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Valerie Jaudon

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Valerie Jaudon
Born (1945-08-08) August 8, 1945 (age 79)
Greenville, Mississippi, U.S.
EducationMississippi University for Women (1965)
Memphis Academy of Art (1965)
University of the Americas (1967)
Alma materCentral Saint Martins College of Arts and Design (1969)
MovementPostminimalism and Pattern and Decoration
SpouseRichard Kalina
Websitevaleriejaudon.com

Valerie Jaudon (born August 6, 1945) is an American painter commonly associated with various Postminimal practices – the Pattern and Decoration movement of the 1970s, site-specific public art, and new tendencies in abstraction.[1][2][3][4]

Life

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Valerie Jaudon was born in Greenville, Mississippi and studied at Mississippi University for Women (1963–1965), Memphis Academy of Art (1965), University of the Americas in Mexico City (1966–1967), and Central Saint Martins College of Arts and Design in London (1968–1969).[5][6]

Work

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Valerie Jaudon is an original member of the Pattern and Decoration movement.[1] Her art has been written about consistently in books, journals, magazines, newspapers, and catalogs. She is the co-author, with Joyce Kozloff, of the widely anthologized Art Hysterical Notions of Progress and Culture (1978), in which she and Kozloff explained how they thought sexist and racist assumptions underlaid Western art history discourse. They reasserted the value of ornamentation and aesthetic beauty - qualities assigned to the feminine sphere.[7][8][9][10]

In 2011 Jaudon was elected to the National Academy of Design.[2]

Since 1987 Valerie Jaudon has taught at Hunter College of the City University of New York, where she is Professor of Art.[2]

Exhibitions

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Jaudon has had numerous solo and group exhibitions nationally and internationally. She began her early career in New York with the group exhibition, "76 Jefferson Street," at the Museum of Modern Art in 1975,[1] featuring artists who had lived and worked in the 1893 loft building near the East River and the Manhattan Bridge, an area on the Lower East Side which began to attract artists and musicians in the mid-1950s.[11]

She was one of the original painters of the Pattern and Decoration movements of the 1970s. The group began exhibiting together in 1976 in "Ten Approaches to the Decorative" at the Alessandra Gallery in New York,[12] followed by "Pattern Painting" in 1977 at PS1 in Long Island City, Queens.[13] Subsequently, over fifty group exhibitions featuring the founding artists were held in museums and galleries in Europe and the U.S. including the National Gallery of Art in Washington, D.C., the Art Institute of Chicago, Palais des Beaux Arts, Brussels, Louisiana Museum of Modern Art in Humlebaeck, Denmark, the Neue Galerie, in Aachen, Germany, the Pori Art Museum, the Mayor Gallery in London, Modern Art Oxford, and the Hudson River Museum in Yonkers, New York.[14]

In 2012 Jaudon was both included and involved with organizing a re-staging of the seminal group exhibition "Conceptual Abstraction", a survey of twenty contemporary abstract painters, at Hunter College Galleries curated by Joachim Pissarro and Pepe Karmel. The original exhibition, for which Jaudon was credited with coining the name "Conceptual Abstraction", took place in 1991 at the Sidney Janis Gallery.[15][16]

Jaudon's first solo painting exhibition was at the Holly Solomon Gallery in New York in 1977 with further exhibitions in 1978, 1979 and 1981. The Sidney Janis Gallery represented her from 1982 until 1999 (until the gallery's closing), with solo exhibitions in 1983, 1985, 1986, 1988, 1990, 1993 and 1996. The Von Lintel Gallery in New York, now in Los Angeles, represented her starting in 2002, with solo exhibitions in 2003, 2005, 2008, 2010, 2012, and 2016. She is also currently represented in New York by DC Moore Gallery, with solo exhibitions in 2014, 2015, and 2020.[6]

Other solo exhibitions include: Pennsylvania Academy of Fine Arts (1977); Galerie Bischofsberger, Zurich (1979); Hans Strelow Gallery, Düsseldorf (1980); Corcoran Gallery, Los Angeles (1981); Quadrat Museum, Bottrop, Germany (1983); Amerika Haus, Berlin (1983); McIntosh/Drysdale Gallery, Washington D.C. (1985); the Mississippi Museum of Art, Jackson] (1996); Stadel Museum, Frankfurt (1999); University of Mississippi Museum, Oxford (2011).[5][6]

Public art

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Valerie Jaudon has completed fourteen major site-specific public art projects in a variety of media – painting, landscaping, mosaics, ceramic tile, welded steel, and cut stone.

Her first public project in 1977 was a ninety-foot-long ceiling mural in the INA Tower in Philadelphia, the Mitchell/Giurgola addition to the Insurance Company of North America building.[17] The mural was executed during the period of her work with the architect Romaldo Giurgola. Jaudon was associated with the firm's New York and Philadelphia offices from 1975 until 1980, and worked on a wide range of projects.[18]

In 1988 she completed Long Division, a sixty-foot-long welded steel fence, for the New York City Subway's 23rd Street station on the 4, ​6, and <6> trains.[1][19]

The Art Commission of the City of New York awarded Jaudon an Excellence in Design Award in 1988 for Reunion, a three-and-a-half acre paving plan with a 34' diameter granite floor mural at the 1 Police Plaza/Manhattan Municipal Building. This project was sponsored by the New York City Department of General Services, Percent for Art, and the Department of Cultural Affairs.[1][20]

In 1993 Jaudon completed Blue Pools Courtyard, a site-specific installation with inlaid tile pools, plantings, and brick and bluestone pavers for the Charles W. Ireland Sculpture Garden at the Birmingham Museum of Art,[1] and in 1994 received a merit award from the Alabama chapter of American Society of Landscape Architects. In 2010 the American Planning Association named the Charles W. Ireland Sculpture Garden as one of the Great Public Spaces in America.[21]

Other public projects include Filippine Garden, 2004, a two-and-a-half acre garden with grass, gravel, and stone for the Thomas F. Eagleton Federal Courthouse in St. Louis, Missouri[22] and a mosaic floor installation for Ronald Reagan Washington National Airport in Crystal City, Virginia, and the Metropolitan Washington Airports Authority.[23][24]

Selected honors and awards

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  • 1980 New York State Creative Artist Public Service Grant
  • 1981 Mississippi Institute of Arts and Letters, Art Award[25]
  • 1987 National Endowment for the Arts, Visual Artists Fellowship[26]
  • 1987 Art Commission of the City of New York, Special Commendation for Police Plaza Art Work[20]
  • 1988 Art Commission of the City of New York, Award for Excellence in Design[20]
  • 1991 American Society of Landscape Architects, Alabama Chapter Merit Award for the Charles W. Ireland Memorial Sculpture Garden of the Birmingham Museum of Art
  • 1992 New York Foundation for the Arts], Painting Fellowship
  • 1997 Mississippi Institute of Arts and Letters, Art Award[25]
  • 1996 Women's City Club of New York, Civic Spirit Award[27]
  • 1999 Mississippi University for Women, Columbus, Distinguished Alumna Award
  • 2002 Mississippi Committee of the National Museum of Women in the Arts Honored Artist Award
  • 2002 Appointed to the National Register of Peer Professionals in the Design Excellence Program of the U.S. General Services Administration
  • 2010 American Planning Association, the Charles Ireland Memorial Sculpture Garden of the Birmingham Museum of Art named as one of the "Great Public Spaces for 2010"[28]
  • 2011 Elected to the National Academy of Design[2]

References

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  1. ^ a b c d e f Chave, Anna C. (1996). "Disorderly Order: The Art of Valerie Jaudon" (PDF). In Barilleaux, Rene (ed.). Valerie Jaudon (Exhibition catalog). University Press of Mississippi. pp. 9–47. ISBN 978-1-887422-00-0. OCLC 33131995. Archived (PDF) from the original on 2 May 2025. Retrieved 20 May 2025 – via Anna C. Chave.
  2. ^ a b c d "Studio Art Faculty: Valerie Jaudon". Hunter College. Archived from the original on 1 October 2023. Retrieved 16 June 2014.
  3. ^ Frankel, David (February 2016). "Valerie Jaudon". Artforum. 54 (6): 238. ProQuest 1764883121.
  4. ^ Kaneda, Shirley (Winter 1992). "Valerie Jaudon". BOMB (38): 40–45. JSTOR 40424178. Archived from the original on 20 September 2013.
  5. ^ a b "Artists: Valerie Jaudon". Von Lintel Gallery. Archived from the original on 11 August 2024. Retrieved 16 June 2014.
  6. ^ a b c Barilleaux, Rene, ed. (1996). "Selected Exhibitions". Valere Jaudon (Exhibition catalog). University Press of Mississippi. pp. 83–87. ISBN 978-1-887422-00-0. OCLC 33131995. Retrieved 20 May 2025 – via Google Books.
  7. ^ Jaudon, Valerie; Kozloff, Joyce (Winter 1977–1978). "Art Hysterical Notions of Progress and Culture" (PDF). Heresies (4): 38–42. Archived (PDF) from the original on 7 October 2024. Retrieved 12 September 2012 – via Valerie Jaudon.
  8. ^ "Valerie Jaudon and Joyce Kozloff, 'Art Hysterical Notions of Progress and Culture' (1978)*". Dead Revolutionaries Club. 22 March 2009. Archived from the original on 5 April 2009. Retrieved 16 June 2014.
  9. ^ Stiles, Kristine; Selz, Peter (1996). Theories and Document of Contemporary Art: A Sourcebook of Artists' Writings. California Studies in the History of Art, 35. University of California Press. pp. 154–155. ISBN 9780520202511. OCLC 31738530. Archived from the original on 15 May 2025. Retrieved 14 May 2025 – via Internet Archive.
  10. ^ Schapiro, Miriam; Wilding, Faith (1989). "Cunts/Quilts/Consciousness". Heresies: A Feminist Publication on Art and Politics. 6 (4 [24]): 11. ISSN 0146-3411. JSTOR community.28038322. OCLC 2917688.
  11. ^ "76 JEFFERSON - Fall Penthouse Art Lending Service Exhibition" (PDF). Museum of Modern Art. 11 September 1975. Archived (PDF) from the original on 6 March 2016. Retrieved 14 May 2025.
  12. ^ Perrone, Jeff (December 1976). "Approaching the Decorative". Artforum. XV (4): 26–30.
  13. ^ Perreault, John (November 1977). "Pattern Painting". Artforum. 16 (3): 32–36.
  14. ^ Swartz, Anne (2007). "Chronology of Shows and Writings". In Swartz, Anne (ed.). Pattern and Decoration: An Ideal Vision in American Art, 1975–1985. Hudson River Museum. pp. 113–119. ISBN 978-0-943651-35-4. OCLC 185040360. Retrieved 14 May 2025 – via Google Books.
  15. ^ Karmel, Pepe; Pissaro, Joachim (2012). Conceptual Abstraction: October 5–November 10, 2012, Hunter College / Times Square Gallery (Exhibition catalog). Hunter College. p. 7. ISBN 9780983926160. OCLC 817662380. Retrieved 14 May 2025 – via Internet Archive. In November of 1991, the Sidney Janis Gallery opened the groundbreaking Conceptual Abstraction exhibition under the auspices of Carroll Janis, with the collaboration of the painter Valerie Jaudon who coined its title.
  16. ^ Schwabsky, Barry (October 1996). "Degrees of symmetry". Art in America. 84 (10): 92. ProQuest 219747273.
  17. ^ Webster, Sally (November–December 1977). "Spatial Geometry: Art in Architecture" (PDF). Arts Exchange: 13–14. ISSN 0734-4740. Archived (PDF) from the original on 29 October 2023. Retrieved 14 May 2025 – via Valerie Jaudon.
  18. ^ Necol, Jane (1996). "Annotated Listing of Permanent Public and Architectural Projects". In Barilleaux, Rene (ed.). Valerie Jaudon (Exhibition catalog). University Press of Mississippi. pp. 79–82. ISBN 978-1-887422-00-0. OCLC 33131995 – via Google Books.
  19. ^ Adams, Laurie Schneider (2002). Art Across Time. New York: McGraw Hill. p. 1007. ISBN 0-07-245006-1. OCLC 48045879. Archived from the original on 19 May 2025. Retrieved 19 May 2025 – via Internet Archive.
  20. ^ a b c "Completed Projects: Valerie Jaudon - Reunion [1989]". NYC Percent for Art - New York City Department of Cultural Affairs. City of New York. Archived from the original on 19 May 2025. Retrieved 16 June 2014.
  21. ^ "Charles W. Ireland Sculpture Garden - 2. Site-Specific Installations". International Sculpture Center. Archived from the original on 17 October 2016. Retrieved 16 June 2014.
  22. ^ "Artwork: Filippine Garden - Artist: Valerie Jaudon [2004]" (PDF). U.S. General Services Administration. Archived from the original (PDF) on 29 October 2011. Retrieved 19 November 2012.
  23. ^ "Perspective". Architectural Record: 94. October 1997. ProQuest 222151533.
  24. ^ "Public Art Photo Gallery". Mwaa.com. Retrieved 2014-06-16.
  25. ^ a b Greenberg, Kathy (8 June 2018) [11 July 2017]. "Valerie Jaudon - (b. 1945) Artist". Mississippi Encyclopedia. Mississippi Humanities Council. Archived from the original on 20 May 2025. Retrieved 20 May 2025.
  26. ^ "National Recipients: National Endowment for the Arts - Visual Artists' Fellowships 1967–1995". A Creative Legacy: A History of The National Endowment For The Arts Visual Artists' Fellowship Program (PDF). New York: Harry N. Abrams in association with National Endowment for the Arts. 2001. p. 223. ISBN 9780810941700. OCLC 46385878 – via Internet Archive.
  27. ^ "The 2016 Civic Spirit Awards Dinner" (PDF). Women's City Club of New York. 2016. p. 6. Archived (PDF) from the original on 5 October 2024. Retrieved 20 May 2025.
  28. ^ Huebner, Michael (13 October 2010). "BMA Sculpture Garden a 'Great Place' in America". The Birmingham News. Archived from the original on 20 May 2025. Retrieved 20 May 2025.
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