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Die Another Day (song)

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This article is about the theme from the James Bond film. For other songs, see Die Another Day (disambiguation).

"Die Another Day"
Single by Madonna
from the album Die Another Day
ReleasedOctober 22, 2002 (2002-10-22)
Recorded2002
GenreElectroclash
Length4:38
LabelWarner Bros.
Songwriter(s)
Producer(s)
  • Madonna
  • Mirwais Ahmadzaï
Madonna singles chronology
"What It Feels Like for a Girl"
(2001) 		"Die Another Day"
(2002) 		"American Life"
(2003)
James Bond theme singles chronology
"The World Is Not Enough"
(1999) 		"Die Another Day"
(2002) 		"You Know My Name"
(2006)
Music video
"Die Another Day" on YouTube

"Die Another Day" is the theme song of the James Bond film of the same name (2002), performed by American singer Madonna. Due to the lack of commercial success of Garbage's "The World Is Not Enough", from the 1999 film of the same name, Metro-Goldwyn-Mayer Pictures wanted a high-profile artist for the theme of Die Another Day, and Madonna was their top choice. She wrote and produced the song with Mirwais Ahmadzaï, while Michel Colombier was enlisted as composer. It is an electroclash song with orchestral strings, and "psychological" lyrics about destroying one's ego that mention Sigmund Freud. "Die Another Day" plays on the film's opening scene, where Bond ―played by Pierce Brosnan― is tortured in North Korea.

In the United States, following a leak on late September, "Die Another Day" was released on October 22, 2002. In most European countries, it was released six days later. The song was then added to Madonna's ninth studio album American Life (2003), and included on her compilation albums, Celebration (2009) and Finally Enough Love: 50 Number Ones (2022). Upon release, critical reviews towards the song ranged from lukewarm to unfavorable, with critics often ranking it among the worst Bond theme songs. Despite this, it was nominated for the Golden Globe for Best Original Song, and two Grammy Awards: Best Dance Recording and Best Short Form Music Video.

"Die Another Day" was commercially successful. In the US, it reached the eight spot of the Billboard Hot 100 ―becoming the first Bond theme to reach the chart's top ten since 1985― and was the best-selling dance single of both 2002 and 2003. It topped the charts in Canada, Italy and Spain, and peaked within the top ten of other countries, such as the United Kindgom. Directed by Swedish directing team Traktor, the accompanying music video shows the singer in "Bond-inspired" situations, such as being imprisoned in a torture chamber, and in a fencing match with a doppelgänger. With a budget of $6.1 million ($10.66 million in 2024 dollars[1]), it is the second most expensive video ever made. The video's use of Jewish symbology generated some controversy among religious scholars. Madonna performed "Die Another Day" live on her Re-Invention (2004) and Celebration (2023–2024) concert tours, while a remixed form was used as video interlude on 2008―2009's Sticky & Sweet Tour.

Background and development

[edit]
Mirwais Ahmadzaï co-wrote and co-produced "Die Another Day" alongside Madonna.

Madonna and producer Mirwais Ahmadzaï began working on her ninth studio album, American Life (2003), following the September 11 attacks.[2] Recording sessions were put on hold as she starred in the film Swept Away (2002) ―directed by her then husband Guy Ritchie― and landed a role in the West End play Up For Grabs.[2] Around the time, Metro-Goldwyn-Mayer (MGM) Pictures was filming the twentieth James Bond film, Die Another Day (2002), under the direction of Lee Tamahori.[3] The previous film in the franchise, 1999's The World Is Not Enough, was a box office success, having grossed US$362 million worldwide. The eponymous theme song by alternative rock band Garbage, however, failed to gain commercial success in the United States.[3] This led the music management at MGM to look for an "even higher-profile" artist to write and perform Die Another Day's title song.[3]

The studio's first choice was Madonna, since her last soundtrack single, "Beautiful Stranger" from Austin Powers: The Spy Who Shagged Me, was a top-twenty hit in the summer of 1999 and won a Grammy Award for Best Song Written for Visual Media.[3] On February 2002, "sources on the set" disclosed that the singer was in negotiations to write and perform the theme song, and would even make a cameo appearance on Die Another Day.[3][4] The song was confirmed the following month, with Bond producers Barbara Broccoli and Michael G. Wilson issuing a statement: "We are thrilled that [Madonna], the world's most exciting songwriter and performer, has agreed to compose and sing the song for the first James Bond movie of the new millennium".[5] Madonna's publicist Liz Rosenberg told MTV that the song's title wouldn't necessarily be the same as the film's.[4] The cameo deal took longer to finalize.[3] Some sources suggested it was "particularly complicated" and may have cost the studio up to $1 milllion.[3] It was confirmed on July;[6] Madonna played a fencing structor named Verity, the only woman "not interested at all in [Bond]", in her own words.[7]

The singer and Ahmadzaï went over the demos they created for American Life, and settled on one with elements of techno and electronica, which was submitted for studio approval.[3] MGM executives liked the track, but didn't feel it could blend well with traditional Bond music.[3] Tamahori, by his part, wasn't convinced because, "[the demo] seemed to have and stops and starts and didn't seem to be that evocative".[3] Madonna explained during an interview on Larry King Live: "Everybody wants to do the theme song of a James Bond movie, and I never liked to do what everybody else likes to do. [...] I thought about it and I said, you know what? James Bond needs to get – needs to get techno [...] modern.[8] The track then went through "various interpolations", according to Wilson.[3] It wasn't until after seeing a rough cut of the film, that Madonna adapted it and changed its title to "Die Another Day", much to Tamahori and the studio's liking.[3]

Recording and composition

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French composer Michel Colombier, who'd collaborated on Madonna's 2001 single "Don't Tell Me", was brought in to provide a "bridge between [her and Mirwais'] electronica creation and the traditional Bond orchestral sound", as noted by author Mary Gabriel.[3][9] Colombier ―who was staying in Los Angeles at the time― was sent by MGM a rough edit of the opening of the film. He came to the conclusion that he need to do something "film-score-esque" with the song.[3] He called Ahmadzaï, who sent him a long version of the track, and began adding "a bunch of things to it".[3] Afterwards, he flew to London to conduct an ensemble of 60 string players at AIR Lyndhurst Studios.[3] Ahmadzaï, who was already mixing and recording the other American Life tracks with Madonna, explained that the process was, "often laborious but with a less-is-more philosophy that is reflected in the music's sparse arrangements". They wanted a "minimalist" production for the song, but at the same time make it sound "futuristic".[10]

According to Lucy O'Brien, after the orchestral sections were done, Ahmadzaï took the track back to his home in Paris to do a "complete re-arrangement" of it.[11] String engineer Geoff Foster recalled that Madonna wanted something "big and brass" which Ahmadzaï denied, since she had already done something similar on 1998's "Frozen".[11] Upon hearing the final version, Colombier explained it wasn't how he'd envisioned it, but "completely Mirwais"; "[he's] a master manipulator. Sixty real strings, played live, became audio files in his computer. They can be chopped like real pieces of fabric. He's amazingly brilliant with that", recalled Colombier.[3] An instrumental version of the song, with an "almost tango feeling", was created by Colombier for possible use over the closing credits.[3] The composer explained how the tango section was composed perfectly during rehearsals, but during the actual recording it did not work out as expected, prompting Madonna to grab the talkback mic and tell the crew, "It's not sexy enough, think about sex!"[3] The singer deemed "Die Another Day" one of her favorite songs because of its "cinematic" feel, "chilling" strings, and because it gave her the chance to work with a live orchestra.[3]

"Die Another Day"
20-second clip audio sample of "Die Another Day". Amidst the electroclash beats, the strings can be heard in the background over Madonna, who repeats the line I guess I'll die, another day. She ends the first refrain with a reference to Austrian-born neurologist Sigmund Freud.[12]
Problems playing this file? See media help.

For the lyrics, Madonna sought to bring a "more psychological approach" to the James Bond premise of good versus evil. "It's about destroying your ego", she explained in an interview with Genre magazine; "Like all Bond films, somebody's chasing him or he's chasing somebody, and it's always a fight against good and evil. [...] [The lyrics are] kind of a metaphor of... I'm fighting myself".[13][14] The song avoids any references to Bond, instead opting to refer Austrian-born neurologist Sigmund Freud and his concept of the death drive.[12] This is reflected on "cryptic" lines such as, Sigmund Freud, analyze this, I'm gonna keep this secret/I'm gonna delay my pleasure/I'm gonna destroy my ego.[12][3][15] Musically, "Die Another Day" has been noted a "pounding" electroclash song that nods to the "inventive, experimental" nature of Madonna's eight studio album Music (2000).[16][17] According to the sheet music published by Alfred Publishing Inc., "Die Another Day" is set in the time signature of common time with a fast tempo of 130 beats per minute. It is composed in the key of E major with Madonna's voice spanning from the notes B3 to D♯5.[18]

It begins with the sound of Colombier's strings, which echo the ones used on "Papa Don't Preach" (1986), and play for eleven seconds.[19][15] The singer's vocals throghout the song are heavily filtered and recall past singles such as "Everybody" (1982) and "Music" (2000).[19] At one point, she laughs in a "diabolical" way and whispers, I need to lay down.[12] The strings again gain prominence at around the 2:20 mark.[15] Also present on the track are "squelchy" synthesizers and glitchy beats.[20] Towards the end, the electronic beats and orchestra strings interpolate just before the song fades out. Sterling Clover from The Village Voice compared the track's ending to the snare drums and bass usage in songs of the microhouse genre, describing it as a, "cacophony of harmonic fragments".[21]

Usage on Die Another Day and release

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"Die Another Day" plays on the film's opening sequence, where James Bond (Pierce Brosnan) is shown imprisoned and being tortured in a North Korean prison.[3] Anita Camrata, executive vice president of MGM Music, explained that the song "nailed" the essence of the scene, and helped "set up the story".[3] Additionally, the decision to use the song so early in the film allowed composer David Arnold to focus on the score.[3] Daniel Kleinman, designer of every Bond title sequence, however, confessed that he wasn't fond of the track's usage: "If I had a decision about which music track would have gone with [that sequence], I probably wouldn't have chosen that particular song".[3]

In the United States, the physical single of "Die Another Day" was released on October 22, 2002.[22] Its original release date was October 10, but ten days prior, it was leaked to a New York radio station.[23] Website Hollywood.com reported that the singer and her team were "beside themselves" following the leak.[24] In most European countries, the single was issued on October 28.[a] Afterwards the song was added to American Life, and included on Celebration (2009), Madonna's third compilation album.[25][26] Official remixes were created by Victor Calderone, Deepsky, Dirty Vegas and Thunderpuss.[27] One of the Deepsky remixes can be found on Finally Enough Love: 50 Number Ones (2022), Madonna's third remix album.[28]

Critical reception and recognition

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Initial reviews towards "Die Another Day" ranged from mixed to unfavorable. Positive feedback came from Craig Seymour, writing for Entertainment Weekly. He applauded its "dance-floor urgency" and lyrics, which he felt turned the "whirling" song into a "trippy self-homage".[19] From Spin magazine, James Hannaham considered it a brilliant, melodramatic song, that sounds like a "stoic response to a world gone mad".[29] Billboard's Chuck Taylor deemed it an "odd number, somewhat disjointed, a bit nonsensical, and not so much melodic as a highly stylized jam".[17] Rikky Rooksby singled out the string arrangement and "witty" Freud reference, but said the song as a whole was, "melodically uninteresting and harmonically repetitious".[15] He compared it negatively to "The World Is Not Enough", and concluded that, "['Die Another Day'] reveals much about the decline in songwriting quality from the early Bond songs".[15] Sterling Clover dismissed it as, "hostile and uneasy ―as a single, club track, [and] Bond theme".[21] On his review of American Life, Stephen Thompson from The A.V. Club opined "Die Another Day" was a "pneumatic, hook-deficient" track.[30] Entertainment Weekly's Ken Tucker considered it a flat song that's neither "Madonna Classic nor Diet Madonna".[31] Dan Gennoe from Dotmusic referred to "Die Another Day" as a "one-dimensional" track that tries "too hard" to be clever.[32] Other reviewers panned it as "cheerless", "half-dead", and "rubbish".[33][34][35]

"[T]he most divisive James Bond offering [...] Madonna and Mirwais understood the assignment perfectly. The 007 template needed mixing up [...] And while 'Die Another Day' retains [previous theme songs'] offering for drama, its electroclash beats [...] brought the Pierce Brosnan era kicking and screaming into the 21st century".

— Billboard's Jon O'Brien commenting on the song.[20]

Despite being often referred to as one of the worst Bond theme songs ―with criticism being given to its autotuned vocals[b]― retrospective reviews towards the song have been more positive. In a 2006 MORI poll for the Channel 4 program James Bond's Greatest Hits, "Die Another Day" was voted 9th out of 22, and also came in as an "overwhelming number one" favorite among those under the age of 24.[43] Writing for The Daily Telegraph, Neil McCormick deemed it the fifth best Bond theme song, reffering to it as an electro R&B workout that's, "expressively weird, brutally modern, satisfyingly original and evocative of the dark heart of Bond".[41] An editor for Vogue wrote: "While the sound is so unashamedly and almost hilariously early-naughts sounding, it’s still one of the greats. [...] [E]very Bond song is big and ballad-y, but Madge went full dance-pop [...] and she more than delivered".[44] Instinct's Samuel Murrian deemed it a "terrific dance track, just a weird fit for Bond".[45] Louis Virtel from TheBacklot and the staff of Rolling Stone, considered "Die Another Day" to be Madonna's 62nd and 50th greatest song, respectively.[46][47] It came in at number 54 on the ranking created by Matthew Jacobs from HuffPost: "[A]s a song, [it] packs melodrama where it should find a hook. But as a Bond anthem, it’s the perfect way to introduce the action series to the 21st century".[48]

Author Daryl Easlea felt the song had all the "key poignancy" from previous Bond themes, as well as a "new edginess and experimental darkness" to it, that's "very much [Madonna]".[13] In The Music of James Bond, Jon Burlingame described it as the "most sonically edgy" Bond song.[3] According to Mary Gabriel, most critics thought Madonna had, "strayed too far from the hallowed Bond tradition, which was precisely the excuse [they] used to pillory [her]".[9] She also felt the "flood of negative press" the singer had received for starring in the critically panned Swept Away played a part in the negative reception towards the song; "[music critics] felt obligated to dislike ['Die Another Day'] as much as film critics had trashed [Swept Away]".[9] At the 60th Golden Globe Awards, "Die Another Day" was nominated for Best Original Song, but lost to U2's "The Hands That Built America" from Gangs of New York.[49][50] By contrast, it was also nominated for Worst Original Song at the 23rd Golden Raspberry Awards ―Madonna herself was named Worst Supporting Actress for her participation on the film.[51][52] "Die Another Day" was up for Best Dance Recording and Best Short Form Music Video at the 46th Annual Grammy Awards, where it lost to Kylie Minogue's "Come Into My World", and "Hurt" by Johnny Cash, respectively.[53][54]

Chart performance

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"Die Another Day" was the second Bond theme to reach the Billboard Hot 100's top ten after "A View to Kill" (1985) by Duran Duran (picture).

Following its leak on October 10, "Die Another Day" began receiving heavy airplay.[55] Billboard reported that the song was "all over the airwaves in major markets", having been spun more than 100 times in two Miami stations alone.[55] Debuting at number 41 on October 19, 2002, it was the year's highest entry on the Billboard Hot 100 up at that point, outcharting other Bond themes like "Diamonds Are Forever" (1971) by Shirley Bassey, Lulu's "The Man with the Golden Gun" (1974), and "The Living Daylights" (1981) by A-ha.[17]

"Die Another Day" marked many Hot 100 achievements for Madonna: It was the year's eight song to debut in the chart's top half, the highest new entry since September 2001, and Madonna's highest new entry since "Music".[17] On November 9, the song had an "18 to 8" leap, giving the singer her 35th top ten hit.[56] This feat put her ahead of the Beatles' 34 top-tens, and one behind Elvis Presley's record as the artist with the most top-ten singles on the Hot 100.[56] It was Madonna's highest-charting song since "Don't Tell Me" ―which peaked at number 4 on February 2001― and her 44th top 40 hit —the most for any artist— breaking the tie with Aretha Franklin's 43 entries.[56] "Die Another Day" is Madonna's 33rd most successful single in the Hot 100.[57] It's also the first Bond theme to reach the Hot 100's top ten since Duran Duran's "A View to a Kill" (1985), and was the last for a decade until "Skyfall" by Adele.[57][58]

Additionally, the song was Madonna's 28th number-one on Billboard's Hot Dance Club Songs chart.[59] "Die Another Day" was the best-selling dance single of both 2002 and 2003.[60][61] According to Nielsen SoundScan, the song has sold 232,000 digital downloads as of February 2013, making it one of Madonna's best-selling titles released before 2005 ―the year when downloads began contributing into calculating the ranks of the Hot 100― and one of the top ten best digital-selling Bond theme songs.[62][63] In Canada, "Die Another Day" debuted at number 25 on the Canadian Singles Chart, and ultimately reached the top, where it remained for a total of four weeks.[64][65] It was certified double platinum by the Music Canada (MC) for the shipment of 200,000 copies.[66]

In the United Kingdom, "Die Another Day" debuted and peaked at the third position of the UK Singles Chart on November 3, 2002, with 52,500 copies sold.[67][68] DJ Sammy and Yanou's rendition of Bryan Adams' "Heaven", and "Dilemma" by Nelly and Kelly Rowland kept "Die Another Day" from the chart's top spot.[69] "Die Another Day" was the UK's 80th best-selling single of 2002.[70] On September 2015, the song was certified silver by the British Phonographic Industry (BPI) for selling over 200,000 copies.[71] The single was successful across Europe, reaching the top ten of the charts in Austria, Belgium ―both Flanders and Wallonia― Denmark, Finland, Germany, Greece, Netherlands, Norway, Sweden and Switzerland, while topping the charts in Italy and Spain.[a] In Italy alone, the song spent 8 consecutive weeks at the first spot of the Musica e dischi charts.[72] In France, it received a gold certification from the Syndicat National de l'Édition Phonographique (SNEP) for shipping of 250,000 copies.[73] "Die Another Day" debuted and peaked at the third position of the European Hot 100 Singles chart.[74] In Australia, "Die Another Day" reached the fifth spot of the singles chart, and obtained a gold certification from the Australian Recording Industry Association (ARIA) for the shipment of 35,000 copies.[75][76] It was less successful in New Zealand, where it reached number 22.[77]

Music video

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Background and filming

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The gun barrel sequence from the Bond films is used at the end of the music video.

The music video for "Die Another Day" was directed by Traktor, a Swedish directing team known for several TV advertisements, made up of Mats Lindberg, Pontus Löwenhielm, and Ole Sanders.[9] Cinematography was in charge of Harris Savides.[78][79] With a production cost of $6.1 million ($10.66 million in 2024 dollars[1]), it is the second most expensive music video ever made, behind "Scream" (1995) by Michael Jackson and Janet Jackson.[80] Filming took place in August 2002 at the Hollywood Center Studios in Hollywood, California.[9] In May, while they were in Prague filming the video for The Prodigy's "Baby's Got a Temper", Sanders and the team received a letter from Madonna, along with a half-finished demo of the song.[78] At first, they didn't really believe the letter had come from the singer, "since [it] was long and handwritten. But the song sounded suspiciously like her".[78] Sanders then flew to London's Pinewood Studios to watch a half-finished version of Die Another Day with Barbara Broccoli, and meet with Madonna at her home and discuss the project.[78] Through emails, Sanders and his colleagues offered ideas to which the singer responded with "concise, unequivocal and occasionally entertaining" feedback.[78] Sanders recalled:

[Madonna] works extremely hard with gumption and detail, and it was clear to us how she has remained on top for twenty years. It was no use being unprepared with vague ideas disguised as creativity, and there was no place to hide... First it felt like doing nonsense, then it's fun and it's something that's going to be seen. The project brings us into contact with interesting actors within both film and music.[78]

Conceived as a standalone Madonna video, the clip was devoid of any footage from the film, but still "Bond-inspired".[78] In her own words, the video's message was, "don't fuck with me [...] Pain is an illusion and death is just a doorway".[9] She plays a secret agent in "death-defying situations" that echo past Bond films, and partakes in a fencing match with a doppelgänger ―a nod to her role as Verity.[79][81] Post-production was done by London's Moving Picture Company (MPC); Christophe Allender coordinated the visual effects, which were used in almost every shot.[79] Many of the scenes ―including the fight between the two Madonnas― were shot against green screen, and employed computer-generated imagery.[79] Wounds were also created, such as a cut that appears on Madonna's arm after she's slashed by the doppelgänger.[79] Ketchup and Worcestershire sauce smeared on a wall were used as blood.[79] A 2K resolution was used to film the final frame, which depitcs the Bond gun barrel sequence; finally, instead of grading the film print, MPC colorist Jean-Clement Soret used the negatives to achieve crisper and cleaner images.[79]

Synopsis and release

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Scene of "Die Another Day" in which two Madonnas ―one in black, the other in white― fight each other.

It begins with Madonna being dragged by two soldiers through a dark corridor. She's covered in sweat, dirt, bruised and battered, and has three Hebrew letters tattoed on her right forearm: Lamed, Aleph and Vav.[9][82] The men throw her into a torture chamber, where they thrust her against a wall, slam her torso onto a table, and dunk her head into icy water.[9] On the next shot, she performs a dance of "pure mad sexual" defiance, as noted by Mary Gabriel; she leaps onto the table, hangs from a chain, and rolls on a floor covered with broken glass.[9]

The fencing segment with the two Madonnas ―one in white and the other in black― takes place inside a white lit glass shop.[82] The wounds they inflict each other are mirrored on the imprisoned Madonna from the beginning. This particular secuence contains easter eggs and nods to previous films of the franchise, such as a painting of Pierce Brosnan, and a character who flings "deadly bowler hats" at Madonna, played by the nephew of actor Harold Sakata, who starred in Goldfinger (1964) as Oddjob.[4][9]

Back in the torture chamber, Madonna wraps phylacteries around her arm, and hides from her captors behing an electric chair. The soldiers strap her onto the chair, but she laughs and spits at them. At the same time, the Madonna in white kills the one in black with a speargun. The Madonna in black falls down and concurrently, a soldier pulls the switch on the electric chair. The singer's body is nowhere to be found, but the three Hebrew letters are now burned onto the chair, much to the bewilderment of the men. Madonna's seen running from the torture chamber, as the video ends with the gun barrel sequence.[79] "Die Another Day" premiered on MTV on October 10, following Making the Video.[23] It was also added to the enhanced soundtrack disc ―which included a portion of the episode― to the Die Another Day DVD, and to Madonna's 2009 video compilation Celebration: The Video Collection.[83][84][26]

Analysis and reception

[edit]
At one point in the video, Madonna wraps phylacteries around her arm, like in the image. This generated some backlash within Jewish scholars, as it is a custom usually reserved for men.

According to Santiago Fouz-Hernández, one of the authors of Madonna's Drowned Worlds, a split of identity happens in the scenes where the singer and her doppelgänger fight.[85] This sentiment was echoed by Mary Gabriel, who added that a death of the ego takes place when the Madonna in white kills the one in black.[9] The Hewbrew letters branded by Madonna at the beginning ―which also appear burned onto the electric chair at the end― form one of the 72 names of God, and are associated with curtailing the power of the ego.[9] In Representing Gender In Cultures, Joanna Rydzewska argued that the violent imagery was a nod Madonna's "tumultuous" marriage with actor Sean Penn, and was meant to contrast with the "tremendously independent artist she is".[86] By her part, Gabriel pointed out that, even though she's surrounded by men, "[Madonna's] the toughest of them all".[9]

The use of Hebrew symbology generated some backlash in the Jewish community.[87] Rabbi Yitzhak Bazri condemned Madonna's use of phylacteries, a Jewish custom usually reserved for men. "To do this is forbidden. It's disgraceful", expressed Bazri.[87] Michael Berg, one of the singer's Kabbalah advisers in Los Angeles said the phylacteries represent a "diminution of the desire to receive and a strengthening of the desire to share", but did notice that it wasn't common for women to bear them, and that doing so might be regarded by some Jews as sacrilege.[9][88] Liz Rosenberg issued a statement: "[Madonna] doesn’t like to explain her videos in great detail, but I think there are many messages there, and her intention in making this video was honorable".[89] According to Mary Gabriel, however, there were religious scholars who, "werent so sure that [Madonna's] performance [in "Die Another Day"] was entirely bad for Judaism".[9] Rabbi Ephraim Buchwald, director of the National Jewish Outreach Program in Manhattan, said some Jewish leaders felt the singer would insprire lapsed Jews to contemplate their faith.[88]

From Parade, Samuel R. Murrian felt the video overshadowed the actual film, while Louis Virtel placed it at number 25 of his ranking of the singer's videos.[90][91] At the 2003 MTV Video Music Awards, "Die Another Day" was nominated for Best Video from a Film but lost to Eminem's "Lose Yourself".[92][93] At the MVPA Awards, it was awarded Soundtrack Video of the Year.[94]

Live performances

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Madonna singing "Die Another Day" on the Celebration Tour (2023―2024)

Initial reports by The Observer suggested that Madonna would perform the song in front of Queen Elizabeth II at the film's premiere in London's Royal Albert Hall.[95] A tango version featuring "abstract" ballroom choreography was performed on 2004's Re-Invention World Tour.[96][97] Madonna wore a circus-themed corset, while the backdrops depicted X-rays and an old man on his deathbed.[98][99] The number, which ended with the singer being strapped onto an electric chair, was deemed "wonderfully inventive" by the Toronto Sun's Jane Stevenson.[96] A performance of "Die Another Day" from this tour was included on Madonna's first live album, I'm Going to Tell You a Secret (2006).[100]

A remix by DJ Enferno was used as video interlude on 2008―2009's Sticky & Sweet Tour.[101][102] Onstage, two dancers dressed as boxers partook in a "gorgeously choreographed match", while the video on the screens showed a bruised Madonna ―also in boxing gear― "getting walloped for a TKO [...] [and] splaying her shed blood across the video screen".[101][103] Paul Schrodt from Slant Magazine praised the number: "Unlike your run-of-the-mill diva, [Madonna] is willing to get dirty for her art, and she sometimes gets lost in her backup dancers' routine, though she's quick to remind the audience, 'I'm still the one in control'".[104] The performance was included on the Sticky & Sweet Tour live album release (2010), recorded in Buenos Aires, Argentina.[105]

On July 26, 2012, Madonna played Paris's Olympia as part of her MDNA Tour. She sang a mashup of "Die Another Day" and MDNA album track "Beautiful Killer".[106] The performance of "Die Another Day" on the Celebration Tour (2023―2024) began with a quotation by Greek–Armenian philosopher George Gurdjieff flashing on screen: "To be born, we must first die, and to die, we must first awake".[107] An "intricately choreographed" rendition with mystical undertones was then performed by Madonna and dancers, who donned leather cowboy hats and dusters, amid laser beams.[108][109] Writing for Variety, Mark Sutherland criticized the lack of a live band during the "glitchy" number.[110]

Track listing and formats

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Credits and personnel

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Credits adapted from the liner notes of the Die Another Day soundtrack, and American Life album.[125][25]

Charts

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Certifications and sales

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Certifications and sales for "Die Another Day"
Region Certification Certified units/sales
Australia (ARIA)[76] Gold 35,000^
Belgium (BRMA)[180] Gold 25,000*
Canada (Music Canada)[66] 2× Platinum 20,000^
France (SNEP)[73] Gold 250,000*
Greece (IFPI Greece)[137] Gold 10,000^
United Kingdom (BPI)[71] Silver 225,936[181]
United States — 422,000[c]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Release history

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Release dates and formats for "Die Another Day"
Region Date Format(s) Label(s) Ref.
United States October 22, 2002
Warner Bros.
[183][184]
Germany October 28, 2002
Warner Music
[136]
United Kingdom
Maverick
[185]
France October 29, 2002 Maxi CD
[186]
Australia November 4, 2002 Maxi CD[d] Warner Music
[187]
November 25, 2002 12-invh vinyl
[188]
United States November 26, 2002 7-inch vinyl Warner Bros.
[189]
Japan November 27, 2002 Maxi CD Warner Music
[190]

See also

[edit]

Notes

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  1. ^ a b See sources cited on "Weekly charts" section
  2. ^ Attributed to multiple references[36][37][38][39][40][41][42]
  3. ^ In the US, "Die Another Day" has sold 190,000 physical units,[182] and 232,000 digital units,[63] bringing its sales total to 422,000 units.
  4. ^ a b In Australia and the UK, "Die Another Day" was made available in two maxi CD variants.

References

[edit]
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Bibliography

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