Year
|
Title
|
Notes
|
2013
|
12 Years a Slave
|
Co-production with Regency Enterprises, River Road Entertainment and Plan B
|
2010
|
127 Hours
|
Co-production with Pathé, Fox Searchlight Pictures, Everest Entertainment, Cloud Eight Films, Darlow Smithson Productions and Warner Bros. Pictures
|
2014
|
20,000 Days on Earth
|
Co-production with British Film Institute
|
2002
|
24 Hour Party People
|
Co-production with United Artists, UK Film Council, Revolution Films and Baby Cow Productions
|
2015
|
45 Years
|
Co-production with British Film Institute
|
2014
|
'71
|
Co-production with British Film Institute, Screen Yorkshire, Creative Scotland and Warp Films
|
2008
|
A Complete History of My Sexual Failures
|
Co-production with Warp Films, Screen Yorkshire, EM Media, Madman Entertainment and UK Film Council
|
2013
|
A Field in England
|
|
1997
|
A Life Less Ordinary
|
Co-production with PolyGram Filmed Entertainment and 20th Century Fox
|
2014
|
A Most Wanted Man
|
Co-production with FilmNation Entertainment
|
1987
|
A Month in the Country
|
Co-production with Euston Films
|
1985
|
A Room with a View
|
Co-production with Merchant Ivory Productions and Goldcrest Films
|
1985
|
A Zed and Two Noughts
|
Co-production with British Film Institute and Artificial Eye
|
2015
|
Amy
|
Co-production with Universal Music, Playmaker Films & Krishwerkz Entertainment
|
2018
|
American Animals
|
|
1996
|
American Buffalo
|
Co-production with Capitol Films
|
2016
|
American Honey
|
Co-production with Parts & Labor, Pulse Films, ManDown Pictures, British Film Institute, and Maven Pictures
|
2018
|
An Evening with Beverly Luff Linn
|
Co-production with British Film Institute
|
2007
|
And When Did You Last See Your Father?
|
Co-production with Sony Pictures Classics, UK Film Council, EM Media, Tiger Aspect, Bórd Scannán na hÉireann/Irish Film Board and European Development Fund
|
1982
|
Angel
|
|
1995
|
Angels & Insects
|
Co-production with The Samuel Goldwyn Company
|
2010
|
Another Year
|
Co-production with Thin Man Films
|
2011
|
Attack the Block
|
Co-production with Big Talk Productions, StudioCanal and UK Film Council
|
1994
|
Backbeat
|
Co-production with PolyGram Filmed Entertainment
|
1993
|
Bad Behaviour
|
|
1994
|
Bandit Queen
|
Co-production with Kaleidoscope Entertainment
|
2017
|
Beast
|
Co-production with British Film Institute
|
1996
|
Beautiful Thing
|
|
2018
|
Been So Long
|
Co-production with Netflix and British Film Institute
|
1997
|
Bent
|
Co-production with Arts Council of England
|
2012
|
Berberian Sound Studio
|
Co-production with Warp X Productions, Screen Yorkshire and UK Film Council
|
1993
|
Bhaji on the Beach
|
|
2016
|
Billy Lynn's Long Halftime Walk
|
Co-production with TriStar Pictures
|
2001
|
Birthday Girl
|
Co-production with Miramax Films, Mirage Enterprises and HAL Films
|
2014
|
Black Sea
|
Co-production with Focus Features
|
1993
|
Blue
|
Co-production with BBC Radio 3 and Arts Council of Great Britain
|
1995
|
Blue Juice
|
|
1991
|
Blonde Fist
|
|
1996
|
Brassed Off
|
Co-production with Miramax Films and Prominent Features
|
2000
|
Bread and Roses
|
|
2022
|
Brian and Charles
|
Co-production with British Film Institute and Mr Box Productions
|
2005
|
Brothers of the Head
|
Co-production with Screen East and EM Media
|
1999
|
Buena Vista Social Club
|
Co-production with Road Movies Filmproduktion and Arte
|
2001
|
Buffalo Soldiers
|
Co-production with Good Machine and Miramax Films
|
2009
|
Bunny and the Bull
|
Co-production with Warp X Productions, Wild Bunch, Optimum Releasing, Screen Yorkshire and UK Film Council
|
1997
|
Career Girls
|
|
1996
|
Carla's Song
|
Co-production with Glasgow Film Office and Televisión Española
|
2015
|
Carol
|
Co-production with Number 9 Films and Killer Films
|
2014
|
Catch Me Daddy
|
Co-production with British Film Institute and Screen Yorkshire
|
2001
|
Charlotte Gray
|
Co-production with Ecosse Films and Warner Bros.
|
2001
|
Christmas Carol: The Movie
|
Co-production with UK Film Council
|
2018
|
Cold War
|
Co-production with British Film Institute and MK2
|
1986
|
Comrades
|
Co-production with now-defunct National Film Finance Corporation
|
1998
|
Croupier
|
Co-production with Arte and Westdeutscher Rundfunk
|
2014
|
Cuban Fury
|
Co-production with British Film Institute
|
1992
|
Damage
|
Co-production with Le Studio Canal+ and Canal+
|
1985
|
Dance with a Stranger
|
|
2000
|
Dancer in the Dark
|
Co-production with Canal+, France 3 Cinéma, Zentropa and Fine Line Features
|
1998
|
Dancing at Lughnasa
|
Co-production with Sony Pictures Classics, Bórd Scannán na hÉireann/Irish Film Board, Raidió Teilifís Éireann and Capitol Films
|
2004
|
Dead Man's Shoes
|
|
1994
|
Death and the Maiden
|
Co-production with Capitol Films, Canal+, TF1 and Fine Line Features
|
2002
|
Death to Smoochy
|
Co-production with Senator Film and Warner Bros.
|
2006
|
Deep Water
|
|
2019
|
Dirt Music
|
Co-production with ScreenWest
|
2017
|
Disobedience
|
Co-production with FilmNation Entertainment and Element Pictures
|
2001
|
Dog Eat Dog
|
Co-production with Tiger Aspect Productions
|
1999
|
Dogma
|
Produced by View Askew
|
2008
|
Donkey Punch
|
Co-production with EM Media, Madman Entertainment, Screen Yorkshire, UK Film Council and Warp X Productions
|
2020
|
Dream Horse
|
Co-production with Cornerstone Films, Ingenious Media, Raw, Topic Studios, FFilm Cymru Wales, Bleecker Street, Sony Pictures Worldwide Acquisitions and Warner Bros. Pictures
|
1988
|
Drowning by Numbers
|
|
1992
|
Dust Devil
|
Co-production with Miramax Films
|
1999
|
East Is East
|
|
1987
|
Eat the Rich
|
Co-production with Michael White
|
1998
|
Elizabeth
|
Co-production with PolyGram Filmed Entertainment, Meridian and Working Title Films
|
2004
|
Enduring Love
|
Co-production with Pathé, UK Film Council and Ingenious Film Partners
|
2014
|
Ex Machina
|
Co-production with Universal Pictures and DNA Films
|
1982
|
Experience Preferred... But Not Essential
|
|
2021
|
Everybody's Talking About Jamie
|
Co-production with New Regency Pictures, 20th Century Fox and Warp Films
|
1997
|
Fever Pitch
|
|
2019
|
Fighting with My Family
|
Co-production with Metro-Goldwyn-Mayer, WWE Studios and Seven Bucks Productions
|
2013
|
For Those in Peril
|
Co-production with Warp X Productions
|
2010
|
Four Lions
|
Co-production with Warp Films, Wild Bunch and Optimum Releasing
|
1994
|
Four Weddings and a Funeral
|
Co-production with PolyGram Filmed Entertainment and Working Title Films
|
2014
|
Frank
|
|
2008
|
Franklyn
|
Co-production with Recorded Picture Company, HanWay Films and UK Film Council
|
2016
|
Free Fire
|
Co-production with British Film Institute
|
2007
|
Funny Games
|
Co-production with Warner Independent Pictures and Tartan Films
|
2001
|
Gabriel and Me
|
Co-production with Pathé, Isle of Man Film and UK Film Council
|
2000
|
Gangster No. 1
|
Co-production with Medienboard Berlin-Brandenburg, Road Movies Filmproduktion and BSkyB
|
1982
|
Giro City
|
|
1990
|
God on the Rocks
|
|
1999
|
Gregory's Two Girls
|
|
2019
|
Greed
|
Co-production with Columbia Pictures and Revolution Films
|
2007
|
Hallam Foe
|
Co-production with Ingenious Film Partners, Glasgow Film Office, Scottish Screen and Sigma Films
|
2008
|
Happy-Go-Lucky
|
Co-production with Ingenious Film Partners and Summit Entertainment
|
1991
|
Hear My Song
|
|
1982
|
Hero
|
|
1987
|
Hidden City
|
|
1988
|
High Hopes
|
|
2015
|
High-Rise
|
Co-production with Recorded Picture Company, HanWay Films and the British Film Institute
|
1998
|
Hilary and Jackie
|
|
1999
|
Holy Smoke!
|
Co-production with Miramax Films
|
2013
|
How I Live Now
|
Co-production with British Film Institute, Magnolia Pictures and Passion Pictures
|
2008
|
How to Lose Friends & Alienate People
|
Co-production with UK Film Council
|
2017
|
How to Talk to Girls at Parties
|
Co-production with HanWay Films, See-Saw Films and Little Punk
|
2019
|
How to Build a Girl
|
Co-production with Tango Entertainment, British Film Institute, Monumental Pictures, Protagonist Pictures
|
1992
|
Howards End
|
|
2008
|
Hunger
|
|
2009
|
Hush
|
Co-production with Warp X, Pathé, Screen Yorkshire, UK Film Council and Optimum Releasing
|
2012
|
Hyde Park on Hudson
|
Co-production with Daybreak Pictures and Focus Features
|
2008
|
In Bruges
|
Co-production with Focus Features
|
2007
|
In the Shadow of the Moon
|
Co-production with Discovery Films and Passion Pictures
|
1995
|
Institute Benjamenta
|
Co-production with Pandora Film
|
2001
|
Invincible
|
Co-production with Fine Line Features
|
2014
|
Jimmy's Hall
|
|
2007
|
Joe Strummer: The Future Is Unwritten
|
|
2017
|
Journeyman
|
|
2001
|
K-PAX
|
Co-production with Universal Pictures and Intermedia Films
|
2011
|
Kill List
|
Co-production with UK Film Council, Warp X, Screen Yorkshire and Rook Films
|
2024
|
Kinds of Kindness
|
Co-production with Searchlight Pictures, Element Pictures and TSG Entertainment
|
1994
|
Ladybird, Ladybird
|
|
2021
|
Last Night in Soho
|
Co-production with Focus Features and Working Title Films
|
2001
|
Late Night Shopping
|
Co-production with Scottish Screen and Glasgow Film Office
|
2013
|
Le Week-End
|
|
2017
|
Lean on Pete
|
Co-production with British Film Institute
|
2014
|
Life
|
Co-production with See-Saw Films, Telefilm Canada and Screen Australia
|
1990
|
Life Is Sweet
|
|
1991
|
London Kills Me
|
Co-production with PolyGram Filmed Entertainment and Working Title Films
|
2009
|
Looking for Eric
|
Co-production with Icon Entertainment International and Wild Bunch
|
2001
|
Lucky Break
|
Co-production with Paramount Pictures and Miramax Films
|
2015
|
Macbeth
|
Co-production with StudioCanal, DMC Film, Anton Capital Entertainment, Creative Scotland and See-Saw Films
|
1998
|
Martha, Meet Frank, Daniel and Laurence
|
|
2018
|
Mary Magdalene
|
Co-production with Universal Pictures, Porchlight Films, Affirm Films, Columbia Pictures and See-Saw Films[19])
|
2005
|
Me and You and Everyone We Know
|
|
2007
|
Mister Lonely
|
Co-production with Recorded Picture Company
|
1982
|
Moonlighting
|
|
2014
|
Mr. Turner
|
Co-production with British Film Institute, Focus Features International and Thin Man Films
|
1985
|
My Beautiful Laundrette
|
Co-production with SAF Productions and Working Title Films
|
1998
|
My Name Is Joe
|
|
2010
|
Neds
|
Co-production with Scottish Screen, UK Film Council and Wild Bunch
|
2010
|
Never Let Me Go
|
Co-production with DNA Films and Fox Searchlight Pictures
|
1991
|
Night on Earth
|
Co-production with JVC Entertainment, Victor Music Industries, Le Studio Canal + and Pandora Film
|
1995
|
Nothing Personal
|
Co-production with Bórd Scannán na hÉireann/Irish Film Board
|
2009
|
Nowhere Boy
|
Co-production with UK Film Council, Ecosse Films and The Weinstein Company
|
2012
|
On the Road
|
Co-production with American Zoetrope, MK2, France Télévisions, Canal+, Ciné+, France 2 Cinéma and Vanguard Films
|
2002
|
Once Upon a Time in the Midlands
|
Co-production with UK Film Council
|
2011
|
One Day
|
Co-production with Focus Features, Random House Films and Color Force
|
1998
|
Orphans
|
Co-production with Scottish Arts Council and Glasgow Film Office
|
1982
|
P'tang, Yang, Kipperbang
|
|
1984
|
Paris, Texas
|
Co-production with Westdeutscher Rundfunk
|
1992
|
Peter's Friends
|
Co-production with The Samuel Goldwyn Company
|
2018
|
Peterloo
|
Co-production with British Film Institute, Amazon Studios and Thin Man Films
|
2023
|
Poor Things
|
Co-production with Searchlight Pictures, Element Pictures and TSG Entertainment
|
1991
|
Prospero's Books
|
Co-production with Canal+, Eurimages, VPRO, NHK, Cineplex Odeon Films and Palace Pictures
|
2000
|
Purely Belter
|
|
1989
|
Queen of Hearts
|
Co-production with Nelson Entertainment, TVS Television and Cinecom
|
1993
|
Raining Stones
|
|
1983
|
Red Monarch
|
Co-production with Goldcrest Films and Enigma Productions
|
1982
|
Remembrance
|
|
1991
|
Riff-Raff
|
|
1987
|
Rita, Sue and Bob Too
|
|
2019
|
Rocks
|
|
2015
|
Room
|
Co-production with Element Pictures and No Trace Camping
|
2019
|
Saint Maud
|
Co-production with British Film Institute, Escape Plan Productions and StudioCanal
|
1987
|
Sammy and Rosie Get Laid
|
Co-production with Working Title Films
|
1996
|
Secrets & Lies
|
Co-production with Ciby 2000
|
2001
|
Series 7: The Contenders
|
Co-production with USA Films
|
2012
|
Seven Psychopaths
|
Co-production with British Film Institute, HanWay Films and CBS Films
|
2000
|
Sexy Beast
|
Co-production with Kanzaman, Fox Searchlight Pictures and Recorded Picture Company
|
1994
|
Shallow Grave
|
|
2011
|
Shame
|
Co-production with Fox Searchlight Pictures, UK Film Council, See-Saw Films, HanWay Films and Momentum Pictures/Alliance Films
|
2004
|
Shaun of the Dead
|
Co-production with Big Talk Productions, Working Title Films, StudioCanal, Universal Pictures and Rogue Pictures
|
1985
|
She'll Be Wearing Pink Pyjamas
|
|
1994
|
Shopping
|
Co-production with Kuzui Enterprises and PolyGram Filmed Entertainment
|
2012
|
Sightseers
|
Co-production with Big Talk Pictures
|
1994
|
Sister My Sister
|
|
2015
|
Slow West
|
Co-production with the New Zealand Film Commission and See-Saw Films
|
2008
|
Slumdog Millionaire
|
Co-production with Fox Searchlight Pictures, Warner Bros. Pictures, Pathé and Celador Films
|
2013
|
Starred Up
|
Co-production with Creative Scotland, Northern Ireland Screen and Sigma Films
|
1988
|
Stormy Monday
|
Co-production with Atlantic Entertainment Group
|
2007
|
Straightheads
|
Co-production with Ingenious Film Partners and UK Film Council
|
2010
|
Submarine
|
Co-production with Red Hour Films and Warp Films
|
2015
|
Suffragette
|
Co-production with 20th Century Fox, Pathé, BFI, Ingenious Media, Canal+, Cine+ and Ruby Films
|
1999
|
Sunshine
|
Co-production with Alliance Atlantis, Eurimages, Telefilm Canada, The Movie Network, Kinowelt, TV2, ORF and Paramount Classics
|
1994
|
The Acid House
|
|
2003
|
The Actors
|
Co-production with Miramax Films and Bórd Scannán na hÉireann/Irish Film Board
|
1993
|
The Baby of Mâcon
|
Co-production with UGC and Canal+
|
1987
|
The Belly of an Architect
|
Co-production with Hemdale Film Corporation
|
1992
|
The Crying Game
|
Co-production with British Screen, Eurotrustees, Nippon Film Development and Finance and Palace Pictures
|
1999
|
The Debt Collector
|
|
2011
|
The Deep Blue Sea
|
Co-production with UK Film Council and Artificial Eye
|
2013
|
The Double
|
Co-production with Alcove Entertainment and British Film Institute
|
1982
|
The Draughtsman's Contract
|
Co-production with British Film Institute
|
2011
|
The Eagle
|
Co-production with Focus Features
|
2011
|
The Emperor's New Clothes
|
|
2018
|
The Favourite
|
Co-production with Fox Searchlight Pictures and Element Pictures
|
2018
|
The Festival
|
Co-production with Entertainment Film Distributors
|
2000
|
The Filth and the Fury
|
Co-production with Jersey Films
|
2011
|
The Future
|
Co-production with Medienboard Berlin-Brandenburg
|
2011
|
The Great Bear
|
|
2000
|
The House of Mirth
|
Co-production with Granada Productions, Kinowelt, Arts Council of England, Showtime Networks and The Scottish Arts Council
|
2011
|
The Inbetweeners Movie
|
Co-production with Bwark Productions, Young Films and Entertainment Film Distributors
|
2014
|
The Inbetweeners 2
|
Co-production with Bwark Productions
|
2011
|
The Iron Lady
|
Co-production with Pathé, UK Film Council and The Weinstein Company
|
2005
|
The King
|
|
2017
|
The Killing of a Sacred Deer
|
Co-production with Element Pictures, Newsparta Films & A24
|
1998
|
The Land Girls
|
Co-production with PolyGram Filmed Entertainment, Gramercy Pictures, Intermedia Films and Canal+
|
2006
|
The Last King of Scotland
|
Co-production with DNA Films and Fox Searchlight Pictures
|
2005
|
The League of Gentlemen's Apocalypse
|
Co-production with Universal Pictures and Tiger Aspect
|
2018
|
The Little Stranger
|
Co-production with Pathé, Canal+ and Element Pictures
|
2015
|
The Lobster
|
Co-production with Irish Film Board, Eurimages, Netherlands Film Fund, British Film Institute, Canal+, Ciné+, CNC, Institut Français, Greek Film Centre, Element Pictures, Scarlet Films, Faliro House, Haut et Court and Lemming Films
|
2013
|
The Look of Love
|
Co-production with StudioCanal UK, Revolution Films and Baby Cow Productions
|
2009
|
The Lovely Bones
|
Co-production with DreamWorks Pictures and Paramount Pictures
|
2001
|
The Low Down
|
Co-production with British Screen, Oil Factory and Sleeper Films
|
1994
|
The Madness of King George
|
Co-production with The Samuel Goldwyn Company
|
1991
|
The Miracle
|
|
2004
|
The Motorcycle Diaries
|
|
2001
|
The Navigators
|
Co-production with Road Movies Filmproduktion, Westdeutscher Rundfunk and Arte
|
1995
|
The Neon Bible
|
Co-production with Artificial Eye
|
2019
|
The Personal History of David Copperfield
|
Co-production with FilmNation Entertainment
|
1996
|
The Pillow Book
|
Co-production with Canal+
|
1994
|
A Pin for the Butterfly
|
|
1983
|
The Ploughman's Lunch
|
Co-production with Goldcrest Films and Michael White
|
1991
|
The Pope Must Die
|
Co production with Miramax Films, Palace Pictures and Michael White
|
1998
|
The Red Violin
|
Co-production with New Line Cinema, Lionsgate, Telefilm Canada and CITY-TV
|
2014
|
The Riot Club
|
Co-production with Universal Pictures, British Film Institute, HanWay Films and Pinewood Pictures
|
2013
|
The Selfish Giant
|
Co-production with British Film Institute
|
2009
|
The Scouting Book for Boys
|
Co-production with Celador Films, Screen East and Pathé
|
2013
|
The Spirit of '45
|
|
2013
|
The Stone Roses: Made of Stone
|
Co-production with Warp Films
|
1999
|
The Straight Story
|
Co-production with StudioCanal and Walt Disney Pictures
|
1985
|
The Supergrass
|
Co-production with The Comic Strip and Michael White
|
2011
|
The Woman in the Fifth
|
Co-production with UK Film Council, Canal+, Orange Cinéma Séries and Artificial Eye
|
1997
|
The Woodlanders
|
Co-production with Pathé Productions and Arts Council of England
|
2006
|
This Is England
|
Co-production with UK Film Council, Optimum Releasing, Screen Yorkshire and Warp Films
|
2017
|
Three Billboards Outside Ebbing, Missouri
|
Co-production with Fox Searchlight Pictures and Blueprint Pictures
|
2003
|
To Kill a King
|
Co-production with Natural Nylon and HanWay Films
|
2003
|
Touching the Void
|
Co-production with Channel 4, UK Film Council, Darlow Smithson Productions and PBS
|
1996
|
Trainspotting
|
|
2017
|
T2 Trainspotting
|
Co-production with TriStar Pictures, Cloud Eight Films and DNA Films
|
2013
|
Trance
|
Co-production with Pathé, Fox Searchlight Pictures and Cloud Eight Films and Indian Paintbrush
|
2016
|
Trespass Against Us
|
Co-production with Potboiler Productions
|
1996
|
Trojan Eddie
|
Co-production with Bórd Scannán na hÉireann/Irish Film Board
|
1996
|
True Blue
|
|
2019
|
True History of the Kelly Gang
|
Co-production with Film Victoria and Screen Australia
|
2011
|
Tyrannosaur
|
Co-production with Warp X, Inflammable Films, UK Film Council, Screen Yorkshire, EM Media, and Optimum Releasing (as StudioCanal UK)
|
2013
|
Under the Skin
|
Co-production with British Film Institute, FilmNation Entertainment, Scottish Screen, Nick Wechsler Productions and A24 Films
|
2016
|
Una
|
Co-production with Bron Studios, Jean Doumanian Productions, and WestEnd Films
|
1998
|
Velvet Goldmine
|
Co-production with Newmarket Capital Group, Miramax Films, Killer Films and Zenith Entertainment
|
2006
|
Venus
|
Co-production with UK Film Council and Miramax Films
|
2001
|
Very Annie Mary
|
Co-production with Canal+
|
1996
|
Walking and Talking
|
Co-production with Miramax Films, Zenith Productions, Pandora Film, Mikado Films (France), Electric, TEAM Communications Group, PolyGram Filmed Entertainment and Good Machine
|
1982
|
Walter
|
|
1992
|
Waterland
|
|
1997
|
Welcome to Sarajevo
|
Co-production with Miramax Films
|
1986
|
When the Wind Blows
|
Co-production with Kings Road Entertainment
|
2018
|
Widows
|
Co-production with 20th Century Fox, Regency Enterprises and See-Saw Films
|
1992
|
Wild West
|
|
1987
|
Wish You Were Here
|
|
1999
|
With or Without You
|
Co-production with Miramax Films and Revolution Films
|
1993
|
Wittgenstein
|
Co-production with the British Film Institute
|
2011
|
Wuthering Heights
|
Co-production with HanWay Films, Ecosse Films, UK Film Council, Goldcrest Films and Screen Yorkshire
|
2017
|
You Were Never Really Here
|
Co-production with Why Not Productions, British Film Institute and Page 114
|
1986
|
Zastrozzi, A Romance
|
|