of British Columbia and has roughly 650 high-rise buildings that equal or exceed 35 m (115 ft), and roughly 50 buildings that equal or exceed 100 metres (328 ft). Almost all of the city's buildings that exceed 100 metres in height are located within Downtown Vancouver. Vancouver's population density is the fourth highest in North America and the city has more residential high-rises per capita than any other city on the continent. The city has 27 protected view corridors which limit the construction of tall buildings which interfere with the line of sight to the North Shore Mountains, the downtown skyline, and the waters of English Bay and the Strait of Georgia. (Full article...)
    Vancouver skyline, 2015


    Vancouver is the most populous city in the Canadian province of British Columbia and has roughly 650 high-rise buildings that equal or exceed 35 m (115 ft), and roughly 50 buildings that equal or exceed 100 metres (328 ft). Almost all of the city's buildings that exceed 100 metres in height are located within Downtown Vancouver. Vancouver's population density is the fourth highest in North America and the city has more residential high-rises per capita than any other city on the continent.

    The city has 27 protected view corridors which limit the construction of tall buildings which interfere with the line of sight to the North Shore Mountains, the downtown skyline, and the waters of English Bay and the Strait of Georgia. (Full article...)
  • Image 13 There are 42 Grade I listed buildings in Maidstone. The Borough of Maidstone is a local government district in the English county of Kent. The district covers a largely rural area of 152 square miles (394 km2) between the North Downs and the Weald with the town of Maidstone, the county town of Kent, in the north-west. The district has a population of approximately 166,400 in 2016. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, buildings are given listed building status by the Secretary of State for Culture, Media and Sport, acting on the recommendation of Historic England. (Full article...)
    There are 42 Grade I listed buildings in Maidstone. The Borough of Maidstone is a local government district in the English county of Kent. The district covers a largely rural area of 152 square miles (394 km2) between the North Downs and the Weald with the town of Maidstone, the county town of Kent, in the north-west. The district has a population of approximately 166,400 in 2016.

    In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, buildings are given listed building status by the Secretary of State for Culture, Media and Sport, acting on the recommendation of Historic England. (Full article...)
  • Image 14 West Somerset is a local government district in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. The district of West Somerset covers a largely rural area, with a population, according to the 2011 census, of 35,300 in an area of 740 square kilometres (290 sq mi). The largest centres of population are the coastal towns of Minehead and Watchet. The council's administrative headquarters are in the village of Williton. (Full article...)
    West Somerset is a local government district in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations.

    The district of West Somerset covers a largely rural area, with a population, according to the 2011 census, of 35,300 in an area of 740 square kilometres (290 sq mi). The largest centres of population are the coastal towns of Minehead and Watchet. The council's administrative headquarters are in the village of Williton. (Full article...)
  • Image 15 The Pritzker Architecture Prize is an international award presented annually "to honor a living architect or architects whose built work demonstrates a combination of those qualities of talent, vision and commitment which has produced consistent and significant contributions to humanity and the built environment through the art of architecture." Founded in 1979 by Jay A. Pritzker and his wife Cindy, the award is funded by the Pritzker family and sponsored by the Hyatt Foundation. It is considered to be one of the world's premier architecture prizes, and is often referred to as the Nobel Prize of architecture. (Full article...)
    The Pritzker Architecture Prize is an international award presented annually "to honor a living architect or architects whose built work demonstrates a combination of those qualities of talent, vision and commitment which has produced consistent and significant contributions to humanity and the built environment through the art of architecture." Founded in 1979 by Jay A. Pritzker and his wife Cindy, the award is funded by the Pritzker family and sponsored by the Hyatt Foundation. It is considered to be one of the world's premier architecture prizes, and is often referred to as the Nobel Prize of architecture. (Full article...)
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Architects: Matthew Brettingham, William Bruce, William Burges, John Douglas, Charles Holden, El Lissitzky, Benjamin Mountfort, I. M. Pei, Albert Speer, Rudolf Wolters. Buildings: 7 World Trade Center, Angkor Wat, Baden-Powell House, Belton House, Borobudur, BP Pedestrian Bridge, Bramall Hall, Buckingham Palace, Buildings and architecture of Bristol, Buildings of Jesus College, Oxford, Buildings of Nuffield College, Oxford, Building of the World Trade Center, Castell Coch, Catherine de' Medici's building projects, Chartwell, Chicago Board of Trade Building, Cragside, Heian Palace, Holkham Hall, IG Farben Building, House with Chimaeras, Hoysala architecture, City of Manchester Stadium, Monnow Bridge, Mosque, Michigan State Capitol, New Orleans Mint, Oregon State Capitol, Oriel College, Oxford, Palazzo Pitti, Palladian architecture, Pennsylvania State Capitol, Round Church, Preslav, Sandringham House, Sanssouci, Santa Maria de Ovila, Scottish Parliament building, Sicilian Baroque, St Donat's Castle, St. Michael's Cathedral, Qingdao, St. Michael's Golden-Domed Monastery, St Nicholas, Blakeney, Vkhutemas, The Tower House, West Wycombe Park

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Chicago Landmarks, National Treasures of Japan (castles), National Treasures of Japan (shrines), Pritzker Prize, New churches by John Douglas, Church restorations, amendments and furniture by John Douglas, Houses and associated buildings by John Douglas, Non-ecclesiastical and non-residential works by John Douglas, Scheduled monuments in Maidstone, Works by Charles Holden, Grade I listed buildings in: Bath and North East Somerset, Maidstone, Mendip, North Somerset, Sedgemoor, South Somerset, Taunton Deane, West Somerset, List of tallest buildings in: Boston, Chicago, Cleveland, Dallas, Detroit, Dubai, Hong Kong, Las Vegas, London, Los Angeles, Manchester, Miami, Minneapolis, Philadelphia, Providence, San Francisco, Shanghai, Singapore, Tokyo, Toronto, Tulsa, Vancouver, Listed buildings in: Runcorn (urban area), Runcorn (rural area), Widnes

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Architects: William Adam, Eustace Balfour, Antoni Gaudí, Thomas Harrison, Zvi Hecker, Bjarke Ingels, E. G. Paley, Timothy L. Pflueger, Antonin Raymond, Kenzo Tange. Buildings: 108 North State Street, 5th Avenue Theatre, Algonquin Hotel, Andriyivskyy Descent, AT&T Corporate Center, Ballard Carnegie Library, Baths of Zeuxippus, Beaumont House, Benjaminville Friends Meeting House and Burial Ground, Blackstone Library, Boughton Monchelsea Place, The Casbah Coffee Club, Central Troy Historic District, Chana School, Chester Rows, Chicago Spire, Chicago Theatre, Chrysler Building, Churche's Mansion, Clinton Presidential Center, Crown Fountain, Dolphinarium, Eaton Hall, Cheshire, Édifice Price, Edinburgh Place Ferry Pier, Ellwood House, The Exchange, Bristol, Forbidden City, Harold Washington Cultural Center, Heller House, Historic Michigan Boulevard District, Hull House, Imbrex and tegula, Imperial War Museum North, Jay Pritzker Pavilion, Joffrey Tower, Joseph F. Glidden House, Linton Park, Liverpool Town Hall, Louvre, Manila Hotel, Marquette Building (Chicago), Millennium Stadium, National Gallery, London, National Police Memorial, New Bedford Historic District, Old Louisville, One Bayfront Plaza, One Times Square, Onion dome, Oregon Public Library, Pavillon de Flore, Presidio of Santa Barbara, Queen's Pier, Rancho Camulos, Robot Building, Rock N Roll McDonald's, Roman Baths (Bath), Rookery Building, Senate House (University of London), Shamrock Hotel, Sycamore Historic District, Taipei 101, TCF Bank Stadium, United States Institute of Peace Headquarters, University Mall (Little Rock, Arkansas), University of Illinois Observatory, University of Virginia, Upper Brook Street Chapel, Manchester, Valley of the Kings, Via della Conciliazione, Victoria Rooms (Bristol), Waller Hall, Wales Millennium Centre, World Trade Center. Castles and fortifications: Beaumaris Castle, Berkhamsted Castle, Bowes Castle, Buckton Castle, Caernarfon Castle, Caludon Castle, Château Gaillard, Château de Chinon, Conwy Castle, Dolbadarn Castle, Dunstaffnage Castle, Fort Greble, Fort Pasir Panjang, Fortress of Klis, Golubac fortress, Goodrich Castle, Haapsalu Castle, Hadleigh Castle, Halton Castle, Himeji Castle, Hylton Castle, Kaunas Fortress, Kenilworth Castle, Loch Leven Castle, Longtown Castle, Okehampton Castle, Oxford Castle, Peckforton Castle, Castle Rising, Roslin Castle, Smederevo Fortress, St Briavels Castle, Vilnius Castle Complex, Walls of Constantinople, Walls of Dubrovnik, York Castle. Religious buildings: Akhtala monastery, Akshardham Temple, Al-Aqsa Mosque, Al-Masjid an-Nabawi, Bath Abbey, Cathedral of the Immaculate Conception (Hong Kong), Chester Cathedral, College of All Saints, Maidstone, Elgin Cathedral, Etchmiadzin Cathedral, Ganting Grand Mosque, Hurva Synagogue, Jesuit Missions of Chiquitos, Liverpool Metropolitan Cathedral, Mexico City Metropolitan Cathedral, Mezhyhirskyi Monastery, Old St Paul's Cathedral, St Mary's Church, Acton, St Mary's Church, Nantwich, St Mary's Church, Nether Alderley, St Thomas the Martyr's Church, Oxford, Sunol Water Temple, Uppsala Cathedral, Wells Cathedral, Zagreb Synagogue, Zhenguo Temple. Cities, countries and regions: Architecture of Denmark, Architecture of Leeds, Architecture of Madagascar, Architecture of Norway, Architecture of Scotland, Architecture of the medieval cathedrals of England, Buildings and architecture of Bath, Castles in Great Britain and Ireland, Grade I listed buildings in Somerset, Architecture of the Song Dynasty, Fatimid architecture.

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