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A book is an object recording information in the form of printed writing or images. Modern books are typically in codex format, composed of many pages bound together and protected by a cover. Older formats include the scroll and the tablet.

As a conceptual object, a book refers to a written work of substantial length, which may be distributed either physically or digitally as an electronic book (ebook). These works can be broadly classified into fiction (containing invented content, often narratives) and non-fiction (containing content intended as factual truth). A physical book may not contain such a work: for example, it may contain only drawings, engravings, photographs, puzzles, or removable content like paper dolls. It may also be left empty for personal use, as in the case of account books, appointment books, autograph books, notebooks, diaries and sketchbooks. Books are sometimes contrasted with periodical literature, such as newspapers or magazines, where new editions are published according to a regular schedule.

The book publishing process is the series of steps involved in their creation and dissemination. Books are sold at both regular stores and specialized bookstores, as well as online for delivery, and can be borrowed from libraries. The reception of books has led to a number of social consequences, including censorship.

The modern book industry has seen several major changes due to new technologies, including ebooks and audiobooks (recordings of books being read aloud). Awareness of the needs of print-disabled people has led to a rise in formats designed for greater accessibility, such as braille printing and large-print editions. Google Books estimated in 2010 that approximately 130 million total unique books had been published. (Full article...)

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  Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 The General in His Labyrinth (original Spanish title: El general en su laberinto) is a 1989 dictator novel by Colombian writer and Nobel laureate Gabriel García Márquez. It is a fictionalized account of the last seven months of Simón Bolívar, liberator and leader of Gran Colombia. The book traces Bolívar's final journey from Bogotá to the Caribbean coastline of Colombia in his attempt to leave South America for exile in Europe. Breaking with the traditional heroic portrayal of Bolívar El Libertador, García Márquez depicts a pathetic protagonist, a prematurely aged man who is physically ill and mentally exhausted. The story explores the labyrinth of Bolívar's life through the narrative of his memories, in which "despair, sickness, and death inevitably win out over love, health, and life". Following the success of One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985), García Márquez decided to write about the "Great Liberator" after reading an unfinished novel by his friend Álvaro Mutis. He borrowed the setting—Bolívar's voyage down the Magdalena River in 1830—from Mutis. García Márquez spent two years researching the subject, encompassing the extensive memoirs of Bolívar's Irish aide-de-camp, Daniel Florencio O'Leary, as well as numerous other historical documents and consultations with academics. (Full article...)
    The General in His Labyrinth (original Spanish title: El general en su laberinto) is a 1989 dictator novel by Colombian writer and Nobel laureate Gabriel García Márquez. It is a fictionalized account of the last seven months of Simón Bolívar, liberator and leader of Gran Colombia. The book traces Bolívar's final journey from Bogotá to the Caribbean coastline of Colombia in his attempt to leave South America for exile in Europe. Breaking with the traditional heroic portrayal of Bolívar El Libertador, García Márquez depicts a pathetic protagonist, a prematurely aged man who is physically ill and mentally exhausted. The story explores the labyrinth of Bolívar's life through the narrative of his memories, in which "despair, sickness, and death inevitably win out over love, health, and life".

    Following the success of One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985), García Márquez decided to write about the "Great Liberator" after reading an unfinished novel by his friend Álvaro Mutis. He borrowed the setting—Bolívar's voyage down the Magdalena River in 1830—from Mutis. García Márquez spent two years researching the subject, encompassing the extensive memoirs of Bolívar's Irish aide-de-camp, Daniel Florencio O'Leary, as well as numerous other historical documents and consultations with academics. (Full article...)
  • Image 2 Title page from History of a Six Weeks' Tour (1817), Thomas Hookham, Jr. and Charles and James Ollier, London. History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings. Part of the new genre of the Romantic travel narrative, History of a Six Weeks' Tour exudes spontaneity and enthusiasm; the authors demonstrate their desire to develop a sense of taste and distinguish themselves from those around them. The romantic elements of the work would have hinted at the text's radical politics to nineteenth-century readers. However, the text's frank discussion of politics, including positive references to the French Revolution and praise of Enlightenment philosopher Jean-Jacques Rousseau, was unusual for a travel narrative at the time, particularly one authored primarily by a woman. (Full article...)
    Page reads "History of a Six Weeks' Tour through a Part of France, Switzerland, Germany, and Holland: with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni. By Percy Bysshe Shelley. London: Published by T. Hookham, Jun. Old Bond Street; and C. and J. Ollier, Welldeck Street. 1817."
    Title page from History of a Six Weeks' Tour (1817), Thomas Hookham, Jr. and Charles and James Ollier, London.

    History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.

    Part of the new genre of the Romantic travel narrative, History of a Six Weeks' Tour exudes spontaneity and enthusiasm; the authors demonstrate their desire to develop a sense of taste and distinguish themselves from those around them. The romantic elements of the work would have hinted at the text's radical politics to nineteenth-century readers. However, the text's frank discussion of politics, including positive references to the French Revolution and praise of Enlightenment philosopher Jean-Jacques Rousseau, was unusual for a travel narrative at the time, particularly one authored primarily by a woman. (Full article...)
  • Image 3 The initial page of the Peterborough Chronicle The Anglo-Saxon Chronicle is a collection of annals in Old English, chronicling the history of the Anglo-Saxons. The original manuscript of the Chronicle was created late in the ninth century, probably in Wessex, during the reign of King Alfred the Great (r. 871–899). Its content, which incorporated sources now otherwise lost dating from as early as the seventh century, is known as the "Common Stock" of the Chronicle. Multiple copies were made of that one original and then distributed to monasteries across England, where they were updated, partly independently. These manuscripts collectively are known as the Anglo-Saxon Chronicle. Almost all of the material in the Chronicle is in the form of annals, by year; the earliest is dated at 60 BC (the annals' date for Julius Caesar's invasions of Britain). In one case, the Chronicle was still being actively updated in 1154. (Full article...)
    The initial page of the Peterborough Chronicle

    The Anglo-Saxon Chronicle is a collection of annals in Old English, chronicling the history of the Anglo-Saxons.

    The original manuscript of the Chronicle was created late in the ninth century, probably in Wessex, during the reign of King Alfred the Great (r. 871–899). Its content, which incorporated sources now otherwise lost dating from as early as the seventh century, is known as the "Common Stock" of the Chronicle. Multiple copies were made of that one original and then distributed to monasteries across England, where they were updated, partly independently. These manuscripts collectively are known as the Anglo-Saxon Chronicle. Almost all of the material in the Chronicle is in the form of annals, by year; the earliest is dated at 60 BC (the annals' date for Julius Caesar's invasions of Britain). In one case, the Chronicle was still being actively updated in 1154. (Full article...)
  • Image 4 Singin' and Swingin' and Gettin' Merry like Christmas is the third book of Maya Angelou's seven-volume autobiography series. Set between 1949 and 1955, the book spans Angelou's early twenties. In this volume, Angelou describes her struggles to support her young son, form meaningful relationships, and forge a successful career in the entertainment world. The work's 1976 publication was the first time an African-American woman had expanded her life story into a third volume. Scholar Dolly McPherson calls the book "a graphic portrait of the adult self in bloom" and critic Lyman B. Hagen calls it "a journey of discovery and rebirth".[1] In Singin' and Swingin, Angelou examines many of the same subjects and themes in her previous autobiographies including travel, music, race, conflict, and motherhood. Angelou depicts the conflict she felt as a single mother, despite her success as a performer as she travels Europe with the musical Porgy and Bess. Her depictions of her travels, which take up 40 percent of the book, have roots in the African-American slave narrative. Angelou uses music and musical concepts throughout Singin' and Swingin'; McPherson calls it Angelou's "praisesong" to Porgy and Bess. Angelou's stereotypes about race and race relations are challenged as she interacts more with people of different races. During the course of this narrative, she changes her name from Marguerite Johnson to Maya Angelou for professional reasons. Her young son changes his name as well, from Clyde to Guy, and their relationship is strengthened as the book ends. (Full article...)

    Singin' and Swingin' and Gettin' Merry like Christmas is the third book of Maya Angelou's seven-volume autobiography series. Set between 1949 and 1955, the book spans Angelou's early twenties. In this volume, Angelou describes her struggles to support her young son, form meaningful relationships, and forge a successful career in the entertainment world. The work's 1976 publication was the first time an African-American woman had expanded her life story into a third volume. Scholar Dolly McPherson calls the book "a graphic portrait of the adult self in bloom" and critic Lyman B. Hagen calls it "a journey of discovery and rebirth".[1]
    In Singin' and Swingin, Angelou examines many of the same subjects and themes in her previous autobiographies including travel, music, race, conflict, and motherhood. Angelou depicts the conflict she felt as a single mother, despite her success as a performer as she travels Europe with the musical Porgy and Bess. Her depictions of her travels, which take up 40 percent of the book, have roots in the African-American slave narrative. Angelou uses music and musical concepts throughout Singin' and Swingin'; McPherson calls it Angelou's "praisesong" to Porgy and Bess. Angelou's stereotypes about race and race relations are challenged as she interacts more with people of different races. During the course of this narrative, she changes her name from Marguerite Johnson to Maya Angelou for professional reasons. Her young son changes his name as well, from Clyde to Guy, and their relationship is strengthened as the book ends. (Full article...)
  • Image 5 First edition The Autobiography of Malcolm X is an autobiography written by American minister Malcolm X, who collaborated with American journalist Alex Haley. It was released posthumously on October 29, 1965, nine months after his assassination. Haley coauthored the autobiography based on a series of in-depth interviews he conducted between 1963 and 1965. The Autobiography is a spiritual conversion narrative that outlines Malcolm X's philosophy of black pride, black nationalism, and pan-Africanism. After the leader was killed, Haley wrote the book's epilogue. He described their collaborative process and the events at the end of Malcolm X's life. While Malcolm X and scholars contemporary to the book's publication regarded Haley as the book's ghostwriter, modern scholars tend to regard him as an essential collaborator who intentionally muted his authorial voice to create the effect of Malcolm X speaking directly to readers. Haley influenced some of Malcolm X's literary choices. For example, Malcolm X left the Nation of Islam during the period when he was working on the book with Haley. Rather than rewriting earlier chapters as a polemic against the Nation which Malcolm X had rejected, Haley persuaded him to favor a style of "suspense and drama". According to Manning Marable, "Haley was particularly worried about what he viewed as Malcolm X's anti-Semitism" and he rewrote material to eliminate it. (Full article...)

    First edition

    The Autobiography of Malcolm X is an autobiography written by American minister Malcolm X, who collaborated with American journalist Alex Haley. It was released posthumously on October 29, 1965, nine months after his assassination. Haley coauthored the autobiography based on a series of in-depth interviews he conducted between 1963 and 1965. The Autobiography is a spiritual conversion narrative that outlines Malcolm X's philosophy of black pride, black nationalism, and pan-Africanism. After the leader was killed, Haley wrote the book's epilogue. He described their collaborative process and the events at the end of Malcolm X's life.

    While Malcolm X and scholars contemporary to the book's publication regarded Haley as the book's ghostwriter, modern scholars tend to regard him as an essential collaborator who intentionally muted his authorial voice to create the effect of Malcolm X speaking directly to readers. Haley influenced some of Malcolm X's literary choices. For example, Malcolm X left the Nation of Islam during the period when he was working on the book with Haley. Rather than rewriting earlier chapters as a polemic against the Nation which Malcolm X had rejected, Haley persuaded him to favor a style of "suspense and drama". According to Manning Marable, "Haley was particularly worried about what he viewed as Malcolm X's anti-Semitism" and he rewrote material to eliminate it. (Full article...)
  • Image 6 Title page of the 1859 edition On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life) is a work of scientific literature by Charles Darwin that is considered to be the foundation of evolutionary biology. It was published on 24 November 1859. Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection, although Lamarckism was also included as a mechanism of lesser importance. The book presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had collected on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation. Various evolutionary ideas had already been proposed to explain new findings in biology. There was growing support for such ideas among dissident anatomists and the general public, but during the first half of the 19th century the English scientific establishment was closely tied to the Church of England, while science was part of natural theology. Ideas about the transmutation of species were controversial as they conflicted with the beliefs that species were unchanging parts of a designed hierarchy and that humans were unique, unrelated to other animals. The political and theological implications were intensely debated, but transmutation was not accepted by the scientific mainstream. (Full article...)

    Title page of the 1859 edition

    On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life) is a work of scientific literature by Charles Darwin that is considered to be the foundation of evolutionary biology. It was published on 24 November 1859. Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection, although Lamarckism was also included as a mechanism of lesser importance. The book presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had collected on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation.

    Various evolutionary ideas had already been proposed to explain new findings in biology. There was growing support for such ideas among dissident anatomists and the general public, but during the first half of the 19th century the English scientific establishment was closely tied to the Church of England, while science was part of natural theology. Ideas about the transmutation of species were controversial as they conflicted with the beliefs that species were unchanging parts of a designed hierarchy and that humans were unique, unrelated to other animals. The political and theological implications were intensely debated, but transmutation was not accepted by the scientific mainstream. (Full article...)
  • Image 7 I Never Liked You is a graphic novel by Canadian cartoonist Chester Brown. The story first ran between 1991 and 1993 under the title Fuck, in issues #26–30 of Brown's comic book Yummy Fur; published in book form by Drawn & Quarterly in 1994. It deals with the teenage Brown's introversion and difficulty talking to others, especially members of the opposite sex—including his mother. The story has minimal dialogue and is sparsely narrated. The artwork is amongst the simplest in Brown's body of work—some pages consist only of a single small panel. Brown established his reputation in the early alternative comics scene of the 1980s with the surreal, taboo-breaking Ed the Happy Clown. He brought that story to an abrupt end in 1989 when, excited by the autobiographical comics of Joe Matt and Julie Doucet, he turned towards personal stories. The uncomplicated artwork of his friend and fellow Toronto cartoonist Seth inspired him to simplify his own. Brown intended I Never Liked You as part of a longer work with what became his previous book, The Playboy (1992), but found the larger story too complex to handle at once. I Never Liked You was the last work of Brown's early autobiographical period. (Full article...)
    I Never Liked You is a graphic novel by Canadian cartoonist Chester Brown. The story first ran between 1991 and 1993 under the title Fuck, in issues #26–30 of Brown's comic book Yummy Fur; published in book form by Drawn & Quarterly in 1994. It deals with the teenage Brown's introversion and difficulty talking to others, especially members of the opposite sex—including his mother. The story has minimal dialogue and is sparsely narrated. The artwork is amongst the simplest in Brown's body of work—some pages consist only of a single small panel.

    Brown established his reputation in the early alternative comics scene of the 1980s with the surreal, taboo-breaking Ed the Happy Clown. He brought that story to an abrupt end in 1989 when, excited by the autobiographical comics of Joe Matt and Julie Doucet, he turned towards personal stories. The uncomplicated artwork of his friend and fellow Toronto cartoonist Seth inspired him to simplify his own. Brown intended I Never Liked You as part of a longer work with what became his previous book, The Playboy (1992), but found the larger story too complex to handle at once. I Never Liked You was the last work of Brown's early autobiographical period. (Full article...)
  • Image 8 Title page from the first edition of Letters (1796) Letters Written During a Short Residence in Sweden, Norway, and Denmark (1796) is a personal travel narrative by the eighteenth-century British feminist writer Mary Wollstonecraft. The twenty-five letters cover a wide range of topics, from sociological reflections on Scandinavia and its peoples to philosophical questions regarding identity. Published by Wollstonecraft's career-long publisher, Joseph Johnson, it was the last work issued during her lifetime. Wollstonecraft undertook her tour of Sweden, Norway, and Denmark in order to retrieve a stolen treasure ship for her lover, Gilbert Imlay. Believing that the journey would restore their strained relationship, she eagerly set off. However, over the course of the three months she spent in Scandinavia, she realized that Imlay had no intention of renewing the relationship. The letters, which constitute the text, drawn from her journal and from missives she sent to Imlay, reflect her anger and melancholy over his repeated betrayals. Letters Written in Sweden, Norway, and Denmark is therefore both a travel narrative and an autobiographical memoir. (Full article...)
    Page reads "Letters Written During a Short Residence in Swiden, Norway, and Denmark. By Mary Wollstonecraft. London: Printed for J. Johnson, St. Paul's Church-Yard. 1796."
    Title page from the first edition of Letters (1796)

    Letters Written During a Short Residence in Sweden, Norway, and Denmark (1796) is a personal travel narrative by the eighteenth-century British feminist writer Mary Wollstonecraft. The twenty-five letters cover a wide range of topics, from sociological reflections on Scandinavia and its peoples to philosophical questions regarding identity. Published by Wollstonecraft's career-long publisher, Joseph Johnson, it was the last work issued during her lifetime.

    Wollstonecraft undertook her tour of Sweden, Norway, and Denmark in order to retrieve a stolen treasure ship for her lover, Gilbert Imlay. Believing that the journey would restore their strained relationship, she eagerly set off. However, over the course of the three months she spent in Scandinavia, she realized that Imlay had no intention of renewing the relationship. The letters, which constitute the text, drawn from her journal and from missives she sent to Imlay, reflect her anger and melancholy over his repeated betrayals. Letters Written in Sweden, Norway, and Denmark is therefore both a travel narrative and an autobiographical memoir. (Full article...)
  • Image 9 Getting It: The Psychology of est is a non-fiction book by American clinical psychologist Sheridan Fenwick first published in 1976 which analyses Werner Erhard's Erhard Seminars Training or est. Fenwick based the book on her own experience of attending a four-day session of the est training, an intensive 60-hour personal-development course in the self-help genre. Large groups of up to 250 people took the est training at one time. In the first section of Fenwick's book, she recounts the est training process and the methods used during the course. Fenwick details the rules or "agreements" laid out by the trainers to the attendees, which include not talking to others or leaving the session to go to the bathroom unless during an announced break period. The second section is analytic: Fenwick analyzes the methods used by the est trainers, evaluates the course's potential effects, and discusses Erhard's background. Fenwick concludes that the program's long-term effects are unknown, the est training may not be appropriate for certain groups of people, and that a large proportion of participants report perceived positive effects. (Full article...)
    Getting It: The Psychology of est is a non-fiction book by American clinical psychologist Sheridan Fenwick first published in 1976 which analyses Werner Erhard's Erhard Seminars Training or est. Fenwick based the book on her own experience of attending a four-day session of the est training, an intensive 60-hour personal-development course in the self-help genre. Large groups of up to 250 people took the est training at one time.

    In the first section of Fenwick's book, she recounts the est training process and the methods used during the course. Fenwick details the rules or "agreements" laid out by the trainers to the attendees, which include not talking to others or leaving the session to go to the bathroom unless during an announced break period. The second section is analytic: Fenwick analyzes the methods used by the est trainers, evaluates the course's potential effects, and discusses Erhard's background. Fenwick concludes that the program's long-term effects are unknown, the est training may not be appropriate for certain groups of people, and that a large proportion of participants report perceived positive effects. (Full article...)
  • Image 10 First page of the only surviving manuscript, c. 14th century Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest that tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations. The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any man to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him, after which the Green Knight stands, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle at which he is a guest. The poem survives in one manuscript, Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Cleanness, and Patience. All four are written in a North West Midlands dialect of Middle English, and are thought to be by the same author, dubbed the "Pearl Poet" or "Gawain Poet". (Full article...)

    First page of the only surviving manuscript, c. 14th century

    Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest that tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.

    The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any man to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him, after which the Green Knight stands, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle at which he is a guest. The poem survives in one manuscript, Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Cleanness, and Patience. All four are written in a North West Midlands dialect of Middle English, and are thought to be by the same author, dubbed the "Pearl Poet" or "Gawain Poet". (Full article...)
  • Image 11 Ace Books is a publisher of science fiction (SF) and fantasy books founded in New York City in 1952 by Aaron A. Wyn. It began as a genre publisher of mysteries and westerns, and soon branched out into other genres, publishing its first science fiction title in 1953. This was successful, and science fiction titles outnumbered both mysteries and westerns within a few years. Other genres also made an appearance, including nonfiction, gothic novels, media tie-in novelizations, and romances. Ace became known for the tête-bêche binding format used for many of its early books, although it did not originate the format. Most of the early titles were published in this "Ace Double" format, and Ace continued to issue books in varied genres, bound tête-bêche, until 1973. Ace, along with Ballantine Books, was one of the leading science fiction publishers for its first ten years of operation. The death of owner A. A. Wyn in 1967 set the stage for a later decline in the publisher's fortunes. Two leading editors, Donald A. Wollheim and Terry Carr, left in 1971, and in 1972 Ace was sold to Grosset & Dunlap. Despite financial troubles, there were further successes, particularly with the third Ace Science Fiction Specials series, for which Carr came back as editor. Further mergers and acquisitions resulted in the company becoming absorbed by Berkley Books. Ace later became an imprint of Penguin Group (USA). (Full article...)
    Ace Books is a publisher of science fiction (SF) and fantasy books founded in New York City in 1952 by Aaron A. Wyn. It began as a genre publisher of mysteries and westerns, and soon branched out into other genres, publishing its first science fiction title in 1953. This was successful, and science fiction titles outnumbered both mysteries and westerns within a few years. Other genres also made an appearance, including nonfiction, gothic novels, media tie-in novelizations, and romances. Ace became known for the tête-bêche binding format used for many of its early books, although it did not originate the format. Most of the early titles were published in this "Ace Double" format, and Ace continued to issue books in varied genres, bound tête-bêche, until 1973.

    Ace, along with Ballantine Books, was one of the leading science fiction publishers for its first ten years of operation. The death of owner A. A. Wyn in 1967 set the stage for a later decline in the publisher's fortunes. Two leading editors, Donald A. Wollheim and Terry Carr, left in 1971, and in 1972 Ace was sold to Grosset & Dunlap. Despite financial troubles, there were further successes, particularly with the third Ace Science Fiction Specials series, for which Carr came back as editor. Further mergers and acquisitions resulted in the company becoming absorbed by Berkley Books. Ace later became an imprint of Penguin Group (USA). (Full article...)
  • Image 12 Cover to the first edition of Gods' Man (1929) by American artist Lynd Ward (1905–1985). Gods' Man is a wordless novel by American artist Lynd Ward (1905–1985) published in 1929. In 139 captionless woodblock prints, it tells the Faustian story of an artist who signs away his soul for a magic paintbrush. Gods' Man was the first American wordless novel, and is considered a precursor of the graphic novel, whose development it influenced. Ward first encountered the wordless novel with Frans Masereel's The Sun (1919) while studying art in Germany in 1926. He returned to the United States in 1927 and established a career for himself as an illustrator. He found Otto Nückel's wordless novel Destiny (1926) in New York City in 1929, and it inspired him to create such a work of his own. Gods' Man appeared a week before the Wall Street Crash of 1929; it nevertheless enjoyed strong sales and remains the best-selling American wordless novel. Its success inspired other Americans to experiment with the medium, including cartoonist Milt Gross, who parodied Gods' Man in He Done Her Wrong (1930). In the 1970s, Ward's example of wordless novels inspired cartoonists Art Spiegelman and Will Eisner to create their first graphic novels. (Full article...)
    Cover to the first edition of Gods' Man (1929) by American artist Lynd Ward (1905–1985).


    Gods' Man is a wordless novel by American artist Lynd Ward (1905–1985) published in 1929. In 139 captionless woodblock prints, it tells the Faustian story of an artist who signs away his soul for a magic paintbrush. Gods' Man was the first American wordless novel, and is considered a precursor of the graphic novel, whose development it influenced.

    Ward first encountered the wordless novel with Frans Masereel's The Sun (1919) while studying art in Germany in 1926. He returned to the United States in 1927 and established a career for himself as an illustrator. He found Otto Nückel's wordless novel Destiny (1926) in New York City in 1929, and it inspired him to create such a work of his own. Gods' Man appeared a week before the Wall Street Crash of 1929; it nevertheless enjoyed strong sales and remains the best-selling American wordless novel. Its success inspired other Americans to experiment with the medium, including cartoonist Milt Gross, who parodied Gods' Man in He Done Her Wrong (1930). In the 1970s, Ward's example of wordless novels inspired cartoonists Art Spiegelman and Will Eisner to create their first graphic novels. (Full article...)
  • Image 13 Stone commemorative marker at Literary Hall in Romney, West Virginia The Romney Literary Society (also known as the Literary Society of Romney) existed from January 30, 1819, to February 15, 1886, in Romney, West Virginia. Established as the Polemic Society of Romney, it became the first organization of its kind in the present-day state of West Virginia, and one of the first in the United States. The society was founded by nine prominent men of Romney with the objectives of advancing literature and science, purchasing and maintaining a library, and improving educational opportunities. The society debated an extensive range of scientific and social topics, often violating its own rules which banned religious and political subjects. Even though its membership was relatively small, its debates and activities were frequently discussed throughout the Potomac Highlands region, and the organization greatly influenced trends of thought in the Romney community and surrounding areas. (Full article...)

    Stone commemorative marker at Literary Hall in Romney, West Virginia

    The Romney Literary Society (also known as the Literary Society of Romney) existed from January 30, 1819, to February 15, 1886, in Romney, West Virginia. Established as the Polemic Society of Romney, it became the first organization of its kind in the present-day state of West Virginia, and one of the first in the United States. The society was founded by nine prominent men of Romney with the objectives of advancing literature and science, purchasing and maintaining a library, and improving educational opportunities.

    The society debated an extensive range of scientific and social topics, often violating its own rules which banned religious and political subjects. Even though its membership was relatively small, its debates and activities were frequently discussed throughout the Potomac Highlands region, and the organization greatly influenced trends of thought in the Romney community and surrounding areas. (Full article...)
  • Image 14 Louis Riel is a historical biography in comics by Canadian cartoonist Chester Brown, published as a book in 2003 after serialization in 1999–2003. The story deals with Métis rebel leader Louis Riel's antagonistic relationship with the newly established Canadian government. It begins shortly before the 1869 Red River Rebellion, and ends with Riel's 1885 hanging for high treason. The book explores Riel's possible schizophrenia—he believed God had named him Prophet of the New World, destined to lead the Métis people to freedom. The work is noted for its emotional disengagement, its intentionally flat dialogue, and a minimalist drawing style inspired by that of Harold Gray's comic strip Little Orphan Annie. Unusual for comics of the time, it includes a full scholarly apparatus: a foreword, index, bibliography, and end notes. The lengthy, hand-lettered appendix provides insight into Brown's creative process and biases and highlights where he changed historical facts to create a more engaging story, such as incorporating a conspiracy theory not widely accepted by historians. Brown became interested in the issue of property rights while researching the book, which led to a public change in his politics from anarchism to libertarianism. (Full article...)
    Louis Riel is a historical biography in comics by Canadian cartoonist Chester Brown, published as a book in 2003 after serialization in 1999–2003. The story deals with Métis rebel leader Louis Riel's antagonistic relationship with the newly established Canadian government. It begins shortly before the 1869 Red River Rebellion, and ends with Riel's 1885 hanging for high treason. The book explores Riel's possible schizophrenia—he believed God had named him Prophet of the New World, destined to lead the Métis people to freedom.

    The work is noted for its emotional disengagement, its intentionally flat dialogue, and a minimalist drawing style inspired by that of Harold Gray's comic strip Little Orphan Annie. Unusual for comics of the time, it includes a full scholarly apparatus: a foreword, index, bibliography, and end notes. The lengthy, hand-lettered appendix provides insight into Brown's creative process and biases and highlights where he changed historical facts to create a more engaging story, such as incorporating a conspiracy theory not widely accepted by historians. Brown became interested in the issue of property rights while researching the book, which led to a public change in his politics from anarchism to libertarianism. (Full article...)
  • Image 15 Cover of 1945 Princeton edition The Smyth Report (officially Atomic Energy for Military Purposes) is the common name of an administrative history written by American physicist Henry DeWolf Smyth about the Manhattan Project, the Allied effort to develop atomic bombs during World War II. The subtitle of the report is A General Account of the Development of Methods of Using Atomic Energy for Military Purposes. It was released to the public on August 12, 1945, just days after the atomic bombings of Hiroshima and Nagasaki on August 6 and 9. Smyth was commissioned to write the report by Major General Leslie R. Groves, Jr., the director of the Manhattan Project. The Smyth Report was the first official account of the development of the atomic bombs and the basic physical processes behind them. It also served as an indication as to what information was declassified; anything in the Smyth Report could be discussed openly. For this reason, the Smyth Report focused heavily on information, such as basic nuclear physics, which was either already widely known in the scientific community or easily deducible by a competent scientist, and omitted details about chemistry, metallurgy, and ordnance. This would ultimately give a false impression that the Manhattan Project was all about physics. (Full article...)

    Cover of 1945 Princeton edition

    The Smyth Report (officially Atomic Energy for Military Purposes) is the common name of an administrative history written by American physicist Henry DeWolf Smyth about the Manhattan Project, the Allied effort to develop atomic bombs during World War II. The subtitle of the report is A General Account of the Development of Methods of Using Atomic Energy for Military Purposes. It was released to the public on August 12, 1945, just days after the atomic bombings of Hiroshima and Nagasaki on August 6 and 9.

    Smyth was commissioned to write the report by Major General Leslie R. Groves, Jr., the director of the Manhattan Project. The Smyth Report was the first official account of the development of the atomic bombs and the basic physical processes behind them. It also served as an indication as to what information was declassified; anything in the Smyth Report could be discussed openly. For this reason, the Smyth Report focused heavily on information, such as basic nuclear physics, which was either already widely known in the scientific community or easily deducible by a competent scientist, and omitted details about chemistry, metallurgy, and ordnance. This would ultimately give a false impression that the Manhattan Project was all about physics. (Full article...)
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Diagram of a warship, From the 1728 Cyclopaedia, Volume 2.
Diagram of a warship, From the 1728 Cyclopaedia, Volume 2.

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Diagrams of first and third rate warships in the Cyclopaedia: or, An Universal Dictionary of Arts and Sciences (folio, 2 vols.) an encyclopedia published by Ephraim Chambers in London in 1728, and reprinted in numerous editions in the 18th Century. The Cyclopaedia was one of the first general encyclopedias to be produced in English.
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  • Image 1 The Path of Modern Yoga: The History of an Embodied Spiritual Practice is a 2016 history of the modern practice of postural yoga by the yoga scholar Elliott Goldberg. It focuses in detail on eleven pioneering figures of the transformation of yoga in the 20th century, including Yogendra, Kuvalayananda, Pant Pratinidhi, Krishnamacharya, B. K. S. Iyengar and Indra Devi. The book's thesis is that modern yoga progressed in three stages from its pre-1900 state to what is observed today. Before 1900, haṭha yoga was the despised religious practice of a small minority on the fringes of Indian society. In the first stage, pioneers such as Yogendra and Kuvalayananda treated yoga as the subject of medical inquiry, making it both secular and socially acceptable. Next, advocates of exercise brought standing poses from gymnastics into yoga: Pant Pratinidhi advocated Surya Namaskar (the sun salutation), a jumped sequence of poses, as daily exercise, while Krishnamacharya incorporated those poses and others as standing asanas in his yoga, along with the jumped transitions (vinyasas) between them, making yoga dynamic. Finally, two pupils of Krishnamacharya, Iyengar (Full article...)
    The Path of Modern Yoga: The History of an Embodied Spiritual Practice is a 2016 history of the modern practice of postural yoga by the yoga scholar Elliott Goldberg. It focuses in detail on eleven pioneering figures of the transformation of yoga in the 20th century, including Yogendra, Kuvalayananda, Pant Pratinidhi, Krishnamacharya, B. K. S. Iyengar and Indra Devi.

    The book's thesis is that modern yoga progressed in three stages from its pre-1900 state to what is observed today. Before 1900, haṭha yoga was the despised religious practice of a small minority on the fringes of Indian society. In the first stage, pioneers such as Yogendra and Kuvalayananda treated yoga as the subject of medical inquiry, making it both secular and socially acceptable. Next, advocates of exercise brought standing poses from gymnastics into yoga: Pant Pratinidhi advocated Surya Namaskar (the sun salutation), a jumped sequence of poses, as daily exercise, while Krishnamacharya incorporated those poses and others as standing asanas in his yoga, along with the jumped transitions (vinyasas) between them, making yoga dynamic. Finally, two pupils of Krishnamacharya, Iyengar (Full article...)
  • Image 2 The Subtle Body: The Story of Yoga in America is a 2010 book on the history of yoga as exercise by the American journalist Stefanie Syman. It spans the period from the first precursors of American yoga, Ralph Waldo Emerson and Thoreau, the arrival of Vivekananda, the role of Hollywood with Indra Devi, the hippie generation, and the leaders of a revived but now postural yoga such as Bikram Choudhury and Pattabhi Jois. Several critics gave the book positive reviews, praising its wide range and readability; other critics gave it mixed reviews, noting its strengths, but also its lack of a strong continuous argument and its tendency to gossip. (Full article...)
    The Subtle Body: The Story of Yoga in America is a 2010 book on the history of yoga as exercise by the American journalist Stefanie Syman.
    It spans the period from the first precursors of American yoga, Ralph Waldo Emerson and Thoreau, the arrival of Vivekananda, the role of Hollywood with Indra Devi, the hippie generation, and the leaders of a revived but now postural yoga such as Bikram Choudhury and Pattabhi Jois.

    Several critics gave the book positive reviews, praising its wide range and readability; other critics gave it mixed reviews, noting its strengths, but also its lack of a strong continuous argument and its tendency to gossip. (Full article...)
  • Image 3 Compulsory Miseducation is a critique of American public schools written by Paul Goodman and published by Horizon Press in 1964. Already established as a social critic of American society and the role of its youth in his previous book Growing Up Absurd (1960), Goodman argues in Compulsory Miseducation against the necessity of schools for the socialization of youth and recommends their abolition. He suggests that formal education lasts too long, teaches the wrong social class values, and increasingly damages students over time. Goodman writes that the school reflects the misguided and insincere values of its society and thus school reformers should focus on these values before schools. He proposes a variety of alternatives to school including no school, the city or farm as school, apprenticeships, guided travel, and youth organizations. Reviewers complimented Goodman's style and noted his deliberate contrarianism, but were split on the feasibility of his proposals. Goodman's book was a precursor to the work of deschooling advocate Ivan Illich. (Full article...)
    Compulsory Miseducation is a critique of American public schools written by Paul Goodman and published by Horizon Press in 1964. Already established as a social critic of American society and the role of its youth in his previous book Growing Up Absurd (1960), Goodman argues in Compulsory Miseducation against the necessity of schools for the socialization of youth and recommends their abolition. He suggests that formal education lasts too long, teaches the wrong social class values, and increasingly damages students over time. Goodman writes that the school reflects the misguided and insincere values of its society and thus school reformers should focus on these values before schools. He proposes a variety of alternatives to school including no school, the city or farm as school, apprenticeships, guided travel, and youth organizations. Reviewers complimented Goodman's style and noted his deliberate contrarianism, but were split on the feasibility of his proposals. Goodman's book was a precursor to the work of deschooling advocate Ivan Illich. (Full article...)
  • Image 4 Cover Blown for Good: Behind the Iron Curtain of Scientology is a 2009 memoir written by former Scientologist Marc Headley about his 15 years working for the Church of Scientology, starting at age 16. The book vividly describes his scary escape from a California compound in 2005, followed by his wife's escape, the prison-like security of the compound which housed the organization's international management, and the physical and mental abuse of the staff members within. The author goes into detail about the privileged life style of Scientology leader David Miscavige, the over-the-top special treatment of Tom Cruise, and his own interactions with Cruise. Headley worked in the film-production studios and he recounts the aging equipment and outdated processes of making Scientology training films and public relations videos. Blown for Good received positive reception in reviews and media coverage and was described as a "remarkable account", a "bold insider memoir", and a "tell-all book", providing "non-Scientologists the sense of what it's really like to work, day in and day out, in such a strange organization". (Full article...)

    Cover

    Blown for Good: Behind the Iron Curtain of Scientology is a 2009 memoir written by former Scientologist Marc Headley about his 15 years working for the Church of Scientology, starting at age 16. The book vividly describes his scary escape from a California compound in 2005, followed by his wife's escape, the prison-like security of the compound which housed the organization's international management, and the physical and mental abuse of the staff members within.

    The author goes into detail about the privileged life style of Scientology leader David Miscavige, the over-the-top special treatment of Tom Cruise, and his own interactions with Cruise. Headley worked in the film-production studios and he recounts the aging equipment and outdated processes of making Scientology training films and public relations videos. Blown for Good received positive reception in reviews and media coverage and was described as a "remarkable account", a "bold insider memoir", and a "tell-all book", providing "non-Scientologists the sense of what it's really like to work, day in and day out, in such a strange organization". (Full article...)
  • Image 5 Hollywood Undercover: Revealing the Sordid Secrets of Tinseltown is a non-fiction book about the culture of Hollywood society, written by investigative journalist and author Ian Halperin. Halperin poses as a gay man trying to become a successful actor in Hollywood, and informs individuals he is from the non-existent "Israeli royal family". He investigates rumors that the Church of Scientology reportedly claims to have a "cure" for homosexuality through "auditing", and speaks with a former Scientologist about his experiences. He also explores the casting couch phenomenon, the pornography industry, and the Oscars. Halperin meets with famous actors and celebrities, successfully obtains a talent agent, and a role in the film The Aviator. The book was published in 2007 in the United Kingdom by Mainstream Publishing, and on January 15, 2008, in the United States. Hollywood Undercover received generally positive reviews in The Herald, New York Daily News, The Saturday Star, and Contactmusic.com; and a critical review in The Independent. Halperin later released a documentary film on the same topic, His Highness Hollywood, which premiered in New York City in April 2008. His Highness Hollywood is a companion documentary to the book. (Full article...)
    Hollywood Undercover: Revealing the Sordid Secrets of Tinseltown is a non-fiction book about the culture of Hollywood society, written by investigative journalist and author Ian Halperin. Halperin poses as a gay man trying to become a successful actor in Hollywood, and informs individuals he is from the non-existent "Israeli royal family". He investigates rumors that the Church of Scientology reportedly claims to have a "cure" for homosexuality through "auditing", and speaks with a former Scientologist about his experiences. He also explores the casting couch phenomenon, the pornography industry, and the Oscars. Halperin meets with famous actors and celebrities, successfully obtains a talent agent, and a role in the film The Aviator.

    The book was published in 2007 in the United Kingdom by Mainstream Publishing, and on January 15, 2008, in the United States. Hollywood Undercover received generally positive reviews in The Herald, New York Daily News, The Saturday Star, and Contactmusic.com; and a critical review in The Independent. Halperin later released a documentary film on the same topic, His Highness Hollywood, which premiered in New York City in April 2008. His Highness Hollywood is a companion documentary to the book. (Full article...)
  • Image 6 The Bomber Mafia: A Dream, a Temptation, and the Longest Night of the Second World War is a 2021 book by Malcolm Gladwell that examines the US Bomber Mafia of World War II, which advocated precision aerial bombing as a means to win a war. Gladwell stated the audiobook for The Bomber Mafia came about as an expansion of material from his podcast Revisionist History, and that the print book originated from the audiobook. The book follows the Bomber Mafia, especially Major General Haywood S. Hansell, and the development of a high-altitude precision aerial bombardment strategy in World War II as a means to limit casualties. After difficulties in applying the Bomber Mafia's theoretical strategy, Major General Hansell was replaced by Major General Curtis LeMay, who utilized tactical changes such as attacking Japanese population centers with napalm to ensure a Japanese surrender. Upon release, The Bomber Mafia was met with mixed reviews, with reviewers praising its audiobook version but criticizing the book for a lack of detail and factual accuracy. (Full article...)
    The Bomber Mafia: A Dream, a Temptation, and the Longest Night of the Second World War is a 2021 book by Malcolm Gladwell that examines the US Bomber Mafia of World War II, which advocated precision aerial bombing as a means to win a war. Gladwell stated the audiobook for The Bomber Mafia came about as an expansion of material from his podcast Revisionist History, and that the print book originated from the audiobook. The book follows the Bomber Mafia, especially Major General Haywood S. Hansell, and the development of a high-altitude precision aerial bombardment strategy in World War II as a means to limit casualties. After difficulties in applying the Bomber Mafia's theoretical strategy, Major General Hansell was replaced by Major General Curtis LeMay, who utilized tactical changes such as attacking Japanese population centers with napalm to ensure a Japanese surrender. Upon release, The Bomber Mafia was met with mixed reviews, with reviewers praising its audiobook version but criticizing the book for a lack of detail and factual accuracy. (Full article...)
  • Image 7 Ways That Are Dark: The Truth About China is a 1933 non-fiction book by Ralph Townsend which presents Townsend's observations on the state of then-contemporary China. The book is considered an anti-Chinese polemic by scholars. A harsh critique of Chinese society and culture, Ways That Are Dark was written at a time when China was in the grip of considerable civil strife. Townsend claimed that the source of China's problems lay in fundamental defects in the ethnic characteristics of the Chinese people. Although the book was a bestseller in the United States, it met with highly polarized reactions from its supporters and detractors. Though praised by some periodicals, it was denounced by missionaries and sinologists, including Owen Lattimore who condemned it as "a general indictment of a whole race". It was banned by the government of China. (Full article...)
    Ways That Are Dark: The Truth About China is a 1933 non-fiction book by Ralph Townsend which presents Townsend's observations on the state of then-contemporary China. The book is considered an anti-Chinese polemic by scholars.

    A harsh critique of Chinese society and culture, Ways That Are Dark was written at a time when China was in the grip of considerable civil strife. Townsend claimed that the source of China's problems lay in fundamental defects in the ethnic characteristics of the Chinese people. Although the book was a bestseller in the United States, it met with highly polarized reactions from its supporters and detractors. Though praised by some periodicals, it was denounced by missionaries and sinologists, including Owen Lattimore who condemned it as "a general indictment of a whole race". It was banned by the government of China. (Full article...)
  • Image 8 Title page of the 10th volume, 1763 The Histoire Naturelle, générale et particulière, avec la description du Cabinet du Roi (French: [istwaʁ natyʁɛl]; English: Natural History, General and Particular, with a Description of the King's Cabinet) is an encyclopaedic collection of 36 large (quarto) volumes written between 1749–1804, initially by the Comte de Buffon, and continued in eight more volumes after his death by his colleagues, led by Bernard Germain de Lacépède. The books cover what was known of the "natural sciences" at the time, including what would now be called material science, physics, chemistry and technology as well as the natural history of animals. (Full article...)

    Title page of the 10th volume, 1763

    The Histoire Naturelle, générale et particulière, avec la description du Cabinet du Roi (French: [istwaʁ natyʁɛl]; English: Natural History, General and Particular, with a Description of the King's Cabinet) is an encyclopaedic collection of 36 large (quarto) volumes written between 1749–1804, initially by the Comte de Buffon, and continued in eight more volumes after his death by his colleagues, led by Bernard Germain de Lacépède. The books cover what was known of the "natural sciences" at the time, including what would now be called material science, physics, chemistry and technology as well as the natural history of animals. (Full article...)
  • Image 9 Orca's Song is a 1987 picturebook written by Anne Cameron and illustrated in black and white by Nelle Olsen. Published by Harbour Publishing, the book is an adaptation of a Pacific Northwest Indigenous story. Orca's Song is a pourquoi story about a black orca who falls in love with an osprey; the two mate to create a baby orca with the black and white patterning found on the whales. While some reviewers appreciated the art and text of the story, it received criticism from Indigenous authors and scholars who disputed Cameron's claim of sole authorship and copyright for the story. Consequently, reprints of the book began to attribute the storyteller Klopinum for the story's inspiration although Cameron retained sole authorship credit and copyright. The story has also been noted as an early example of a lesbian relationship (between Orca and Osprey) in picturebook literature and one of the few such picturebooks published before 2000 to lack a moralising tone. (Full article...)
    Orca's Song is a 1987 picturebook written by Anne Cameron and illustrated in black and white by Nelle Olsen. Published by Harbour Publishing, the book is an adaptation of a Pacific Northwest Indigenous story. Orca's Song is a pourquoi story about a black orca who falls in love with an osprey; the two mate to create a baby orca with the black and white patterning found on the whales.

    While some reviewers appreciated the art and text of the story, it received criticism from Indigenous authors and scholars who disputed Cameron's claim of sole authorship and copyright for the story. Consequently, reprints of the book began to attribute the storyteller Klopinum for the story's inspiration although Cameron retained sole authorship credit and copyright. The story has also been noted as an early example of a lesbian relationship (between Orca and Osprey) in picturebook literature and one of the few such picturebooks published before 2000 to lack a moralising tone. (Full article...)
  • Image 10 I Love Bacon! is a cookbook with over fifty recipes devoted to bacon and bacon dishes, many of them from celebrity chefs. The book was written by Jayne Rockmill and photography was provided by Ben Fink. Broken down into eight sections, the book covered how to make homemade bacon and moves onto "brunch" and "small bites" before covering soups, salads and sides, pasta, fish, meat, and desserts. I Love Bacon! was published in October 2010 by Andrews McMeel Publishing and met with favorable reviews for its unique dishes and helpful culinary tips for novices. (Full article...)
    I Love Bacon! is a cookbook with over fifty recipes devoted to bacon and bacon dishes, many of them from celebrity chefs. The book was written by Jayne Rockmill and photography was provided by Ben Fink. Broken down into eight sections, the book covered how to make homemade bacon and moves onto "brunch" and "small bites" before covering soups, salads and sides, pasta, fish, meat, and desserts. I Love Bacon! was published in October 2010 by Andrews McMeel Publishing and met with favorable reviews for its unique dishes and helpful culinary tips for novices. (Full article...)
  • Image 11 Ishi, the subject of Ishi in Two Worlds Ishi in Two Worlds is a biographical account of Ishi, the last known member of the Yahi Native American people. Written by American author Theodora Kroeber, it was first published in 1961. Ishi had been found alone and starving outside Oroville, California, in 1911. He was befriended by the anthropologists Alfred Louis Kroeber and Thomas Waterman, who took him to the Museum of Anthropology in San Francisco. There, he was studied by the anthropologists, before his death in 1916. Theodora Kroeber married Alfred Kroeber in 1926. Though she had never met Ishi, she decided to write a biography of him because her husband did not feel able to do so. Ishi in Two Worlds was published in 1961, after Theodora Kroeber had spent two years studying the sources about him. It sold widely, remained in print for many years, and was translated into more than a dozen languages. The book was twice adapted into film, in 1978 (as Ishi: The Last of His Tribe) and 1992 (as The Last of His Tribe). It was highly praised by reviewers, who commended Kroeber's writing and her ability to evoke the Yahi culture. A 2013 biography of Theodora Kroeber wrote that she had a talent for "making us part of a life we never took part in", while scholar James Clifford stated that the book "wrapped up Ishi's story in a humane, angry, lovely, bittersweet package." (Full article...)
    Ishi, the subject of Ishi in Two Worlds

    Ishi in Two Worlds is a biographical account of Ishi, the last known member of the Yahi Native American people. Written by American author Theodora Kroeber, it was first published in 1961. Ishi had been found alone and starving outside Oroville, California, in 1911. He was befriended by the anthropologists Alfred Louis Kroeber and Thomas Waterman, who took him to the Museum of Anthropology in San Francisco. There, he was studied by the anthropologists, before his death in 1916. Theodora Kroeber married Alfred Kroeber in 1926. Though she had never met Ishi, she decided to write a biography of him because her husband did not feel able to do so.

    Ishi in Two Worlds was published in 1961, after Theodora Kroeber had spent two years studying the sources about him. It sold widely, remained in print for many years, and was translated into more than a dozen languages. The book was twice adapted into film, in 1978 (as Ishi: The Last of His Tribe) and 1992 (as The Last of His Tribe). It was highly praised by reviewers, who commended Kroeber's writing and her ability to evoke the Yahi culture. A 2013 biography of Theodora Kroeber wrote that she had a talent for "making us part of a life we never took part in", while scholar James Clifford stated that the book "wrapped up Ishi's story in a humane, angry, lovely, bittersweet package." (Full article...)
  • Image 12 2005 edition of book cover Freedom of Expression® is a book written by Kembrew McLeod about freedom of speech issues involving concepts of intellectual property. The book was first published in 2005 by Doubleday as Freedom of Expression®: Overzealous Copyright Bozos and Other Enemies of Creativity, and in 2007 by University of Minnesota Press as Freedom of Expression®: Resistance and Repression in the Age of Intellectual Property. The paperback edition includes a foreword by Lawrence Lessig. The author recounts a history of the use of counter-cultural artistry, illegal art, and the use of copyrighted works in art as a form of fair use and creative expression. The book encourages the reader to continue such uses in art and other forms of creative expression. The book received a positive reception and the Intellectual Freedom Round Table of the American Library Association awarded McLeod with the Eli M. Oboler Memorial Award, which honors the "best published work in the area of intellectual freedom". A review in The American Scholar said that McLeod " ... delivers a lively, personal account of the ways intellectual property messes with people—and how he messes with intellectual property." American Book Review said the work is "a clever compendium of examples" for those familiar with its subject matter. The Journal of Popular Culture called it "an informative, thought-provoking, and occasionally laugh-out-loud funny examination of specific ways the privatization of ideas suppresses creativity in contemporary culture." Publishers Weekly said that McLeod's views echo prior comments about intellectual property by academics—including Lessig. (Full article...)

    2005 edition of book cover

    Freedom of Expression® is a book written by Kembrew McLeod about freedom of speech issues involving concepts of intellectual property. The book was first published in 2005 by Doubleday as Freedom of Expression®: Overzealous Copyright Bozos and Other Enemies of Creativity, and in 2007 by University of Minnesota Press as Freedom of Expression®: Resistance and Repression in the Age of Intellectual Property. The paperback edition includes a foreword by Lawrence Lessig. The author recounts a history of the use of counter-cultural artistry, illegal art, and the use of copyrighted works in art as a form of fair use and creative expression. The book encourages the reader to continue such uses in art and other forms of creative expression.

    The book received a positive reception and the Intellectual Freedom Round Table of the American Library Association awarded McLeod with the Eli M. Oboler Memorial Award, which honors the "best published work in the area of intellectual freedom". A review in The American Scholar said that McLeod " ... delivers a lively, personal account of the ways intellectual property messes with people—and how he messes with intellectual property." American Book Review said the work is "a clever compendium of examples" for those familiar with its subject matter. The Journal of Popular Culture called it "an informative, thought-provoking, and occasionally laugh-out-loud funny examination of specific ways the privatization of ideas suppresses creativity in contemporary culture." Publishers Weekly said that McLeod's views echo prior comments about intellectual property by academics—including Lessig. (Full article...)
  • Image 13 Any Human Heart: The Intimate Journals of Logan Mountstuart is a 2002 novel by William Boyd, a British writer. It is written as a lifelong series of journals kept by the fictional character Mountstuart, a writer whose life (1906–1991) spanned the defining episodes of the 20th century, crossed several continents and included a convoluted sequence of relationships and literary endeavours. Boyd uses the diary form to explore how public events impinge on individual consciousness, so that Mountstuart's journal alludes almost casually to the war, the death of a prime minister, or the abdication of the king. Boyd plays ironically on the theme of literary celebrity, introducing his protagonist to several real writers who are included as characters. The journal style of the novel, with its gaps, false starts and contradictions, reinforces the theme of the changing self in the novel. Many plot points simply fade away. The novel received mixed reviews from critics on publication, but has sold well. A television adaptation was made with the screenplay written by Boyd, first broadcast in 2010. (Full article...)
    Any Human Heart: The Intimate Journals of Logan Mountstuart is a 2002 novel by William Boyd, a British writer. It is written as a lifelong series of journals kept by the fictional character Mountstuart, a writer whose life (1906–1991) spanned the defining episodes of the 20th century, crossed several continents and included a convoluted sequence of relationships and literary endeavours. Boyd uses the diary form to explore how public events impinge on individual consciousness, so that Mountstuart's journal alludes almost casually to the war, the death of a prime minister, or the abdication of the king. Boyd plays ironically on the theme of literary celebrity, introducing his protagonist to several real writers who are included as characters.

    The journal style of the novel, with its gaps, false starts and contradictions, reinforces the theme of the changing self in the novel. Many plot points simply fade away. The novel received mixed reviews from critics on publication, but has sold well. A television adaptation was made with the screenplay written by Boyd, first broadcast in 2010. (Full article...)
  • Image 14 Dust jacket, first edition Theory of Literature is a book on literary scholarship by René Wellek, of the structuralist Prague school, and Austin Warren, a self-described "old New Critic". The two met at the University of Iowa in the late 1930s, and by 1940 had begun writing the book; they wrote collaboratively, in a single voice over a period of three years. Its contents were based on their shared understandings of literature. Originally consisting of twenty chapters – one was cut in later editions – Theory of Literature describes various aspects of literary theory, criticism, and history. After defining various aspects and relationships of literature in general, Wellek and Warren divide analysis of literature based on two approaches: extrinsic, relating to factors outside a work such as the author and society, and intrinsic, relating to factors within such as rhythm and meter. They stress the need to focus on the intrinsic elements of a work as the best way to truly understand it. In doing so they adapt the phenomenology used by Roman Ingarden. (Full article...)

    Dust jacket, first edition

    Theory of Literature is a book on literary scholarship by René Wellek, of the structuralist Prague school, and Austin Warren, a self-described "old New Critic". The two met at the University of Iowa in the late 1930s, and by 1940 had begun writing the book; they wrote collaboratively, in a single voice over a period of three years. Its contents were based on their shared understandings of literature.

    Originally consisting of twenty chapters – one was cut in later editions – Theory of Literature describes various aspects of literary theory, criticism, and history. After defining various aspects and relationships of literature in general, Wellek and Warren divide analysis of literature based on two approaches: extrinsic, relating to factors outside a work such as the author and society, and intrinsic, relating to factors within such as rhythm and meter. They stress the need to focus on the intrinsic elements of a work as the best way to truly understand it. In doing so they adapt the phenomenology used by Roman Ingarden. (Full article...)
  • Image 15 The Tower of Babble: Sins, Secrets and Successes inside the CBC is a Canadian non-fiction book written by Richard Stursberg. The book is a memoir detailing Stursberg's experience as the vice-president in charge of English services at the Canadian Broadcasting Corporation (CBC) between October 2004 and August 2010. Stursberg was recruited by CBC president Robert Rabinovitch who understood and supported Stursberg's intention to move the CBC's focus more towards producing popular content with success and failure defined by the number of people who watch, rather than awards or critical praise. The book covers a range of topics relating to CBC, including acquiring popular shows, like Little Mosque on the Prairie and Heartland, for CBC Television, modernizing news coverage at CBC News, adjustments to CBC Radio, and CBC Sports losing broadcasting rights to its competitors. This tell-all memoir was called entertaining but was met with mixed reviews. While it was valued as an insider account of a well-known institution, the author used the book to aggressively defend his views without relating to opposing views, and elaborate on what he views to be the CBC's deficiencies. (Full article...)
    The Tower of Babble: Sins, Secrets and Successes inside the CBC is a Canadian non-fiction book written by Richard Stursberg. The book is a memoir detailing Stursberg's experience as the vice-president in charge of English services at the Canadian Broadcasting Corporation (CBC) between October 2004 and August 2010. Stursberg was recruited by CBC president Robert Rabinovitch who understood and supported Stursberg's intention to move the CBC's focus more towards producing popular content with success and failure defined by the number of people who watch, rather than awards or critical praise. The book covers a range of topics relating to CBC, including acquiring popular shows, like Little Mosque on the Prairie and Heartland, for CBC Television, modernizing news coverage at CBC News, adjustments to CBC Radio, and CBC Sports losing broadcasting rights to its competitors.

    This tell-all memoir was called entertaining but was met with mixed reviews. While it was valued as an insider account of a well-known institution, the author used the book to aggressively defend his views without relating to opposing views, and elaborate on what he views to be the CBC's deficiencies. (Full article...)
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  • ...that A Christmas Carol sold over six thousand copies in one week?(Pictured)
  • ...that the Book of Revelation 21:21 describes the city of New Jerusalem as having streets "made of pure gold, clear as crystal" ?
  • ...that the early nineteenth century, books were hand-bound using heavy materials such as wood, leather, gold, silver and jewels?
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  1. ^ Hagen 1997, p. 95.
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