With an estimated population in 2023 of 8,258,035 distributed over 300.46 square miles (778.2 km2), the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York City, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the United States, the largest foreign-born population of any city in the world. (Full article...)
Carol was in development since 1997, when Nagy wrote the first draft of the screenplay. British company Film4 Productions and its then-chief executive Tessa Ross financed development. The film was in development hell, facing problems with financing, rights, scheduling conflicts, and accessibility. Number 9 Films came on board as a producer in 2011, when Elizabeth Karlsen secured the rights to the novel. The film is co-produced by New York–based Killer Films, which joined the project in 2013 after Haynes's collaborator Christine Vachon approached him to direct. Principal photography on the British-American production began in March 2014, in Cincinnati, Ohio, and lasted 34 days. Cinematographer Edward Lachman shot Carol on Super 16 mm film.
Grrrrrrrrrrr!! is a 1965 oil and Magna on canvas painting by Roy Lichtenstein. Measuring 68 in × 56.125 in (172.7 cm × 142.6 cm), it was bequeathed to the Solomon R. Guggenheim Museum collection from Lichtenstein's estate. It depicts a head-on representation of an angry dog growling with the onomatopoeic expression "Grrrrrrrrrrr!!". The work was derived from Our Fighting Forces, which also served as the source for other military dog paintwork by Lichtenstein. (Full article...)
165 West 57th Street, originally the Louis H. Chalif Normal School of Dancing headquarters, is a building in the Midtown Manhattan neighborhood of New York City. It is along the northern sidewalk of 57th Street between Sixth Avenue and Seventh Avenue. The five-story building was designed by George A. and Henry Boehm for dance instructor Louis H. Chalif. It was designed as an event space, a school, and Chalif's apartment.
165 West 57th Street has an asymmetrical facade. The original ground story was originally built with ivory-colored Dover marble but was later refaced with limestone. At the second and third stories, the facade contains a diagonal pattern resembling a diamond, with terracotta molding. Inside were a ballroom at the second story (later known as the Carl Fischer Hall, Judson Hall, or CAMI Hall) and a dining area at the third story. The fourth floor has terracotta panels and windows; it was originally used as Chalif's family residence. The fifth floor, used as an event space, has a loggia behind a colonnade. The building is topped by an overhanging cornice and an asphalt roof.
Construction started in 1914 and was completed in 1916. The building was occupied by the Louis H. Chalif Normal School of Dancing until 1932 or 1933. Three clients were listed as occupying the building until 1937, after which it remained vacant for five years. The Federation of Crippled and Disabled moved its headquarters to the building in 1943 and operated there for several years. Carl Fischer Music acquired the building in 1946 and had a shop and performance hall there until 1959, when it was sold to Columbia Artists Management Inc (CAMI). The New York City Landmarks Preservation Commission designated 165 West 57th Street as a city landmark in 1999. It was sold to the Clover Foundation in 2007 and has been occupied by IESE Business School since then. (Full article...)
Alphonsus J. DonlonSJ (October 30, 1867 – September 3, 1923) was an American Catholic priest and Jesuit who spent his career in priestly ministry and academia, including as president of Georgetown University from 1912 to 1918. Born in Albany, New York, he garnered a reputation as a good student and an exceptional collegiate athlete. As a professor, he went on to lead Georgetown University's sports program, which enjoyed great success. As a result, he became known as the "father of Georgetown athletics."
Fenwick became the Bishop of Boston in 1825, during a period of rapid growth of the city's Catholic population due to massive Irish immigration. At the same time, Catholics faced intense nativism and anti-Catholicism, culminating in the burning of the Ursuline Convent in 1834, threats against Fenwick's life, and the formation of the Montgomery Guards. Fenwick also addressed parochial conflict, ultimately placing a Boston church under interdict. He established churches, schools, charitable institutions, and newspapers throughout the diocese, which encompassed all of New England. Among these were The Pilot newspaper and the College of the Holy Cross. (Full article...)
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Synagogue entrance in 2005, prior to its demolition
The First Roumanian-American Congregation, also known as Congregation Shaarey Shomayim (Hebrew: שַׁעֲרֵי שָׁמַיִם, lit. 'Gates of Heaven'), or the Roumanishe Shul (Yiddish for "Romanian synagogue"), was an Orthodox Jewish congregation at 89–93 Rivington Street on the Lower East Side of Manhattan in New York City. The congregation was organized in 1885 by Romanian-Jewish immigrants, serving the Lower East Side's large Romanian-Jewish community. The Rivington Street building, erected around 1860, switched between being a church and a synagogue and was extensively remodeled in 1889. The First Roumanian-American congregation purchased it in 1902 and again remodeled it.
The synagogue became famous as the "Cantor's Carnegie Hall", because of its high ceiling, good acoustics, and seating for up to 1,800 people. Yossele Rosenblatt, Moshe Koussevitzky, Zavel Kwartin, Moishe Oysher, Jan Peerce and Richard Tucker were all cantors there. Red Buttons sang in the choir, George Burns was a member, and Edward G. Robinson had his Bar Mitzvah there. The congregation's membership was in the thousands in the 1940s, but by the early 2000s had declined to around 40, as Jews moved out of the Lower East Side. Though its building was listed on the National Register of Historic Places in 1998, the congregation was reluctant to accept outside assistance in maintaining it. In December 2005, water damage was found in the structural beams, and services were moved to the living room of the rabbi's mother. In January 2006, the synagogue's roof collapsed, and the building was demolished two months later. (Full article...)
The first park at the site was opened in 1847 and was called Reservoir Square due to its proximity to the Croton Distributing Reservoir. Reservoir Square contained the New York Crystal Palace, which hosted the Exhibition of the Industry of All Nations in 1853 and burned down in 1858. The square was renamed in 1884 for abolitionist and journalist William Cullen Bryant. The reservoir was demolished in 1900 and the New York Public Library's main branch was built on the site, opening in 1911. Bryant Park was rebuilt in 1933–1934 to a plan by Lusby Simpson. After a period of decline, it was restored in 1988–1992 by landscape architects Hanna/Olin Ltd. and architects Hardy Holzman Pfeiffer Associates, during which the park was rebuilt and the library's stacks were built underneath. Further improvements were made in the late 20th and early 21st centuries.
Fox & Fowle planned a masonry facade facing south and east, as well as a glass facade facing west and north. The northwest corner of the building's base contains the eight-story cylindrical facade of Nasdaq MarketSite, which includes a large LED sign. The top of 4 Times Square includes an antenna mast and four large illuminated signs on each side which read ‘H&M’. The building contains 1,600,000 sq ft (150,000 m2) of floor space, much of which was originally taken by publishing company Condé Nast and law firm Skadden Arps. The lowest three stories contain retail space while the fourth story has a food hall for tenants, originally designed by Frank Gehry for Condé Nast. 4 Times Square is an early example of green design in commercial skyscrapers in the United States.
During the 1980s and early 1990s, Park Tower Realty and the Prudential Insurance Company of America had planned to develop a tower for the site as part of a wide-ranging redevelopment of West 42nd Street. After long opposing a tower there, Douglas Durst proposed an office building on the site in late 1995. Condé Nast and Skadden Arps leased the majority of the building in 1996, and the structure was finished in 1999. After Condé Nast and Skadden Arps moved out of the building during the 2010s, a variety of office tenants have occupied 4 Times Square. Several modifications have been made to the building after it opened, including an expansion of the antenna mast atop the building in 2003, as well as a renovation in the late 2010s. (Full article...)
In 2002, Tina Fey, then head writer of Saturday Night Live (SNL), pitched the idea for a series about a cable news network to NBC, which rejected it. Two years later, Fey approached NBC with a similar idea: a behind-the-scenes look at The Girlie Show, a television show similar to SNL. NBC approved the series in May 2006 and production began shortly after. The episode was generally well-received and it finished third in its timeslot among all viewers and among adults aged 18 to 49. Critics praised the performances of Jack McBrayer and Jane Krakowski, who played Kenneth Parcell and Jenna Maroney, respectively.
Henry Edwards (27 August 1827 – 9 June 1891) was an English stage actor, writer and entomologist who gained fame in Australia, San Francisco and New York City for his theatre work.
Edwards was drawn to the theatre early in life, and he appeared in amateur productions in London. After sailing to Australia, Edwards appeared professionally in Shakespearean plays and light comedies primarily in Melbourne and Sydney. Throughout his childhood in England and his acting career in Australia, he was greatly interested in collecting insects, and the National Museum of Victoria used the results of his Australian fieldwork as part of the genesis of their collection.
In San Francisco, Edwards was a founding member of the Bohemian Club, and a gathering in Edwards's honour was the spark which began the club's traditional summer encampment at the Bohemian Grove. As well, Edwards cemented his reputation as a preeminent stage actor and theatre manager. After writing a series of influential studies on Pacific Coast butterflies and moths he was elected life member of the California Academy of Sciences. Relocating to the East Coast, Edwards spent a brief time in Boston theatre. This led to a connection to Wallack's Theatre and further renown in New York City. There, Edwards edited three volumes of the journal Papilio and published a major work about the life of the butterfly. His large collection of insect specimens served as the foundation of the American Museum of Natural History's butterfly and moth studies. (Full article...)
The facade is designed as a variation of a 15th-century Tuscan villa, with a stage house to the west and an auditorium to the east. The facade has a stucco surface and openings with quoins, as well as a loggia. The placement of window openings reflected the theater's original interior arrangement. The front of the theater had facilities for the Theatre Guild, including classrooms, studios, a club room, a library, and a book store. The rear of the theater contains the auditorium, which was placed one story above ground to make room for a lounge below. The auditorium originally had elaborate decorations, including loggias and a frieze with depictions of scenes from the Theatre Guild's plays.
The Theatre Guild announced plans for its own theater in 1923, and the Guild Theatre opened on April 13, 1925. The theater's initial productions generally lasted only for several weeks, and the Theatre Guild started leasing the venue to other producers in 1938. Radio station WOR (AM) took over the auditorium as a broadcast studio in 1943, with the Theatre Guild moving out the next year. The American National Theater and Academy (ANTA) purchased the theater in 1950 and renamed it the ANTA Playhouse. The theater reopened as the ANTA Theatre in 1954 after a renovation that eliminated most of the interior detail. Jujamcyn purchased the ANTA Theatre in 1981 and renamed it for Virginia McKnight Binger, a co-owner. The Virginia was renovated again in the 1990s, and it was renamed for Wilson in 2005. Under Jujamcyn's ownership, productions such as City of Angels, Smokey Joe's Cafe, and Jersey Boys have had hundreds of performances at the theater. (Full article...)
The house is a six-story stone building in the French Renaissance Revival style. The first floor has arched openings topped by a balustrade, while the second and third stories contain fluted pilasters supporting an entablature. The fourth and fifth floors were added in the late 1930s in an imitation of the original design, and a balustrade runs above the fifth story. The adjoining townhouse at 645 Fifth Avenue, demolished in 1944, had been built in a similar style. The entire building is taken up by a store for fashion company Versace, which also built a sixth-story fitting room.
The southeast corner of Fifth Avenue and 52nd Street was planned as a hotel in the early 1900s after the Roman Catholic Asylum vacated the site. After the Vanderbilts blocked the development of the hotel, the southern portion of the site was developed as the Marble Twins, while the northern portion became the Morton F. Plant House (now the Cartier Building). Number 647 was altered for commercial use after 1916 and contained an art gallery and airline ticket agent, among other tenants. Number 645 was largely residential until it was torn down. The New York City Landmarks Preservation Commission designated 647 Fifth Avenue as a city landmark in 1977, and it was added to the National Register of Historic Places in 1983 along with the Cartier Building. In the late 1990s, Versace remodeled 647 Fifth Avenue. (Full article...)
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One Times Square in 2017 from one block north. The building is barely visible given the signage.
One Times Square (also known as 1475 Broadway, the New York Times Building, the New York Times Tower, the Allied Chemical Tower or simply as the Times Tower) is a 25-story, 363-foot-high (111 m) skyscraper on Times Square in the Midtown Manhattan neighborhood of New York City. Designed by Cyrus L. W. Eidlitz in the neo-Gothic style, the tower was built in 1903–1904 as the headquarters of The New York Times. It takes up the city block bounded by Seventh Avenue, 42nd Street, Broadway, and 43rd Street. The building's design has been heavily modified throughout the years, and all of its original architectural detail has since been removed. One Times Square's primary design features are the advertising billboards on its facade, added in the 1990s. Due to the large amount of revenue generated by its signage, One Times Square is one of the most valuable advertising locations in the world.
The surrounding Longacre Square neighborhood was renamed "Times Square" during the tower's construction, and The New York Times moved into the tower in January 1905. Quickly outgrowing the tower, eight years later, the paper's offices and printing presses moved to nearby 229 West 43rd Street. One Times Square remained a major focal point of the area due to its annual New Year's Eve "ball drop" festivities and the introduction of a large lighted news ticker near street-level in 1928. The Times sold the building to Douglas Leigh in 1961. Allied Chemical then bought the building in 1963 and renovated it as a showroom. Alex M. Parker took a long-term lease for the entire building in October 1973, buying it two years later. One Times Square was sold multiple times in the 1980s and continued to serve as an office building.
The financial firm Lehman Brothers acquired the building in 1995, adding billboards to take advantage of its prime location within Times Square. Jamestown L.P. has owned the building since 1997. In 2017, as part of One Times Square's redevelopment, plans were announced to construct a new Times Square museum, observation deck, and a new entrance to the Times Square–42nd Street subway station. Jamestown started a $500 million renovation of the building in 2022. The renovation will add an observation deck, a museum space, and a glass exterior, and is scheduled to be completed in 2025. (Full article...)
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Map of notable buildings and structures at Central Park. Pan and zoom the map and click on points for more details.
The plaza is bisected by Central Park South (59th Street). The centerpiece of the plaza's northern half, carved out of the southeastern corner of Central Park, is the equestrian statue of William Tecumseh Sherman, sculpted by Augustus Saint-Gaudens. The principal feature of the plaza's southern half is the Pulitzer Fountain, topped with a bronze statue of the Roman goddess Pomona sculpted by Karl Bitter. The area around Grand Army Plaza was largely residential in the late 19th century, with several hotels. Though the surrounding area was redeveloped into a commercial neighborhood in the 20th century, the plaza is still surrounded by hotels such as the Plaza Hotel and the Sherry-Netherland.
The northern half of Grand Army Plaza was planned in 1858 as one of four entrance plazas at Central Park's corners, and it was expanded south in 1868. Several proposals for the plaza in the 19th century were not executed. The idea for a unified treatment of the plaza was first proposed by Karl Bitter in 1898, and the Sherman statue was dedicated in the northern half of the plaza in 1903. After the newspaper publisher Joseph Pulitzer died in 1911, the entire plaza was redesigned, and a memorial fountain was installed in 1916. The plaza was rededicated in 1924 in honor of the Grand Army of the Republic, although it was rarely known by its official name. Grand Army Plaza was refurbished in the 1930s when the Pulitzer Fountain was rebuilt, and the fountain was rebuilt again in 1971. The plaza received another major restoration in the 1980s, and the northern half was renovated in the 2010s. (Full article...)
The bulk of the bus route between Jamaica and Flushing follows a former streetcar line known as the Flushing–Jamaica Line, Jamaica–Flushing Line, or 164th Street Line, operated by the New York and Queens County Railway from 1899 to 1937. The northern portion of the route follows a second line operated by the company called the College Point Line or Flushing–College Point Line, which began operation in 1891. Both lines, combined known as the Jamaica–College Point Line or Jamaica−Flushing−College Point Line, were replaced by bus service in 1937, operated by successor companies Queens-Nassau Transit Lines, Queens Transit Corporation, and finally Queens Surface Corporation until the route was taken over by the city in 2005. (Full article...)
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Olek in 2016
Agata Oleksiak (born 5 April 1978), known as Olek, is a Polish artist who is based in New York City. Their works include sculptures, installations such as crocheted bicycles, inflatables, performance pieces, and fiber art. They have covered buildings, sculptures, people, and an apartment with crochet and have exhibited in the United States, United Kingdom, Germany, Brazil, Turkey, France, Italy, Poland, and Costa Rica. (Full article...)
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A 2017 New Flyer XD40 (7484) on the Q17 heading towards Jamaica, Queens.
The facade on 51st Street is designed in a modern 1930s style and is constructed with golden and brown bricks. The stage house to the west and the auditorium at the center are designed as one unit, with a cornice above the auditorium. The eastern section, containing the building's current main entrance, includes statues flanking the doors, as well as an overhanging marquee. The 51st Street facade was originally a side entrance; the main entrance was originally at 1655 Broadway but was closed in the 1950s. In contrast to the exterior, the theater has a Baroque interior. Its rotunda lobby contains eight fluted columns, a balcony, and a domed ceiling with several murals; a basement lounge exists under the lobby. The auditorium has a coved ceiling with murals, as well as boxes and a deep stage.
For the first two decades of the Hellinger Theatre's existence, it largely served as a cinema under the Hollywood Theatre name. Vaudeville was presented in 1932, and some legitimate productions were shown intermittently from 1934 to 1942. The theater was briefly known as the 51st Street Theatre in 1936 and 1941 and as the Warner Theatre from 1947 to 1948. Anthony Brady Farrell bought the theater and renamed it after Hellinger, reopening it as a legitimate theater in 1949. The theater was subsequently acquired by the Stahl family in 1957 and the Nederlander Organization in 1976. The Hellinger hosted some hits from the 1950s to the 1970s, including My Fair Lady and Timbuktu!, but its later productions were mostly flops. By 1989, a lack of Broadway productions prompted the Nederlanders to lease the theater to the Times Square Church, which bought the building two years later and continues to operate it as of 2024[update]. (Full article...)
The Gainsborough Studios' name and design indicated its artistic connotations. The facade contains a bust of Gainsborough above the main entrance; a bas-relief across the third floor, designed by Isidore Konti; and tile murals by Henry Chapman Mercer's Moravian Pottery and Tile Works at the top stories. Some studios have 18-foot (5.5 m) ceilings with double-height spaces, while others are smaller units that occupy part of a single floor. Artists generally rented the studios as a combination residence and working space.
The Gainsborough Studios corporation built the structure between 1907 and 1908 as artists' cooperative housing, although it gradually became a standard residential development. The lobby was restored in the 1950s and in 1981, and a full renovation of the building commenced in 1988. The building was designated a city landmark by the New York City Landmarks Preservation Commission in 1988. (Full article...)
With a population of 2,405,464 as of the 2020 census, Queens is the second-most populous county in New York state, behind Kings County (Brooklyn), and is therefore also the second-most populous of the five New York City boroughs. If Queens were its own city, it would be the fourth most-populous in the U.S. after the rest of New York City, Los Angeles, and Chicago. Queens is the fourth-most densely populated borough in New York City and the fourth-most densely populated U.S. county. Queens is highly diverse with approximately 47% of its residents being foreign-born. (Full article...)
Named after the Dutch town of Breukelen in the Netherlands, Brooklyn shares a land border with the borough and county of Queens. It has several bridge and tunnel connections to the borough of Manhattan, across the East River (most famously, the architecturally significant Brooklyn Bridge), and is connected to Staten Island by way of the Verrazzano-Narrows Bridge. With a land area of 69.38 square miles (179.7 km2) and a water area of 27.48 square miles (71.2 km2), Kings County is the state of New York's fourth-smallest county by land area and third smallest by total area. (Full article...)
Staten Island (/ˈstætən/STAT-ən) is the southernmost of the five boroughs of New York City, coextensive with Richmond County and situated at the southernmost point of New York. The borough is separated from the adjacent state of New Jersey by the Arthur Kill and the Kill Van Kull and from the rest of New York by New York Bay. With a population of 495,747 in the 2020 Census, Staten Island is the least populated New York City borough but the third largest in land area at 58.5 sq mi (152 km2); it is also the least densely populated and most suburban borough in the city.
A home to the Lenape Native Americans, the island was settled by Dutch colonists in the 17th century. It was one of the 12 original counties of New York state. Staten Island was consolidated with New York City in 1898. It was formerly known as the Borough of Richmond until 1975, when its name was changed to Borough of Staten Island. Staten Island has sometimes been called "the forgotten borough" by inhabitants who feel neglected by the city government and the media. It has also been referred to as the "borough of parks" due to its 12,300 acres of protected parkland and over 170 parks. (Full article...)
The Bronx (/brɒŋks/BRONKS) is the northernmost borough of New York City, coextensive with Bronx County, in the U.S. state of New York. It shares a land border with Westchester County to its north; to its south and west, the New York City borough of Manhattan is across the Harlem River; and to its south and east is the borough of Queens, across the East River. The Bronx, the only New York City borough not primarily located on an island, has a land area of 42 square miles (109 km2) and a population of 1,472,654 at the 2020 census. Of the five boroughs, it has the fourth-largest area, fourth-highest population, and third-highest population density.
The Bronx is divided by the Bronx River into a hillier section in the west, and a flatter eastern section. East and west street names are divided by Jerome Avenue. The West Bronx was annexed to New York City in 1874, and the areas east of the Bronx River in 1895. Bronx County was separated from New York County (modern-day Manhattan) in 1914. About a quarter of the Bronx's area is open space, including Woodlawn Cemetery, Van Cortlandt Park, Pelham Bay Park, the New York Botanical Garden, and the Bronx Zoo in the borough's north and center. The Thain Family Forest at the New York Botanical Garden is thousands of years old and is New York City's largest remaining tract of the original forest that once covered the city. These open spaces are primarily on land reserved in the late 19th century as urban development progressed north and east from Manhattan. The Bronx is also home to Yankee Stadium of Major League Baseball. (Full article...)
Image 9Anderson Avenue garbage strike. A common scene throughout New York City in 1968 during a sanitation workers strike (from History of New York City (1946–1977))
Image 31The Sunday magazine of the New York World appealed to immigrants with this April 29, 1906 cover page celebrating their arrival at Ellis Island. (from History of New York City (1898–1945))
... that during World War II, pilot G. E. Clements was removed from training for secret missions associated with the Manhattan Project when senior officers realized she was a woman?
... that actress Katharine Hepburn threatened to remove her name from a garden in Dag Hammarskjöld Plaza when New York City officials said they would not widen the plaza?
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