From Wikipedia, the free encyclopedia
This is a list of pages in the scope of Wikipedia:WikiProject Industrial design along with pageviews.
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Period: 2025-04-01 to 2025-04-30
Total views: 3,417,464
Updated: 15:29, 8 May 2025 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Lenny Kravitz
|
197,503
|
6,583
|
B
|
Low
|
2
|
Nike, Inc.
|
124,992
|
4,166
|
B
|
High
|
3
|
Terry Crews
|
110,490
|
3,683
|
C
|
Low
|
4
|
Video game
|
101,324
|
3,377
|
C
|
Top
|
5
|
Frank Lloyd Wright
|
83,141
|
2,771
|
B
|
High
|
6
|
Volkswagen Beetle
|
74,290
|
2,476
|
B
|
Mid
|
7
|
Nothing (company)
|
68,576
|
2,285
|
B
|
Mid
|
8
|
IKEA
|
61,607
|
2,053
|
C
|
Low
|
9
|
Jeep
|
59,024
|
1,967
|
B
|
Mid
|
10
|
Virgil Abloh
|
57,750
|
1,925
|
C
|
Low
|
11
|
IPod
|
53,840
|
1,794
|
B
|
Mid
|
12
|
Bauhaus
|
51,652
|
1,721
|
B
|
High
|
13
|
Ford Model T
|
49,624
|
1,654
|
B
|
Mid
|
14
|
Harley-Davidson
|
45,309
|
1,510
|
B
|
Mid
|
15
|
Neri Oxman
|
44,572
|
1,485
|
GA
|
Mid
|
16
|
Mini
|
40,609
|
1,353
|
C
|
Mid
|
17
|
Qantas
|
39,245
|
1,308
|
B
|
Mid
|
18
|
Frutiger Aero
|
36,192
|
1,206
|
GA
|
Low
|
19
|
William Morris
|
34,690
|
1,156
|
GA
|
Mid
|
20
|
Le Corbusier
|
32,336
|
1,077
|
C
|
High
|
21
|
Mac (computer)
|
32,043
|
1,068
|
GA
|
High
|
22
|
Jony Ive
|
29,531
|
984
|
B
|
High
|
23
|
James Dyson
|
26,839
|
894
|
B
|
Mid
|
24
|
Frank Gehry
|
22,379
|
745
|
B
|
Low
|
25
|
Buckminster Fuller
|
21,763
|
725
|
C
|
High
|
26
|
Moka pot
|
21,320
|
710
|
C
|
Low
|
27
|
Porsche 356
|
21,060
|
702
|
B
|
Low
|
28
|
Apple I
|
21,059
|
701
|
C
|
Low
|
29
|
Citroën DS
|
20,168
|
672
|
C
|
Mid
|
30
|
Citroën 2CV
|
19,891
|
663
|
B
|
Mid
|
31
|
Ludwig Mies van der Rohe
|
19,015
|
633
|
C
|
Mid
|
32
|
Computer-aided design
|
18,964
|
632
|
C
|
Mid
|
33
|
Walkman
|
18,589
|
619
|
C
|
Mid
|
34
|
Design
|
17,510
|
583
|
C
|
High
|
35
|
Eero Saarinen
|
16,508
|
550
|
C
|
Mid
|
36
|
Ingvar Kamprad
|
16,010
|
533
|
C
|
Mid
|
37
|
IMac G3
|
15,999
|
533
|
FA
|
Mid
|
38
|
De facto standard
|
15,860
|
528
|
Start
|
High
|
39
|
Universalism
|
15,701
|
523
|
B
|
Low
|
40
|
List of countries with IKEA stores
|
15,277
|
509
|
List
|
Low
|
41
|
Skeuomorph
|
14,606
|
486
|
Start
|
Mid
|
42
|
List of commercial failures in video games
|
14,551
|
485
|
List
|
Low
|
43
|
Dieter Rams
|
14,281
|
476
|
B
|
High
|
44
|
Universal design
|
13,921
|
464
|
Start
|
Mid
|
45
|
Building information modeling
|
13,633
|
454
|
C
|
Low
|
46
|
Isamu Noguchi
|
13,631
|
454
|
C
|
Mid
|
47
|
Carpentry
|
13,555
|
451
|
C
|
Mid
|
48
|
IPod Shuffle
|
13,472
|
449
|
B
|
Mid
|
49
|
Duct tape
|
13,327
|
444
|
Start
|
Unknown
|
50
|
Injection moulding
|
12,213
|
407
|
GA
|
Mid
|
51
|
Product (business)
|
11,990
|
399
|
Start
|
Mid
|
52
|
Tetra Pak
|
11,922
|
397
|
C
|
Low
|
53
|
Eames Lounge Chair
|
11,413
|
380
|
Start
|
Mid
|
54
|
Giorgetto Giugiaro
|
11,323
|
377
|
Start
|
Low
|
55
|
Ergonomics
|
11,229
|
374
|
C
|
Unknown
|
56
|
Streamline Moderne
|
11,196
|
373
|
C
|
Top
|
57
|
SolidWorks
|
10,847
|
361
|
Start
|
Low
|
58
|
Monobloc (chair)
|
10,835
|
361
|
Start
|
Low
|
59
|
Parsons School of Design
|
10,799
|
359
|
C
|
Low
|
60
|
Herman Miller
|
10,200
|
340
|
B
|
High
|
61
|
Futon
|
10,113
|
337
|
Start
|
Low
|
62
|
Bic Cristal
|
10,095
|
336
|
GA
|
Mid
|
63
|
Furniture
|
10,024
|
334
|
C
|
Low
|
64
|
Charles Rennie Mackintosh
|
9,824
|
327
|
B
|
High
|
65
|
Marcel Breuer
|
9,682
|
322
|
B
|
Mid
|
66
|
Plastic pollution
|
9,682
|
322
|
B
|
Low
|
67
|
Tinkercad
|
9,657
|
321
|
Start
|
Mid
|
68
|
Lazy Susan
|
9,594
|
319
|
Start
|
Low
|
69
|
Memphis Group
|
9,555
|
318
|
C
|
Mid
|
70
|
Franz von Holzhausen
|
9,526
|
317
|
C
|
Low
|
71
|
Concept car
|
9,509
|
316
|
Start
|
Low
|
72
|
Prototype
|
9,146
|
304
|
Start
|
Low
|
73
|
Proof of concept
|
9,125
|
304
|
Start
|
High
|
74
|
Form factor (mobile phones)
|
9,061
|
302
|
Start
|
Low
|
75
|
Braun (company)
|
8,992
|
299
|
B
|
High
|
76
|
FreeCAD
|
8,782
|
292
|
C
|
High
|
77
|
Stock keeping unit
|
8,636
|
287
|
Stub
|
Mid
|
78
|
Aeolipile
|
8,575
|
285
|
C
|
Low
|
79
|
Zippo
|
8,570
|
285
|
Start
|
Low
|
80
|
Charles and Ray Eames
|
8,278
|
275
|
C
|
High
|
81
|
Mass production
|
8,054
|
268
|
C
|
Low
|
82
|
Rolodex
|
7,985
|
266
|
C
|
Low
|
83
|
Design thinking
|
7,956
|
265
|
C
|
High
|
84
|
Gottlieb Daimler
|
7,876
|
262
|
B
|
Mid
|
85
|
Coso artifact
|
7,775
|
259
|
Start
|
Low
|
86
|
Muji
|
7,638
|
254
|
C
|
Low
|
87
|
Teenage Engineering
|
7,570
|
252
|
C
|
Low
|
88
|
Mini Moke
|
7,499
|
249
|
B
|
Low
|
89
|
Industrial design
|
7,462
|
248
|
C
|
Top
|
90
|
Commodore PET
|
7,355
|
245
|
C
|
Low
|
91
|
Blohm+Voss
|
7,307
|
243
|
Start
|
High
|
92
|
Breville Group
|
7,289
|
242
|
Start
|
Low
|
93
|
Tiffany lamp
|
7,189
|
239
|
Start
|
Mid
|
94
|
Clive Sinclair
|
7,168
|
238
|
B
|
Low
|
95
|
Gaffer tape
|
7,070
|
235
|
Start
|
High
|
96
|
Packaging
|
7,049
|
234
|
B
|
High
|
97
|
Alvar Aalto
|
7,016
|
233
|
C
|
Low
|
98
|
Throne
|
7,002
|
233
|
C
|
Low
|
99
|
Parker Pen Company
|
6,958
|
231
|
C
|
Low
|
100
|
Fiat 600
|
6,914
|
230
|
C
|
Low
|
101
|
Product lifecycle
|
6,800
|
226
|
Start
|
Low
|
102
|
Anthropometry
|
6,764
|
225
|
C
|
Low
|
103
|
FIRST Championship
|
6,499
|
216
|
Start
|
Low
|
104
|
Raymond Loewy
|
6,424
|
214
|
B
|
High
|
105
|
Syd Mead
|
6,399
|
213
|
C
|
Mid
|
106
|
Serial number
|
6,274
|
209
|
Start
|
Mid
|
107
|
Ferdinand Alexander Porsche
|
6,224
|
207
|
Start
|
Low
|
108
|
Upholstery
|
6,027
|
200
|
Start
|
Mid
|
109
|
Wassily Chair
|
6,011
|
200
|
Start
|
Mid
|
110
|
Adirondack chair
|
5,952
|
198
|
Start
|
Low
|
111
|
Form follows function
|
5,940
|
198
|
C
|
Low
|
112
|
Paul Smith (fashion designer)
|
5,921
|
197
|
C
|
Unknown
|
113
|
Chintz
|
5,780
|
192
|
Start
|
Low
|
114
|
Venetian Arsenal
|
5,752
|
191
|
B
|
Low
|
115
|
Motherboard form factor
|
5,739
|
191
|
C
|
Unknown
|
116
|
Tefal
|
5,693
|
189
|
Start
|
Low
|
117
|
IBM Selectric
|
5,693
|
189
|
B
|
Mid
|
118
|
Gruppo Bertone
|
5,635
|
187
|
C
|
Unknown
|
119
|
Engineering design process
|
5,628
|
187
|
Start
|
High
|
120
|
Tinker Hatfield
|
5,571
|
185
|
C
|
High
|
121
|
La-Z-Boy
|
5,558
|
185
|
Start
|
Low
|
122
|
Philippe Starck
|
5,545
|
184
|
B
|
High
|
123
|
Biophilic design
|
5,427
|
180
|
B
|
Low
|
124
|
Designer
|
5,391
|
179
|
Start
|
Unknown
|
125
|
Paper clip
|
5,366
|
178
|
C
|
Low
|
126
|
Electric aircraft
|
5,357
|
178
|
C
|
Low
|
127
|
Deck (ship)
|
5,270
|
175
|
Start
|
Unknown
|
128
|
Olivetti
|
5,246
|
174
|
C
|
Low
|
129
|
Game design
|
5,221
|
174
|
C
|
Low
|
130
|
The Design of Everyday Things
|
5,169
|
172
|
Start
|
Low
|
131
|
Discman
|
5,163
|
172
|
C
|
Low
|
132
|
Bubble wrap
|
5,081
|
169
|
Start
|
Mid
|
133
|
Design by committee
|
5,034
|
167
|
Start
|
Unknown
|
134
|
Scotch tape
|
5,020
|
167
|
C
|
Unknown
|
135
|
Richard Neutra
|
4,987
|
166
|
C
|
Mid
|
136
|
Automotive design
|
4,923
|
164
|
C
|
Mid
|
137
|
Spork
|
4,917
|
163
|
B
|
Low
|
138
|
Motorola MicroTAC
|
4,833
|
161
|
C
|
Low
|
139
|
Carton
|
4,745
|
158
|
Start
|
Low
|
140
|
Ducati 1199
|
4,733
|
157
|
B
|
Low
|
141
|
Memory foam
|
4,701
|
156
|
Start
|
Low
|
142
|
List of Harley-Davidson motorcycles
|
4,651
|
155
|
List
|
Low
|
143
|
Flat design
|
4,575
|
152
|
Start
|
Low
|
144
|
MSCHF
|
4,549
|
151
|
Start
|
Low
|
145
|
3D scanning
|
4,469
|
148
|
C
|
Mid
|
146
|
Aerospike engine
|
4,442
|
148
|
C
|
Low
|
147
|
Fiskars
|
4,437
|
147
|
Start
|
Low
|
148
|
Apple IIc
|
4,351
|
145
|
C
|
Mid
|
149
|
ArtCenter College of Design
|
4,304
|
143
|
Start
|
Low
|
150
|
Jacque Fresco
|
4,304
|
143
|
C
|
Low
|
151
|
Powertrain layout
|
4,291
|
143
|
C
|
Low
|
152
|
Laura Ashley
|
4,281
|
142
|
C
|
Mid
|
153
|
Rhinoceros 3D
|
4,247
|
141
|
Start
|
Low
|
154
|
Barcelona chair
|
4,218
|
140
|
Start
|
Mid
|
155
|
Massimo Vignelli
|
4,209
|
140
|
C
|
High
|
156
|
Sigvard Bernadotte
|
4,177
|
139
|
Start
|
Low
|
157
|
Speed tape
|
4,142
|
138
|
Start
|
Mid
|
158
|
Microlino
|
4,140
|
138
|
Start
|
Low
|
159
|
Salone del Mobile
|
4,109
|
136
|
B
|
Mid
|
160
|
Reebok Pump
|
4,096
|
136
|
Stub
|
Low
|
161
|
Aveva
|
4,091
|
136
|
Start
|
Low
|
162
|
Upcycling
|
4,036
|
134
|
C
|
Low
|
163
|
Clamshell design
|
3,949
|
131
|
Start
|
Low
|
164
|
Thomas Heatherwick
|
3,926
|
130
|
B
|
Mid
|
165
|
Cigarette pack
|
3,876
|
129
|
Start
|
Low
|
166
|
New product development
|
3,857
|
128
|
Start
|
High
|
167
|
Terence Conran
|
3,857
|
128
|
C
|
Low
|
168
|
Airline seat
|
3,836
|
127
|
Start
|
Low
|
169
|
List of Polaroid instant cameras
|
3,737
|
124
|
List
|
Low
|
170
|
Aeron chair
|
3,698
|
123
|
Stub
|
Mid
|
171
|
Eileen Gray
|
3,681
|
122
|
B
|
Low
|
172
|
Michael Graves
|
3,674
|
122
|
C
|
Low
|
173
|
Bedding
|
3,674
|
122
|
C
|
Unknown
|
174
|
Hoosier cabinet
|
3,661
|
122
|
GA
|
Low
|
175
|
Japanese lacquerware
|
3,625
|
120
|
C
|
Low
|
176
|
Carrozzeria Ghia
|
3,622
|
120
|
C
|
Low
|
177
|
Luc Donckerwolke
|
3,548
|
118
|
Start
|
Low
|
178
|
Robert Adam
|
3,540
|
118
|
B
|
Mid
|
179
|
Concept art
|
3,441
|
114
|
Start
|
Low
|
180
|
Comparison of computer-aided design software
|
3,441
|
114
|
List
|
Low
|
181
|
International Exhibition of Modern Decorative and Industrial Arts
|
3,420
|
114
|
C
|
Unknown
|
182
|
Red Dot
|
3,366
|
112
|
C
|
Low
|
183
|
Design engineer
|
3,345
|
111
|
Start
|
High
|
184
|
Arcade cabinet
|
3,322
|
110
|
C
|
Unknown
|
185
|
Cradle-to-cradle design
|
3,211
|
107
|
Start
|
Low
|
186
|
ID
|
3,135
|
104
|
Disambig
|
NA
|
187
|
Steelcase
|
3,119
|
103
|
B
|
Mid
|
188
|
Product design
|
3,099
|
103
|
Start
|
High
|
189
|
Motorola ROKR
|
3,086
|
102
|
Start
|
Unknown
|
190
|
Alec Issigonis
|
3,084
|
102
|
C
|
Low
|
191
|
Human-centered design
|
3,063
|
102
|
C
|
High
|
192
|
Melamine resin
|
3,041
|
101
|
Start
|
Low
|
193
|
Ettore Sottsass
|
3,030
|
101
|
C
|
High
|
194
|
Sketchpad
|
3,029
|
100
|
Start
|
Low
|
195
|
Walter de Silva
|
3,025
|
100
|
C
|
Low
|
196
|
Sellotape
|
2,997
|
99
|
Start
|
Low
|
197
|
Brompton Bicycle
|
2,984
|
99
|
C
|
Low
|
198
|
Comforter
|
2,973
|
99
|
Start
|
Unknown
|
199
|
Countertop
|
2,944
|
98
|
C
|
Unknown
|
200
|
Creative Zen
|
2,924
|
97
|
B
|
Low
|
201
|
OpenSCAD
|
2,919
|
97
|
Stub
|
Low
|
202
|
Tatra 603
|
2,901
|
96
|
C
|
Low
|
203
|
Lenox (company)
|
2,846
|
94
|
C
|
Mid
|
204
|
Flavio Manzoni
|
2,830
|
94
|
C
|
Mid
|
205
|
List of chairs
|
2,825
|
94
|
List
|
Mid
|
206
|
New media art
|
2,803
|
93
|
C
|
Low
|
207
|
Norman Bel Geddes
|
2,746
|
91
|
Start
|
Low
|
208
|
Cesca chair
|
2,740
|
91
|
Stub
|
Low
|
209
|
IDEO
|
2,721
|
90
|
Start
|
High
|
210
|
Peter Behrens
|
2,710
|
90
|
Start
|
High
|
211
|
Charles Eames
|
2,598
|
86
|
Start
|
Unknown
|
212
|
George Nakashima
|
2,576
|
85
|
B
|
Mid
|
213
|
Banker's lamp
|
2,576
|
85
|
Start
|
Mid
|
214
|
Staffordshire Potteries
|
2,559
|
85
|
Start
|
Mid
|
215
|
Arne Jacobsen
|
2,548
|
84
|
B
|
High
|
216
|
Gerrit Rietveld
|
2,534
|
84
|
C
|
High
|
217
|
M+
|
2,518
|
83
|
B
|
Low
|
218
|
Masking tape
|
2,511
|
83
|
Start
|
Low
|
219
|
BIC lighter
|
2,434
|
81
|
Start
|
Low
|
220
|
Royal Designers for Industry
|
2,397
|
79
|
Start
|
Low
|
221
|
Interaction design
|
2,381
|
79
|
Start
|
Mid
|
222
|
99% Invisible
|
2,380
|
79
|
C
|
Mid
|
223
|
Sam Maloof
|
2,379
|
79
|
Start
|
Low
|
224
|
Marc Newson
|
2,373
|
79
|
B
|
High
|
225
|
Electrical tape
|
2,331
|
77
|
Start
|
Low
|
226
|
Carlo Scarpa
|
2,268
|
75
|
C
|
Mid
|
227
|
KEF
|
2,249
|
74
|
C
|
Low
|
228
|
Boundary representation
|
2,226
|
74
|
Stub
|
Low
|
229
|
Nikon F4
|
2,197
|
73
|
Start
|
Low
|
230
|
Personalization
|
2,184
|
72
|
Start
|
Mid
|
231
|
IO-Link
|
2,174
|
72
|
Start
|
Unknown
|
232
|
Parasolid
|
2,161
|
72
|
Stub
|
Low
|
233
|
No. 14 chair
|
2,160
|
72
|
Start
|
Low
|
234
|
Charlotte Perriand
|
2,146
|
71
|
C
|
Low
|
235
|
Design for manufacturability
|
2,140
|
71
|
Start
|
Low
|
236
|
Suzuki Alto Lapin
|
2,130
|
71
|
Start
|
Low
|
237
|
Label
|
2,125
|
70
|
C
|
Mid
|
238
|
Interactivity
|
2,118
|
70
|
Start
|
Low
|
239
|
Yves Béhar
|
2,109
|
70
|
Start
|
Low
|
240
|
Knoll, Inc.
|
2,095
|
69
|
C
|
High
|
241
|
Alessi (Italian company)
|
2,091
|
69
|
C
|
Mid
|
242
|
William Kent
|
2,078
|
69
|
B
|
Low
|
243
|
Design language
|
2,057
|
68
|
Stub
|
Low
|
244
|
Frog Design
|
2,040
|
68
|
Start
|
High
|
245
|
Combination eating utensils
|
2,026
|
67
|
B
|
Low
|
246
|
Gio Ponti
|
2,017
|
67
|
Start
|
Mid
|
247
|
Moke (revival)
|
2,011
|
67
|
B
|
Low
|
248
|
Ready-to-assemble furniture
|
1,987
|
66
|
Start
|
Mid
|
249
|
Gustav Stickley
|
1,964
|
65
|
Start
|
Low
|
250
|
Calculator (Apple)
|
1,955
|
65
|
Start
|
Low
|
251
|
Privacy by design
|
1,944
|
64
|
C
|
Low
|
252
|
Land Camera
|
1,934
|
64
|
Start
|
Low
|
253
|
Edgar Kaufmann Jr.
|
1,917
|
63
|
C
|
Low
|
254
|
Binder clip
|
1,909
|
63
|
C
|
Low
|
255
|
Sheaffer
|
1,905
|
63
|
Start
|
Low
|
256
|
Sony Watchman
|
1,904
|
63
|
Start
|
Low
|
257
|
Atomic Age (design)
|
1,903
|
63
|
C
|
Mid
|
258
|
Autism-friendly
|
1,897
|
63
|
C
|
Unknown
|
259
|
Robert Thompson (designer)
|
1,893
|
63
|
Stub
|
Low
|
260
|
Porsche Design
|
1,874
|
62
|
Start
|
Low
|
261
|
Alfonso Bialetti
|
1,873
|
62
|
Stub
|
Low
|
262
|
Neville Brody
|
1,870
|
62
|
C
|
Mid
|
263
|
Béla Barényi
|
1,865
|
62
|
B
|
Low
|
264
|
Coke bottle styling
|
1,863
|
62
|
C
|
Mid
|
265
|
Trade dress
|
1,852
|
61
|
Start
|
Mid
|
266
|
Pilot experiment
|
1,844
|
61
|
Start
|
Low
|
267
|
Trevor Baylis
|
1,830
|
61
|
C
|
Low
|
268
|
Margaret Calvert
|
1,797
|
59
|
Start
|
Low
|
269
|
LoveSac
|
1,773
|
59
|
Stub
|
Low
|
270
|
Kitchen cabinet
|
1,755
|
58
|
Start
|
Low
|
271
|
Hans Wegner
|
1,750
|
58
|
B
|
Low
|
272
|
Tulip chair
|
1,748
|
58
|
Start
|
Low
|
273
|
Pete Brock
|
1,716
|
57
|
Start
|
Low
|
274
|
Red and Blue Chair
|
1,711
|
57
|
Stub
|
Low
|
275
|
Tansu
|
1,710
|
57
|
C
|
Low
|
276
|
Vitra (furniture)
|
1,696
|
56
|
Start
|
Low
|
277
|
Prime Computer
|
1,680
|
56
|
Start
|
Low
|
278
|
Sleep pod
|
1,676
|
55
|
Start
|
Unknown
|
279
|
Video games in the United Kingdom
|
1,650
|
55
|
B
|
Low
|
280
|
Solid modeling
|
1,640
|
54
|
Start
|
Low
|
281
|
Piet Hein (scientist)
|
1,633
|
54
|
Start
|
Low
|
282
|
Karim Rashid
|
1,612
|
53
|
B
|
High
|
283
|
Double-sided tape
|
1,610
|
53
|
Stub
|
Low
|
284
|
Virtual actor
|
1,602
|
53
|
Start
|
Low
|
285
|
Henry Dreyfuss
|
1,600
|
53
|
Start
|
Low
|
286
|
Barcalounger
|
1,596
|
53
|
Stub
|
Low
|
287
|
History of CAD software
|
1,589
|
52
|
Start
|
Low
|
288
|
Design Museum
|
1,582
|
52
|
Start
|
Mid
|
289
|
Curb cut
|
1,577
|
52
|
Start
|
Unknown
|
290
|
La Rinascente
|
1,570
|
52
|
C
|
Low
|
291
|
Papasan chair
|
1,558
|
51
|
Stub
|
Low
|
292
|
Bench (furniture)
|
1,553
|
51
|
Start
|
Unknown
|
293
|
Display case
|
1,545
|
51
|
Start
|
Low
|
294
|
Luigi Colani
|
1,535
|
51
|
C
|
Low
|
295
|
Koloman Moser
|
1,516
|
50
|
C
|
Mid
|
296
|
Paul László
|
1,513
|
50
|
Start
|
Low
|
297
|
Bean bag chair
|
1,513
|
50
|
Start
|
Mid
|
298
|
Deutscher Werkbund
|
1,512
|
50
|
Start
|
Low
|
299
|
Ashtray
|
1,511
|
50
|
Start
|
Low
|
300
|
Juicy Salif
|
1,482
|
49
|
Start
|
Mid
|
301
|
Poul Henningsen
|
1,478
|
49
|
C
|
Low
|
302
|
Xerox 914
|
1,469
|
48
|
Stub
|
Low
|
303
|
IGES
|
1,453
|
48
|
Start
|
Low
|
304
|
Electric blanket
|
1,452
|
48
|
C
|
Low
|
305
|
George Nelson (designer)
|
1,448
|
48
|
C
|
Mid
|
306
|
Verner Panton
|
1,433
|
47
|
Start
|
Low
|
307
|
List of adhesive tapes
|
1,431
|
47
|
List
|
Low
|
308
|
Radiogram (device)
|
1,420
|
47
|
Start
|
Low
|
309
|
Tetra Brik
|
1,401
|
46
|
Start
|
Low
|
310
|
Ball Chair
|
1,396
|
46
|
Stub
|
Mid
|
311
|
Preferred number
|
1,386
|
46
|
Start
|
Low
|
312
|
Bruno Munari
|
1,370
|
45
|
C
|
Mid
|
313
|
Olivetti Valentine
|
1,367
|
45
|
B
|
Mid
|
314
|
Crippleware
|
1,362
|
45
|
Start
|
Low
|
315
|
Self-amalgamating tape
|
1,349
|
44
|
Stub
|
Low
|
316
|
Soybean car
|
1,347
|
44
|
Start
|
Low
|
317
|
Air-augmented rocket
|
1,333
|
44
|
C
|
Low
|
318
|
Gae Aulenti
|
1,317
|
43
|
B
|
High
|
319
|
Joe Colombo (designer)
|
1,309
|
43
|
C
|
Mid
|
320
|
Chest (furniture)
|
1,304
|
43
|
Start
|
Unknown
|
321
|
Ulm School of Design
|
1,304
|
43
|
C
|
High
|
322
|
Design patent
|
1,291
|
43
|
Start
|
High
|
323
|
AutoLISP
|
1,288
|
42
|
Start
|
Low
|
324
|
Apple Industrial Design Group
|
1,286
|
42
|
Start
|
Mid
|
325
|
Iittala
|
1,284
|
42
|
C
|
Mid
|
326
|
Anglepoise lamp
|
1,276
|
42
|
Start
|
Low
|
327
|
John Hoke III
|
1,276
|
42
|
C
|
Mid
|
328
|
Florence Knoll
|
1,273
|
42
|
B
|
Low
|
329
|
Lilly Reich
|
1,258
|
41
|
C
|
High
|
330
|
ACIS
|
1,256
|
41
|
Start
|
Low
|
331
|
Egg (chair)
|
1,251
|
41
|
Start
|
Low
|
332
|
Vitsœ
|
1,251
|
41
|
Start
|
Low
|
333
|
Design for X
|
1,245
|
41
|
Start
|
Mid
|
334
|
Programma 101
|
1,243
|
41
|
C
|
Low
|
335
|
Michael Thonet
|
1,239
|
41
|
Start
|
Low
|
336
|
Design and Technology
|
1,233
|
41
|
Stub
|
Low
|
337
|
Balanced-arm lamp
|
1,218
|
40
|
Start
|
Low
|
338
|
Eva Zeisel
|
1,214
|
40
|
C
|
Low
|
339
|
Compasso d'Oro
|
1,210
|
40
|
C
|
High
|
340
|
Tapio Wirkkala
|
1,202
|
40
|
Start
|
Mid
|
341
|
B.C. Rich Mockingbird
|
1,202
|
40
|
Start
|
Low
|
342
|
Snow White design language
|
1,199
|
39
|
C
|
Low
|
343
|
List of Motorola V series phones
|
1,199
|
39
|
List
|
Low
|
344
|
Phaidon Press
|
1,198
|
39
|
C
|
Low
|
345
|
Handle
|
1,196
|
39
|
Start
|
Low
|
346
|
Model-based definition
|
1,196
|
39
|
Stub
|
Low
|
347
|
Brooks Stevens
|
1,180
|
39
|
Start
|
Low
|
348
|
Harry Bertoia
|
1,176
|
39
|
C
|
Mid
|
349
|
C. F. A. Voysey
|
1,175
|
39
|
C
|
Low
|
350
|
ALCO DL-109
|
1,164
|
38
|
B
|
Mid
|
351
|
Danish modern
|
1,149
|
38
|
C
|
Mid
|
352
|
Eames Lounge Chair Wood
|
1,146
|
38
|
Stub
|
Low
|
353
|
E. Fay Jones
|
1,144
|
38
|
Start
|
Low
|
354
|
Photographic lens design
|
1,136
|
37
|
C
|
Low
|
355
|
Carla Sozzani
|
1,136
|
37
|
Start
|
Mid
|
356
|
Design system
|
1,131
|
37
|
C
|
Low
|
357
|
Tom Dixon (industrial designer)
|
1,130
|
37
|
C
|
Mid
|
358
|
Hybrid electric aircraft
|
1,127
|
37
|
C
|
Low
|
359
|
Nameplate
|
1,124
|
37
|
Start
|
Mid
|
360
|
Jean-Michel Frank
|
1,123
|
37
|
Start
|
Mid
|
361
|
Shapr3D
|
1,118
|
37
|
Start
|
Low
|
362
|
IKEA Billy
|
1,117
|
37
|
Start
|
Low
|
363
|
Mike Sinyard
|
1,115
|
37
|
Stub
|
Low
|
364
|
Human factors and ergonomics
|
1,111
|
37
|
Redirect
|
High
|
365
|
Muntzing
|
1,107
|
36
|
Stub
|
High
|
366
|
Modern furniture
|
1,092
|
36
|
Stub
|
Low
|
367
|
Corrugated box design
|
1,090
|
36
|
C
|
Mid
|
368
|
Industrial style
|
1,085
|
36
|
Stub
|
Low
|
369
|
André-Charles Boulle
|
1,078
|
35
|
C
|
Low
|
370
|
Kenneth Grange
|
1,077
|
35
|
Start
|
Mid
|
371
|
Yinka Ilori
|
1,077
|
35
|
B
|
Low
|
372
|
David M. Kelley
|
1,069
|
35
|
Start
|
High
|
373
|
Chief design officer
|
1,068
|
35
|
Start
|
Mid
|
374
|
Coop Himmelb(l)au
|
1,062
|
35
|
Start
|
Low
|
375
|
Marshmallow sofa
|
1,062
|
35
|
Start
|
Unknown
|
376
|
Ford 021C
|
1,061
|
35
|
B
|
Low
|
377
|
Paul R. Evans
|
1,057
|
35
|
Start
|
Low
|
378
|
Balustrade
|
1,051
|
35
|
Redirect
|
NA
|
379
|
Bracken Darrell
|
1,050
|
35
|
Start
|
Low
|
380
|
History of anthropometry
|
1,047
|
34
|
C
|
Low
|
381
|
BoConcept
|
1,039
|
34
|
Start
|
Mid
|
382
|
Design methods
|
1,029
|
34
|
C
|
High
|
383
|
Mitsubishi Model A
|
1,026
|
34
|
Start
|
Low
|
384
|
Butterfly chair
|
1,026
|
34
|
Start
|
Mid
|
385
|
Wishbone chair
|
1,021
|
34
|
Start
|
Unknown
|
386
|
David Rockwell
|
1,013
|
33
|
C
|
Low
|
387
|
IF Product Design Award
|
1,008
|
33
|
Start
|
Mid
|
388
|
Tripp Trapp
|
1,005
|
33
|
Stub
|
Low
|
389
|
Ron Arad (industrial designer)
|
997
|
33
|
C
|
Low
|
390
|
JT (visualization format)
|
994
|
33
|
Start
|
Low
|
391
|
Arabia (brand)
|
993
|
33
|
Start
|
Low
|
392
|
Mario Bellini
|
987
|
32
|
C
|
High
|
393
|
List of Italian designers
|
982
|
32
|
List
|
Mid
|
394
|
Wah Chang
|
981
|
32
|
C
|
Low
|
395
|
Package cushioning
|
978
|
32
|
C
|
Unknown
|
396
|
Emotional Design
|
970
|
32
|
Stub
|
Mid
|
397
|
Vox Phantom
|
968
|
32
|
Stub
|
Low
|
398
|
Victor Papanek
|
967
|
32
|
Start
|
Low
|
399
|
Action Office
|
967
|
32
|
Start
|
Unknown
|
400
|
Gebrüder Thonet
|
964
|
32
|
Stub
|
Low
|
401
|
Paul Philippe Cret
|
961
|
32
|
Start
|
Low
|
402
|
Christopher Dresser
|
955
|
31
|
Start
|
High
|
403
|
Leonardo Fioravanti (engineer)
|
954
|
31
|
Start
|
Low
|
404
|
Thomas Hayo
|
954
|
31
|
Stub
|
Low
|
405
|
Kem Weber
|
951
|
31
|
Start
|
Low
|
406
|
Hatstand
|
939
|
31
|
Start
|
Low
|
407
|
Russel Wright
|
939
|
31
|
C
|
High
|
408
|
Design Museum Gent
|
939
|
31
|
C
|
Low
|
409
|
Ericofon
|
935
|
31
|
Start
|
Low
|
410
|
Eames Fiberglass Armchair
|
935
|
31
|
B
|
Mid
|
411
|
Industrial design right
|
934
|
31
|
Start
|
Mid
|
412
|
Black & Decker DustBuster
|
930
|
31
|
Stub
|
Low
|
413
|
Predicta
|
916
|
30
|
Start
|
Low
|
414
|
G Plan
|
915
|
30
|
C
|
Unknown
|
415
|
Émile-Jacques Ruhlmann
|
902
|
30
|
Start
|
Low
|
416
|
Bubble Wrap (brand)
|
902
|
30
|
Start
|
Mid
|
417
|
Lewis (lifting appliance)
|
901
|
30
|
C
|
Low
|
418
|
Naoto Fukasawa
|
892
|
29
|
C
|
High
|
419
|
Jasper Morrison
|
888
|
29
|
C
|
High
|
420
|
Utility furniture
|
881
|
29
|
C
|
Low
|
421
|
Enzo Mari
|
878
|
29
|
Start
|
Mid
|
422
|
Brno chair
|
877
|
29
|
Stub
|
Low
|
423
|
Afzal Kahn (automotive designer)
|
876
|
29
|
Start
|
Low
|
424
|
Marcel Janco
|
873
|
29
|
B
|
Low
|
425
|
Apple Design Awards
|
872
|
29
|
Start
|
Mid
|
426
|
Trans-Oceanic
|
872
|
29
|
Start
|
Low
|
427
|
Strandkorb
|
870
|
29
|
Stub
|
Low
|
428
|
Samuel Ross
|
860
|
28
|
C
|
Mid
|
429
|
List of furniture designers
|
854
|
28
|
List
|
Mid
|
430
|
Wallpaper (magazine)
|
854
|
28
|
C
|
Low
|
431
|
Jan Wilsgaard
|
854
|
28
|
Start
|
Low
|
432
|
Globe Wernicke
|
853
|
28
|
Start
|
Low
|
433
|
Massimo Tamburini
|
849
|
28
|
B
|
Low
|
434
|
Valextra
|
849
|
28
|
Start
|
Low
|
435
|
Hartmut Esslinger
|
847
|
28
|
C
|
High
|
436
|
Architectural rendering
|
840
|
28
|
Start
|
Low
|
437
|
Design studies
|
835
|
27
|
C
|
Mid
|
438
|
Gaetano Pesce
|
834
|
27
|
B
|
Mid
|
439
|
Blenko Glass Company
|
833
|
27
|
C
|
Mid
|
440
|
Damro
|
831
|
27
|
Start
|
Low
|
441
|
Marianne Brandt
|
829
|
27
|
C
|
Mid
|
442
|
Danish design
|
827
|
27
|
C
|
Mid
|
443
|
George Hepplewhite
|
825
|
27
|
Start
|
Low
|
444
|
Inclusive design
|
822
|
27
|
C
|
Low
|
445
|
Yoichi Ochiai
|
820
|
27
|
C
|
Low
|
446
|
Marcel Wanders
|
817
|
27
|
Start
|
Low
|
447
|
Rover JET1
|
817
|
27
|
Start
|
Low
|
448
|
Mirra chair
|
815
|
27
|
Start
|
Low
|
449
|
David Mellor (designer)
|
812
|
27
|
Start
|
Low
|
450
|
Carrel desk
|
807
|
26
|
Start
|
Low
|
451
|
Autodesk Alias
|
807
|
26
|
Stub
|
Low
|
452
|
Lloyd Groff Copeman
|
805
|
26
|
Start
|
Low
|
453
|
Achille Castiglioni
|
802
|
26
|
B
|
High
|
454
|
David Roentgen
|
794
|
26
|
Start
|
Low
|
455
|
Design management
|
794
|
26
|
C
|
Top
|
456
|
Devon Motorworks
|
794
|
26
|
C
|
Low
|
457
|
Laurens van den Acker
|
793
|
26
|
Start
|
Low
|
458
|
Synthetic setae
|
789
|
26
|
B
|
Low
|
459
|
21 21 Design Sight
|
789
|
26
|
Start
|
Low
|
460
|
Design history
|
772
|
25
|
Start
|
Mid
|
461
|
Alexander Girard
|
767
|
25
|
Start
|
Low
|
462
|
Henry Petroski
|
759
|
25
|
Start
|
Low
|
463
|
Cantilever chair
|
757
|
25
|
Stub
|
Low
|
464
|
Picnic table
|
757
|
25
|
Start
|
Unknown
|
465
|
Class A surface
|
756
|
25
|
Stub
|
Low
|
466
|
Mental Images
|
753
|
25
|
Stub
|
Low
|
467
|
Quink
|
752
|
25
|
C
|
Low
|
468
|
Patricia Urquiola
|
752
|
25
|
Start
|
High
|
469
|
Paolo Monti
|
749
|
24
|
Start
|
Low
|
470
|
Richard Sapper
|
748
|
24
|
B
|
High
|
471
|
IKEA pencil
|
745
|
24
|
Stub
|
Low
|
472
|
ShotGrid
|
733
|
24
|
Stub
|
Unknown
|
473
|
CAD standards
|
730
|
24
|
Start
|
Low
|
474
|
Chess in the arts
|
726
|
24
|
B
|
Low
|
475
|
Thomas Hope (designer)
|
721
|
24
|
Start
|
Low
|
476
|
Superstudio
|
720
|
24
|
C
|
Low
|
477
|
.3ds
|
719
|
23
|
Start
|
Unknown
|
478
|
Artek (company)
|
717
|
23
|
Start
|
Low
|
479
|
Emeco 1006
|
717
|
23
|
GA
|
Low
|
480
|
B&B Italia
|
717
|
23
|
C
|
Mid
|
481
|
Freeform surface modelling
|
712
|
23
|
Start
|
Low
|
482
|
Kosta Boda
|
706
|
23
|
Start
|
Low
|
483
|
Louis Majorelle
|
706
|
23
|
C
|
Mid
|
484
|
Sunlounger
|
705
|
23
|
Stub
|
Low
|
485
|
Vox Mark III
|
704
|
23
|
Stub
|
Low
|
486
|
Aluminum Christmas tree
|
702
|
23
|
Start
|
Low
|
487
|
Kartell
|
699
|
23
|
Start
|
Low
|
488
|
WildBrain CPLG
|
697
|
23
|
Stub
|
Low
|
489
|
Computer desk
|
694
|
23
|
Start
|
Low
|
490
|
Sergio Pininfarina
|
694
|
23
|
Start
|
Mid
|
491
|
Isogeometric analysis
|
691
|
23
|
Stub
|
Low
|
492
|
Gorilla Tape
|
688
|
22
|
Start
|
Low
|
493
|
Design Council
|
685
|
22
|
Start
|
Mid
|
494
|
IDC School of Design
|
682
|
22
|
Start
|
Mid
|
495
|
Electronic packaging
|
679
|
22
|
C
|
Mid
|
496
|
Norwich University of the Arts
|
674
|
22
|
Start
|
Low
|
497
|
ISO 13567
|
669
|
22
|
Start
|
Low
|
498
|
Milo Baughman
|
666
|
22
|
Start
|
Low
|
499
|
Takeo Kikuchi
|
658
|
21
|
Stub
|
Low
|
500
|
Pierre Paulin
|
657
|
21
|
Start
|
Low
|
501
|
Design theory
|
653
|
21
|
Start
|
Low
|
502
|
Finn Juhl
|
653
|
21
|
C
|
Mid
|
503
|
Zig-Zag Chair
|
653
|
21
|
Stub
|
Low
|
504
|
Alex Tremulis
|
650
|
21
|
Start
|
Low
|
505
|
Doccia porcelain
|
650
|
21
|
C
|
Low
|
506
|
Grand Confort
|
649
|
21
|
Start
|
Mid
|
507
|
Paul Mayén
|
644
|
21
|
Start
|
Low
|
508
|
Beige box
|
640
|
21
|
Stub
|
Low
|
509
|
Le Corbusier's Furniture
|
639
|
21
|
Start
|
Mid
|
510
|
Brionvega
|
637
|
21
|
B
|
Mid
|
511
|
Design research
|
635
|
21
|
Stub
|
Low
|
512
|
Chaise Longue (Le Corbusier)
|
635
|
21
|
Stub
|
Low
|
513
|
Grillo telephone
|
631
|
21
|
C
|
Mid
|
514
|
Kenya Hara
|
629
|
20
|
C
|
Low
|
515
|
Domus (magazine)
|
628
|
20
|
C
|
Mid
|
516
|
Lemon squeezer
|
626
|
20
|
Start
|
Low
|
517
|
Zaisu
|
623
|
20
|
Start
|
Low
|
518
|
Ligne Roset
|
621
|
20
|
Stub
|
Low
|
519
|
Lingerie tape
|
616
|
20
|
Stub
|
Low
|
520
|
Eero Aarnio
|
615
|
20
|
Start
|
Mid
|
521
|
Design science
|
615
|
20
|
Start
|
High
|
522
|
D. J. De Pree
|
612
|
20
|
Stub
|
Low
|
523
|
Packaging and packaging waste directive
|
609
|
20
|
Stub
|
Mid
|
524
|
Waterfall furniture
|
608
|
20
|
Start
|
Low
|
525
|
Fabien Baron
|
606
|
20
|
Start
|
Low
|
526
|
Walter Dorwin Teague
|
602
|
20
|
Start
|
Low
|
527
|
Model 3107 chair
|
600
|
20
|
Stub
|
Low
|
528
|
List of industrial designers
|
598
|
19
|
List
|
High
|
529
|
Carlo Mollino
|
596
|
19
|
C
|
Mid
|
530
|
Betty Joel
|
595
|
19
|
Start
|
Unknown
|
531
|
Serge Chermayeff
|
594
|
19
|
C
|
Mid
|
532
|
Geometric modeling
|
593
|
19
|
Stub
|
Low
|
533
|
Functional design
|
591
|
19
|
Stub
|
Mid
|
534
|
Dezeen
|
588
|
19
|
Start
|
Low
|
535
|
Director's chair
|
587
|
19
|
Stub
|
Low
|
536
|
Design Academy Eindhoven
|
578
|
19
|
Start
|
Low
|
537
|
Retail design
|
577
|
19
|
C
|
Low
|
538
|
Knowledge-based engineering
|
576
|
19
|
Start
|
Low
|
539
|
Ora Ito
|
576
|
19
|
Stub
|
Low
|
540
|
Shurtape Technologies
|
569
|
18
|
C
|
Unknown
|
541
|
Ravi Sawhney
|
562
|
18
|
Stub
|
Low
|
542
|
Celery vase
|
559
|
18
|
Start
|
Low
|
543
|
Vertical form fill sealing machine
|
558
|
18
|
Start
|
Low
|
544
|
PH-lamp
|
555
|
18
|
Start
|
Low
|
545
|
Strategic design
|
554
|
18
|
Start
|
High
|
546
|
Designworks
|
550
|
18
|
C
|
Low
|
547
|
Tom Hardy (designer)
|
549
|
18
|
C
|
Low
|
548
|
Andrew Ure
|
545
|
18
|
B
|
Low
|
549
|
Shiro Kuramata
|
545
|
18
|
Stub
|
Low
|
550
|
Lloyd Loom
|
545
|
18
|
Start
|
Unknown
|
551
|
Cassina (company)
|
544
|
18
|
Start
|
Low
|
552
|
Philosophy of design
|
543
|
18
|
Stub
|
Unknown
|
553
|
Djinn chair
|
543
|
18
|
Start
|
Mid
|
554
|
Subaru Suiren
|
543
|
18
|
Start
|
Unknown
|
555
|
Sabine Marcelis
|
541
|
18
|
C
|
Mid
|
556
|
African Regional Intellectual Property Organization
|
540
|
18
|
Stub
|
Low
|
557
|
Tugendhat chair
|
535
|
17
|
Stub
|
Low
|
558
|
Jean Dunand
|
535
|
17
|
Stub
|
Low
|
559
|
Thomas Sheraton
|
532
|
17
|
Stub
|
Low
|
560
|
Clocky
|
529
|
17
|
Stub
|
Low
|
561
|
Hague Agreement Concerning the International Deposit of Industrial Designs
|
529
|
17
|
Start
|
Low
|
562
|
Wells Coates
|
528
|
17
|
C
|
Low
|
563
|
Ernest Gimson
|
527
|
17
|
Start
|
Low
|
564
|
Timo Sarpaneva
|
524
|
17
|
C
|
Mid
|
565
|
Thomas Thwaites (designer)
|
524
|
17
|
Start
|
Low
|
566
|
Rick Dickinson
|
522
|
17
|
C
|
Mid
|
567
|
ASME Y14.41
|
522
|
17
|
Stub
|
Low
|
568
|
The HON Company
|
522
|
17
|
Start
|
Low
|
569
|
Corradino D'Ascanio
|
520
|
17
|
C
|
Low
|
570
|
Diego Giacometti
|
520
|
17
|
Start
|
Low
|
571
|
Porsche Type 12
|
519
|
17
|
C
|
Low
|
572
|
Bambooworking
|
517
|
17
|
Start
|
Low
|
573
|
Winged edge
|
514
|
17
|
Stub
|
Low
|
574
|
Widdicomb Furniture Company
|
514
|
17
|
Start
|
Mid
|
575
|
IKEA Klippan
|
512
|
17
|
Start
|
Low
|
576
|
Timothy Oulton
|
512
|
17
|
Stub
|
Low
|
577
|
Goliath GP700
|
511
|
17
|
Start
|
Low
|
578
|
Robert Welch (designer)
|
510
|
17
|
Start
|
Low
|
579
|
Dominant design
|
510
|
17
|
Start
|
High
|
580
|
Ant (chair)
|
509
|
16
|
Stub
|
Mid
|
581
|
Kaare Klint
|
508
|
16
|
C
|
Mid
|
582
|
Transitional Style
|
507
|
16
|
Start
|
Unknown
|
583
|
Anna Maria Niemeyer
|
506
|
16
|
C
|
Mid
|
584
|
Eliot Noyes
|
504
|
16
|
B
|
Mid
|
585
|
Jock Kinneir
|
504
|
16
|
Start
|
Low
|
586
|
Ronan & Erwan Bouroullec
|
502
|
16
|
Start
|
Low
|
587
|
Digital mockup
|
499
|
16
|
Stub
|
Low
|
588
|
Apple Inc. design motifs
|
497
|
16
|
C
|
Low
|
589
|
Wilhelm Wagenfeld
|
494
|
16
|
Start
|
Low
|
590
|
Michael Hertz Associates
|
493
|
16
|
Start
|
Low
|
591
|
Design for the environment
|
492
|
16
|
C
|
Low
|
592
|
Oki Sato
|
489
|
16
|
Start
|
Low
|
593
|
Designmuseum Denmark
|
488
|
16
|
Start
|
Low
|
594
|
F. Schumacher & Co.
|
488
|
16
|
C
|
Mid
|
595
|
Bantam BRC
|
486
|
16
|
B
|
Mid
|
596
|
Product innovation
|
485
|
16
|
Start
|
Unknown
|
597
|
Museum of Applied Arts (Budapest)
|
485
|
16
|
Start
|
Low
|
598
|
Moholy-Nagy University of Art and Design
|
483
|
16
|
Start
|
Low
|
599
|
Piero Portaluppi
|
482
|
16
|
C
|
Low
|
600
|
Adjustable Table E 1027
|
478
|
15
|
Start
|
Mid
|
601
|
Delcam
|
476
|
15
|
Stub
|
Low
|
602
|
Campana brothers
|
473
|
15
|
Start
|
Low
|
603
|
Lucienne Day
|
473
|
15
|
Start
|
Low
|
604
|
Sheex
|
472
|
15
|
Start
|
Low
|
605
|
Clay modeling
|
471
|
15
|
Stub
|
Low
|
606
|
Olivetti Elea
|
471
|
15
|
B
|
Low
|
607
|
Virtual design and construction
|
470
|
15
|
Stub
|
Low
|
608
|
Ross Lovegrove
|
467
|
15
|
Start
|
Mid
|
609
|
Auxiliary label
|
461
|
15
|
Start
|
Low
|
610
|
Jack Lenor Larsen
|
460
|
15
|
C
|
Low
|
611
|
Picquot ware
|
460
|
15
|
Stub
|
Low
|
612
|
Niels Diffrient
|
459
|
15
|
C
|
High
|
613
|
Wendell Castle
|
456
|
15
|
C
|
Low
|
614
|
Chicago Athenaeum
|
456
|
15
|
Start
|
Low
|
615
|
Murano Glass Museum
|
455
|
15
|
Start
|
Mid
|
616
|
Jens Risom
|
454
|
15
|
Start
|
Low
|
617
|
Friction tape
|
453
|
15
|
Stub
|
Low
|
618
|
Design Museum of Barcelona
|
450
|
15
|
C
|
Low
|
619
|
Transgenerational design
|
450
|
15
|
C
|
Mid
|
620
|
Arco (lamp)
|
449
|
14
|
Start
|
High
|
621
|
Antonio Citterio
|
448
|
14
|
Start
|
Mid
|
622
|
Tom Karen
|
447
|
14
|
Start
|
Low
|
623
|
Carl Hansen & Søn
|
447
|
14
|
Start
|
Unknown
|
624
|
Design Research Unit
|
446
|
14
|
Stub
|
Low
|
625
|
Behavioural design
|
444
|
14
|
C
|
High
|
626
|
CMF design
|
444
|
14
|
Start
|
Unknown
|
627
|
Central Institute of Tool Design
|
441
|
14
|
Start
|
Low
|
628
|
Changing table
|
440
|
14
|
Stub
|
Low
|
629
|
Thomas Day (cabinetmaker)
|
438
|
14
|
B
|
Low
|
630
|
Vico Magistretti
|
437
|
14
|
C
|
High
|
631
|
Virtual prototyping
|
437
|
14
|
Start
|
Low
|
632
|
USM Modular Furniture
|
437
|
14
|
Start
|
Low
|
633
|
Børge Mogensen
|
436
|
14
|
Start
|
Low
|
634
|
Design life
|
435
|
14
|
Start
|
Low
|
635
|
James Krenov
|
432
|
14
|
Start
|
Low
|
636
|
Nendo (design firm)
|
432
|
14
|
C
|
Low
|
637
|
Robin Day (designer)
|
428
|
14
|
C
|
High
|
638
|
Knole Settee
|
427
|
14
|
Start
|
Unknown
|
639
|
Teak furniture
|
427
|
14
|
Start
|
Unknown
|
640
|
Kvadrat (company)
|
427
|
14
|
Start
|
Low
|
641
|
Paolo Venini
|
427
|
14
|
C
|
Mid
|
642
|
Lella Vignelli
|
427
|
14
|
B
|
Mid
|
643
|
Salamander heater
|
425
|
14
|
Stub
|
Unknown
|
644
|
Jean-Michel Wilmotte
|
425
|
14
|
C
|
Low
|
645
|
Product and manufacturing information
|
424
|
14
|
Stub
|
Low
|
646
|
Radical period
|
424
|
14
|
Stub
|
Mid
|
647
|
Box-sealing tape
|
424
|
14
|
Start
|
Low
|
648
|
Herter Brothers
|
423
|
14
|
Start
|
Low
|
649
|
S1 MP3 player
|
420
|
14
|
C
|
Low
|
650
|
William Lescaze
|
417
|
13
|
B
|
Low
|
651
|
Satyendra Pakhalé
|
417
|
13
|
Start
|
Low
|
652
|
Franco Albini
|
417
|
13
|
Start
|
Mid
|
653
|
Swan (chair)
|
417
|
13
|
Stub
|
Mid
|
654
|
Ugo Zagato
|
416
|
13
|
Start
|
Low
|
655
|
Injection mold construction
|
416
|
13
|
Start
|
Unknown
|
656
|
Nebiolo Printech
|
415
|
13
|
Start
|
Low
|
657
|
Donald Deskey
|
413
|
13
|
Start
|
Low
|
658
|
CAD data exchange
|
413
|
13
|
Start
|
Low
|
659
|
Trimphone
|
413
|
13
|
Start
|
Low
|
660
|
Smyk (car)
|
412
|
13
|
Start
|
Low
|
661
|
Drop-leaf table
|
410
|
13
|
Stub
|
Unknown
|
662
|
40/4 Chair
|
410
|
13
|
Start
|
Mid
|
663
|
Flos B&B Italia Group
|
409
|
13
|
Stub
|
Mid
|
664
|
Teague (company)
|
407
|
13
|
Stub
|
Low
|
665
|
Organosolv
|
406
|
13
|
C
|
Low
|
666
|
Moooi
|
404
|
13
|
B
|
Low
|
667
|
Icon design
|
401
|
13
|
Start
|
Unknown
|
668
|
Green engineering
|
401
|
13
|
C
|
Unknown
|
669
|
Bill Moggridge
|
400
|
13
|
B
|
High
|
670
|
Pipsan Saarinen Swanson
|
397
|
13
|
Start
|
Low
|
671
|
Ini Archibong
|
397
|
13
|
B
|
Mid
|
672
|
Simplexity
|
395
|
13
|
Start
|
Low
|
673
|
Eames Aluminum Group
|
394
|
13
|
Start
|
Unknown
|
674
|
Lean product development
|
394
|
13
|
Start
|
High
|
675
|
Unimark International
|
393
|
13
|
Start
|
Low
|
676
|
Musgrave Pencil Company
|
393
|
13
|
Start
|
Unknown
|
677
|
Zagato Zele
|
392
|
13
|
Start
|
Low
|
678
|
Productionisation
|
391
|
13
|
Stub
|
Mid
|
679
|
Point of difference
|
391
|
13
|
Start
|
Mid
|
680
|
Geometric design
|
391
|
13
|
Start
|
Low
|
681
|
Enrico Fumia
|
391
|
13
|
Start
|
Low
|
682
|
Solid sorbents for carbon capture
|
391
|
13
|
C
|
Unknown
|
683
|
International Forum Design
|
390
|
13
|
Stub
|
Low
|
684
|
Viktor Schreckengost
|
389
|
12
|
Start
|
Low
|
685
|
Maarten Baas
|
386
|
12
|
Stub
|
Low
|
686
|
Zuber & Cie
|
385
|
12
|
Start
|
Mid
|
687
|
Ingo Maurer
|
384
|
12
|
B
|
Low
|
688
|
Gooseneck lamp
|
383
|
12
|
Stub
|
Low
|
689
|
Hanssem
|
383
|
12
|
Start
|
Low
|
690
|
Piero Lissoni
|
381
|
12
|
Start
|
Low
|
691
|
Design studio
|
380
|
12
|
Redirect
|
NA
|
692
|
Neil Poulton
|
380
|
12
|
C
|
Low
|
693
|
John Vassos
|
379
|
12
|
Start
|
Low
|
694
|
Design education
|
378
|
12
|
Stub
|
Low
|
695
|
Tensor lamp
|
377
|
12
|
Start
|
Unknown
|
696
|
Gordon Russell (designer)
|
375
|
12
|
Start
|
Low
|
697
|
Tizio
|
375
|
12
|
Stub
|
Mid
|
698
|
Bubble chair
|
374
|
12
|
Stub
|
Low
|
699
|
Mart Stam
|
371
|
12
|
Start
|
Low
|
700
|
École cantonale d'art de Lausanne
|
371
|
12
|
C
|
Mid
|
701
|
Product structure modeling
|
369
|
12
|
Start
|
Low
|
702
|
Design museum
|
369
|
12
|
Start
|
Low
|
703
|
Daniel Marot
|
365
|
12
|
Start
|
Low
|
704
|
James T. Baldwin
|
365
|
12
|
Start
|
Low
|
705
|
Cesar Vergara
|
364
|
12
|
Start
|
Low
|
706
|
ICAD (software)
|
363
|
12
|
Start
|
Low
|
707
|
Community design
|
363
|
12
|
Start
|
Mid
|
708
|
Computer-automated design
|
363
|
12
|
Stub
|
Low
|
709
|
Alexander Neumeister
|
361
|
12
|
Stub
|
Low
|
710
|
Nigel Coates (architect)
|
360
|
12
|
Start
|
Low
|
711
|
Robert Propst (inventor)
|
357
|
11
|
Stub
|
Low
|
712
|
10 Downing Street Guard Chairs
|
356
|
11
|
Start
|
Low
|
713
|
Design paradigm
|
355
|
11
|
Start
|
Low
|
714
|
Paul T. Frankl
|
352
|
11
|
Start
|
Low
|
715
|
Charles Eastlake
|
349
|
11
|
Stub
|
Low
|
716
|
Folding seat
|
349
|
11
|
Stub
|
Low
|
717
|
Nina Petronzio
|
347
|
11
|
Start
|
Low
|
718
|
Emilio Ambasz
|
347
|
11
|
C
|
Mid
|
719
|
Gooseneck (fixture)
|
346
|
11
|
Start
|
Low
|
720
|
L. Bruce Archer
|
345
|
11
|
Start
|
Low
|
721
|
Empathic design
|
343
|
11
|
Start
|
Mid
|
722
|
Quad-edge
|
341
|
11
|
Stub
|
Low
|
723
|
Jens Quistgaard
|
341
|
11
|
Start
|
Low
|
724
|
Furniture screw
|
341
|
11
|
B
|
Unknown
|
725
|
Ikepod
|
339
|
11
|
Start
|
Low
|
726
|
Harris Lebus
|
339
|
11
|
Start
|
Low
|
727
|
World Design Capital
|
339
|
11
|
Stub
|
Low
|
728
|
Morag Myerscough
|
339
|
11
|
Start
|
Low
|
729
|
Peter Opsvik
|
338
|
11
|
C
|
Low
|
730
|
Weltron
|
337
|
11
|
C
|
Low
|
731
|
Barber Osgerby
|
336
|
11
|
C
|
Low
|
732
|
Ellen's Next Great Designer
|
335
|
11
|
Start
|
Low
|
733
|
Polypropylene stacking chair
|
332
|
11
|
Stub
|
Low
|
734
|
Poul Kjærholm
|
331
|
11
|
Start
|
Low
|
735
|
Ovalia Egg Chair
|
331
|
11
|
Stub
|
Low
|
736
|
Sixten Sason
|
330
|
11
|
Start
|
Low
|
737
|
Studio Swine
|
329
|
10
|
C
|
Low
|
738
|
Georgia Tech Shenzhen Institute, Tianjin University
|
329
|
10
|
Stub
|
Low
|
739
|
Robert Brunner
|
328
|
10
|
Start
|
Mid
|
740
|
UNISURF
|
326
|
10
|
Stub
|
Low
|
741
|
Marco Zanuso
|
325
|
10
|
C
|
Mid
|
742
|
Bruno Paul
|
324
|
10
|
Stub
|
Low
|
743
|
Braun LE1
|
323
|
10
|
Stub
|
Low
|
744
|
Arik Levy
|
323
|
10
|
Start
|
Low
|
745
|
Isovist
|
322
|
10
|
Stub
|
Low
|
746
|
ANSA pre-processor
|
322
|
10
|
Stub
|
Unknown
|
747
|
I.D. (magazine)
|
321
|
10
|
Start
|
Mid
|
748
|
Bruno Mathsson
|
320
|
10
|
Start
|
Low
|
749
|
Piet Zwart
|
319
|
10
|
Start
|
Low
|
750
|
Rico Daniels
|
318
|
10
|
Stub
|
Low
|
751
|
Computer-aided industrial design
|
317
|
10
|
Stub
|
High
|
752
|
Dror Benshetrit
|
317
|
10
|
Start
|
Low
|
753
|
James Dyson Award
|
317
|
10
|
Start
|
Low
|
754
|
John Makepeace
|
314
|
10
|
Start
|
Low
|
755
|
Electric guitar design
|
314
|
10
|
Start
|
Low
|
756
|
World Design Organization
|
313
|
10
|
Start
|
High
|
757
|
Paul McCobb
|
313
|
10
|
C
|
Low
|
758
|
Isophote
|
313
|
10
|
Stub
|
Unknown
|
759
|
Eric Stoddard
|
313
|
10
|
Stub
|
Low
|
760
|
Design classic
|
313
|
10
|
Start
|
Low
|
761
|
Gufram
|
310
|
10
|
C
|
Mid
|
762
|
EPA WaterSense
|
309
|
10
|
Stub
|
Mid
|
763
|
Draw sheet
|
308
|
10
|
Start
|
Low
|
764
|
Fuseproject
|
306
|
10
|
Stub
|
Low
|
765
|
Helen Dryden
|
306
|
10
|
C
|
Low
|
766
|
Matteo Thun
|
306
|
10
|
Start
|
Low
|
767
|
Josef Hartwig
|
305
|
10
|
Start
|
Low
|
768
|
Carlton House desk
|
304
|
10
|
Start
|
Unknown
|
769
|
Kaj Franck
|
304
|
10
|
Start
|
Low
|
770
|
Marva Griffin
|
302
|
10
|
C
|
Unknown
|
771
|
A & M Karagheusian
|
301
|
10
|
Stub
|
Low
|
772
|
Alphonse Chapanis
|
300
|
10
|
Start
|
Low
|
773
|
T. H. Robsjohn-Gibbings
|
300
|
10
|
Start
|
Low
|
774
|
Rover chair
|
300
|
10
|
B
|
Mid
|
775
|
Museum of Design, Zurich
|
299
|
9
|
Start
|
Mid
|
776
|
ADI Design Museum
|
299
|
9
|
Start
|
Mid
|
777
|
Golan Levin
|
295
|
9
|
C
|
Low
|
778
|
Studio Alchimia
|
295
|
9
|
Start
|
Unknown
|
779
|
Bethan Laura Wood
|
293
|
9
|
Start
|
Mid
|
780
|
Swedish Centre for Architecture and Design
|
289
|
9
|
C
|
Low
|
781
|
PH Artichoke
|
288
|
9
|
Stub
|
Low
|
782
|
Cifra 3
|
288
|
9
|
Start
|
Low
|
783
|
Michael Young (industrial designer)
|
288
|
9
|
C
|
High
|
784
|
Andrea Branzi
|
287
|
9
|
Start
|
Unknown
|
785
|
Hans Hilfiker
|
284
|
9
|
C
|
Mid
|
786
|
Giulio Cappellini
|
284
|
9
|
Start
|
Low
|
787
|
List of Bunnykins figurines
|
284
|
9
|
List
|
Mid
|
788
|
Fabio Taglioni
|
283
|
9
|
Stub
|
Low
|
789
|
George Sowden
|
283
|
9
|
Start
|
Low
|
790
|
Stevengraph
|
283
|
9
|
Start
|
Mid
|
791
|
Designboom
|
280
|
9
|
Start
|
Low
|
792
|
United States House Energy Subcommittee on Environment
|
276
|
9
|
Start
|
Unknown
|
793
|
Hans Gugelot
|
276
|
9
|
Start
|
Low
|
794
|
Jonathan Glancey
|
275
|
9
|
Start
|
Low
|
795
|
Jack Pritchard
|
274
|
9
|
Stub
|
Low
|
796
|
James Irvine (designer)
|
273
|
9
|
C
|
Mid
|
797
|
Gilbert Rohde
|
273
|
9
|
Start
|
Low
|
798
|
Experiential interior design
|
273
|
9
|
Start
|
Mid
|
799
|
Sphinx (home automation system)
|
273
|
9
|
Start
|
Mid
|
800
|
Mogul lamp
|
272
|
9
|
Start
|
Unknown
|
801
|
MEDUSA4
|
272
|
9
|
Start
|
Unknown
|
802
|
Beswick Pottery
|
271
|
9
|
Start
|
Mid
|
803
|
Tolomeo desk lamp
|
269
|
8
|
Start
|
Low
|
804
|
Forward Look
|
269
|
8
|
Redirect
|
NA
|
805
|
Jon Bannenberg
|
269
|
8
|
Stub
|
Low
|
806
|
Model 60 stacking stool
|
268
|
8
|
Start
|
Low
|
807
|
Clement Meadmore
|
267
|
8
|
C
|
Low
|
808
|
Droog (company)
|
267
|
8
|
Start
|
Low
|
809
|
Filament tape
|
267
|
8
|
Start
|
Low
|
810
|
Alma Siedhoff-Buscher
|
266
|
8
|
Stub
|
Unknown
|
811
|
Maison et Objet
|
263
|
8
|
Stub
|
Low
|
812
|
Neotu Gallery
|
262
|
8
|
Start
|
Low
|
813
|
Alice Rawsthorn
|
261
|
8
|
C
|
Low
|
814
|
Design Museum of Chicago
|
260
|
8
|
B
|
Low
|
815
|
GRAITEC
|
258
|
8
|
Start
|
Low
|
816
|
Don Chadwick
|
258
|
8
|
Start
|
Low
|
817
|
Metal furniture
|
258
|
8
|
Start
|
Unknown
|
818
|
Typewriter desk
|
256
|
8
|
Start
|
Unknown
|
819
|
Giacinto Ghia
|
256
|
8
|
Stub
|
Low
|
820
|
WorkNC
|
256
|
8
|
Stub
|
Low
|
821
|
Poggenpohl
|
255
|
8
|
Stub
|
Low
|
822
|
Thomas Humber
|
255
|
8
|
C
|
Low
|
823
|
Multi-material injection molding
|
255
|
8
|
Start
|
Unknown
|
824
|
Bernadotte & Kylberg
|
254
|
8
|
Start
|
Unknown
|
825
|
Rolf Fehlbaum
|
253
|
8
|
C
|
Low
|
826
|
List of awards and nominations received by Jony Ive
|
253
|
8
|
List
|
Low
|
827
|
Stuart Pugh
|
252
|
8
|
Start
|
Low
|
828
|
Tip-top table
|
251
|
8
|
Stub
|
Unknown
|
829
|
Easy Edges
|
249
|
8
|
Stub
|
Low
|
830
|
Ton van de Ven
|
249
|
8
|
Stub
|
Low
|
831
|
VDA 6.1
|
248
|
8
|
Stub
|
Low
|
832
|
Sonic interaction design
|
248
|
8
|
Stub
|
Low
|
833
|
Edgar Miller (artist)
|
248
|
8
|
C
|
Unknown
|
834
|
Xanti Schawinsky
|
248
|
8
|
Start
|
Unknown
|
835
|
Harley-Davidson Motorcycle Factory Building
|
248
|
8
|
B
|
Low
|
836
|
Otto Kuhler
|
247
|
8
|
B
|
Mid
|
837
|
Emeline King
|
247
|
8
|
Start
|
Low
|
838
|
David Ogle
|
246
|
8
|
Start
|
Low
|
839
|
Dorothy Liebes
|
246
|
8
|
C
|
Low
|
840
|
Christopher Guy Harrison
|
245
|
8
|
Stub
|
Low
|
841
|
Isokon Long Chair
|
245
|
8
|
Stub
|
Unknown
|
842
|
Richard Schultz
|
244
|
8
|
Start
|
Low
|
843
|
Marcello Nizzoli
|
243
|
8
|
Start
|
Low
|
844
|
Extreme users
|
243
|
8
|
C
|
Mid
|
845
|
Richard Arbib
|
242
|
8
|
Start
|
Low
|
846
|
Corrugated box
|
241
|
8
|
Redirect
|
NA
|
847
|
Pio Manzù
|
241
|
8
|
C
|
Low
|
848
|
Ammunition Design Group
|
240
|
8
|
Start
|
Low
|
849
|
Howard "Dutch" Darrin
|
240
|
8
|
Stub
|
Unknown
|
850
|
Chicken harvester
|
239
|
7
|
Start
|
Low
|
851
|
Diamond chair
|
238
|
7
|
Stub
|
Unknown
|
852
|
Charles "Chuck" Harrison
|
238
|
7
|
C
|
Low
|
853
|
Claesson Koivisto Rune
|
238
|
7
|
Stub
|
Low
|
854
|
Andrés Reisinger
|
238
|
7
|
C
|
Low
|
855
|
Karlsruhe University of Arts and Design
|
237
|
7
|
C
|
Low
|
856
|
Geschmacksmuster
|
237
|
7
|
Stub
|
Low
|
857
|
Roger Tallon
|
237
|
7
|
Start
|
Mid
|
858
|
Constraint (computer-aided design)
|
237
|
7
|
Start
|
Low
|
859
|
Bill Stumpf
|
236
|
7
|
Start
|
Low
|
860
|
Gerd A. Müller
|
234
|
7
|
Start
|
Low
|
861
|
Blu Dot
|
234
|
7
|
Start
|
Low
|
862
|
École Boulle
|
233
|
7
|
Stub
|
Low
|
863
|
DAC-1
|
233
|
7
|
Start
|
Low
|
864
|
International Design Awards
|
233
|
7
|
Stub
|
Low
|
865
|
Nanna Ditzel
|
232
|
7
|
Stub
|
Low
|
866
|
Tage Frid
|
230
|
7
|
Stub
|
Low
|
867
|
Applicon
|
230
|
7
|
Stub
|
Low
|
868
|
Monterey Furniture
|
229
|
7
|
Start
|
Unknown
|
869
|
Jean Bérain the Elder
|
228
|
7
|
Start
|
Low
|
870
|
Dunne & Raby
|
227
|
7
|
Stub
|
Low
|
871
|
HeeksCAD
|
227
|
7
|
Start
|
Mid
|
872
|
Design and Industries Association
|
226
|
7
|
Stub
|
Low
|
873
|
Function-Behaviour-Structure ontology
|
226
|
7
|
C
|
Unknown
|
874
|
Yuri Suzuki (designer)
|
226
|
7
|
C
|
Low
|
875
|
Color Marketing Group
|
225
|
7
|
Stub
|
Low
|
876
|
Flexform
|
225
|
7
|
Start
|
Low
|
877
|
Before Yesterday We Could Fly
|
225
|
7
|
B
|
Low
|
878
|
Earl R. Dean
|
223
|
7
|
Start
|
Low
|
879
|
Suzie Zuzek
|
223
|
7
|
B
|
Low
|
880
|
Design Exchange
|
222
|
7
|
Start
|
Low
|
881
|
Syd Mead's Terraforming
|
222
|
7
|
Stub
|
Low
|
882
|
Idea (disambiguation)
|
221
|
7
|
Disambig
|
NA
|
883
|
Industrial Designers Society of America
|
221
|
7
|
Start
|
High
|
884
|
Röhsska Museum
|
220
|
7
|
Start
|
Low
|
885
|
Frederick Meyer
|
220
|
7
|
Start
|
Low
|
886
|
Garden Egg chair
|
220
|
7
|
Stub
|
Low
|
887
|
Martine Bedin
|
220
|
7
|
C
|
Low
|
888
|
Grete Jalk
|
219
|
7
|
Start
|
Low
|
889
|
Edward Wormley
|
217
|
7
|
Stub
|
Low
|
890
|
Jack Sangster
|
217
|
7
|
Start
|
Mid
|
891
|
Studio Drift
|
217
|
7
|
Start
|
Low
|
892
|
Heller, Inc.
|
217
|
7
|
C
|
Mid
|
893
|
Assembly modelling
|
215
|
7
|
Stub
|
Low
|
894
|
Systems-oriented design
|
215
|
7
|
C
|
Unknown
|
895
|
Maarten van Severen
|
214
|
7
|
Stub
|
Low
|
896
|
Alexis de Sakhnoffsky
|
214
|
7
|
Start
|
Low
|
897
|
Joseph Claude Sinel
|
213
|
7
|
B
|
Low
|
898
|
Arclinea
|
211
|
7
|
Start
|
Low
|
899
|
Betty Thatcher Oros
|
211
|
7
|
Start
|
Mid
|
900
|
Objet Geometries
|
210
|
7
|
Stub
|
Low
|
901
|
Pin-Up (magazine)
|
210
|
7
|
Start
|
Low
|
902
|
Sustainable furniture design
|
208
|
6
|
Stub
|
Unknown
|
903
|
3D floor plan
|
207
|
6
|
Stub
|
Low
|
904
|
Naoki Sakai (industrial designer)
|
206
|
6
|
Start
|
Low
|
905
|
Tucker Viemeister
|
205
|
6
|
Stub
|
Low
|
906
|
Floor marking tape
|
205
|
6
|
Stub
|
Low
|
907
|
Barbara Radice
|
204
|
6
|
C
|
Mid
|
908
|
McKinley Thompson Jr.
|
203
|
6
|
C
|
Low
|
909
|
Office of the future
|
202
|
6
|
Start
|
Low
|
910
|
London Design Festival
|
202
|
6
|
C
|
Mid
|
911
|
Cleo Baldon
|
202
|
6
|
Start
|
Mid
|
912
|
Pierre Frey
|
202
|
6
|
Start
|
Unknown
|
913
|
Flavio Poli
|
202
|
6
|
Stub
|
Low
|
914
|
Ignazio Gardella
|
201
|
6
|
C
|
Mid
|
915
|
Sacha Lakic
|
201
|
6
|
Start
|
Unknown
|
916
|
Angelo Mangiarotti
|
200
|
6
|
Start
|
Low
|
917
|
Ve Elizabeth Cadie
|
200
|
6
|
Start
|
Low
|
918
|
International Design Excellence Awards
|
199
|
6
|
Stub
|
Mid
|
919
|
École Camondo
|
198
|
6
|
Stub
|
Low
|
920
|
Jean Puiforcat
|
198
|
6
|
Start
|
Mid
|
921
|
Inga Sempé
|
198
|
6
|
Start
|
Low
|
922
|
Bungee chair
|
197
|
6
|
Stub
|
Low
|
923
|
Giovanni Pintori
|
197
|
6
|
Start
|
Low
|
924
|
Pier Giacomo Castiglioni
|
196
|
6
|
C
|
High
|
925
|
Rex (chair)
|
195
|
6
|
Stub
|
Low
|
926
|
Quality control system for paper, board and tissue machines
|
195
|
6
|
Start
|
Low
|
927
|
Natural mapping (interface design)
|
194
|
6
|
Start
|
Mid
|
928
|
Paola Navone
|
194
|
6
|
Start
|
Unknown
|
929
|
Cutaway (industrial)
|
193
|
6
|
Stub
|
Low
|
930
|
Visitability
|
191
|
6
|
Start
|
Low
|
931
|
Projection augmented model
|
191
|
6
|
Start
|
Low
|
932
|
Jerome and Evelyn Ackerman
|
191
|
6
|
C
|
Mid
|
933
|
École nationale supérieure des arts appliqués et des métiers d'art
|
189
|
6
|
Start
|
Low
|
934
|
Furniture Today
|
189
|
6
|
Stub
|
Low
|
935
|
Smart Design
|
189
|
6
|
Start
|
Mid
|
936
|
Oliver Lincoln Lundquist
|
188
|
6
|
C
|
Mid
|
937
|
Charles Limbert
|
188
|
6
|
Start
|
Low
|
938
|
Metamorphic library steps
|
187
|
6
|
Start
|
Unknown
|
939
|
NSU Trapeze
|
187
|
6
|
Start
|
Low
|
940
|
Mundus furniture
|
186
|
6
|
Stub
|
Low
|
941
|
Dutch Design Week
|
186
|
6
|
Stub
|
Mid
|
942
|
Barnsley brothers
|
186
|
6
|
Start
|
Low
|
943
|
Corin Mellor
|
186
|
6
|
Start
|
Unknown
|
944
|
Arne Vodder
|
186
|
6
|
Stub
|
Low
|
945
|
Win Ng
|
185
|
6
|
Start
|
Low
|
946
|
Bernhardt Design
|
185
|
6
|
Start
|
Low
|
947
|
Allen Boothroyd
|
184
|
6
|
Stub
|
Low
|
948
|
Design competition
|
183
|
6
|
Start
|
Unknown
|
949
|
Design Museum Holon
|
181
|
6
|
Stub
|
Low
|
950
|
Louise Brigham
|
181
|
6
|
C
|
Low
|
951
|
Stehli Silks
|
181
|
6
|
C
|
Low
|
952
|
Eglu
|
179
|
5
|
Stub
|
Low
|
953
|
Ambrose Heal
|
177
|
5
|
Stub
|
Low
|
954
|
Design of plastic components
|
177
|
5
|
C
|
Unknown
|
955
|
Bruno Rey
|
177
|
5
|
Start
|
Unknown
|
956
|
Benjamin Bowden
|
176
|
5
|
Start
|
Unknown
|
957
|
John Heskett
|
176
|
5
|
Start
|
Low
|
958
|
Fabio Filippini
|
176
|
5
|
C
|
Low
|
959
|
Universal usability
|
175
|
5
|
C
|
Unknown
|
960
|
Arturo Vittori
|
175
|
5
|
Stub
|
Low
|
961
|
English furniture
|
174
|
5
|
Stub
|
Low
|
962
|
Douglas Darden
|
174
|
5
|
B
|
Unknown
|
963
|
Design Museum Brussels
|
174
|
5
|
Start
|
Low
|
964
|
CAD/CAM in the footwear industry
|
173
|
5
|
Stub
|
Low
|
965
|
Bodil Kjær
|
172
|
5
|
Start
|
Low
|
966
|
John Tjaarda
|
172
|
5
|
Start
|
Low
|
967
|
Zeev Aram
|
172
|
5
|
Start
|
Low
|
968
|
François-Honoré-Georges Jacob-Desmalter
|
171
|
5
|
Start
|
Low
|
969
|
Émile André
|
171
|
5
|
Stub
|
Low
|
970
|
Feature recognition
|
171
|
5
|
Stub
|
Low
|
971
|
Custom-fit
|
171
|
5
|
Start
|
Mid
|
972
|
Charles Radtke
|
171
|
5
|
Stub
|
Low
|
973
|
Acapulco Chair
|
171
|
5
|
Stub
|
Low
|
974
|
Ralph Osterhout
|
170
|
5
|
Start
|
Low
|
975
|
Inflatable air cushion
|
170
|
5
|
Start
|
Unknown
|
976
|
Olivier Mourgue
|
168
|
5
|
Stub
|
Low
|
977
|
Process driven messaging service
|
167
|
5
|
C
|
Unknown
|
978
|
Michael Lax
|
167
|
5
|
Start
|
Unknown
|
979
|
Ian Proctor
|
166
|
5
|
Stub
|
Low
|
980
|
Core77
|
166
|
5
|
Stub
|
Low
|
981
|
Julia Lohmann
|
166
|
5
|
Stub
|
High
|
982
|
Jerry Manock
|
165
|
5
|
B
|
Low
|
983
|
Luud Schimmelpennink
|
165
|
5
|
Start
|
Low
|
984
|
SolidThinking
|
165
|
5
|
Stub
|
Low
|
985
|
Roger C. Field
|
165
|
5
|
Stub
|
Low
|
986
|
Coat rack
|
164
|
5
|
Redirect
|
NA
|
987
|
Charley Morgan
|
164
|
5
|
Start
|
Low
|
988
|
Ince and Mayhew
|
163
|
5
|
Start
|
Low
|
989
|
Kazuo Kawasaki
|
163
|
5
|
Stub
|
Low
|
990
|
Sergio Rodrigues (architect)
|
163
|
5
|
Start
|
Low
|
991
|
Jay Doblin
|
163
|
5
|
Stub
|
Unknown
|
992
|
Fiona Raby
|
163
|
5
|
Start
|
Low
|
993
|
Mitchell Joachim
|
162
|
5
|
Start
|
Low
|
994
|
African design
|
161
|
5
|
Start
|
Low
|
995
|
111 Navy Chair
|
160
|
5
|
Start
|
Low
|
996
|
Carl Auböck
|
160
|
5
|
Start
|
Mid
|
997
|
Jonathan Olivares
|
160
|
5
|
C
|
Low
|
998
|
Beach furniture
|
159
|
5
|
Stub
|
Unknown
|
999
|
Sara Little Turnbull
|
159
|
5
|
Start
|
Low
|
1000
|
Franklin D. Israel
|
159
|
5
|
Start
|
Unknown
|