Uttam Kumar

Uttam Kumar
Kumar in 1958
Born	Arun Kumar Chattopadhyay (1926-09-03)3 September 1926 Calcutta, Bengal Presidency, British India (now Kolkata, West Bengal, India)
Died	24 July 1980(1980-07-24) (aged 53) Calcutta, West Bengal, India
Other names	Mahanayak
Alma mater	Goenka College of Commerce and Business Administration
Occupation(s)	Actor, producer, director
Years active	1948–1980
Works	Filmography
Spouse(s)	Gauri Chatterjee ​ ​ (m. 1948⁠–⁠1963)​ Supriya Devi ​ (m. 1963⁠–⁠1980)​
Children	1
Relatives	Tarun Kumar Chatterjee (brother) Gourab Chatterjee (grandson)
Awards	Full list

Arun Kumar Chattopadhyay (3 September 1926 – 24 July 1980), known professionally as Uttam Kumar, was an Indian actor, director, producer, screenwriter, composer and playback singer who predominantly worked in Bengali cinema. Widely regarded as one of the greatest, most accomplished and commercially successful actors in the history of Indian cinema, Kumar dominated Bengali cinema from the 1950s throughout the 1970s, being referred to as "Mahanayak" (Bengali for "The Great Hero"). His accolades include five National Awards and four Filmfare Awards.

In a career spanning over five decades, Kumar worked in 211 films, till his death in 1980. After a few years of acting in plays, he made his film debut in the 1948 film Drishtidan in a supporting role, produced by M. P. Productions. By the early 1950s, he had graduated to lead roles and had his first box office hit with Basu Paribar (1952), following a series of unsuccessful ventures. He first gained popularity with Sharey Chuattor (1953), where he starred opposite his frequent co-star Suchitra Sen. He consistently starred in top-grossing films from the mid-1950s to the 1960s, such as Champadangar Bou, Agni Pariksha, Shap Mochan, Sabar Uparey, Sagarika, Ekti Raat, Harano Sur, Pathey Holo Deri, Indrani, Maya Mriga, Saptapadi, Bipasha, Bhranti Bilash, Deya Neya, Kokhono Megh, as well as some of his most acclaimed performances include Upahar, Raat Bhore, Saheb Bibi Golam, Shyamali, Marutirtha Hinglaj, Bicharak, Abak Prithibi, Kuhak, Khokababur Pratyabartan, Jhinder Bondi, Sesh Anka, Jatugriha, Nayak, Chowringhee, Chiriyakhana and Antony Firingee. He achieved further superstardom and appraisals in the 1970s, for starring in several successful ventures with different genres, including Nishi Padma, Bilambita Loy, Dhanyee Meye, Chhadmabeshi, Stree, Mem Saheb, Andha Atit, Bon Palashir Padabali, Amanush, Sanyasi Raja, Agnishwar, Mouchak, Bagh Bondi Khela, Sabyasachi, Ananda Ashram, Bandie, Nishan, Dhanraj Tamang, Pankhiraj, Dui Prithibi, Ogo Bodhu Shundori and Kalankini Kankabati. Apart from acting, Kumar showed his versatility in another fields, including as a director and screenwriter of films such as Sudhu Ekti Bachhar, Bon Palashir Padabali and Kalankini Kankabati, as a composer in Kal Tumi Aleya and Sabyasachi, and as a singer in Nabajanma.

Kumar was the first recipient of the National Award in the Best Actor category for his work in Antony Firingee and Chiriyakhana. He is the namesake of Mahanayak Uttam Kumar metro station in Tollygunge and the Mahanayak Samman Award given by the Government of West Bengal.

Early life

Uttam Kumar was born as Arun Kumar Chattopadhyay on 3 September 1926 at his maternal home, situated at 51 Ahiritola Street in northern Calcutta (now Kolkata), in the Bengal Province of Brtish India (now in West Bengal, India). His father was Satkari Chattopadhyay, a Hindu Brahmin from Hooghly district, and his mother was Chapala Devi. Initially he was named "Uttam" by his maternal grandfather, although his mother did not like this name, so the name "Arun" was given. Sripurna Sanyasi, the spiritual master of his maternal family, predicted that the entire country would recognise him by the name "Uttam", seeing his smile.

Belonging to an extended middle-class family, Kumar's father was a film projectionist in Metro Cinema. He had two brothers, Barun and Tarun, of which the latter also became an actor. His ancestral home was at 46/A Girish Mukherjee Road in Bhabanipur, where his interest in acting grew by watching the Jatra reharsed and performed by the group Suhreed Samaj, founded by his father and uncle.

Kumar first studied in Chakraberia High School, where his first acting opportunity came at the age of five in the Gayasur play, which awarded him a medal, in the child role of Gayasur. In 1936, he found a theatre group called Lunar Club, along with his friends, whose first production was Rabindranath Tagore's Mukut. It turned out to become a huge success, that the artists were offered a room for their rehearsals at a neighbour’s home. His father selected him to play the role of Balarama in Suhreed Samaj's stage production Brajer Kanai.

In 1940, Kumar moved to South Suburban School (Main), where he passed matriculation with second division in 1942. He joined Government Commercial College (now Goenka College of Commerce and Business Administration) for his higher studies in 1943, where he passed B. Com standard, and joined Calcutta Port Trust as a clerk in the cash department, with a monthly salary of ₹275. In 1943, Kumar also donated ₹1,700 to the fund of Indian National Army, which was earned from a special stage production of Bankim Chandra Chatterjee's Anandamath by Lunar Club.

Kumar took classical music training from Nidanbandhu Banerjee in his childhood. An admirer of Johnny Weissmuller, he was the champion of hundred yards Freestyle at Bhabanipur Swimming Association for three consecutive seasons. He also learned yoga, wrestling and Lathi Khela, a traditional Bengali martial art. As a skilled footballer, Kumar used to play in the right-back position and was a lifelong Mohun Bagan supporter. At the same time, he was equally interested in playing volleyball and cricket.

Career

Early career (1947–1951)

Kumar entered the film industry in 1947, appearing as an extra in the Hindi film Maya Dore. Although he acted for five days at Bharatlaxmi Studios for a fee of ₹125, the film remained unreleased. His first acting role in a film was in the younger role of the central character played by Asit Baran in Drishtidan (1948), directed by Nitin Bose; this film was under his birth name Arun Kumar Chattophadyay. The next year in 1949, he appeared for the first time as the hero in the film Kamona, changing his name again to "Uttam Chatterjee". Later he changed his name again to "Arup Kumar" with the 1950 film Maryada, where he first got the opportunity to lip-sync to a song. In 1951, Kumar joined M. P. Productions as a staff artist. The same year, he starred in Agradoot's Sahajatri. It was the first film in which he used the name "Uttam Kumar", at the advice of Pahari Sanyal. In this film, he met singer-songwriter Hemanta Mukherjee, lip-syncing over whose voice later went on to gain his popularity.

By the age of 26, following by his appearances in a series of unsuccessful films, such as Ore Jatri, Nastaneer and Sanjibani, Kumar was derogatorily nicknamed "Flop Master General". He was hugely disappointed and decided to leave the film industry. By this time, Kumar continued working at the Port Trust simultaneously.

Initial success and breakthrough (1952–1954)

In 1952, Kumar was then discovered by director Nirmal Dey, who cast him in one of the lead roles in M. P. Production's Basu Paribar, where he starred opposite Supriya Devi, one of his later frequent co-stars, for the first time. Dey "saw his talent, which most makers didn't. He was exceptional, a genius actor who was in films that weren't good." However, Basu Paribar was a box-office success and one of the highest-grossing films of that year, breaking Kumar's dry spell at the box office and making him a star. Following its success, he resigned from his job at the Port Commissions, and joined the film industry in a complete manner. His another release in that year was Kar Paape, a social problem film addressing the matters of syphilis, a sharp contrast to the romantically themed films that had generally preceded it. However, it initially bombed at the box-office because of its A-certified storyline, Kar Paape later got recognition for its groundbreaking theme.

In 1953, Kumar collaborated with Dey for the second time in Sharey Chuattor, a multistarrer comedy which was his first time appearance with Suchitra Sen. It became a trend-setter by running for over 63 weeks in single-screens and emerged as the highest-grossing Bengali film of the year. Sharey Chuattor also created a history for being the first film to be screened at Paradise cinema hall, a theatre of Kolkata where mostly Hindi films were used to be shown throughout a year. The Times of India ranks the film in their list of Bengali cinema's all-time greatest comedy films. The same year, Kumar played Uday in Bou Thakuranir Haat, based on Rabindranath Tagore's 1883 novel of the same name. The flow of successes continued for Kumar in 1954. He began the year with Moner Mayur and Ora Thake Odhare, both of which ended up as moderate commercial successes. After this, he starred in Nirmal Dey's drama film Champadangar Bou, a box-office success. His another films in this year included Maraner Pare, Sadanander Mela and the National Award winning Annapurnar Mandir. Kumar's first breakthrough role came with Agradoot's musical romance Agni Pariksha; it co-incidentally released on Kumar's 27th birthday, giving birth to a new image of him, that of a "romantic hero". The film opened to excellent response, eventually taking top spot at the box office that year and emerging an All Time Blockbuster as well as Kumar's biggest up to that point of time. Kumar's performance in the film is considered as one of the most iconic performances in Tollywood history.

Agni Pariksha had a special contribution in terms of promotion in the history of Bengali cinema. M. P. Productions used the signatures of both Kumar and Sen on the poster of film as the main attraction under the its tagline "Witness of Our Real Love". It created speculation as Kumar's wife Gauri Devi and Sen's husband Dibanath Sen didn’t take the caption in well. However, his on-screen chemistry with Sen in the film gained huge popularity, which later went on to be named the "Uttam-Suchitra magic". It was the first of many collaborations between Agradoot and Kumar; the team wrote many of their subsequent scripts and films with Kumar in mind for the lead role, and insisted on him being cast for their later films. By this time, Kumar had developed his distinct, signature style of understated acting of mumbling his dialogues while giving myriad expressions and meanings to lines that his characters uttered.

Rise to prominence (1955–1959)

In 1955, Kumar starred in a variety of film genres, from the mythological Raikamal and the psychological drama Hrad to the romantic drama Saajher Pradip. He received his first BFJA Award in the Best Actor category, for his portrayal of a short term anterograde amnesia patient. This was also the year in which he starred in two important films of his career. The first was the musical blockbuster Shap Mochan, directed by Sudhir Mukherjee, where he worked with Suchitra Sen, Bikash Roy, Pahari Sanyal, Kamal Mitra and Tulsi Chakraborty. Emerged as a blockbuster at the box-office, his combination with Hemanta Mukherjee became iconic, and they later became the most popular singer-actor duo. The Times of India ranks Shap Mochan among Ten Must-Watch Bengali films featuring Uttam Kumar and Suchitra Sen. The other, released on 1 December 1955, was the crime-noir Sabar Uparey, a reworking of A. J. Cronin's 1950 novel Beyond This Place. The same year, Kumar stepped into the art-house dramas, maidenly collaborating with Tapan Sinha and Mrinal Sen in their respective directorials Upahar and Raat Bhore. Though the former one was a moderate success, the second film which also marks Sen's directorial debut, became both critically and commercially unsuccessful at that point of time. On its failure, Sen himself had mentioned many times that it was not at all a memorable film of him by any standards, despite having Kumar's promising performance.

Kumar played the role of a young medical student in the blockbuster Sagarika in 1956, co-starring Suchitra Sen. He got critically acclaimed for his performance in the social drama Saheb Bibi Golam. Based on a 1953 novel of the same name by Bimal Mitra, the film explores the tragic fall of feudalism in Bengal during the British Raj. Despite its heavy and female-centric theme, Saheb Bibi Golam went on to become a superhit, and became an influence for Abrar Alvi and Guru Dutt to remake it into Hindi as Saheb, Biwi Aur Ghulam (1962). Biswajeet Chatterjee was influenced by Kumar's performance from the film, when he used to play the same character in its stage adaptation under Rangamancha Theatres. The same year, Kumar appeared in Ajoy Kar's Shyamali; it was previously staged under the production of Star Theatres, where he used to play the same role he played in the film, adapting it from the original story by Nirupama Devi. Kaberi Bose played the titular role opposite Kumar in the film, whereas it was played by Sabitri Chatterjee on stage. Despite having been seen that any successful play did not perform well commercially when picturised in film, Shyamali was an exception, setting a landmark. He was cast by Debaki Kumar Bose in Chirakumar Sabha and Nabajanma, in the latter of which Kumar made his debut as a singer by singing six verses of Vaishnava Padavali, composed by Nachiketa Ghosh. His other major hits that year include Ekti Raat and Trijama, both of which co-starred Suchitra Sen.

Kumar formed his own production house Alo Chhaya Productions, in joint venture with Ajoy Kar in 1957. He made his debut as a producer, starring in Kar's psychological romance Harano Sur, which emerged as the highest-earning film of that year. Inspired by Mervyn LeRoy's American film Random Harvest (1942), the film received Certificate of Merit for Third Best Feature Film in Bengali at the 5th National Film Awards. Apart from it, Kumar paired with Suchitra Sen in the musical romance Pathey Holo Deri, the first Bengali film to be shot in gevacolor, and in Chandranath, the first Indian film to be released in Metro Cinema. Following the successes of these, Asit Sen directed Jiban Trishna with Kumar and Sen in the lead, which also became a box-office hit, running for over 70 days in theatres. His other releases of 1957, Bardidi and Abhayer Biye underperformed with the latter ending its run with average numbers owing to huge costs, but the crime noir Taasher Ghar, in which played his first time dual roles, was a box office hit. This changed in 1958 with back-to-back huge blockbusters alongside Suchitra Sen in Rajlakshmi O Srikanta, Indrani and Surya Toran, each being among the top 5 highest-grossing films of 1958. The song "Sab Kuchh Lutakar Huye Hum Tumhare" sung by Mohammed Rafi without any remuneration, used in Indrani, was the first Hindi song in a Bengali film. In the same year, he appeared alongside Arundhati Devi in Mangal Chakraborty's action-adventure Shikar, which proved to be a flop.

In 1959, Kumar got appreciation for his performance in Bikash Roy's mythological drama Marutirtha Hinglaj, which also became a commerical success. Tarun Kumar, who also acted in the film, mentioned a specific incident during its filming in his book Amar Dada Uttam Kumar, where the character played by Kumar would choke Sabitri Chatterjee's character out of anger, in a dream sequence; during its shooting, Kumar had got so deep into his character that he actually pressed Chatterjee's throat, and later apologised to her. After it, one of the unconventional performances in his career came in Bicharak, where he played the role of a judge, who acknowledges a fault committed by him in his past, looking into a case on the similar matter.

Superstardom and expansion (1960–1975)

In the 1960s, Kumar became a highly successful star. 1960 he appeared in Maya Mriga, as well as in the iconic Khokababur Pratyabortan. He also appeared in his first negative role in Kuhuk. In 1961 he worked with Tapan Sinha's cult classic Jhinder Bandi in a double role, and in Saptapadi which he produced. This film won a National Award and Kumar won his second BFJA Best Actor award. In 1962 he appeared in Bipasha and Shiulibari. In 1963 he worked on the musical Deya Neya. He also worked in Uttarayan, Surya Sikha with Supriya Devi, and thriller film Sesh Anka; and produced Branti Bilash where he played another dual role and Uttar Falguni. In 1964 he produced Jatugriha which won the National Award again and worked on Lalpathore. In 1965 he worked in an iconic crime thriller Thana Theke Aschi where he played a role of Police Investigator.

Shap Mochan and Sabar Uparey are often credited with exalting Kumar to the heights of superstardom, two years after he became a star with Sharey Chuattor and Agni Pariksha, and consolidating his domination of the industry throughout the late-1950s, 1960s and 1970s.

Satyajit Ray originally approached Kumar to appear in his film Ghare Baire, which he wrote in 1956. Ray approached Kumar to appear as the role of Sandip, but Kumar refused, believing the role would be better for an established actor. Ray completed the film in 1984, after Kumar's death, casting Soumitra Chatterjee for the role.

Kumar collaborated with Ray for the first time in 1966 on the film Nayak. Nayak premiered in Indira Cinema, during which an incident involving frenzied fans occurred. Satyajit Ray invited Uttam Kumar to the premiere, and when he arrived at theatre there were thousands of people gathered there. Kumar's shirts was snatched by the craze of public. For this film he won third time BFJA Award for Best Actor. Later he also attended in Berlin Film Festival. After seeing Kumar in Nayak, actress Elizabeth Taylor was impressed with his performance and wanted to work with and meet him.

In 1967, Kumar worked with Ray again in Chiriyakhana, in which he became the first actor to play the iconic Bengali detective Byomkesh Bakshi. When the Government of India instituted the National Film Award for Best Actor, Kumar was the first actor to be honoured at the 15th National Film Awards in 1968 for his performances in Chiriyakhana and Anthony Firingee.

He directed his first film, Sudhu Ekti Bochor in 1966. In 1967, he worked on the iconic biographical film Anthony Firingee based on a Portuguese Folk Poet Hensman Anthony's life, where Kumar won National Award for Best Actor as first Indian actor the film become all-time blockbuster also. He worked in Jiban Mrityu, Nayika Sangbad, Grihadaha where he won his fourth time BFJA Best Actor Award, and in Chiriyakhana.

At this time Kumar focused on character acting. In 1968 he appeared in cult classic film Chowrangee, Kokhono Megh and Tin Adhyay. In 1971 he worked in the iconic comedy Dhanni Meye and Chhadmabeshi, Jiban Jiggasa and Ekhane Pinhar for this film he won his fifth BFJA Best Actor Award. In 1972 he worked in two films, Stree and Memsaheb, and won his sixth BFJA Best Actor Award for Stree. In 1973 he worked on hit Roudra Chaya, and his own direction Bon Palashir Padaboli.

In 1974 he worked In a double version (Bengali and Hindi) color big film Amanush directed by Shakti Samanta. For this film he won for the seventh time the BFJA Best Actor Award and his first Filmfare Award. This film created a record at the box office and became a golden jubilee hit ran for 96 weeks in theatres. It's also become the most successful film of Kumar's entire career. In 1975 he appeared in big hit films such as Sanyashi Raja, Mouchak, and Agnishwar, and worked with Suchitra Sen for the last time in Priyo Bandhobi. In that same year he appeared in Bagh Bondi Khela as the villain.

Last years (1976–1980s)

From 1976, Kumar's career slumped, despite he give some hit films like Banhisikha (1976) where he won his eighth and last BFJA Best Actor Award which was a record win at that time and Sei Chokh. In 1977 he worked another double version Ananda Ashram by Shakti Samanta but only the Bengali version become all-time blockbuster and ran over 26 weeks. In 1978 he worked on superhit Dhanraj Tamang for which he won Best Actor Award in Filmfare Award East. In 1979 he worked on Sunayani which was a hit. But between these films, many films flopped and were average. In 1980 Dui Prithibi was release, and became successful and critically acclaimed after a long time. This was the last film released during his lifetime.

After his death some films were released; one of them Ogo Badhu Sundori (1981), became a huge success at the box office and ran for 26 weeks. Later releases Kalankini Kankabati which he directed, and Protisodh were also successful. In 1982 a Hindi film, Desh Premee, was released in which Uttam Kumar worked in an important supporting role. His last released film in 1987 was a Hindi film Mera Karam Mera Dharam where he appeared for a brief role.

Producing and directing

Kumar produced six Bengali films and one Hindi film. All of his Bengali film became successful. The first films he produced, Harano Sur (1957) and then Saptapadi, were under the banner of Alochayas Production. Both films were directed by Ajoy Kar and received the National Film Award. In 1963, he changed the name of his production house to Uttam Kumar Films Private L.T.D. The first film produced under this banner was Bhranti Bilash, which was followed by Uttar Falguni, and Jatugriha which both won National Award again, and Grihadaha. The only Hindi film as well as his last produced film was Chhoti Si Mulaqat, which was unsuccessful.

Later, Kumar directed three hit films like Sudhu Ekti Bochor which ran for 84 days in theatre, Bon Palashir Padabali which ran for 120 days in theatre and Kalankini Kankabati (released after his death).

Music

Kumar first sang in the 1950 film Maryada. He composed music for the film Kaal Tumi Aleya, in which Hemanta Mukherjee and Asha Bhosle sang, and also composed Sabyasachi (1977). He was also a playback singer in his own film Nabajanma (1956). Later, he made a recording singing Rabindra Sangeet. He collaborated with Shyamal Mitra on the background score for Bon Palashir Padabali.

Theatre

Kumar acted in theatre before debuting in the film industry. In 1953, he returned to theatre, acting in a play called Shyamali under the Star Theater banner. Shyamali created a record by running for over 486 nights. The director Ajoy Kar made a film based on the play with the same title, Shyamali. In the 1970s, Kumar directed plays under the organisation Shilpi Sangshad. He directed three plays, Charankabi Mukunda Das, Sajahan and Charitraheen, but he did not act in these. Later, he acted in Alibaba.

Hindi cinema

In 1956 Raj Kapoor wanted to cast Kumar in the Bengali version of Jagte Raho, but Kumar declined. In 1962, his friend, composer Hemant Kumar, offered him the lead role in a Hindi film titled Sharmili, directed by Biren Nag. Uttam Kumar was included in promotions for the film, but later cancelled for unknown reasons. Their relationship hit a low point after he rejected it. In 1964, Raj Kapoor approached him to appear in a film under his R.K Films banner, called Sangam, but Kumar rejected it, and the role went to Rajendra Kumar. Kumar's first Hindi film role was in Chhoti Si Mulaqat in 1967, directed by Alo Sarkar and produced by Kumar. The film was adapted from Kumar's earlier Bengali film, Agni Pariksha. Chhoti Si Mulaqat was a failure as the material was considered outdated and lost much of the original film's subtlety. Sarkar's second film starring Kumar, Bandi (1978), was also a failure. His sole success in Hindi was Amanush. The film, directed by Shakti Samanta, was bilingual in both Bengali and Hindi. Kumar's appeared in another bilingual film directed by Samanta, Anand Ashram, a remake of the 1941 film Daktar, which starred Pankaj Mullick and Ahindra Choudhury. Kumar's later Hindi films, Kitaab and Dooriyaan, were box-office failures. His work in Dooriyan was critically praised but he could not make a huge name in Hindi Cinema.

Remakes

For the popularity and quality of Kumar's films, he was influenced to remake his films many times in Hindi and South Indian languages.

• Basu Paribar (1952) in Hindi as Hum Hindustani (1960)
• Champadangar Bou (1954) in Hindi as Aanchal (1980)
• Agni Pariksha (1954) in Tamil and Telugu simultaneously as Mangalya Balam (1959); Later Kumar himself produced and starred in the Hindi remake of the film as Chhoti Si Mulaqat (1967)
• Sabar Uparey (1955) in Hindi as Kala Pani (1958)
• Shyamali (1956) in Tamil as Kodimalar (1966)
• Saheb Bibi Golam (1956) in Hindi as Sahib Biwi Aur Ghulam (1962)
• Sagarika (1956) in Telugu as Aradhana (1962) and in Hindi as Prem Patra (1962)
• Harano Sur (1957) in Hindi as Amar Deep (1958)
• Taasher Ghar (1957) in Telugu as Iddaru Mitrulu (1961) and in Tamil as Ennai Pol Oruvan (1978)
• Maya Mriga (1960) in Tamil as Annai (1962), in Hindi as Laadla (1966) and in Malayalam as Amma (1976)
• Agni Sanskar (1961) in Telugu as Aathma Balam (1964)
• Uttarayan (1963) in Telugu as Ramuni Minchina Ramudu (1975)
• Shesh Anka (1963) in Tamil as Puthiya Paravai (1963) and in Hindi as Khoj (1989)
• Bhranti Bilash (1963) thrice in Hindi as Do Dooni Char (1968), Angoor (1982) and Cirkus (2022)
• Deya Neya (1963) in Hindi as Anurodh (1977)
• Laal Pathore (1964) in Hindi as Lal Patthar (1971)
• Jatugriha (1964) in Hindi as Ijaazat (1987)

• Jiban Mrityu (1967) in Hindi as Jeevan Mrityu (1970) and in Tamil as Sange Muzhangu (1972)
• Nayika Sangbad (1967) in Tamil as Sumathi En Sundari (1971)
• Kalankita Nayak (1970) in Hindi as Charitraheen (1974)
• Nishi Padma (1970) in Hindi as Amar Prem (1972)
• Bilambita Loy (1970) in Hindi as Abhimaan (1973)
• Duti Mon (1970) in Telugu as Yuddham (1984)
• Chhadabeshi (1971) in Hindi as Chupke Chupke (1975) and in Kannada
• Ekhane Pinjar (1971) in Hindi as Atithee (1978)
• Stree (1972) as Ayaash 1982
• Mouchak (1974) in Hindi as Damaad (1978) and in Telugu as Vayyari Bhamalu Vagalamari Bhartalu (1982)
• Amanush (1974) in Telugu as Edureeta (1977), in Tamil as Thyagam (1978) and in Malayalam as Ithaa Oru Manushyan (1978).
• Sanyasi Raja (1975) in Telugu as Raja Ramesh (1977)
• Ami, Shey O Shakha (1975) in Hindi as Bemisal (1982)
• Nidhiram Sardar (1976) in Telugu as Gharana Donga (1980)
• Rajbangsha (1977) in Telugu as Chandasasanudu (1983) and in Tamil as Sarithira Nayagan (1984)
• Bandie (1978) in Telugu as Kaksha (1980)
• Protishodh (1981) in Telugu as Jayam Manade (1986)

Conflict with Soumitra Chatterjee

In the 1960s, a rivalry was started between Kumar and Soumitra Chatterjee who was also a renowned actor. In a 2014 interview, Chatterjee said about Kumar, "I knew Uttamda ever since he was a Kolkata Port Trust employee before becoming a star. We had met at the theatre beforehand. Any talk about our rivalry is baseless as few know how caring he was. He once dragged me jogging to stay and look fit and trim as a hero at the crack of dawn. I woke up in the dawn hearing commotion in the lane outside and then he called me aloud. Waving to the crowd around the Austin we both got inside and drove away - to the lake area."

On-screen partnerships

Kumar and Suchitra Sen appeared together in many films. They first appeared as co-stars in Saare Chuattor. The film was successful, and was followed by Agni Pariksha, Shilpi, Saptapadi, Pathe Holo Deri, Harano Sur, Chaowa Paowa, Bipasha, Jiban Trishna, Sagarika, Trijama, Indrani, Sabar Upare, Surjyo Toron, Rajlakshmi O Sreekanto, Ekti Raat, Grihadaha, Kamallata, Har Mana Har, and Alo Amar Alo. They had worked together in 30 films, of which 29 were box-office successes. In an interview, Kumar once said about his chemistry with Sen, "Roma (Sen's real name) saved my career before Sharey Chuattor every heroine was older than me, so the chemistry did not work properly, hence many of my films did not work (flopped), then Roma came and I felt I got my heroine. If Roma never came I never would've been the Uttam Kumar."

Sonar Harin saw Supriya Devi play the lead opposite Kumar. As they began to act in more films together, the two got involved off-screen as well. In 1963, Uttam left his family home at Girish Mukherjee Road, Bhowanipur and stayed with Supriya for the next 17 years until his death. They starred together in several other films like Uttarayan, Chiradiner, Agni Sanskar, Suno Baranari, Kal Tumi Aleya, Lal Pathor, Andha Atit, Sudhu Ekti Bochhor, Mon Niye, Bilambita Loy, Bhola Maira, Sanyasi Raja, Bon Palashir Padabali, Sister, Jibon Mrityue, Bagh Bandir Khela.

Kumar worked in many films with the actress Sabitri Chatterjee. They first worked together in 1951 in the film Sahajatri. They worked in 39 films together which is highest that Kumar worked together, including Abak Prithibi, Bhranti Bilash, Uttarayan, Nishipadma, Mouchak, Dhanyee Meye and others.

Radio controversy

Kumar was selected in 1976 to recite the Chandi Path in the All India Radio (AIR) studios. He was criticised by audience members for replacing the role normally served by Birendra Krishna Bhadra. Kumar apologised and Bhadra was reinstated.

Philanthropy and activism

Kumar was active in the Indian independence movement. In 1945, he helped Subhas Chandra Bose's Indian National army relief fund, arranging a performance of the play Anandamath and giving the profit of 1700 rupees to Satish Chandra Bose. He also engaged in the Kolkata communal riots of 1946.

Uttam Kumar helped poor artists and technicians. In 1968, he left Abhinetri Sangha and founded his own foundation, Shilpi Sangshad, to help poor artists and technicians. He was president of this organisation until his death. He worked in many films without any salary.

For the 1978 flood, he organised a charity cricket match between artists from the Bengali film industry and the Bombay film industry in 1979. He captained the Bengal team while Dilip Kumar captained the Bombay team.

Personal life

Kumar married Gauri Chatterjee (27 September 1929 – 21 April 1981) on 1 June 1948. They had a son named Gautam Chatterjee (7 September 1950 – 2 May 2005). They had a troubled marriage.

Morgan House, Kalimpong Testimonial of Uttam Kumar and Supriya Devi.

He engaged in a relationship with the legendary actress Supriya Devi, and in 1963 they got married. He didn't give divorce to his wife, Gauri.

Many fans were inquisitive about the relationship between Uttam and Suchitra and thought they were together. Rumours arose that they were the reason Kumar had a divorce; however, there is no truth in that, they were both married and had families, and were respectful of each other as colleagues.

His grandson Gourab Chatterjee and his brother's grandson Sourav Banerjee are both actors.

Kumar started his autobiography in 1960–61 as Harano Dinguli Mor, which is incomplete. Later in 1979–80 he again began his autobiography as Aamar Ami, but that was also incomplete due to his sudden death. Later Tarun Kumar finished it, but the original manuscript was stolen on the day Uttam died. Later, a member of The Times of India found it and published it in Kolkata Book Fair 2010.

Illness and death

On 23 July 1980, he fell ill on the set of Ogo Badhu Sundori. Later that night, while attending his friend's party, he fell severely ill at around midnight. This time, suspecting an attack, he drove himself to Belle Vue Clinic, which was a five-minute drive from his Moira Street residence. At 3:00 am, he was admitted and attended by a medical board composed of eminent cardiologists. He died at 9:35 in the evening of Thursday, 24 July 1980, aged 53. The next day, on 25 July, millions of people gathered on the streets for his last rites and an entire forest became chopped down. Bengali daily newspaper Anandabazar Patrika carried two reports of Uttam's passing away. The headline of one was brief: Cholochitre Indrapatan, which translates to Cinema Loses Its Titan.

Filmography

Main article: Uttam Kumar filmography

Awards and recognition

National Film Award

• 1957: Certificate of Merit for Third Best Feature Film In Bengali - Harano Sur (As producer)
• 1961: Certificate of Merit for Second Best Feature Film in Bengali – Saptapadi (As producer)
• 1963: National Film Award for Best Feature Film in Bengali – Uttar Falguni (As producer)
• 1963: National Film Award Third Best Feature Film In Bengali - Jatugriha (As producer)
• 1967: National Award for Best Actor - Antony Firingee, Chiriyakhana

Bengal Film Journalists Association Award (BFJA)

• 1955: BFJA Award for Best Actor - Hrad
• 1962: BFJA Award for Best Actor - Saptapadi
• 1967: BFJA Award for Best Actor - Nayak
• 1968: BFJA Award for Best Actor - Grihadaha
• 1972: BFJA Award for Best Actor - Ekhane Pinjar
• 1973: BFJA Award for Best Actor - Stree
• 1975: BFJA Award for Best Actor - Amanush
• 1976: BFJA Award for Best Actor - Banhisikha

Filmfare Awards

• 1976: Filmfare Best Actor - Amanush (Nominated)
• 1976: Filmfare Special Award - Amanush

Filmfare Award East

• 1975: Best Actor Award - Amanush 1974
• 1978: Best Actor Award - Dhanraj Tamang 1978

Artistry and legacy

Kumar is regarded as one the greatest actors in Indian Cinema. He dominated Bengali film industry throughout the 50s, 60s and 70s. He is known for his diverse roles and charm. Although he is famously known as a romantic lead but he did various types of roles which proved his versatility. Times Now referred Kumar "The First and Last Titan of Bengali Cinema". Satyajit Ray called him "real star" and said, "There was no other actors at his time to match his popularity and most of his films became successful. There was high casting demand from producers because of the profit opportunities." Shantanu Guha Ray of NDTV said, "Uttam Kumar blazed like a meteor and vanished like one." Zee News called him "one-man-institution" and highlighted his classic films. Kumar's performance in Nayak was listed in "25 Greatest Acting Performances of Indian Cinema" by Forbes.

Several notable actors and directors have expressed their admiration to Kumar like Elizabeth Taylor, Dilip Kumar, Vyjayanthimala, Dharmendra, Rajesh Khanna, Shammi Kapoor and Amitabh Bachchan.

Best quotes for Uttam Kumar

• Satyajit Ray - It is the demise of a leading light in the Bengali film industry… There isn’t – there won’t be another hero like him.
• Dilip Kumar - Uttam was the best of our entire lot. A truly clean person.
• Amitabh Bachchan - Uttam Kumar is the original guru. The great actor.
• Raj Kapoor - The smart, modern hero of India.
• Soumitra Chatterjee - If Uttam Kumar committed a crime and then he gave that smile, I was ready to believe he was innocent.
• Vyjainthimala - He was very quiet, and very courteous, lost mostly in his own world.
• Rajesh Khanna - I have watched so many dhuti, kurta-clad Bengalees both on-screen and in reality. But Uttam Kumar as the Bangali Babu is unique. What I believe is that there is no one who can ever represent the Bengali community like Uttamda did.
• Dharmendra - Uttam Kumar is my one of the idol.
• Suchitra Sen - Uttam is my friend. In a word, he is a great, great artist. But still, sometimes I feel as if he is not properly exploited.
• Tapan Sinha - I personally felt that the acting of Uttam Kumar could be compared to the best actor of any country. His great attribute is his diligence. Many are born with talent, but the talent gets eclipsed due to the lack of diligence. Uttam Kumar has both of them. Perhaps that’s the reason why he still sparkles.
• Prosenjit Chatterjee - Uttam jethu was like a family, like an elder brother to my father. The larger than life aura of the man we have never seen when he used to come to our home during those hour long adda sessions. During my teenage days when the entire Bengal could die to get his one glimpse, I was lucky enough to get cuddled by the great personality.
• Bimal Mitra - Sri Uttam Kumar not merely the actor, I regard him as the creator of the character. Maybe as the creator of the character, he has achieved such stupendous popularity.
• Ashutosh Mukhopadhyay - He is the great hero and life of many of my fictions.

Tributes and honours

Uttam Kumar in 2009 stamp of India.

In 1973, the iconic Bengali film Basanta Bilap actor Chinmoy Ray said a dialogue which was Ekbar bolo Uttam Kumar (Say one time Uttam Kumar). In 2009, Chinmoy Ray directed a film named Ekbar Bolo Uttam Kumar to tribute him. In 2010, Ogo Badhu Sundori (same name of 1981 film) made which directed by Sunanda Mitra also give tribute to Kumar. In the same year, the iconic Bengali film Autograph directed by Srijit Mukherjee there was a tribute to both Kumar and Satyajit Ray. Later in many films of Srijit, he give tribute to Kumar.

In 2009, the Tollygunge Metro station in Kolkata was renamed as Mahanayak Uttam Kumar Metro Station in his honour. A life-size statue of Kumar has been erected near the station.

The Department of Post released a postage stamp featuring the actor on 3 September 2009, celebrating the 83rd anniversary of his birth. There is a statue of Uttam Kumar in Tollygunge established in 1993 by the Government of West Bengal. In 2019 at Ahiritola street the birthplace of Kumar another statue was established which inaugurated by the mayor of Kolkata Firhad Hakim. In 2020, on his 94th birth anniversary another statue was situated at Bardhaman town.

In 2012, on his death anniversary, the Government of West Bengal created the Mahanayak Samman Award, named after Kumar, for lifetime achievement in films. This award was first distributed by Chief Minister Mamata Banerjee. This program is held on Uttam Mancha every year on his death anniversary. In Kalighat of Kolkata there is an auditorium named on Uttam Kumar as Uttam Mancha. On 25 November 2019, in London, there was a cultural festival held about Uttam Kumar at London auditorium by the Bengalis.

In popular culture

• In 2016, a television series based on Kumar's life made named Mahanayak where Bengali actor Prosenjit Chatterjee portrayed Kumar.
• In 2019, Mahalaya where actor Jishu Sengupta featured. The film based on his radio controversial Mahalaya incident which was better known as the Mahisasurmardini happened in 1976.
• In 2022, a biopic of Kumar made named as Achena Uttam, starred the Bengali actor Saswata Chatterjee.
• The 2024 film Oti Uttam, directed by Srijit Mukherjee, featured Kumar through VFX, using footage of 54 of his films and which marked Kumar returns on silver screen afer 37 years. The film was a hit at the box office.

External links

• Uttam Kumar at IMDb
• Uttam Kumar at Rotten Tomatoes