Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Thomas Jefferson
|
186,812
|
6,026
|
B
|
Mid
|
2
|
Friedrich Nietzsche
|
163,691
|
5,280
|
B
|
High
|
3
|
Oscar Wilde
|
152,932
|
4,933
|
GA
|
Low
|
4
|
Andy Warhol
|
145,633
|
4,697
|
B
|
Mid
|
5
|
Aristotle
|
121,623
|
3,923
|
GA
|
High
|
6
|
Plato
|
115,020
|
3,710
|
C
|
High
|
7
|
Thomas Aquinas
|
109,195
|
3,522
|
B
|
High
|
8
|
Leo Tolstoy
|
95,857
|
3,092
|
B
|
Mid
|
9
|
Ayn Rand
|
94,644
|
3,053
|
GA
|
Mid
|
10
|
Immanuel Kant
|
82,682
|
2,667
|
B
|
High
|
11
|
Uncanny valley
|
78,994
|
2,548
|
B
|
Low
|
12
|
Marquis de Sade
|
77,934
|
2,514
|
B
|
Mid
|
13
|
Romanticism
|
74,129
|
2,391
|
C
|
High
|
14
|
Johann Wolfgang von Goethe
|
72,473
|
2,337
|
B
|
Mid
|
15
|
Arthur Schopenhauer
|
66,224
|
2,136
|
B
|
High
|
16
|
Søren Kierkegaard
|
65,864
|
2,124
|
B
|
High
|
17
|
Georg Wilhelm Friedrich Hegel
|
60,757
|
1,959
|
GA
|
High
|
18
|
Bauhaus
|
58,098
|
1,874
|
B
|
Low
|
19
|
Camp (style)
|
54,670
|
1,763
|
B
|
Low
|
20
|
Slavoj Žižek
|
53,743
|
1,733
|
B
|
High
|
21
|
Surrealism
|
52,956
|
1,708
|
B
|
Low
|
22
|
Postmodernism
|
51,088
|
1,648
|
C
|
Mid
|
23
|
Impressionism
|
50,780
|
1,638
|
C
|
Low
|
24
|
Kitsch
|
49,850
|
1,608
|
C
|
Mid
|
25
|
Sexual attraction
|
45,637
|
1,472
|
C
|
Low
|
26
|
Martin Heidegger
|
44,681
|
1,441
|
C
|
High
|
27
|
Dada
|
44,491
|
1,435
|
B
|
Low
|
28
|
Art
|
43,057
|
1,388
|
B
|
High
|
29
|
David Hume
|
40,877
|
1,318
|
B
|
High
|
30
|
Aesthetics
|
40,724
|
1,313
|
C
|
Top
|
31
|
Ptolemy
|
38,665
|
1,247
|
B
|
Mid
|
32
|
Avant-garde
|
38,020
|
1,226
|
C
|
Low
|
33
|
Physical attractiveness
|
37,750
|
1,217
|
B
|
Mid
|
34
|
Modernism
|
37,659
|
1,214
|
B
|
High
|
35
|
Edmund Burke
|
34,696
|
1,119
|
B
|
Mid
|
36
|
Wabi-sabi
|
34,073
|
1,099
|
C
|
Low
|
37
|
Eroticism
|
32,801
|
1,058
|
C
|
Low
|
38
|
Cubism
|
32,592
|
1,051
|
B
|
Low
|
39
|
Creativity
|
31,810
|
1,026
|
B
|
Mid
|
40
|
Objectivism
|
31,181
|
1,005
|
B
|
Mid
|
41
|
Susan Sontag
|
30,967
|
998
|
B
|
Mid
|
42
|
Umberto Eco
|
29,152
|
940
|
B
|
Mid
|
43
|
Charles Baudelaire
|
28,004
|
903
|
B
|
Low
|
44
|
John Dewey
|
27,560
|
889
|
B
|
High
|
45
|
Samuel Taylor Coleridge
|
27,516
|
887
|
C
|
Low
|
46
|
Orientalism
|
27,372
|
882
|
B
|
Mid
|
47
|
John Ruskin
|
25,890
|
835
|
B
|
Low
|
48
|
Pragmatism
|
25,815
|
832
|
B
|
High
|
49
|
Comedy
|
25,809
|
832
|
C
|
Mid
|
50
|
Gilles Deleuze
|
25,769
|
831
|
B
|
High
|
51
|
Jacques Lacan
|
24,949
|
804
|
B
|
High
|
52
|
Futurism
|
24,711
|
797
|
B
|
Low
|
53
|
Theodor W. Adorno
|
24,475
|
789
|
C
|
High
|
54
|
Neoclassicism
|
24,022
|
774
|
C
|
Low
|
55
|
Expressionism
|
23,846
|
769
|
C
|
Low
|
56
|
Walter Benjamin
|
23,197
|
748
|
B
|
Mid
|
57
|
Jean Baudrillard
|
22,053
|
711
|
B
|
Mid
|
58
|
Marshall McLuhan
|
21,426
|
691
|
B
|
Mid
|
59
|
Design
|
21,383
|
689
|
C
|
Low
|
60
|
Denis Diderot
|
21,025
|
678
|
C
|
Mid
|
61
|
Kawaii
|
20,557
|
663
|
C
|
Low
|
62
|
Pastiche
|
19,547
|
630
|
Start
|
Low
|
63
|
Georges Bataille
|
18,826
|
607
|
C
|
Mid
|
64
|
Imagination
|
18,742
|
604
|
Start
|
Mid
|
65
|
Mimetic theory
|
18,290
|
590
|
Start
|
Low
|
66
|
Irony
|
18,122
|
584
|
C
|
Mid
|
67
|
Roland Barthes
|
17,823
|
574
|
C
|
Mid
|
68
|
Humour
|
16,973
|
547
|
C
|
Mid
|
69
|
Fine art
|
16,660
|
537
|
C
|
Mid
|
70
|
Herbert Marcuse
|
16,592
|
535
|
B
|
Mid
|
71
|
The Death of the Author
|
16,499
|
532
|
Start
|
Low
|
72
|
Post-Impressionism
|
16,113
|
519
|
C
|
Low
|
73
|
Friedrich Schiller
|
16,026
|
516
|
C
|
Mid
|
74
|
The Doors of Perception
|
16,023
|
516
|
B
|
Low
|
75
|
Catharsis
|
15,883
|
512
|
C
|
High
|
76
|
Grotesque
|
15,881
|
512
|
C
|
Low
|
77
|
Roger Scruton
|
15,745
|
507
|
B
|
Mid
|
78
|
Simulacrum
|
15,398
|
496
|
Start
|
Low
|
79
|
Aestheticism
|
15,334
|
494
|
Start
|
Low
|
80
|
Plotinus
|
15,049
|
485
|
C
|
High
|
81
|
Minimalism
|
14,459
|
466
|
C
|
Mid
|
82
|
Post-irony
|
14,386
|
464
|
C
|
Low
|
83
|
Jonathan Edwards (theologian)
|
14,365
|
463
|
B
|
Low
|
84
|
Beauty
|
14,342
|
462
|
C
|
Mid
|
85
|
Paradigm
|
14,253
|
459
|
Start
|
High
|
86
|
Symposium (Plato)
|
14,248
|
459
|
B
|
High
|
87
|
History of music
|
13,764
|
444
|
B
|
Low
|
88
|
Sturm und Drang
|
13,398
|
432
|
C
|
Low
|
89
|
Matthew Arnold
|
12,663
|
408
|
B
|
Low
|
90
|
George Santayana
|
12,474
|
402
|
C
|
Mid
|
91
|
Patanjali
|
12,183
|
393
|
C
|
High
|
92
|
Musica universalis
|
11,923
|
384
|
C
|
Low
|
93
|
Diegesis
|
11,914
|
384
|
Start
|
Low
|
94
|
Literary criticism
|
11,759
|
379
|
Start
|
Mid
|
95
|
Symbolism (movement)
|
11,592
|
373
|
C
|
Low
|
96
|
Escapism
|
11,235
|
362
|
Start
|
Low
|
97
|
William Hogarth
|
10,825
|
349
|
B
|
Low
|
98
|
Essentialism
|
10,735
|
346
|
Start
|
Mid
|
99
|
Poetics (Aristotle)
|
10,527
|
339
|
C
|
High
|
100
|
Constructivism (art)
|
10,514
|
339
|
B
|
Low
|
101
|
Giorgio Vasari
|
10,245
|
330
|
C
|
Mid
|
102
|
Suspension of disbelief
|
10,216
|
329
|
C
|
Low
|
103
|
György Lukács
|
10,122
|
326
|
C
|
Mid
|
104
|
De Stijl
|
10,096
|
325
|
B
|
Low
|
105
|
Nicholas Roerich
|
10,061
|
324
|
B
|
Mid
|
106
|
Guy Debord
|
10,035
|
323
|
C
|
Mid
|
107
|
Classicism
|
9,972
|
321
|
Start
|
Mid
|
108
|
Eclecticism
|
9,831
|
317
|
C
|
Mid
|
109
|
Hudson River School
|
9,690
|
312
|
C
|
Low
|
110
|
Franz Boas
|
9,649
|
311
|
C
|
Low
|
111
|
Work of art
|
9,631
|
310
|
Start
|
Mid
|
112
|
The Work of Art in the Age of Mechanical Reproduction
|
9,586
|
309
|
C
|
Mid
|
113
|
Sublime (philosophy)
|
9,555
|
308
|
C
|
Mid
|
114
|
Decadence
|
9,509
|
306
|
C
|
Low
|
115
|
Philistinism
|
9,444
|
304
|
Start
|
Low
|
116
|
Mikhail Bakhtin
|
9,414
|
303
|
B
|
Mid
|
117
|
Mimesis
|
9,157
|
295
|
Start
|
Low
|
118
|
Fredric Jameson
|
9,112
|
293
|
C
|
Mid
|
119
|
Conceptual art
|
8,984
|
289
|
C
|
Low
|
120
|
Chinoiserie
|
8,984
|
289
|
C
|
Mid
|
121
|
Artist
|
8,924
|
287
|
Start
|
Mid
|
122
|
Rhyme
|
8,905
|
287
|
C
|
Low
|
123
|
The World as Will and Representation
|
8,755
|
282
|
B
|
High
|
124
|
Didacticism
|
8,750
|
282
|
Start
|
Low
|
125
|
Ensō
|
8,636
|
278
|
C
|
Low
|
126
|
Johann Gottlieb Fichte
|
8,477
|
273
|
C
|
High
|
127
|
Feminine beauty ideal
|
8,342
|
269
|
Start
|
Mid
|
128
|
Rasa (aesthetics)
|
8,269
|
266
|
Start
|
Low
|
129
|
Ludwig Feuerbach
|
7,974
|
257
|
C
|
Mid
|
130
|
Kokoro
|
7,829
|
252
|
C
|
Low
|
131
|
Historicism
|
7,801
|
251
|
C
|
Mid
|
132
|
Interpersonal attraction
|
7,740
|
249
|
C
|
Low
|
133
|
Musicology
|
7,705
|
248
|
C
|
Low
|
134
|
Phonaesthetics
|
7,668
|
247
|
C
|
Low
|
135
|
Friedrich Wilhelm Joseph Schelling
|
7,640
|
246
|
C
|
High
|
136
|
Art for art's sake
|
7,574
|
244
|
Start
|
Low
|
137
|
Suprematism
|
7,573
|
244
|
Start
|
Low
|
138
|
On the Genealogy of Morality
|
7,484
|
241
|
Start
|
High
|
139
|
Artistic symbol
|
7,386
|
238
|
Stub
|
Low
|
140
|
Theories of humor
|
7,384
|
238
|
B
|
Mid
|
141
|
Joseph Beuys
|
7,372
|
237
|
B
|
Low
|
142
|
Joseph Addison
|
7,365
|
237
|
C
|
Low
|
143
|
Novalis
|
7,324
|
236
|
GA
|
Mid
|
144
|
Johann Gottfried Herder
|
7,219
|
232
|
C
|
Mid
|
145
|
Experience machine
|
7,143
|
230
|
Start
|
Low
|
146
|
André Malraux
|
7,075
|
228
|
B
|
Low
|
147
|
Cool (aesthetic)
|
7,067
|
227
|
B
|
Low
|
148
|
José Ortega y Gasset
|
7,003
|
225
|
C
|
Low
|
149
|
Japanese aesthetics
|
6,971
|
224
|
C
|
Low
|
150
|
Culture industry
|
6,884
|
222
|
C
|
Mid
|
151
|
Neo-expressionism
|
6,866
|
221
|
Start
|
Low
|
152
|
Form follows function
|
6,846
|
220
|
C
|
Low
|
153
|
Jacques Maritain
|
6,745
|
217
|
C
|
Mid
|
154
|
Jean-François Lyotard
|
6,669
|
215
|
B
|
Mid
|
155
|
Hamartia
|
6,621
|
213
|
C
|
Low
|
156
|
Leon Battista Alberti
|
6,508
|
209
|
B
|
Low
|
157
|
Cuteness
|
6,483
|
209
|
Start
|
Low
|
158
|
Primitivism
|
6,411
|
206
|
C
|
Low
|
159
|
Postmodern art
|
6,325
|
204
|
B
|
Low
|
160
|
Terry Eagleton
|
6,270
|
202
|
C
|
Mid
|
161
|
Either/Or (Kierkegaard book)
|
6,179
|
199
|
C
|
High
|
162
|
Maximalism
|
6,160
|
198
|
Start
|
Low
|
163
|
Algernon Charles Swinburne
|
6,142
|
198
|
C
|
Low
|
164
|
Henri Lefebvre
|
6,063
|
195
|
C
|
Mid
|
165
|
Friedrich Schleiermacher
|
5,896
|
190
|
B
|
Mid
|
166
|
Abhinavagupta
|
5,834
|
188
|
B
|
Low
|
167
|
Moses Mendelssohn
|
5,818
|
187
|
C
|
Mid
|
168
|
Mathematics and art
|
5,781
|
186
|
GA
|
Mid
|
169
|
Modernism (music)
|
5,617
|
181
|
Start
|
Low
|
170
|
Postmodernist film
|
5,593
|
180
|
C
|
Low
|
171
|
Jean le Rond d'Alembert
|
5,534
|
178
|
C
|
Low
|
172
|
Bernard Berenson
|
5,506
|
177
|
Start
|
Low
|
173
|
Hans-Georg Gadamer
|
5,490
|
177
|
C
|
High
|
174
|
Ekphrasis
|
5,321
|
171
|
C
|
Mid
|
175
|
Metanarrative
|
5,286
|
170
|
C
|
Mid
|
176
|
Distancing effect
|
5,266
|
169
|
Start
|
Low
|
177
|
Mathematical beauty
|
5,234
|
168
|
Start
|
Low
|
178
|
Regionalism (art)
|
5,226
|
168
|
Start
|
Low
|
179
|
Human physical appearance
|
5,207
|
167
|
Start
|
Low
|
180
|
Disgust
|
5,190
|
167
|
Start
|
Low
|
181
|
I. A. Richards
|
5,156
|
166
|
C
|
Mid
|
182
|
Michael Oakeshott
|
5,137
|
165
|
C
|
Low
|
183
|
Gaze
|
5,123
|
165
|
Start
|
Mid
|
184
|
Anagnorisis
|
5,024
|
162
|
Start
|
Low
|
185
|
Notes on "Camp"
|
5,006
|
161
|
Start
|
Low
|
186
|
Ananda Coomaraswamy
|
4,998
|
161
|
C
|
Mid
|
187
|
Gotthold Ephraim Lessing
|
4,949
|
159
|
C
|
Mid
|
188
|
Benedetto Croce
|
4,942
|
159
|
C
|
Mid
|
189
|
Film criticism
|
4,917
|
158
|
C
|
Low
|
190
|
Style (visual arts)
|
4,879
|
157
|
Start
|
High
|
191
|
Northrop Frye
|
4,779
|
154
|
C
|
Low
|
192
|
On the Sublime
|
4,729
|
152
|
C
|
Mid
|
193
|
Anamorphosis
|
4,699
|
151
|
Start
|
Mid
|
194
|
Life imitating art
|
4,657
|
150
|
Start
|
Low
|
195
|
Judgement
|
4,616
|
148
|
Start
|
Low
|
196
|
Superflat
|
4,604
|
148
|
Start
|
Low
|
197
|
Stuckism
|
4,597
|
148
|
GA
|
Low
|
198
|
Fact–value distinction
|
4,589
|
148
|
Start
|
High
|
199
|
Tragic hero
|
4,542
|
146
|
Start
|
Low
|
200
|
American realism
|
4,464
|
144
|
Start
|
Low
|
201
|
Gaston Bachelard
|
4,463
|
143
|
C
|
Mid
|
202
|
Aestheticization of politics
|
4,438
|
143
|
Start
|
Low
|
203
|
Rhetoric (Aristotle)
|
4,406
|
142
|
C
|
Mid
|
204
|
Mirror stage
|
4,397
|
141
|
C
|
Mid
|
205
|
Women in music
|
4,365
|
140
|
C
|
Low
|
206
|
Jean Anthelme Brillat-Savarin
|
4,224
|
136
|
GA
|
Low
|
207
|
Anti-art
|
4,222
|
136
|
Start
|
Low
|
208
|
Walter Pater
|
4,206
|
135
|
B
|
Mid
|
209
|
Applied arts
|
4,171
|
134
|
Start
|
Low
|
210
|
Ars Poetica (Horace)
|
4,153
|
133
|
C
|
Low
|
211
|
Against Interpretation
|
4,143
|
133
|
Start
|
Low
|
212
|
Film theory
|
4,115
|
132
|
Start
|
Mid
|
213
|
Unattractiveness
|
4,039
|
130
|
Start
|
Low
|
214
|
Roger Fry
|
4,021
|
129
|
C
|
Low
|
215
|
Aesthetic taste
|
3,992
|
128
|
Start
|
High
|
216
|
Feminist literary criticism
|
3,900
|
125
|
Start
|
Low
|
217
|
Maurice Blanchot
|
3,796
|
122
|
Start
|
Mid
|
218
|
Formalism (literature)
|
3,714
|
119
|
Start
|
Low
|
219
|
Shibui
|
3,703
|
119
|
Start
|
Low
|
220
|
Critique of Judgment
|
3,647
|
117
|
C
|
High
|
221
|
Historicism (art)
|
3,602
|
116
|
Stub
|
Mid
|
222
|
Mathematics and architecture
|
3,589
|
115
|
GA
|
Mid
|
223
|
Neo-romanticism
|
3,562
|
114
|
Start
|
Low
|
224
|
Essentially contested concept
|
3,545
|
114
|
B
|
Low
|
225
|
Vulgarity
|
3,527
|
113
|
Start
|
Low
|
226
|
Paul Virilio
|
3,521
|
113
|
Start
|
Low
|
227
|
Enneads
|
3,437
|
110
|
Start
|
Mid
|
228
|
Kenneth Burke
|
3,381
|
109
|
C
|
Low
|
229
|
Peripeteia
|
3,373
|
108
|
C
|
Low
|
230
|
Why I Want to Fuck Ronald Reagan
|
3,346
|
107
|
Start
|
Low
|
231
|
Postmodernism, or, the Cultural Logic of Late Capitalism
|
3,342
|
107
|
Stub
|
Mid
|
232
|
Friedrich Schlegel
|
3,334
|
107
|
Start
|
Low
|
233
|
Chinese ideals of female beauty
|
3,322
|
107
|
Start
|
Low
|
234
|
Criticism of postmodernism
|
3,316
|
106
|
Start
|
Low
|
235
|
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
|
3,313
|
106
|
Start
|
Mid
|
236
|
Exoticism
|
3,299
|
106
|
Start
|
Low
|
237
|
The Sublime Object of Ideology
|
3,213
|
103
|
Stub
|
Low
|
238
|
André Bazin
|
3,198
|
103
|
Start
|
Low
|
239
|
Neoplasticism
|
3,181
|
102
|
C
|
Low
|
240
|
On Photography
|
3,144
|
101
|
Start
|
Low
|
241
|
Hubert Dreyfus
|
3,119
|
100
|
Start
|
Mid
|
242
|
Orphism (art)
|
3,107
|
100
|
C
|
Low
|
243
|
Definition of music
|
3,085
|
99
|
Start
|
Low
|
244
|
Art as Experience
|
3,074
|
99
|
Start
|
Mid
|
245
|
Classic
|
3,058
|
98
|
Start
|
Low
|
246
|
Ernst Gombrich
|
3,048
|
98
|
Start
|
Mid
|
247
|
Clement Greenberg
|
3,025
|
97
|
C
|
Mid
|
248
|
José Vasconcelos
|
3,025
|
97
|
C
|
Mid
|
249
|
R. G. Collingwood
|
3,024
|
97
|
C
|
Mid
|
250
|
Iki (aesthetics)
|
3,020
|
97
|
Start
|
Low
|
251
|
Clive Bell
|
3,019
|
97
|
Start
|
Mid
|
252
|
Picturesque
|
3,017
|
97
|
B
|
Low
|
253
|
Axiology
|
2,993
|
96
|
Redirect
|
Mid
|
254
|
Bharata (sage)
|
2,980
|
96
|
Stub
|
Low
|
255
|
Paul de Man
|
2,969
|
95
|
C
|
Low
|
256
|
Conceptualism
|
2,961
|
95
|
C
|
Low
|
257
|
Weimar Classicism
|
2,945
|
95
|
Start
|
Low
|
258
|
A Mathematician's Apology
|
2,916
|
94
|
C
|
Low
|
259
|
New media art
|
2,884
|
93
|
C
|
Low
|
260
|
Poshlost
|
2,877
|
92
|
Start
|
Low
|
261
|
Elegance
|
2,816
|
90
|
C
|
Low
|
262
|
Supervenience
|
2,808
|
90
|
B
|
Mid
|
263
|
Vernon Lee
|
2,807
|
90
|
C
|
Low
|
264
|
Imagination Age
|
2,805
|
90
|
C
|
Low
|
265
|
Épater la bourgeoisie
|
2,777
|
89
|
Stub
|
Low
|
266
|
Lyrical abstraction
|
2,725
|
87
|
Start
|
Low
|
267
|
Neuroesthetics
|
2,669
|
86
|
Start
|
Mid
|
268
|
Formalism (philosophy)
|
2,664
|
85
|
Start
|
Low
|
269
|
Mimesis: The Representation of Reality in Western Literature
|
2,600
|
83
|
C
|
Low
|
270
|
Postminimalism
|
2,598
|
83
|
Start
|
Low
|
271
|
Thomas Reid
|
2,544
|
82
|
C
|
Mid
|
272
|
Formalism (art)
|
2,509
|
80
|
Start
|
Low
|
273
|
Vissarion Belinsky
|
2,498
|
80
|
C
|
Low
|
274
|
Postmodern music
|
2,483
|
80
|
C
|
Low
|
275
|
Michel Onfray
|
2,469
|
79
|
C
|
Low
|
276
|
Erwin Panofsky
|
2,457
|
79
|
C
|
Mid
|
277
|
Feminist film theory
|
2,417
|
77
|
C
|
Low
|
278
|
Grotesque body
|
2,417
|
77
|
Start
|
Low
|
279
|
Anatomy of Criticism
|
2,367
|
76
|
Start
|
Mid
|
280
|
Pierre Bayle
|
2,364
|
76
|
C
|
Mid
|
281
|
The Origin of the Work of Art
|
2,344
|
75
|
C
|
Mid
|
282
|
The Story of Art
|
2,343
|
75
|
Stub
|
Mid
|
283
|
Metaphysical painting
|
2,337
|
75
|
Start
|
Low
|
284
|
Stanley Cavell
|
2,318
|
74
|
C
|
Mid
|
285
|
Lettrism
|
2,304
|
74
|
C
|
Low
|
286
|
Romantic realism
|
2,288
|
73
|
C
|
Low
|
287
|
Aesthetic Realism
|
2,280
|
73
|
C
|
Mid
|
288
|
Indian aesthetics
|
2,265
|
73
|
C
|
Low
|
289
|
Harmonice Mundi
|
2,258
|
72
|
C
|
Low
|
290
|
Theory of art
|
2,258
|
72
|
Start
|
Mid
|
291
|
Classificatory disputes about art
|
2,243
|
72
|
C
|
High
|
292
|
Daṇḍin
|
2,236
|
72
|
Start
|
Mid
|
293
|
Artistic inspiration
|
2,232
|
72
|
C
|
Mid
|
294
|
Representation (arts)
|
2,208
|
71
|
B
|
Mid
|
295
|
Camera Lucida (book)
|
2,203
|
71
|
Start
|
Low
|
296
|
Paul Rée
|
2,199
|
70
|
B
|
Low
|
297
|
Mingei
|
2,174
|
70
|
C
|
Low
|
298
|
The New Criterion
|
2,168
|
69
|
Start
|
Low
|
299
|
Art criticism
|
2,162
|
69
|
B
|
Mid
|
300
|
Arthur Danto
|
2,105
|
67
|
Start
|
Mid
|
301
|
The Book of Tea
|
2,086
|
67
|
Start
|
Low
|
302
|
Anandavardhana
|
2,086
|
67
|
Start
|
Low
|
303
|
Hierarchy of genres
|
2,051
|
66
|
Start
|
Low
|
304
|
Zaum
|
2,048
|
66
|
Start
|
Low
|
305
|
Symbolism
|
2,041
|
65
|
Disambig
|
NA
|
306
|
Francis Hutcheson (philosopher)
|
2,040
|
65
|
C
|
Mid
|
307
|
Russian symbolism
|
2,035
|
65
|
B
|
Mid
|
308
|
Erich Auerbach
|
2,032
|
65
|
Start
|
Low
|
309
|
Nelson Goodman
|
1,991
|
64
|
Start
|
Mid
|
310
|
August Wilhelm Schlegel
|
1,985
|
64
|
C
|
Mid
|
311
|
Aesthetics of music
|
1,955
|
63
|
Start
|
Low
|
312
|
Ecstasy (philosophy)
|
1,952
|
62
|
Start
|
Low
|
313
|
Violence in art
|
1,931
|
62
|
C
|
Low
|
314
|
John Hospers
|
1,914
|
61
|
C
|
Low
|
315
|
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
|
1,874
|
60
|
B
|
Mid
|
316
|
Importance
|
1,853
|
59
|
B
|
Mid
|
317
|
Zeami Motokiyo
|
1,820
|
58
|
B
|
Mid
|
318
|
The Dialogic Imagination
|
1,805
|
58
|
C
|
Low
|
319
|
Joseph Kosuth
|
1,771
|
57
|
C
|
Low
|
320
|
Practical philosophy
|
1,760
|
56
|
Stub
|
Low
|
321
|
Johann Friedrich Herbart
|
1,741
|
56
|
C
|
Mid
|
322
|
Hamid Dabashi
|
1,709
|
55
|
B
|
Low
|
323
|
Purism
|
1,706
|
55
|
Start
|
Low
|
324
|
Chinese musicology
|
1,705
|
55
|
B
|
Low
|
325
|
Phonestheme
|
1,689
|
54
|
Start
|
Low
|
326
|
Neo-Futurists
|
1,688
|
54
|
Start
|
Low
|
327
|
Painterliness
|
1,680
|
54
|
Start
|
Low
|
328
|
Sully Prudhomme
|
1,678
|
54
|
Start
|
Low
|
329
|
Giovanni Papini
|
1,666
|
53
|
C
|
Low
|
330
|
Paradox of fiction
|
1,665
|
53
|
C
|
Low
|
331
|
Susanne Langer
|
1,658
|
53
|
C
|
Mid
|
332
|
Nicolas Boileau-Despréaux
|
1,649
|
53
|
B
|
Low
|
333
|
Alexander Gottlieb Baumgarten
|
1,641
|
52
|
Start
|
Mid
|
334
|
What Is Art?
|
1,592
|
51
|
C
|
Mid
|
335
|
Auto-destructive art
|
1,580
|
50
|
Start
|
Low
|
336
|
Marxist aesthetics
|
1,574
|
50
|
C
|
Mid
|
337
|
John Silber
|
1,556
|
50
|
Start
|
Low
|
338
|
Crystal Cubism
|
1,543
|
49
|
B
|
Low
|
339
|
Rudolf Arnheim
|
1,528
|
49
|
B
|
Low
|
340
|
Kitsch movement
|
1,525
|
49
|
Start
|
Low
|
341
|
Classical Realism
|
1,514
|
48
|
Start
|
Low
|
342
|
John Maeda
|
1,512
|
48
|
Start
|
Low
|
343
|
Nicholas Wolterstorff
|
1,509
|
48
|
Start
|
Low
|
344
|
Process art
|
1,499
|
48
|
Start
|
Low
|
345
|
Post-romanticism
|
1,497
|
48
|
Start
|
Low
|
346
|
Motoori Norinaga
|
1,480
|
47
|
Start
|
Low
|
347
|
Georg Brandes
|
1,464
|
47
|
C
|
Low
|
348
|
Literary reception of The Lord of the Rings
|
1,455
|
46
|
GA
|
Low
|
349
|
Papunya Tula
|
1,453
|
46
|
Start
|
Low
|
350
|
Art manifesto
|
1,444
|
46
|
C
|
Mid
|
351
|
Miyabi
|
1,439
|
46
|
Start
|
Low
|
352
|
Philosophy of music
|
1,423
|
45
|
C
|
Mid
|
353
|
Nefer
|
1,423
|
45
|
Start
|
Low
|
354
|
Hans Pfitzner
|
1,398
|
45
|
Start
|
Low
|
355
|
Artistic freedom
|
1,385
|
44
|
B
|
Low
|
356
|
Elaine Scarry
|
1,376
|
44
|
Start
|
Low
|
357
|
Bracha L. Ettinger
|
1,376
|
44
|
B
|
Low
|
358
|
Richard Meltzer
|
1,356
|
43
|
Start
|
Low
|
359
|
Panic Movement
|
1,352
|
43
|
Stub
|
Low
|
360
|
Mode (literature)
|
1,342
|
43
|
C
|
Low
|
361
|
Psychology of art
|
1,337
|
43
|
Start
|
Low
|
362
|
Max Black
|
1,330
|
42
|
Start
|
Mid
|
363
|
Sound poetry
|
1,310
|
42
|
Start
|
Low
|
364
|
Visual literacy
|
1,293
|
41
|
Start
|
Low
|
365
|
Todd McGowan
|
1,288
|
41
|
Start
|
Low
|
366
|
History of aesthetics
|
1,277
|
41
|
C
|
High
|
367
|
Sophistication
|
1,259
|
40
|
Start
|
Low
|
368
|
Hugh Kenner
|
1,258
|
40
|
C
|
Low
|
369
|
Arthur Schopenhauer's aesthetics
|
1,230
|
39
|
C
|
Mid
|
370
|
Early life and career of Thomas Jefferson
|
1,224
|
39
|
C
|
Low
|
371
|
Ludwig Tieck
|
1,219
|
39
|
Start
|
Low
|
372
|
Béla Balázs
|
1,217
|
39
|
Start
|
Low
|
373
|
Vittorio Hösle
|
1,216
|
39
|
C
|
Low
|
374
|
Line of beauty
|
1,208
|
38
|
Stub
|
Low
|
375
|
Karl Ameriks
|
1,202
|
38
|
Stub
|
Low
|
376
|
Schopenhauer
|
1,200
|
38
|
Redirect
|
NA
|
377
|
Victor Cousin
|
1,194
|
38
|
B
|
Low
|
378
|
Michel Henry
|
1,192
|
38
|
B
|
Low
|
379
|
Authenticity in art
|
1,156
|
37
|
Start
|
Low
|
380
|
Objectivism (Ayn Rand)
|
1,154
|
37
|
Redirect
|
NA
|
381
|
Lectures on Aesthetics
|
1,153
|
37
|
Stub
|
Mid
|
382
|
Late modernism
|
1,141
|
36
|
B
|
Low
|
383
|
Visual rhetoric
|
1,139
|
36
|
B
|
Low
|
384
|
Avant-Garde and Kitsch
|
1,138
|
36
|
Start
|
Low
|
385
|
Dramatism
|
1,131
|
36
|
C
|
Low
|
386
|
Hippias Major
|
1,129
|
36
|
C
|
Mid
|
387
|
Noël Carroll
|
1,121
|
36
|
Stub
|
Low
|
388
|
Doctrine of the affections
|
1,116
|
36
|
C
|
Low
|
389
|
Tsang Lap Chuen
|
1,093
|
35
|
C
|
Low
|
390
|
Romanticism in philosophy
|
1,086
|
35
|
Start
|
Low
|
391
|
Eduard Hanslick
|
1,067
|
34
|
Start
|
Low
|
392
|
Daniel-Henry Kahnweiler
|
1,054
|
34
|
Start
|
Low
|
393
|
Cellar door (phrase)
|
1,027
|
33
|
Redirect
|
NA
|
394
|
Theodor Lipps
|
1,023
|
33
|
C
|
Low
|
395
|
Tim Dean
|
1,008
|
32
|
Start
|
Low
|
396
|
Yoshida Kenkō
|
1,006
|
32
|
Start
|
Low
|
397
|
Adam Müller
|
989
|
31
|
C
|
Low
|
398
|
William K. Wimsatt
|
986
|
31
|
Start
|
Low
|
399
|
Attractiveness
|
981
|
31
|
Redirect
|
NA
|
400
|
List of philosophers of art
|
976
|
31
|
List
|
Mid
|
401
|
Aleksei Losev
|
965
|
31
|
Start
|
Low
|
402
|
Medieval aesthetics
|
939
|
30
|
C
|
Low
|
403
|
Theological aesthetics
|
935
|
30
|
Start
|
Low
|
404
|
Feminist aesthetics
|
931
|
30
|
C
|
Low
|
405
|
Knave of Diamonds (arts association)
|
929
|
29
|
Stub
|
Low
|
406
|
Liu Xiaofeng (academic)
|
926
|
29
|
Start
|
Low
|
407
|
Roman Ingarden
|
925
|
29
|
Start
|
Mid
|
408
|
Henry Home, Lord Kames
|
917
|
29
|
C
|
Mid
|
409
|
Sara Danius
|
917
|
29
|
C
|
Low
|
410
|
Depiction
|
915
|
29
|
C
|
Mid
|
411
|
Aesthetic emotions
|
901
|
29
|
Start
|
Low
|
412
|
Self-portraiture
|
900
|
29
|
C
|
Low
|
413
|
Magnificence (history of ideas)
|
891
|
28
|
Start
|
Low
|
414
|
Institutional critique
|
888
|
28
|
Start
|
Low
|
415
|
Post-conceptual art
|
887
|
28
|
C
|
Low
|
416
|
Aleksandar Lilov
|
851
|
27
|
Start
|
Low
|
417
|
Cyborg art
|
851
|
27
|
Start
|
Low
|
418
|
Ridiculous
|
850
|
27
|
Start
|
Low
|
419
|
Tetsuro Watsuji
|
834
|
26
|
Start
|
Mid
|
420
|
Steven Shaviro
|
833
|
26
|
Start
|
Low
|
421
|
Charles Stevenson (philosopher)
|
827
|
26
|
Start
|
Mid
|
422
|
Why Beauty Matters
|
827
|
26
|
Stub
|
Low
|
423
|
Northwest School (art)
|
825
|
26
|
C
|
Low
|
424
|
Eli Siegel
|
811
|
26
|
B
|
Mid
|
425
|
André Leroi-Gourhan
|
805
|
25
|
Start
|
Low
|
426
|
Philosophy of design
|
801
|
25
|
Stub
|
Low
|
427
|
Languages of Art
|
796
|
25
|
Stub
|
Low
|
428
|
Inner Experience
|
795
|
25
|
Start
|
Mid
|
429
|
Humor research
|
795
|
25
|
Start
|
Mid
|
430
|
Les Automatistes
|
792
|
25
|
Stub
|
Low
|
431
|
Observations on the Feeling of the Beautiful and Sublime
|
790
|
25
|
C
|
Mid
|
432
|
Richard Wollheim
|
789
|
25
|
Start
|
Mid
|
433
|
The Critic as Artist
|
782
|
25
|
Stub
|
Low
|
434
|
Ptolemy's intense diatonic scale
|
778
|
25
|
C
|
Low
|
435
|
Aesthetic interpretation
|
773
|
24
|
Start
|
Low
|
436
|
Bernard Bosanquet (philosopher)
|
769
|
24
|
C
|
Mid
|
437
|
Artistic merit
|
743
|
23
|
Start
|
Mid
|
438
|
Yabo
|
742
|
23
|
Stub
|
Low
|
439
|
Paragone
|
734
|
23
|
Start
|
Low
|
440
|
Sociology of art
|
717
|
23
|
Start
|
Mid
|
441
|
Processing fluency theory of aesthetic pleasure
|
709
|
22
|
Start
|
Low
|
442
|
The Literature of Exhaustion
|
699
|
22
|
Stub
|
Low
|
443
|
Denis Dutton
|
692
|
22
|
C
|
Mid
|
444
|
Phonocentrism
|
687
|
22
|
Start
|
Low
|
445
|
The Analysis of Beauty
|
686
|
22
|
Start
|
Low
|
446
|
Vladimir Odoyevsky
|
685
|
22
|
Start
|
Low
|
447
|
Hugh Blair
|
673
|
21
|
C
|
Low
|
448
|
Kavyadarsha
|
673
|
21
|
Stub
|
Low
|
449
|
Medium specificity
|
670
|
21
|
Stub
|
Low
|
450
|
Dionysian imitatio
|
660
|
21
|
Stub
|
Low
|
451
|
Unitary urbanism
|
656
|
21
|
Start
|
Low
|
452
|
The Cubist Painters, Aesthetic Meditations
|
654
|
21
|
B
|
Low
|
453
|
Li Zehou
|
646
|
20
|
C
|
Low
|
454
|
Quirino Principe
|
645
|
20
|
Start
|
Low
|
455
|
Alexander Nehamas
|
644
|
20
|
Start
|
Low
|
456
|
Matthew Lipman
|
641
|
20
|
Stub
|
Low
|
457
|
Dieter Henrich
|
638
|
20
|
C
|
Mid
|
458
|
Zoosemiotics
|
634
|
20
|
Start
|
Low
|
459
|
John Anderson (philosopher)
|
627
|
20
|
C
|
Low
|
460
|
Vyacheslav Ivanov (poet)
|
626
|
20
|
C
|
Low
|
461
|
Albert Caraco
|
623
|
20
|
Start
|
Low
|
462
|
Outline of aesthetics
|
622
|
20
|
List
|
Low
|
463
|
Philosophy of film
|
613
|
19
|
Start
|
Mid
|
464
|
October (journal)
|
590
|
19
|
Start
|
Low
|
465
|
Carl Dahlhaus
|
586
|
18
|
B
|
Low
|
466
|
Irrealism (the arts)
|
582
|
18
|
Start
|
Low
|
467
|
Frank Sibley (philosopher)
|
577
|
18
|
Start
|
Low
|
468
|
Cynical realism
|
574
|
18
|
Stub
|
Low
|
469
|
Souleymane Bachir Diagne
|
562
|
18
|
C
|
Low
|
470
|
Coleridge's theory of life
|
562
|
18
|
C
|
Low
|
471
|
Jerrold Levinson
|
553
|
17
|
Start
|
Low
|
472
|
Aesthetics of nature
|
548
|
17
|
Start
|
Low
|
473
|
Paul Guyer
|
545
|
17
|
Stub
|
Low
|
474
|
Four Dissertations
|
544
|
17
|
Stub
|
Low
|
475
|
Digital sublime
|
542
|
17
|
Start
|
Low
|
476
|
Jesse Prinz
|
538
|
17
|
Stub
|
Mid
|
477
|
Irrealism (philosophy)
|
529
|
17
|
Start
|
Mid
|
478
|
George Dickie (philosopher)
|
523
|
16
|
Stub
|
Low
|
479
|
Arts criticism
|
522
|
16
|
Stub
|
Mid
|
480
|
Liu Xie
|
521
|
16
|
Stub
|
Low
|
481
|
Monroe Beardsley
|
519
|
16
|
Stub
|
Low
|
482
|
Absurd
|
513
|
16
|
Disambig
|
NA
|
483
|
New musicology
|
509
|
16
|
Start
|
Low
|
484
|
The Aesthetic Dimension
|
503
|
16
|
Start
|
Low
|
485
|
Francesco de Sanctis
|
500
|
16
|
Stub
|
Low
|
486
|
Applied aesthetics
|
500
|
16
|
Start
|
Mid
|
487
|
The Differend
|
499
|
16
|
Stub
|
Low
|
488
|
The Romantic Manifesto
|
498
|
16
|
C
|
Low
|
489
|
Stella Kramrisch
|
497
|
16
|
C
|
Low
|
490
|
Fernando González (writer)
|
496
|
16
|
C
|
Low
|
491
|
Kendall Walton
|
494
|
15
|
C
|
Low
|
492
|
Richard Shusterman
|
492
|
15
|
B
|
Low
|
493
|
Shūzō Kuki
|
489
|
15
|
Start
|
Low
|
494
|
Władysław Tatarkiewicz
|
481
|
15
|
Start
|
Low
|
495
|
Wilhelm Heinrich Wackenroder
|
477
|
15
|
Start
|
Low
|
496
|
Utamakura
|
476
|
15
|
Start
|
Mid
|
497
|
Moscow Conceptualists
|
466
|
15
|
Stub
|
Low
|
498
|
Mikhail Lifshitz
|
452
|
14
|
C
|
Low
|
499
|
African aesthetic
|
451
|
14
|
Start
|
Mid
|
500
|
Daniel Kolak
|
449
|
14
|
Start
|
Low
|
501
|
Ludomusicology
|
449
|
14
|
Start
|
Low
|
502
|
Systematic musicology
|
446
|
14
|
Start
|
Low
|
503
|
Brian Boyd
|
442
|
14
|
Start
|
Low
|
504
|
Lydia Goehr
|
442
|
14
|
Start
|
Low
|
505
|
Roger de Piles
|
434
|
14
|
Start
|
Low
|
506
|
The Literary Mind and the Carving of Dragons
|
429
|
13
|
Start
|
Mid
|
507
|
Levels of adequacy
|
425
|
13
|
Start
|
Low
|
508
|
Truth claim (photography)
|
422
|
13
|
Start
|
Low
|
509
|
Claire Colebrook
|
422
|
13
|
Start
|
Mid
|
510
|
History of the concept of creativity
|
413
|
13
|
Start
|
Low
|
511
|
Peter Kivy
|
413
|
13
|
Stub
|
Low
|
512
|
Bill Martin (philosopher)
|
412
|
13
|
Stub
|
Low
|
513
|
Jean Grenier
|
400
|
12
|
Stub
|
Low
|
514
|
Figuration Libre
|
398
|
12
|
Stub
|
Low
|
515
|
György Lukács bibliography
|
395
|
12
|
List
|
Mid
|
516
|
Philosophy of architecture
|
394
|
12
|
B
|
Low
|
517
|
Karl Rosenkranz
|
391
|
12
|
Start
|
Low
|
518
|
Joseph Margolis
|
391
|
12
|
C
|
Low
|
519
|
The Sense of Beauty
|
391
|
12
|
Start
|
Low
|
520
|
Imagines (work by Philostratus)
|
387
|
12
|
Stub
|
Low
|
521
|
Peter Lamarque
|
387
|
12
|
Start
|
Low
|
522
|
Women in Euripides
|
386
|
12
|
B
|
Low
|
523
|
Artistic integrity
|
382
|
12
|
C
|
Low
|
524
|
Nikolas Kompridis
|
381
|
12
|
C
|
Low
|
525
|
Metarealism
|
377
|
12
|
Start
|
Low
|
526
|
Aesthetics of science
|
377
|
12
|
Stub
|
Low
|
527
|
Imitation (art)
|
376
|
12
|
Stub
|
Low
|
528
|
Sean Dorrance Kelly
|
376
|
12
|
Start
|
Low
|
529
|
Les Plasticiens
|
370
|
11
|
Start
|
Low
|
530
|
Artistic revolution
|
369
|
11
|
Start
|
Low
|
531
|
Stroganov school
|
368
|
11
|
Stub
|
Low
|
532
|
Jody Azzouni
|
365
|
11
|
Stub
|
Low
|
533
|
Jan Mukařovský
|
363
|
11
|
Start
|
Low
|
534
|
Essays, Moral, Political, and Literary
|
363
|
11
|
Stub
|
Low
|
535
|
Albrecht Wellmer
|
360
|
11
|
Start
|
Low
|
536
|
Emanuele Tesauro
|
357
|
11
|
B
|
Low
|
537
|
Birmingham Set
|
351
|
11
|
Start
|
Low
|
538
|
Neo-primitivism
|
347
|
11
|
Redirect
|
NA
|
539
|
Du "Cubisme"
|
345
|
11
|
B
|
Low
|
540
|
Methexis
|
343
|
11
|
Stub
|
Low
|
541
|
Theodor W. Adorno bibliography
|
340
|
10
|
List
|
Mid
|
542
|
The Oldest Systematic Program of German Idealism
|
340
|
10
|
Start
|
Low
|
543
|
Art theory
|
339
|
10
|
Redirect
|
NA
|
544
|
Unity in variety
|
335
|
10
|
C
|
Low
|
545
|
Timeline of German idealism
|
332
|
10
|
List
|
Low
|
546
|
Institutional theory of art
|
327
|
10
|
Redirect
|
NA
|
547
|
Ancient aesthetics
|
327
|
10
|
Start
|
Low
|
548
|
History of hermeneutics
|
324
|
10
|
Start
|
Low
|
549
|
Iain Thomson
|
323
|
10
|
Stub
|
Low
|
550
|
Epic and Novel
|
322
|
10
|
Start
|
Low
|
551
|
Roger North (biographer)
|
320
|
10
|
Start
|
Low
|
552
|
Jerry Farber
|
318
|
10
|
Start
|
Low
|
553
|
Archibald Alison (author)
|
317
|
10
|
Start
|
Low
|
554
|
Robert Vischer
|
317
|
10
|
Stub
|
Low
|
555
|
Yuriko Saito
|
317
|
10
|
Start
|
Low
|
556
|
Poet as legislator
|
317
|
10
|
Start
|
Low
|
557
|
Rotation method
|
316
|
10
|
Start
|
Low
|
558
|
Edmund Gurney
|
312
|
10
|
Start
|
Low
|
559
|
Andrew Bowie (philosopher)
|
310
|
10
|
Start
|
Low
|
560
|
Léonce Rosenberg
|
310
|
10
|
C
|
Low
|
561
|
Index of aesthetics articles
|
309
|
9
|
List
|
High
|
562
|
Linguistic film theory
|
309
|
9
|
Stub
|
Low
|
563
|
Aesthetic relativism
|
307
|
9
|
Start
|
High
|
564
|
Michael Tanner
|
307
|
9
|
Stub
|
Low
|
565
|
Tomonobu Imamichi
|
305
|
9
|
Start
|
Low
|
566
|
La Maison Cubiste
|
303
|
9
|
B
|
Low
|
567
|
Max Bense
|
298
|
9
|
Start
|
Low
|
568
|
Thierry de Duve
|
294
|
9
|
Stub
|
Low
|
569
|
Ontopoetics
|
294
|
9
|
C
|
Low
|
570
|
Taruho Inagaki
|
293
|
9
|
Start
|
Low
|
571
|
Luigi Pareyson
|
289
|
9
|
Stub
|
Low
|
572
|
D. I. Suchianu
|
289
|
9
|
B
|
Low
|
573
|
Medium essentialism
|
289
|
9
|
B
|
Low
|
574
|
Michael J. Shapiro
|
286
|
9
|
Start
|
Low
|
575
|
Max Dessoir
|
283
|
9
|
Stub
|
Low
|
576
|
Ásta Kristjana Sveinsdóttir
|
283
|
9
|
Stub
|
Low
|
577
|
Superfiction
|
282
|
9
|
Start
|
Low
|
578
|
Tudor Vianu
|
275
|
8
|
Start
|
Low
|
579
|
Stephen Davies (philosopher)
|
274
|
8
|
Start
|
Low
|
580
|
Charles Batteux
|
273
|
8
|
Start
|
Low
|
581
|
Philosophy in a New Key
|
273
|
8
|
Stub
|
Low
|
582
|
Metabasis paradox
|
273
|
8
|
C
|
Low
|
583
|
Thorsten Botz-Bornstein
|
271
|
8
|
Stub
|
Low
|
584
|
Stephen Mumford
|
270
|
8
|
C
|
Low
|
585
|
Paul Crowther
|
270
|
8
|
Start
|
Low
|
586
|
Gregory Currie
|
267
|
8
|
Start
|
Low
|
587
|
Stephen Pepper
|
267
|
8
|
Start
|
Mid
|
588
|
Georg Anton Friedrich Ast
|
266
|
8
|
Start
|
Low
|
589
|
Jandhyala Papayya Sastry
|
262
|
8
|
Stub
|
Low
|
590
|
Cultural depictions of Thomas Jefferson
|
261
|
8
|
Start
|
Low
|
591
|
Morris Weitz
|
258
|
8
|
C
|
Mid
|
592
|
Henri Focillon
|
258
|
8
|
Stub
|
Low
|
593
|
Rodolphe Gasché
|
252
|
8
|
Start
|
Low
|
594
|
Friedrich Theodor Vischer
|
250
|
8
|
Start
|
Low
|
595
|
John Rajchman
|
247
|
7
|
Stub
|
Low
|
596
|
Carlin Romano
|
247
|
7
|
Start
|
Low
|
597
|
François Zourabichvili
|
247
|
7
|
Start
|
Low
|
598
|
Paul Mattick Jr.
|
246
|
7
|
Stub
|
Low
|
599
|
Art and morality
|
244
|
7
|
Start
|
Mid
|
600
|
Edward Bullough
|
244
|
7
|
C
|
Mid
|
601
|
Gernot Böhme
|
243
|
7
|
Stub
|
Low
|
602
|
Margaret MacDonald (philosopher)
|
242
|
7
|
C
|
Low
|
603
|
Art and Scholasticism
|
240
|
7
|
Stub
|
Low
|
604
|
Caroline Joan S. Picart
|
236
|
7
|
C
|
Low
|
605
|
The Papers of Thomas Jefferson
|
234
|
7
|
Start
|
Low
|
606
|
Elegant
|
233
|
7
|
Redirect
|
NA
|
607
|
Suspense fiction
|
230
|
7
|
Redirect
|
Low
|
608
|
Critical Essays (Orwell)
|
226
|
7
|
Start
|
Low
|
609
|
Marshall McLuhan bibliography
|
224
|
7
|
List
|
Low
|
610
|
Biographical fallacy
|
223
|
7
|
Start
|
Low
|
611
|
Tom Cohen
|
220
|
7
|
Stub
|
Low
|
612
|
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief
|
219
|
7
|
Stub
|
Low
|
613
|
Louis Mink
|
218
|
7
|
Start
|
Low
|
614
|
Christine Buci-Glucksmann
|
216
|
6
|
Start
|
Low
|
615
|
Hubert Damisch
|
216
|
6
|
Stub
|
Low
|
616
|
David Carrier
|
214
|
6
|
Start
|
Low
|
617
|
James Tartaglia
|
214
|
6
|
Start
|
Low
|
618
|
Valentin Feldman
|
211
|
6
|
Start
|
Low
|
619
|
Timothy Binkley
|
209
|
6
|
Start
|
Low
|
620
|
Elisabeth Camp
|
208
|
6
|
C
|
Low
|
621
|
Literary merit
|
205
|
6
|
Redirect
|
Mid
|
622
|
Musical historicism
|
204
|
6
|
Start
|
Low
|
623
|
Daya Krishna
|
204
|
6
|
Stub
|
Low
|
624
|
Psychic distance
|
198
|
6
|
Start
|
Mid
|
625
|
Peter Trawny
|
197
|
6
|
Start
|
Low
|
626
|
François Hemsterhuis
|
196
|
6
|
Start
|
Low
|
627
|
Akira Asada
|
196
|
6
|
Stub
|
Low
|
628
|
Vasily Seseman
|
196
|
6
|
Start
|
Low
|
629
|
Metaphysical aesthetics
|
196
|
6
|
C
|
Low
|
630
|
Stupid (art movement)
|
193
|
6
|
Stub
|
Low
|
631
|
Douglas Moggach
|
192
|
6
|
C
|
Low
|
632
|
Karl Wilhelm Ferdinand Solger
|
188
|
6
|
Start
|
Low
|
633
|
Calvin Seerveld
|
187
|
6
|
Start
|
Low
|
634
|
Spanish Eclecticism
|
187
|
6
|
Start
|
Low
|
635
|
Solomiia Pavlychko
|
186
|
6
|
Start
|
Low
|
636
|
Albert (short story)
|
181
|
5
|
Stub
|
Low
|
637
|
Yoru no Kai
|
181
|
5
|
C
|
Low
|
638
|
Visual ethics
|
178
|
5
|
Start
|
Low
|
639
|
Antonio Caso Andrade
|
177
|
5
|
Start
|
Mid
|
640
|
René Huyghe
|
177
|
5
|
Start
|
Low
|
641
|
Heinrich Gustav Hotho
|
174
|
5
|
Stub
|
Low
|
642
|
Julius Moravcsik
|
173
|
5
|
Start
|
Low
|
643
|
Adversarial Design
|
172
|
5
|
Start
|
Low
|
644
|
Anna Tumarkin
|
172
|
5
|
B
|
Low
|
645
|
Adolfo Sánchez Vázquez
|
170
|
5
|
Stub
|
Low
|
646
|
Ernst von Lasaulx
|
170
|
5
|
C
|
Low
|
647
|
Wolfgang Fritz Haug
|
170
|
5
|
Start
|
Low
|
648
|
Geoffrey Galt Harpham
|
170
|
5
|
Stub
|
Low
|
649
|
Sophic and mantic
|
170
|
5
|
C
|
Low
|
650
|
Mario Perniola
|
167
|
5
|
C
|
Low
|
651
|
Isaac Passy
|
166
|
5
|
Stub
|
Low
|
652
|
Philosophy and Literature
|
166
|
5
|
Stub
|
Low
|
653
|
Formal balance
|
165
|
5
|
Stub
|
Low
|
654
|
Aesthetic Theory: Essential Texts
|
165
|
5
|
Stub
|
Low
|
655
|
James Creed Meredith
|
164
|
5
|
Start
|
Low
|
656
|
Acharya Vamana
|
163
|
5
|
Stub
|
Low
|
657
|
Galen Johnson
|
162
|
5
|
Stub
|
Low
|
658
|
The Journal of Aesthetics and Art Criticism
|
160
|
5
|
Stub
|
Low
|
659
|
Gloria Feman Orenstein
|
160
|
5
|
C
|
Low
|
660
|
Panait Cerna
|
158
|
5
|
GA
|
Low
|
661
|
Johannes Volkelt
|
158
|
5
|
Stub
|
Low
|
662
|
Curt John Ducasse
|
154
|
4
|
Stub
|
Low
|
663
|
Jeremy J. Shapiro
|
154
|
4
|
Start
|
Low
|
664
|
Female epic
|
153
|
4
|
Start
|
Low
|
665
|
Christopher Janaway
|
150
|
4
|
Stub
|
Low
|
666
|
Aesthetic of Ugliness
|
150
|
4
|
Stub
|
Low
|
667
|
Isagiyosa
|
150
|
4
|
Stub
|
Low
|
668
|
Communication aesthetics
|
149
|
4
|
Start
|
Low
|
669
|
Margret Grebowicz
|
149
|
4
|
Start
|
Low
|
670
|
Ivan Soll
|
148
|
4
|
C
|
Low
|
671
|
David Prall
|
148
|
4
|
Start
|
Low
|
672
|
Jean Soldini
|
148
|
4
|
Stub
|
Low
|
673
|
Brahma Prakash
|
148
|
4
|
C
|
Low
|
674
|
Peter Goldie
|
146
|
4
|
Stub
|
Low
|
675
|
Georg Friedrich Meier
|
146
|
4
|
Stub
|
Low
|
676
|
Déprimisme
|
142
|
4
|
Stub
|
Low
|
677
|
The Range of Reason
|
141
|
4
|
Stub
|
Mid
|
678
|
Ronald Paulson
|
140
|
4
|
Start
|
Low
|
679
|
Ticio Escobar
|
136
|
4
|
C
|
Low
|
680
|
Thomas Munro (art historian)
|
135
|
4
|
Start
|
Mid
|
681
|
Michael Krausz
|
134
|
4
|
Start
|
Low
|
682
|
Rapture (aesthetics)
|
134
|
4
|
C
|
Low
|
683
|
What is a Masterpiece?
|
133
|
4
|
Start
|
Low
|
684
|
Virgil Aldrich
|
132
|
4
|
Start
|
Low
|
685
|
Stephen David Ross
|
132
|
4
|
Stub
|
Low
|
686
|
Albert Hofstadter
|
130
|
4
|
Start
|
Low
|
687
|
James M. Edie
|
129
|
4
|
Start
|
Low
|
688
|
Al-Bu'd al-Wahad
|
129
|
4
|
C
|
Low
|
689
|
Art versus Nonart: Art out of Mind
|
128
|
4
|
Start
|
Low
|
690
|
On Grace and Dignity
|
127
|
4
|
Stub
|
Low
|
691
|
On the Aesthetic Education of Man
|
127
|
4
|
Redirect
|
Low
|
692
|
Nkiru Nzegwu
|
126
|
4
|
Stub
|
Low
|
693
|
Theodor Mundt
|
125
|
4
|
Start
|
Low
|
694
|
Valentin Asmus (philosopher)
|
124
|
4
|
Start
|
Low
|
695
|
Ivan Sviták
|
124
|
4
|
Start
|
Low
|
696
|
Rachel Zuckert
|
124
|
4
|
Stub
|
Low
|
697
|
Second-order simulacra
|
123
|
3
|
Redirect
|
Low
|
698
|
George Lansing Raymond
|
123
|
3
|
Start
|
Low
|
699
|
American Society for Aesthetics
|
121
|
3
|
Stub
|
Low
|
700
|
Philip Wheelwright
|
118
|
3
|
Start
|
Low
|
701
|
Lessons on the Analytic of the Sublime
|
118
|
3
|
Stub
|
Mid
|
702
|
The Longing for Less
|
118
|
3
|
Stub
|
Low
|
703
|
Giovanna Borradori
|
117
|
3
|
Stub
|
Low
|
704
|
Melvin Rader
|
115
|
3
|
C
|
Low
|
705
|
Kunstreligion
|
114
|
3
|
Stub
|
Low
|
706
|
Peter Lunenfeld
|
112
|
3
|
Start
|
Low
|
707
|
Lev Kreft
|
111
|
3
|
Stub
|
Low
|
708
|
Alejandro Deustua
|
110
|
3
|
Stub
|
Low
|
709
|
Bernhard Alexander
|
110
|
3
|
Start
|
Low
|
710
|
Martin Foss
|
110
|
3
|
C
|
Low
|
711
|
Elisabeth Schellekens
|
106
|
3
|
Stub
|
Low
|
712
|
Catherine Perret
|
104
|
3
|
Stub
|
Low
|
713
|
Aesthetic absolutism
|
103
|
3
|
Start
|
High
|
714
|
Antanas Andrijauskas
|
102
|
3
|
Start
|
Low
|
715
|
Cultura (journal)
|
102
|
3
|
Stub
|
Low
|
716
|
Federico Ferrari
|
101
|
3
|
Start
|
Low
|
717
|
Alexander Gerard
|
98
|
3
|
Start
|
Low
|
718
|
Karl Bötticher
|
98
|
3
|
Start
|
Low
|
719
|
Laurent Gervereau
|
97
|
3
|
Start
|
Low
|
720
|
Dual-character concept
|
97
|
3
|
Stub
|
Low
|
721
|
List of culturally linked qualities of music
|
95
|
3
|
List
|
Low
|
722
|
Julius von Kirchmann
|
95
|
3
|
Stub
|
Low
|
723
|
Colin Radford
|
95
|
3
|
Stub
|
Low
|
724
|
Arto Haapala
|
94
|
3
|
Stub
|
Low
|
725
|
Masakazu Nakai
|
94
|
3
|
Stub
|
Low
|
726
|
Predrag Finci
|
94
|
3
|
Stub
|
Low
|
727
|
Larry Shiner
|
94
|
3
|
Stub
|
Low
|
728
|
Jovan Došenović
|
92
|
2
|
Start
|
Low
|
729
|
Norbert-Bertrand Barbe
|
91
|
2
|
Start
|
Low
|
730
|
Richard Eldridge
|
91
|
2
|
Stub
|
Low
|
731
|
Peter Serracino Inglott
|
89
|
2
|
Start
|
Low
|
732
|
Marcus Steinweg
|
89
|
2
|
Stub
|
Low
|
733
|
Herbert Morris (philosopher)
|
89
|
2
|
Stub
|
Low
|
734
|
British Journal of Aesthetics
|
88
|
2
|
Stub
|
Low
|
735
|
Sociological art
|
86
|
2
|
Start
|
Low
|
736
|
Helen Knight
|
86
|
2
|
Start
|
Low
|
737
|
Leonid Stolovich
|
85
|
2
|
Start
|
Low
|
738
|
Dewitt H. Parker
|
84
|
2
|
Stub
|
Low
|
739
|
Carmel Berkson
|
84
|
2
|
Stub
|
Low
|
740
|
Cynthia Nielsen
|
84
|
2
|
C
|
Low
|
741
|
Emily Brady
|
84
|
2
|
Stub
|
Low
|
742
|
Karl Wilhelm Ramler
|
83
|
2
|
Stub
|
Low
|
743
|
Warren Shibles
|
83
|
2
|
Stub
|
Low
|
744
|
Ewa Ziarek
|
83
|
2
|
Start
|
Low
|
745
|
Curtis L. Carter
|
82
|
2
|
Stub
|
Low
|
746
|
Janet McCracken
|
81
|
2
|
Stub
|
Low
|
747
|
Nadežda Čačinovič
|
81
|
2
|
Start
|
Low
|
748
|
Rachida Triki
|
80
|
2
|
Start
|
Low
|
749
|
Volker Gerhardt
|
80
|
2
|
Stub
|
Low
|
750
|
Eddy Zemach
|
79
|
2
|
Stub
|
Low
|
751
|
José María Valverde
|
79
|
2
|
C
|
Low
|
752
|
Journal of Philosophy of Education
|
79
|
2
|
Stub
|
Low
|
753
|
Léon Dumont
|
78
|
2
|
Start
|
Low
|
754
|
Presentationism
|
77
|
2
|
Start
|
Low
|
755
|
Michael Sprinker
|
73
|
2
|
Stub
|
Low
|
756
|
Aloys Hirt
|
73
|
2
|
Start
|
Low
|
757
|
Jacqueline Lichtenstein
|
73
|
2
|
Start
|
Low
|
758
|
Eastern Group of Painters
|
72
|
2
|
Start
|
Low
|
759
|
RAAAF
|
71
|
2
|
Start
|
Low
|
760
|
Encyclopedia of Aesthetics
|
70
|
2
|
Start
|
Low
|
761
|
Nelson Thomas Potter Jr.
|
70
|
2
|
Start
|
Low
|
762
|
Yacouba Konaté
|
69
|
2
|
Start
|
Low
|
763
|
Ruth L. Saw
|
69
|
2
|
Start
|
Low
|
764
|
International Association of Empirical Aesthetics
|
68
|
2
|
Start
|
Low
|
765
|
Fabienne Brugère
|
68
|
2
|
C
|
Low
|
766
|
Dumitru D. Roșca
|
67
|
2
|
Stub
|
Low
|
767
|
Rupert Lodge
|
67
|
2
|
Stub
|
Low
|
768
|
Rosario Assunto
|
64
|
2
|
Start
|
Low
|
769
|
Hermann Theodor Hettner
|
63
|
2
|
B
|
Low
|
770
|
Carl Günther Ludovici
|
62
|
2
|
C
|
Low
|
771
|
Robert Hopkins (philosopher)
|
62
|
2
|
Stub
|
Low
|
772
|
Maximilian Balzan
|
60
|
1
|
Start
|
Low
|
773
|
Arnór Hannibalsson
|
60
|
1
|
Stub
|
Low
|
774
|
Elena Topuridze
|
59
|
1
|
Start
|
Low
|
775
|
Rocío Orsi
|
58
|
1
|
Start
|
Low
|
776
|
John Lysaker
|
58
|
1
|
Stub
|
Low
|
777
|
International Society for Philosophy of Music Education
|
56
|
1
|
Stub
|
Low
|
778
|
Karl Heinrich Heydenreich
|
56
|
1
|
Stub
|
Low
|
779
|
British Society of Aesthetics
|
56
|
1
|
Stub
|
Low
|
780
|
Agalma (journal)
|
55
|
1
|
Stub
|
Low
|
781
|
Heinrich Lützeler
|
55
|
1
|
Start
|
Low
|
782
|
Viktor Bychkov (philosopher)
|
55
|
1
|
C
|
Low
|
783
|
Józef Kremer
|
54
|
1
|
Start
|
Low
|
784
|
Jill Marsden (scholar)
|
53
|
1
|
Stub
|
Low
|
785
|
Dato Barbakadze
|
53
|
1
|
Start
|
Low
|
786
|
Charles Lalo
|
53
|
1
|
Stub
|
Low
|
787
|
Charles Sirato
|
53
|
1
|
Start
|
Low
|
788
|
Contemporary Debates in Aesthetics and the Philosophy of Art
|
52
|
1
|
Stub
|
Low
|
789
|
Zinaida Ignatyeva
|
50
|
1
|
Stub
|
Low
|
790
|
Tasos Zembylas
|
49
|
1
|
Stub
|
Low
|
791
|
Max Loreau
|
48
|
1
|
Start
|
Low
|
792
|
Richard Müller-Freienfels
|
48
|
1
|
Stub
|
Low
|
793
|
Manifestations of postmodernism
|
47
|
1
|
Redirect
|
NA
|
794
|
John P. Anton
|
46
|
1
|
Stub
|
Low
|
795
|
Josefina Ayerza
|
46
|
1
|
Stub
|
Low
|
796
|
Jerry Balmuth
|
45
|
1
|
Start
|
Low
|
797
|
John Mueller Anderson
|
45
|
1
|
Stub
|
Low
|
798
|
Joseph Hillebrand
|
44
|
1
|
Stub
|
Low
|
799
|
Giuseppe Di Giacomo
|
44
|
1
|
Start
|
Low
|
800
|
Archestratus (music theorist)
|
43
|
1
|
Start
|
Low
|
801
|
International Institute of Applied Aesthetics
|
42
|
1
|
Stub
|
Low
|
802
|
Luis Oyarzún Peña
|
40
|
1
|
Start
|
Low
|
803
|
Mikhail Ovsyannikov
|
39
|
1
|
Stub
|
Low
|
804
|
Wilhelm Fridolin Volkmann
|
39
|
1
|
Stub
|
Low
|
805
|
Theodor Wilhelm Danzel
|
39
|
1
|
Stub
|
Low
|
806
|
Ferdinand Gotthelf Hand
|
38
|
1
|
Start
|
Low
|
807
|
Madeleine Doran
|
38
|
1
|
Stub
|
Low
|
808
|
Sottorealism
|
38
|
1
|
Start
|
Low
|
809
|
Georg Mehlis
|
36
|
1
|
Stub
|
Low
|
810
|
James DiGiovanna
|
35
|
1
|
Start
|
Low
|
811
|
Littoral art
|
34
|
1
|
Stub
|
Low
|
812
|
Ömer Naci Soykan
|
34
|
1
|
Start
|
Low
|
813
|
Versatilist manifesto
|
34
|
1
|
Start
|
Low
|
814
|
Michel Guiomar
|
34
|
1
|
Stub
|
Low
|
815
|
Daniel O. Nathan
|
33
|
1
|
Stub
|
Low
|
816
|
Lonergan Institute
|
30
|
0
|
Redirect
|
Low
|
817
|
Rainer Rochlitz
|
30
|
0
|
Stub
|
Low
|
818
|
Jean Poirier (ethnologist)
|
29
|
0
|
Start
|
Low
|
819
|
Œuvre
|
27
|
0
|
Redirect
|
NA
|
820
|
Menachem Brinker
|
27
|
0
|
Start
|
Low
|
821
|
Rafaël Pividal
|
26
|
0
|
Start
|
Low
|
822
|
Géza Fodor (philosopher)
|
25
|
0
|
Stub
|
Low
|
823
|
Stephen H. Watson
|
25
|
0
|
Stub
|
Low
|
824
|
Milan Damnjanović (philosopher)
|
24
|
0
|
Stub
|
Low
|
825
|
Philippe Nys
|
23
|
0
|
Start
|
Low
|
826
|
Art of murder
|
22
|
0
|
Disambig
|
NA
|
827
|
Post-futurism
|
18
|
0
|
Redirect
|
Low
|
828
|
Concepts in aesthetics
|
11
|
0
|
Redirect
|
NA
|
829
|
Objectivism in Canada
|
9
|
0
|
Redirect
|
NA
|
830
|
Worst sitcoms
|
7
|
0
|
Redirect
|
NA
|