Joel Spector
Joel Spector | |
|---|---|
 | |
| Born | Joel Max Spector April 18, 1918 Philadelphia, Pennsylvania |
| Died | 5 August 2008, age 90 Hollywood, Florida |
| Occupation | producer |
| Years active | 1950–1998 |
Joel Spector was an American theater producer and television executive active during the mid-20th century. He is best known for his contributions to Broadway productions and early television programming.[1]
Early life and career
[edit]Joel Spector's early life details are not widely documented. However, his professional career in the entertainment industry is marked by significant contributions to both theater and television.
Broadway productions
[edit]Spector played a pivotal role in several Broadway productions, often collaborating with the Plumstead Theatre Society, Inc.[2] His notable Broadway credits include:
- The Barrier (1950): A musical drama where Spector served as a producer.
- Make a Million (1958): A play produced by Spector that ran from October 23, 1958, to July 18, 1959.
- Let It Ride! (1961): A musical comedy produced by Spector, which opened on October 12, 1961.[3]
- First Monday in October (1978): A play produced by the Plumstead Theatre Society, Inc., with Spector as one of the producers.[4]
Television work
[edit]In addition to his theater work, Joel Spector was involved in television production. He is credited as a producer for several television programs, including:
- Confidential for Women (1966): A television program focusing on women's issues.[5]
- The Alcoa Hour (1955): An anthology drama series that aired live on NBC.
- This Is Your Life (1955): A biographical television series that honored the lives of notable individuals.[6]
- The Stingiest Man in Town (1956) A musical adaptation of Charles Dickens's 1843 novella A Christmas Carol, with music by Fred Spielman and lyrics by Janice Torre. It is notable for being the first musical version of A Christmas Carol to be televised in color
Legacy
[edit]Joel Spector's contributions to both Broadway and television reflect a dynamic career that bridged live theater and emerging broadcast media. His work helped shape mid-20th-century American entertainment, leaving a lasting impact on both industries.