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Elippathayam

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Elippathayam
Theatrical release poster
Directed byAdoor Gopalakrishnan
Written byAdoor Gopalakrishnan
Produced byK. Ravindran Nair
StarringKaramana Janardanan Nair
Sharada
Jalaja
Rajam K. Nair
CinematographyMankada Ravi Varma
Edited byM. Mani
Music byM. B. Sreenivasan
Release date
  • 30 April 1982 (1982-04-30)
Running time
121 minutes
CountryIndia
LanguageMalayalam

Elippathayam (Translation: The Rat Trap)[1] is a 1982 Malayalam film written and directed by Adoor Gopalakrishnan. It stars Karamana Janardanan Nair, Sharada, Jalaja, and Rajam K. Nair. The film documents the feudal life in Kerala at its twilight overshadowed with grief, and a sense of carelessness/avoidance as a form of revolt. The protagonist is disenfranchised and trapped within himself and does not want to - unable to change with the social changes taking place around him. The film premiered at the 1982 Cannes Film Festival.[2] It was also screened at the London Film Festival where it won the Sutherland Trophy.[3][4][failed verification][5]

Plot

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A middle-aged man, Unni, and his two sisters live in an ancient tharavadu (manor) in Kerala. They struggle as the traditional feudal way of life becomes untenable. Eventually, succumbing to the adverse conditions surrounding him, Unni becomes entrapped in his attitudes and ways, helpless like a rat in a trap. The movie's title, 'Rat Trap,' is a metaphor for a state of oblivion to changes in the external world, such as the disintegration of the feudal system in which some are caught, leading to irrelevance and destruction.

The film is set in the now derelict manor house of an aristocratic family that has obviously seen better days. The film begins by showing the audience a rat problem, with Sridevi taking initiative to catch and drown rats in the house. Unni, the patriarch, in spite of the looming changes in the family's fortune and the times, retains old attitudes and is portrayed as proud and incapable of adjusting to the impending downfall of his family, remaining oblivious or intransigent to it. He also lacks the masculine energy or authoritative characteristics of a feudal patriarch. He is seen spending most of his day in idleness and sleeping. His only activities are reading the newspaper and oiling his body. He is taken care of by his sisters and a caretaker neighbor, Scaria Mappila, who looks after the agricultural matters of his estate. His sisters cook, clean, and do all the household chores for him. He seems careless about wanting to get his sisters married and is selfish to keep his support system in place. The Mappila handles all the financial aspects for Unni following old feudal ways. Unni is scared and not bothered, or is in avoidance coping, when thieves steal crops from his land, even when he knows that his younger sister is in a premarital relationship, or when he finds his elder sister's son stealing from him and challenging his mating rights/privilege by possibly sleeping with a prostitute who has an eye on him. He does not stand up for himself or for the family and is not ready to face the taunts or threats of his extended family and the villagers.

The middle sister, Rajamma, is devastated by the silence of her brother, who fails to support her when marriage proposals are presented to him. He turns down an offer, deeming it beneath his family's standards, and remains silent and unable to act while she is ailing. This eventually leads to her death, highlighting his lack of insight and disorganized thinking, which incapacitates him from responding to the situation. The younger sister, understanding the plight of things, disregards traditions and elopes with a lover without informing anyone. The eldest sister claims her share of the property but leaves with none, and sends summons through courts. Unni is left alone in the mansion; his paranoid characteristics prevent him from seeking help, and his delusions intensify. He ends up without support, living isolated in the dark corners of his room and not responding to anyone. In the end, a group of people enters his house; he runs out in fear, hits his head, and becomes unconscious. They carry him to the pond where Sridevi used to drown rats, throw him in, and he is seen walking out of the pond, scared and cold. The people could be manifestations of his schizophrenic hallucinations, robbers, or his brother-in-law's henchmen who came to forcefully take over his property.

Cast

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Reception

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Janet Maslin of The New York Times wrote, "As directed by Adoor Gopalakrishnan, Rat Trap is slow, thoughtful and engrossing. It presents Unni and his family as nearcaptives, not merely of their house but also of their history. And it accomplishes this through a series of minute, well-chosen details."[6]

Awards

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List of awards and nominations
Ceremony Category Recipient(s) Result Ref(s)
1982 Kerala State Film Awards Best Film Adoor Gopalakrishnan Won
1982 BFI London Film Festival Sutherland Trophy Adoor Gopalkrishnan Won [7]
29th National Film Awards Best Audiography P. Devadas Won [8]
Best Feature Film in Malayalam K. Ravindran Nair, Adoor Gopalkrishnan Won

References

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  1. ^ "Elippathayam (1981)". Archived from the original on 30 December 2018.
  2. ^ "Festival de Cannes: Elippathayam". festival-cannes.com. Archived from the original on 24 May 2012. Retrieved 2009-06-13.
  3. ^ Simon, Litty (3 July 2018). "77 years to Adoor: a look at his best works". Manorama. Archived from the original on 23 August 2019. Retrieved 15 June 2019.
  4. ^ "It's a small world. -- Britannica Online Encyclopedia". Archived from the original on 11 September 2012. Retrieved 7 January 2010.
  5. ^ Nagarajan, Saraswathy (27 February 2019). "'Sukhantyam' is about how life has to be experienced: Adoor Gopalakrishnan". The Hindu.
  6. ^ Maslin, Janet (27 March 1983). "Indian 'Rat Trap'". The New York Times. New York. Retrieved 13 February 2025.
  7. ^ "60 years of awards at the London Film Festival – A brief history of the competition". BFI. Archived from the original on 5 February 2025. Retrieved 16 October 2023.
  8. ^ "29th National Film Awards" (PDF). Directorate of Film Festivals. Archived (PDF) from the original on 9 November 2018. Retrieved 2 September 2020.
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